Everything about Workin’ Moms, eh?

Comments and queries for the week of June 15

I love the free-spirited atmosphere of [Workin’ Moms] storylines and the characters seem to enjoy their parts. It is real, entertaining and the length of each episode is ideal. Thank you Catherine Reitman :-) I am looking forward to Season 3. —Marilyn

Finally got a chance to catch up with the first two years. The show feels raw yet soothing. I love the energy and seeing the rainbow of friendships. Every Kate needs an Anne and vice versa. —Chad


I wouldn’t complain if Bell cancelled Mystbusters, but Daily Planet is one of a very few worthwhile shows left watching! So incredibly sad. —Lise

I guess I can cancel my subscription to Discovery Channel now! Daily Planet was the only thing I watched on this channel. Sad to see it go! —Herbert

This was about the only reason I was still watching regular TV (except for hockey) this was the only REALLY GOOD SHOW left on a Canadian Channel. Sad to see it go. Strange how this will help them if they are struggling with attracting advertisers using the current line-up of the crappy shows from the U.S.A.? —Mike

As a science teacher, I would always talk about, refer to or mention an episode to my students. I’m just flabbergasted about this very sad news. —M. Forest

 

Got a question or comment about Canadian TV? Email greg.david@tv-eh.com or via Twitter @tv_eh.

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Banff 2018: Catherine Reitman recalls “fantasizing about death” before creating Workin’ Moms

Workin’ Moms doesn’t shy away from showing the flaws of being a mother. Part of the show’s charm and popularity is because of Catherine Reitman’s decision to show the challenges of being a working mother in 2018. And while there are plenty of laughs to go with those relatable moments via Kate (Reitman), Anne (Dani Kind), Frankie (Juno Rinaldi) and Alicia (Kat Barrell), the creation of Workin’ Moms came at a dark time in her life.

“I gave birth a couple of years ago and went back to work too quickly,” Reitman, the series’ showrunner, director, writer and executive producer says. “I had some pretty lethal post-partum depression and was actually fantasizing about death and it kept making me laugh. It wasn’t this dark, scary thing. It was this release. It made me happy, it made me hopeful. If the world would go away and these responsibilities would go away, life would be so much easier.”

Reitman spoke alongside Kim’s Convenience boss Ins Choi at the Banff World Media Festival on Tuesday morning during the CBC’s Breakfast of Showrunner Champions event. The packed room laughed nervously as Reitman recalled how her own mommy group stared at her while she related those feelings and realized the content would make for a television show. She couldn’t be the only one feeling the way she did, she reasoned and her husband Philip Sternberg—he’s an executive producer, director and plays Kate’s husband Nathan on the show—urged her to write it.

Tired of auditioning for roles for women that didn’t look or sound like her, she penned the scripts and created a sizzle reel. Once Sally Catto, general manager of programming at CBC Television, saw the reel she greenlit the series.

“Thank god for Sally,” Reitman says. “I say that every day because I get to sit here in front of all of you and watch a clip and remain floored that I was fantasizing about death and now people are watching [Workin’ Moms] and hopefully connecting with it.

Workin’ Moms returns to CBC in winter 2019.

Image courtesy of CBC.

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CBC announces new and returning programming slate for 2018-19 season

From a media release:

Canada’s public broadcaster today announced its robust 2018-19 slate, including 17 new series and 36 renewed titles – one of CBC’s largest returning lineups to date. CBC’s upcoming year of original Canadian programming includes drama, comedy, factual, arts, music, kids, sports, news and documentary programming across television, radio and digital platforms, showcasing both new and established homegrown voices and creators.

NEW ORIGINAL SERIES

New CBC original Canadian series confirmed for the 2018-19 season include:

Comedy:

CAVENDISH (8×30, Winter 2019 – Temple Street), from the minds of Picnicface comedy troupe founders Mark Little and Andrew Bush, along with Garry Campbell (Kim’s Convenience). Bush and Little star as two bickering brothers who return to their PEI hometown to take care of their grumpy and ailing father, only to collide with the eccentric townsfolk and their even stranger superstitions.

Drama:

CORONER (8×60, Winter 2019 – Back Alley Films, Muse Entertainment), a procedural drama created for television by Morwyn Brebner (Saving Hope), based on the best-selling book series by M.R. Hall. The series follows Jenny Cooper, a former ER doctor and newly appointed coroner investigating suspicious deaths. Suffering from clinical anxiety and recently widowed with a teenage son, Jenny is a woman of action driven by an intense desire for the truth.

DIGGSTOWN (6×60, Winter 2019 – Circle Blue Entertainment), a legal drama created by Floyd Kane (Across the Line) and set in the gritty arena of legal aid, focusing on Marcie Diggs, a star corporate lawyer who reconsiders her priorities after her beloved aunt commits suicide following a malicious prosecution. Landing at a legal aid office in Dartmouth, Marcie is driven by one thing – to never again allow innocent lives to be destroyed by the justice system. DIGGSTOWN is the first original Canadian drama series featuring a black female lead character.

NORTHERN RESCUE (10×60, 2018/19 – Don Carmody Television, CBC and Netflix co-production), a heartwarming family drama starring William Baldwin (MacGyver) and Kathleen Robertson (Bates Motel).  After the death of his wife Sarah, John (Baldwin), a Search & Rescue officer, packs up his three children and moves from their hectic urban life to a small northern town, where they all struggle with their new surroundings, new friends, and accepting Sarah’s death.

STREET LEGAL (6×60, Winter 2019 – IGP and Broken Clown Productions), the iconic character-driven legal drama returns with both familiar faces and new characters, and a focus on how the law is practised in Canada today, including contemporary themes and issues. Bringing STREET LEGAL into the 21st century, we pick up 25 years later with Olivia Novak (Cynthia Dale), now a named partner at a major Bay Street law firm.

UNSPEAKABLE (8×60, Winter 2019 – Mezo Entertainment), a searing depiction of the tainted blood scandal that began in the early 1980s. The limited series is told through the stories of two families severely affected by the worst public health disaster in Canadian history, with a strong cast including Sarah Wayne Callies (The Walking Dead), Shawn Doyle (Bellevue), Michael Shanks (Saving Hope) and Camille Sullivan (The Disappearance).

Factual & Arts:

CANADA’S SMARTEST PERSON JUNIOR (6×60, Fall 2018 – Media Headquarters), hosted by Paul Sun-Hyung Lee (Kim’s Convenience), will see 12 remarkable kids take on exciting challenges in the six categories of intelligence – Physical, Musical, Social, Linguistic, Logical, and Visual – in front of a live studio audience, in the hopes of being crowned the first-ever title of Canada’s Smartest Person Junior.

FROM THE VAULTS (working title) (6×60, Fall 2018 – Banger Films), a visually exciting and entertaining cultural exploration using CBC Archive recordings as a window into Canadian history and music. Hosted by Amanda Parris and Tom Power, this archive series features musical performances and candid interviews, shedding a bright light on Canada’s musical journey.

HIGH ARCTIC HAULERS (working title) (8×60, 2019 – Great Pacific Media, a Thunderbird Company), a look at Canada’s resilient, vibrant northern communities and the determined men and women who help provide their lifeline to the outside world. These groups are linked together by the summer sealift, when ships loaded with critical cargo travel each year to the farthest reaches of the north to deliver food, clothing, supplies and vital pieces of infrastructure.

IN THE MAKING (8×30, Fall 2018 – White Pine Pictures), an immersive journey inside the artistic process. Host Sean O’Neill travels the globe alongside some of Canada’s most extraordinary creators as they bring new work to life and face moments of opportunity, challenge and reward.

UNDER NEW MANAGEMENT(4×30, Winter 2019 – Proper Television), a factual entertainment series featuring budding entrepreneurs as they shop for the business of their dreams.

CBC Kids:

BECCA’S BUNCH (52×11, Jam Media), a must-see children’s comedy that combines live action, puppetry, and 3D animation.

BIG BLUE (52×11, Guru), an underwater comedy-adventure series about siblings Lettie and Lemo and the oddball crew of their submarine.

ENDLINGS (12×30, Sinking Ship), a sci-fi adventure series about four foster kids making a startling discovery that affects the entire universe.

KINGDOM FORCE (52×11, Industrial Brothers/Boat Rocker), an action series about animals protecting their community from danger with their unique skills that combine to form a giant robot.

MOLLY OF DENALI (38×30, Atomic Cartoons, CBC co-production with PBS), an adventure-comedy series about a 10-year-old Indigenous girl.

This fall, CBC will also broadcast the Canadian premiere of the new adaptation of William Makepeace Thackeray’s literary classic VANITY FAIR (7×60, Mammoth Screen, ITV and Amazon Studios) starring Olivia Cooke (Ready Player One) as Becky Sharp, an ambitious social climber desperately trying to escape poverty and scale the heights of English society.

RETURNING SERIES:

CBC’s returning slate of scripted, factual and arts titles for 2018/19 is as follows:

ANNE WITH AN E (10×60, Season 2, fall 2018)

BARONESS VON SKETCH SHOW(10×30, Season 3) – *moves to fall 2018*

BURDEN OF TRUTH (8×60, Season 2, winter 2019)

CBC ARTS: EXHIBITIONISTS (26×30, Season 4, fall 2018)

CBC KIDS new seasons of original Canadian series DOT, ADDISON, and OLLIE THE BOY WHO BECAME WHAT HE ATE

CORONATION STREET (Season 20, fall 2018)

THE DETECTIVES (8×60, Season 2, fall 2018)

DRAGONS’ DEN (20×60, Season 13, fall 2018)

THE FILMMAKERS (8×30, Season 2, summer 2018 starting July 28)

FRANKIE DRAKE MYSTERIES (10×60, Season 2, fall 2018)

THE GREAT CANADIAN BAKING SHOW (8×60, Season 2, fall 2018)

HALIFAX COMEDY FEST (6×30, Season 23, fall 2018)

HEARTLAND (11×60, Season 12) – *moves to winter 2019*

JUST FOR LAUGHS: GALAS (2018-2019)

KIM’S CONVENIENCE (13×30, Season 3) – *moves to winter 2019*

LITTLE DOG (8×30, Season 2, winter 2019)

MR. D (8×30, Season 8) – *moves to Wednesdays – final season*

MURDOCH MYSTERIES (18×60, Season 12, fall 2018)

SCHITT’S CREEK (14×30, Season 5, winter 2019)

THE STATS OF LIFE (8×30, Season 2, winter 2019)

STILL STANDING (13×30, Season 4, now in production on Season 5 for 2019) – *moves to fall 2018*

THIS HOUR HAS 22 MINUTES (19×30, 1×60, Season 26)

WHEN CALLS THE HEART (Season 4, summer 2018 starting June 17)

THE WINNIPEG COMEDY FESTIVAL (5×60, Season 17, winter 2019)

WORKIN’ MOMS (13×30, Season 3, winter 2019)

CBC’s award-winning news and documentary programming also returns:

CBC DOCS POV (Season 3) – *moves to Friday evenings*

THE FIFTH ESTATE (Season 44) – *moves to Sunday evenings*

THE INVESTIGATORS WITH DIANA SWAIN (Season 3) *moves to Thursdays*

MARKETPLACE (Season 46)

THE NATIONAL

THE NATURE OF THINGS (Season 58)

TAKEN (Season 2, summer 2018 starting June 22)

THE WEEKLY WITH WENDY MESLEY (Season 2)

SPECIALS:

CBC’s annual lineup of specials and awards programming celebrating Canadian creators, artists and storytellers also includes:

INDSPIRE AWARDS (June 24)

CANADA DAYCELEBRATION (July 1)

CANADIAN COUNTRY MUSIC ASSOCIATION AWARDS (September 9, hosted by Shania Twain)

POLARIS MUSIC PRIZE GALA (September 17) – streaming via CBCMusic.ca

SCOTIABANK GILLER PRIZE (November 19)

AIR FARCE NEW YEAR’S EVE (December 31)

CANADA’S NEW YEAR’S EVE (December 31)

CANADA READS (March 2019)

CANADIAN SCREEN AWARDS (March 2019)

THE JUNO AWARDS broadcast live from London and MUSIC DAY ON CBC (March 17)

 ORIGINAL DIGITAL PROGRAMMING:

CBC’s diverse slate of digital original series and award-winning CBC SHORT DOCSincludes the following new titles that will stream on the CBC TV App and cbc.ca/watch:

ART IS MY COUNTRY, riveting profiles of 10 Canadian artists from various cultural backgrounds who are redefining and reshaping Canadian art.

OFF KILTER, a mockumentary that documents the remaking of failed up-and-coming choreographer Milton Frank into the critically acclaimed jerk he never got to be in the ‘90s.

WINSTON ROWNTREE’S PEOPLE WATCHING (Season 2, July), a comedy series featuring humorous and heartfelt short stories about 20-somethings searching for acceptance and romance.

FARM CRIME (August), a true-crime docu-series investigating unconventional offences in the world of farming and agriculture.

SEEN AND HEARD (September), uniting a mixed group of deaf and hearing performers to mount a unique adaptation of The Little Mermaid.

RED BUTTON (winter), the ongoing documentary project returns to provide remarkably candid perspectives of marginalized and misunderstood youth.

CBC SHORT DOCS:

FAST HORSE (Alexandra Lazarowich), exploring the return of the bareback horse-racing tradition to Blackfoot country.

QUEER PRIEST (Nicholas Bradford-Ewart), three docs following the lives of openly queer individuals who have chosen to become or remain priests despite the trauma that the Christian community has inflicted upon them.

SEDRA (Sura Mallouh), observing a 17-year-old and her family as they rebuild their lives in Canada after fleeing the Syrian war.

THE HOLE IN RESERVOIR HILL (Shasha Nakhai and Rich Williamson), a timely revisiting of the decommissioned nuclear bunker in North Bay, Ontario and the individuals who know its secrets.

In addition to making all television series available to stream live or on-demand via its digital platforms, spanning more than 4,000 hours of programming, CBC is also investing in new content exclusive to the CBC TV App and cbc.ca/watch including 250 hours of new programming. Featuring Canadian content as well as a curated selection of best-in-class drama, comedy, lifestyle and documentary content from around the world, new titles streaming in the upcoming year include PORTLANDIA, MOONE BOYand the Canadian premiere of Australian comedy RONNY CHIENG: INTERNATIONAL STUDENT.

 

PRIMETIME BROADCAST SCHEDULE

CBC’s 2018-19 primetime broadcast schedule is as follows:

All series will also be available to stream on the CBC TV App and at cbc.ca/watch.

(For Newfoundland and Labrador, please add one half-hour later for all times)

MONDAYS
8 PM MURDOCH MYSTERIES *Season 12*(FALL/WINTER)

9 PM FRANKIE DRAKE MYSTERIES *Season 2* (FALL)/ CORONER*NEW SERIES* (EARLY WINTER)/ STREET LEGAL*NEW SERIES* (LATE WINTER)

10 PM THE NATIONAL

TUESDAYS
8 PMSTILL STANDING*Season 4*(NEW TO FALL)/KIM’S CONVENIENCE*Season 3* (NEW TO WINTER)

8:30 PMTHIS HOUR HAS 22 MINUTES*Season 26* (FALL/WINTER)

9 PM BARONESS VON SKETCH SHOW *Season 3* (NEW TO FALL)/ SCHITT’S CREEK*Season 5* (WINTER)

9:30 PMWORKIN’ MOMS*Season 3* (WINTER)

10 PM THE NATIONAL

WEDNESDAYS
8 PMTHE GREAT CANADIAN BAKING SHOW*Season 2*(EARLY FALL)/ CANADA’S SMARTEST PERSON JUNIOR*NEW SERIES* (LATE FALL)/ BURDEN OF TRUTH*Season 2* (EARLY WINTER)/ DIGGSTOWN*NEW SERIES* (LATE WINTER)

9 PM VANITY FAIR*NEW SERIES*(EARLY FALL)/ MR. D*Season 8* (LATE FALL) – New Night/

UNSPEAKABLE*NEW SERIES* (WINTER)

9:30 PMHALIFAX COMEDY FESTIVAL(LATE FALL)

10 PM THE NATIONAL

THURSDAYS
7 PM  THE INVESTIGATORS WITH DIANA SWAIN*Season 3* (FALL) – New Night

8 PMDRAGONS’ DEN*Season 13* (FALL/WINTER)

9 PMTHE DETECTIVES*Season 2*(EARLY FALL)/ FROM THE VAULTS*NEW SERIES* (LATE FALL)/ CAVENDISH*NEW SERIES* (WINTER)

9:30 PMLITTLE DOG*Season 2*(WINTER)

10 PM THE NATIONAL

FRIDAYS
8 PMMARKETPLACE*Season 46*(FALL/WINTER)

8:30 PMIN THE MAKING*NEW SERIES* (EARLY FALL)/ THE STATS OF LIFE*Season 2* (EARLY WINTER)/ UNDER NEW MANAGEMENT*NEW SERIES* (LATE WINTER)

9 PM CBC DOCS POV*Season 3* (FALL/WINTER) – New Night

10 PM THE NATIONAL

11:30 PM CBC ARTS: EXHIBITIONISTS(FALL/WINTER)

SATURDAYS
AfternoonROAD TO THE OLYMPIC GAMES*Season 4* (FALL/WINTER)

6:30 PMHOCKEY NIGHT IN CANADA(FALL/WINTER)

SUNDAYS
AfternoonROAD TO THE OLYMPIC GAMES*Season 4* (FALL/WINTER)

7 PMANNE WITH AN E*Season 2*/HEARTLAND*Season 12* (WINTER)

8 PMTHE NATURE OF THINGS*Season 58* (FALL/WINTER)

9 PMTHE FIFTH ESTATE*Season 44* (FALL/WINTER) – New Night

10 PM THE NATIONAL

 

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CBC Music provides the soundtrack to your favourite shows

Sometimes it’s not only the visuals and storylines that make a television series great. The right music can really make a scene shine. The CBC knows what makes a good show, and with that in mind, have created playlists for numerous primetime programs on their platform to connect us with the series and characters we love. Even if some of the shows are have come to an end, CBC Music wants you to keep the sweet memories and enjoy your favourite series through the music. Here a just a sample of the sweet playlists CBC Music has put together to accompany your faves.

The TV Show: Heartland

Key songs on the playlist: Matthew Barber, Distant Cousins, Ben Rector, Royal Wood

The mood: Heartland is full of heartwarming family moments. And the music is part of what makes it so special. This soundtrack is warm and sensitive. It is perfect for a family ride to the park or beach. Or even for a small family gathering in the backyard.


The TV Show: Frankie Drake Mysteries

Key songs on the playlist: Alabama Red Peppers, Louis Armstrong & His Hot Seven, Read and Miff’s Stompers

The mood: Whether you’re cooking dinner or gathering for a family game night, this soundtrack is what you’re searching for. Light but full of harmony, jazz makes the mood bright. You won’t even notice how your body starts moving to the rhythm.


The TV Show: Burden of Truth

Key songs on the playlist: The Barr Brothers, Andreya Triana, Adam Baldwin

The mood:  You want to be as confident as Joanna Hanley? This music is gonna make you work hard. Perfect for your brain, but relaxing at the same time. Make your studying and working more enjoyable with The Weather Station or Etiquette.


The TV Show: Hello Goodbye

Key songs on the playlist: Stephanie Rainey, Andrew Simple, Samantha Watt

The mood: Hello Goodbye makes you cry with happiness. It is what brings you pleasure and lets you discover incredible stories. The music is great for a date or just a quiet night with yourself, to understand and remember how family, friends and your loved ones are important.


The TV Show: Workin’ Moms

Key songs on the playlist: The Black Eyed Peas, Kelis, She-Devils

The mood: Girl’s night out? You definitely know what songs you need to have on your playlist! Something like “Love Fool” by Tanika Charles will make that girly atmosphere. A few glasses of wine, a little talk, the most important people and energetic music.


 The TV Show: Caught

Key songs on the playlist: Lynyrd Skynyrd, Foreigner, The Rolling Stones

The mood: Caught is a story about drug dealers and prison breakers set to the perfect 70s soundtrack. Whether you’re going on a long trip or just want to survive in the morning traffic jams, the smashing hits from your favourite bands are gonna rock you. It doesn’t matter if you’re a 70s child or a freshman to the exciting world of free and unlimited self-expression, hits like “Tumbling Dice” by The Rolling Stones, “Crazy on You” by Heart and “Up Around the Bend” by Creedence Clearwater Revival will make you scream and sing along.

 

 

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Workin’ Moms: Catherine Reitman talks about “that” season finale storyline

It’s been over 24 hours since the season finale of Workin’ Moms and I’m still reeling.

“Look Back” was, of course, beautiful and funny thanks to Anne (Dani Kind) and Lionel’s (Ryan Belleville) commitment ceremony that reunited the clan and saw the reappearance of Jann Arden as Kate Carlson. Throw in Val’s (Sarah McVie) outrageous dress choice and overshare about Alicia’s (Kat Barrell) bedroom antics and there was plenty to laugh at and enjoy.

But, in a stunning reveal, we learned Nathan (Philip Sternberg) and Mean Nanny (Jess Salgueiro) have been having an affair. This just minutes after Kate (Catherine Reitman) and Nathan’s quickie in the wedding hall bathroom. Now it appears as though Kate could end up pregnant. All this after a season where Kate lost two jobs, strained her friendship with Anne and started her own business. It was just too much; we had to get Workin’ Moms‘ creator, showrunner, executive producer, star and director Reitman on the phone to discuss it all!

Most showrunners, in a second season of a series, will expand their characters’ worlds a bit. But you blew the show up and sent them in different directions. Was that always your intention?
Catherine Reitman: Yes and no. We learn so much, the writers and Philip and I, during production. You can imagine things all day but the chemistry that happens in front of the camera absolutely determines things for me. Once I get in the edit bay and go, ‘Oh man! No wonder the audience is going crazy for him or her.’ I want to honour what’s meant to be and not just try to control it. Did I have a sneaking suspicion Sarah McVie was going to make Val the funniest character in the world? Yes. But did I know how great she was going to be? No. That’s something that I’m continuing to push forward. Even now I’m scratching my head in the Season 3 writers’ room wondering how I better feature our talent, how do I best include the chemistry that we’re witnessing. The yes part of it is, of course, I knew Jenny and Ian [Jessalyn Wanlim] and Ian [Dennis Andres] were never going to make it and there had to be consequences to her actions. That was something I had intended. So, yes and no.

You mentioned Val already. There were many funny moments this season and in the finale, but there were very serious moments too. Kate and Anne’s friendship … those characters were so real this season. Everyone can relate to them.
I’m so in love with Anne and Kate. I moved my world to Toronto two years ago and I don’t have a lot of close friends in my life. I have the people that I work with, my incredible kids and my husband. And I think most women that are full-time working moms are hungry for a friendship like that. We’re so desperate to see a connection like that. Dani Kind and I have become very close in real life and I saw our chemistry on-camera—which very much exists off-camera too—but I don’t think anyone, including me, knew how potent it would be. We started going, ‘OK, this is the real love story.’ The husbands and the partners are fantastic but what our audience really seems to be thumping their hearts for is the Kate-Anne storyline. And I do think that’s because so many women crave that in real life. I made the decision to direct the first and last episodes to bookend what a friendship could look like over a decade.

Let’s discuss the Brad storyline. I believe your scripts were already written when the #MeToo movement happened, correct?
You’re absolutely right.

It was a dramatic arc with, I feel, Anne getting her mojo back after perhaps questioning her strength.
As far as the #MeToo movement goes, it has always existed. It’s this fantastic thing where victims are now having a voice. All of the women in our room, for the most part, had some uncomfortable stories with an authority figure. No one was hypnotized. We thought there was something that could potentially be funny, potentially be really creepy and bothersome. But, most importantly, that it would challenge this character we love to see as strong. People love that Anne is a no-nonsense ass kicker. So of all the characters, to see her emotionally threatened in a sexually deviant way by someone she trusted, her husband, it felt like the right combo to take her on a great arc. And then you have someone as brilliant as Christopher Redman come in [as Brad]. I think I saw the whole country of Canada, Greg, I read for that role for weeks and weeks and weeks because it’s a really tricky role. Chris had this amazing ability of making him very believable and nuanced while also tapping into funny even though it’s very serious subject matter. It was really exciting to cast him and realize we had something real on our hands.

Let’s break down the season finale. We had happy moments thanks to Lionel and Anne, and we had the sad because of the revelation Mean Nanny and Nathan are having an affair. With everything that Kate has been through this season—the death of her father, losing two jobs and a falling out with Anne—why this?
[Laughs.] It’s true. She got her ass kicked this season. Something that we’re really hemming and hawing about in the Season 3 writers’ room is … look, nothing justifies having an affair. I’m a married woman of 10 years, I can wrap my head around that. Kate, whether we like to admit it not, had both feet, head, arms, legs, breasts, her whole body out the door this entire season. She hasn’t been on the same page as her husband and there are consequences to that. I don’t think she asked for this and I don’t think she deserves this. But in my quest to have it all, in the hours that I spend working and the hours that I have left that I want to give to my children, my marriage often suffers for it. Luckily, Philip is in the same game as me. For most couples, the pressure to keep things alive … fuck sex, just staying emotionally connected is so much responsibility. As a showrunner, I knew the audience wouldn’t see that coming. It is a really effective gut punch. But, if you go back over the season, we planted so many seeds to show this coming.

What was Phil’s reaction to this story angle for Nathan and Kate?
We held off letting him know that detail. About halfway through writing the season the network comes in and we pitch them what we have so far. Philip came to that and we went through to the end and I looked right at him and I could tell his socks were knocked off. Phil is always story above all else. He was totally on board for it. The day of was challenging and the person I felt most for was Jess Salgueiro. She was just incredible on the day. Not only did she have to kiss Phil but I had to direct her in doing it. I pray every director gets to work with someone like Jess because there was no bullshit. She brought her A-game. Never for a second did I see her sweat or feeling uncomfortable. I was so impressed with her.

Where are you at with Season 3?
We’ve got about six episodes outlined that we’re just starting to draft out. That being said, everything can change. After watching the season finale last night, I thought, ‘You know what this needs? This, that and the other.’ I’m re-opening the outline of the first episode so it’s still all a Tetris board.

Do you think Kate should confront Nathan right away or should she focus on building her business? What was your favourite storyline from Season 2? Let me know in the comments below!

 

 

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