Jessica Holmes | TV, eh?

From a media release:

The WGC Screenwriting Awards are now in their 28th year of celebrating the very best Canadian screenwriters—the all-important talent behind the most engaging and powerful Canadian-made series, films, and shorts.

In contention for the 2024 awards are scripts from Children Ruin Everything (Kurt Smeaton, Jessica Meya, Kathleen Phillips, Anita Kapila), Pinecone and Pony (Tally Yong Knoll, Lienne Sawatsky, Corey Liu), Murdoch Mysteries (Simon McNabb), Bones of Crows (Marie Clements), Builder Brothers’ Dream Factory (Desmond Sargeant, Sonya Ballantyne), Little Bird (Zoe Hopkins), Suze (Linsey Stewart & Dane Clark), and many others.

Please see the complete list of categories and finalists below.

The 2024 WGC Screenwriting Awards will recognize Canadian screenwriters and their scripts at a ceremony on Monday, May 13 at Koerner Hall in Toronto. The ceremony will be hosted by Jessica Holmes.

In addition to the eight categories featured, one WGC member will be awarded the prestigious Showrunner Award, a special prize previously won by Susin Neilsen (Family Law, Robson Arms), Anthony Q. Farrell (Shelved, Run the Burbs), Morwyn Brebner (Coroner, Saving Hope) and others. Other special prizes will be awarded, including the Alex Barris Mentorship Award, and the Sondra Kelly Award which is generously supported by AFBS.

CHILDREN’S
Interstellar Ella, “Big Little Problems” | Written by Emer Connon

Interstellar Ella, “A Star is Born” | Written by Anne-Marie Perrotta Jane, “Ursus maritimus” | Written by J.J. Johnson

Pinecone and Pony, “Once in a Violetmoon” | Written by Tally Yong Knoll

Pinecone and Pony, “Hero Soup” | Written by Lienne Sawatsky

Pinecone and Pony, “Pinecone and Horse” | Written by Corey Liu

COMEDY SERIES
The Lake, “Death on Denial” | Written by Julian Doucet & Lori-Ann Russell

Children Ruin Everything, “Arguments” | Written by Kurt Smeaton

Children Ruin Everything, “Therapy” | Written by Kurt Smeaton & Jessica Meya

Children Ruin Everything, “Clothes” | Written by Kathleen Phillips

Children Ruin Everything, “Babysitters” | Written by Anita Kapila

Shelved, “Jane Eyre FICTION BRO” | Written by Anthony Q. Farrell

Workin’ Moms, “It’s Five O’ Clock Somewhere” | Written by Enuka Okuma

DRAMA SERIES
Family Law, “Under the Influence” | Written by Sarah Dodd

Transplant, “Crete” | Written by Joseph Kay & Rachel Langer

Pretty Hard Cases, “Always a Bridesmaid” | Written by Tassie Cameron & Sherry White

Moonshine, “Get My Baby Back” | Written by Sheri Elwood & Alexander Nunez

Murdoch Mysteries, “The Porcelain Maiden” | Written by Simon McNabb

Little Bird, “Bineshi Kwe” | Written by Zoe Hopkins

FEATURE FILM
Butterfly Tale | Story by Heidi Foss and Michael Solomon/Screenplay by Heidi Foss and Lienne Sawatsky

Irena’s Vow | Written by Dan Gordon

Suze | Written by Linsey Stewart & Dane Clark

The Burning Season | Written by Jonas Chernick and Diana Frances

MOW & MINISERIES
Bad Romance: The Vicky White Story | Written by Gregory Small & Richard Blaney

The Amityville Curse | Written by Dennis Heaton

Bones of Crows, “To Be Here” | Written by Marie Clements

PRESCHOOL
Builder Brothers’ Dream Factory, “Groom-Ba” | Written by Desmond Sargeant

Builder Brothers’ Dream Factory, “Orange Shirt Day” | Written by Sonya Ballantyne

Mittens and Pants, “Bunny Family Wedding” | Written by Katherine Sandford

Dino Ranch, “Luna Sees The Light” | Written by Naomi Jardine

Superbuns, “The Sweet Sound of Christmas” | Written by Suzanne Bolch & John May

SHORTS (includes web series, drama and comedy series episodes under 15 minutes)
I Will Bury You, “Depression” | Written by Ravi Steve Khajuria

Armadillo Avalanche, “Clem” | Written by Celeste Koon

Armadillo Avalanche, “Raven” | Written by Alix Markman

TWEENS & TEENS
Popularity Papers, “Pain in the Bat Mitzvah” | Written by Jeff Detsky

Popularity Papers, “Ghost Mortem” | Written by Evan Thaler Hickey

The Hardy Boys, “The Crash” | Written by Ramona Barckert

The Hardy Boys, “At the Old House” | Written by Chris Pozzebon

ABOUT THE WGC
The Writers Guild of Canada represents 2,500 professional English-language screenwriters across Canada, the creators of Canadian entertainment enjoyed on all screens. wgc.ca

My formative years were spent in the 1980s. Though I didn’t know it at the time, the 80s celebrated consumerism and excess. I was, however, aware of the media’s portrayal of Communismâ€”and the Soviet Union, specificallyâ€”during that decade through movies like Rocky IV, Red Dawn and then-WWF wrestlers Nikolai Volkoff and Boris Zhukov. And I was aware of how it all came to a head in 1989 when the Berlin Wall tumbled, signifying the fall of Communism in Eastern Europe.

That time, and the tumult that came with it, is explored in the new web series The Communist’s Daughter. Available now on CBC Gem, the eight first-season episodes are the creation of head writer and director Leah Cameron (Coroner), who has first-hand knowledge of the subject matter.

The Communistâ€™s Daughter is loosely based on Cameronâ€™s childhood: her father was a Communist during the 1980s. As a result, the family car was a Lada, Soviet Life magazine was delivered to the door, and family vacations were to Cuba to support the economy. In the first episode, viewers are introduced to Dunyasha McDougald (Sofia Banzhaf), a 15-year-old living in Toronto in 1989. Happily upholding the beliefs of her father Ian (Aaron Poole) and mother Carol (Jessica Holmes), Dunyasha finds her support of Communism challenged by her first day at high school when she meets Jasmine (Nadine Bhabha) and Marc (Kolton Stewart). (Look for Chris Locke, George Stroumboulopoulos and Neema Nazeri in funny supporting roles.)

It’s been a long road for The Communist’s Daughter. I first spoke to Cameron back in 2018, when she applied to the Independent Production Fund to produce the series. Now, with the debut close at hand, how did she tackle writing the web series?

“By the time I got to shooting the [IPF] teaser, I had a sense of, tonally, what I wanted the show to feel like in terms of comedy and casting,” Cameron says. “I had originally conceived of it as a half-hour comedy, so it was more a process of refining some of the characters and paring things down.” The first TV episode was broken down and served as Episodes 1 and 2 of the web series and a rough season outline followed. Cameron knew she wanted The Communist’s Daughter to be serialized and take place over time, using the frame of Ian running for a local election and Dunyasha beginning her school year in September and the fall of the Berlin Wall in November of 1989.

“It’s a time when the family’s values couldn’t be more out of sync with what’s going on,” she says. “The Reagan 80s are a super-consumerist time, a super-conservative time and a time when I, growing up, said that my dad was a Communist and everybody thought that meant he was an evil person.”

Executive producer Lauren Corberâ€”her LoCo Motion Pictures are behind Detention Adventure and How to Buy a Babyâ€”is always looking for stories that speak to her, an audience for a project and if a creator is bringing something new to the table. She found all three in The Communist’s Daughter.

“Leah and [producer] Natalie Novak did an excellent job with their proof of concept video,” Corber says. “I had worked with Natalie before and was excited to work with her again. Leah came to the project with such a passion for the story. It was just undeniable that she would bring something special to the production.”

The Communist’s Daughter is available now on CBC Gem.

Images courtesy of Conor Fisher for Pinko Productions Inc.

Tag Archives: Jessica Holmes

2024 WGC Screenwriting Awards finalists announced

CBC Gem’s The Communist’s Daughter a funny peek at the 80s in all its excess