Spoiler alert! Do not continue reading until you have watched the latest episode of Murdoch Mysteries, “Annabella Cinderella.”
Well, that as quite the road trip for Constables John Brackenreid, George Crabtree and Detective Watts, wasn’t it? I always get a kick out of road trip episodes and this one was a lot of fun, even with an accused axe murderer at the centre of the story. With Inspector Brackenreid gone from our lives for now and Julia and William back on Toronto planning to write a police handbook containing the latest forensic sciences available, it was up to the trio to collar Annabella and investigate the truth behind her case.
We caught up with the episode’s writer, executive producer Paul Aitken, for details.
It’s been a great season so far.
Paul Aitken: Yeah, I think it’s been good. I’m curious to see how it all turns out. I know how the stories turn out, but I haven’t seen it in frame.
Oh really? Is that common?
PA: It’s common for me because once we get past a certain point in the story, I like to just see it in its whole.
We’ve seen a little dip into Watt’s past, and certainly a lot more into Brackenreid’s past. As somebody that’s been with the show from the very beginning, what’s it like to dip into these back stories and find out a little bit more about these characters as we’ve been going along this season?
PA: Oh I think it’s a really useful well to dip into because you can get story ideas out of the past that you can’t if you just are going forward. There’s something you can use that’s interesting, and you can build a story around it, and it also deepens the character. I think it’s fun for the audience because they get to see and come to understand the characters in a way that they wouldn’t have in the past, and it’s also just a really useful story tool.
The story getting a peek into Watts’s history was fantastic, emotional. Daniel Maslany did a wonderful job.
PA: I thought so too. I thought that worked really well. We didn’t know Watts very well, and I think he was a bit of a mystery, and I think this grounded him. It picked up on story elements we introduced in earlier episodes. But I think it’s true with any character, if you can pull something out of the past, it’s fun to watch and it’s fun to write.
Let’s get into tonight’s episode. I immediately thought of Lizzie Borden. Was that an inspiration at all?
PA: No, actually, it wasn’t, not at all. We came to the idea of the axe because we wanted her to be dangerous. It’s more fun if your quarry is someone who could kill you. And it also made her dangerous. You want to buy that this character could be nice and flirting with John, but at the same point would drive an axe into his back if necessary. And I think the mother aspect of it, because Lizzie killed her parents, that was a plot that seemed to work best. So first came mother, then came the axe. And Lizzie Borden wasn’t just an afterthought. We did think of referencing it, but I’d already referenced Lizzie Borden in an earlier episode in Season 3. We’ve had several women wielding axes on the show, and we can’t reference Lizzie Borden every time. But yeah, there are a lot of parallels. She killed her mother, there was someone coming into the house at the time, someone running out of the house. I can’t remember exactly what happened with Lizzie Borden, but yes. Obviously, I can see why you would think that.
It’s been nice to see Charles Vandervaart get more screen time, and clearly, you were able to touch a little bit into the fame that goes behind supposed serial killers or just killers at large, this fascination that he had with her was pretty great.
PA: I thought so, too. We’ve been trying to make this an episode for a while. And I always pictured it as the person that they are escorting to justice, and then they escape. I always thought of that person as a man. It’s kind of like, what’s that movie with Jack Nicholson back in the early 70s? He was escorting a sailor to be incarcerated. [Editor’s Note: The Last Detail.] I always wanted to make an episode like that, and so that was how it started out and then we realized that it was actually a lot more interesting if the protagonist was a female that John Brackenreid had a crush, and we could play that flirty angle. So that’s how that came about.
I did want to ask about William and Julia. There are a lot of fans out there that always want to see the two of them front and centre every episode, and in this one, they certainly weren’t. They weren’t a major part of the story, although they did have their own fun kind of storyline. Is it nice to have them in the background and not be having them do the heavy lifting?
PA: As regards to heavy lifting, I think it’s always good if you can give your main actors a bit of a break, because so much is demanded of them, just on a humanitarian crowd I think it’s a good idea. And in terms of the story, in terms of what the audience wants, yeah, they want to see the main guys, but it’s also kind of fun and challenging for an audience to not be able to see the main guys in the main role all the time, to see someone else step up. I think it’s kind of fun to be able to do that. And I know that the audience, I think, will sort of just go along with it. Murdoch will be back next episode, there’s no danger about it, and I think it’s unusual to have Murdoch not be involved in any way in the actual mystery except at the very beginning and the very end.
Will their storyline continue? The publishing storyline? Or is that kind of a one-off?
PA: We’ll see where it goes.
What can you say about Margaret and Thomas going forward as we get closer to the end of this season?
PA: I think, obviously that will be when the season goes along, but it’s a season long story. And I think it’s a really good story. I think it resolves, or doesn’t resolve, I think, where it goes, how it goes is actually really interesting, and I’m looking forward to seeing it myself.
What did you think of this episode? Are you excited to see where Julia and William’s writing careers go? Let me know in the comments below.
Murdoch Mysteries airs Mondays at 8 p.m. on CBC and CBC Gem.
Images courtesy of CBC.