All posts by Carolyn Potts

Teacher. Writer. Mom. Masters' Candidate, Faculty of Education, Western University. Studying Pop Culture Media as a Decolonizer of Education Policy and Practice. I also volunteer as a Girl Guide leader in my spare time.

Things get Under’hand’ed in Mohawk Girls!

This week’s episode of Mohawk Girls is jam-packed, so I apologize now for the length of this recap. However,  whilst depicting a celebration this episode actually deals with a very serious and ongoing contentious issue. So, first a bit of background before we get to the “meat” of it (sorry, I couldn’t resist).

The title of this week’s episode “Marry Out Get Out” refers to a  band policy that still exists in Kahnawa:ke. In short, since 2010 if a band member of Kahnawa:ke marries someone who is non-Indigenous, they face eviction. The motivation behind this policy is to ensure that the Mohawk bloodline does not die out and it also prevents the non-Indigenous from taking advantage of tax exemptions afforded to those of Indigenous heritage. This summer, this issue gained public notice in the news, coinciding with the filming of this current season. Members of the community are understandably divided on this issue, since as we all know, sometimes you cannot help who you fall in love with, as is/has been the case with our fab four.

With all of that in mind, we begin this week with Watio (Jimmy Blais) and  Bailey (Jenny Pudavick) clashing heads once again. Both of them are feeling pressured to be people that they aren’t. Compromises seem to require  more and more work for these two.  Bailey did manage to snag a good Mohawk man but, she is still second guessing herself. Is she compromising a happy future, just to ensure she marries Mohawk?

The Marry Out Get Out policy also overshadows the scenes featuring Caitlin (Heather White) and Leon (Dwain Murphy). Team Cailon go shopping for an engagement gift for Bailey and Watio, but conversation quickly revisits the argument Caitlin had last week with her father (Lawrence Bayne). She explains the pressures she is facing culturally and socially because they are a mixed-race couple. Leon completely gets it and we can cue the adorable #Cailon moments again. Seriously, who finds a guy as amazing as Leon?

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Heather White and Dwain Murphy run lines in prep for their next scene
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Caitlin (Heather) and Leon (Dwain) purchase an engagement gift for Bailey and Watio

The heartbreak this policy causes is showcased with Anna’s (Maika Harper) scenes. She attends the eviction protest in support of those in favour of the Marry Out Get Out contingent. (Did everyone catch that the protest was at co-creator/co-director Tracey Deer’s “house”?). But her heart is clearly not in it. Her own parents faced this same dilemma which has led to Anna not fully fitting in in Kahnawa:ke.

Now we know Mohawk Girls can’t be entirely serious when we have the physical comic talents of Brittany LeBorgne playing Zoe.  Tonight, Zoe has clearly fallen off her sex addiction wagon. The threat of losing the thrill that dom Henry (Marc Trottier) provides proves too much to bear. Zoe scrambles for forgiveness but now she is more tightly bound—heh get it? bound—to Henry. Anyway, Henry issues his order and despite its interference with her campaigning,  Zoe follows through. LOL Brittany hun! That is a big standing “O” for the bar scene with Ohserase (Shawn Youngchief). You two went for it and delivered!

Finally, all of our ladies show up at the engagement party and life  for Caitlin gets even more complicated. Butterhead (Meegwun Fairbrother) turns up his interest a notch, and even steals a kiss from unsuspecting Caitlin. Talk about confusing! And we get a great scene with Sose (Glenn Gould); I wish we had more Sose this season! He is one of my fave characters! He lets Anna know how disappointed he is in her and she leaves in tears. Is this finally the sense that Anna needs?

OK everyone, we only have two episodes left! What do you think is in store for us? Are Bailey and Watio actually going to get married? Will Zoe get elected chief? And what the heck is Caitlin going to do about Butterhead and Leon? Let me know in the comments below!

Mohawk Girls can be seen Tuesdays at 9:30 p.m. ET on APTN. If you happen to miss the episode you can catch up here.

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An interview with Alethea Arnaquq-Baril: The Angry Inuk

On Monday, I spoke with filmmaker Alethea Arnaquq-Baril of Iqaluit, Nunavut, about her documentary Angry Inuk that was just released on Super Channel. She shared some insights on her experiences both during and after creating this film.

What motivated you to tackle a documentary about the anti-seal hunt campaigns and their effect on your community?
Alethea Arnaquq-Baril: As a doc filmmaker, I guess the sealing issue has always been an issue for Inuit; growing up in this environment and knowing how much we were affected by anti-seal hunt campaigns. At some point, I just felt it was my responsibility to cover this issue.

In retrospect, what do you wish you had included or said that was not in the film?
Editing is always painful as a documentary filmmaker. There are always scenes that you wish you did not have to cut or shots that you wish you could have done but could not afford to do so. There was a scene with some elderly ladies processing some seal skins and a young woman learning from them. I wish I could have included more with the young woman learning from them.

There was also a beautiful scene where one of the elderly women was playing a game with the young woman and a young boy. She was teaching them this game that they play with seal bones. It is kind of like Pick up Sticks or Jenga. You try to move pieces without moving other pieces and if you move one the other person can attack you. It is a fun little traditional game for Inuit to learn that most of us have heard of but few have played in detail. This elder knew all of the names for the pieces and how the game is played. It was such a neat thing to see her teaching this and how attentive the young ones were to her. I would have loved to keep that in there but it was kind of a long scene and the film is already kind of long for a feature.

Since Angry Inuk has already aired at various film festivals, have you noticed any changes with respect to attitudes about sealing?
Well, there are definitely immediate changes for individuals who have seen the film at festivals. I have had people come up to me and say, ‘I am a vegan and I have been supporting these anti-seal hunt campaigns my whole life,’ or saying, “I am a vegan and I will always be a vegan but I totally support Inuit commercial seal hunters.’ It has been really amazing that people at the other end of the spectrum from me in terms of eating meat and wearing fur, to see them come to our side even if those choices don’t make sense for them, their lives, and where they live has been totally amazing.

But now that it is being broadcast on TV, I think a lot more people will see it. Festivals are wonderful for getting media attention but the audience is small. With the broadcast it will be interesting to see how having the film on TV will change public opinion. However, I think it will take time to see change on a larger scale.

Often when you travel to other parts of Canada or outside of Canada if you just say the words ‘seal skin,’ the immediate reaction from people is that it is bad. I am really curious to see how this plays out over the next couple of years after the film has had a wider audience. To see if public opinions change. That is the long term goal. I wish it could turn on a dime but it will take time.

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What advice do you have for other Indigenous artists out there who are working to oppose these types of racist fiscal policies?
I don’t know that I am in a position to give advice. I am just trying. I don’t know if [Angry Inuk] will work. I guess I would say: when it feels like such a big fight, when it feels like such a David and Goliath situation, have hope. A lot of people have asked me and asked Aaju Peters, one of the main people in my film, ‘Why don’t you just give up?’ Aaju said something once when someone asked, ‘Are you hopeful?’ and she said, ‘Well of course I am hopeful. You might as well lay down and die if you are not going to be hopeful.’ I think of that a lot. No matter how bad a situation may feel, you have to be hopeful and plug away at it. Trust that if you just keep speaking your truth and giving your perspective that people have to hear you. So I hope.

Do you have any other messages that you want to get out there to people who live in the south?
I really hope people take away from the film or even if they just hear about the film is that the Inuit, against all odds, are the environmentalists and the animal welfare activists. They are out there on the grounds protecting the animals in the Arctic. We are on that side of things. I want people to see us as the guardians of the Arctic. I think it has been the opposite for a long time. I think the anti-seal hunt campaigns and the climate change campaigns have put us in a position of defense and it is so ironic because Inuit are  the ones, and it is the Inuit hunters actually who are the ones out there defending it all. I just hope that that is what my film will accomplish. That people will have that shift in their brain and see us as the guardians and to trust what we say when it comes to the environment and the animals in the Arctic.

And do you have any last thoughts for young people who over the Christmas holidays will be channel surfing and stumble on Angry Inuk as they click on by?
I think when you see an unfair situation, no matter how little you are, or how insignificant you feel, or how unimportant the world seems to think you are or treat you, I think it is possible to have your voice heard and to make a difference. The Inuit are a tiny and remote population and are the poorest in North America and the most disenfranchised in North America and the fact that we are able to get this film  made and seen and are responding to it, if we can do that, anyone can. I think that when you see unfair situations, it is worth trying to do something about it.

Angry Inuk is available on Super Channel On Demand until Dec. 28.

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Wild Archaeology season finale: Inuit of Rigolet, Part 2

On this, the final episode of Season 1 of Wild Archaeology, we return to Double Mer site in Rigolet, Nfld. This last locale is referred to as a historical site as it contains artifacts from only the last few hundred years.

First, we visit the lab situated within The Net Loft town museum. It is here that Dr. Lisa Rankin and her team clean, preserve and catalogue each day’s various finds. Because the lab is located in the museum, anyone from the town is able to wander in and see what the archaeologists have recently unearthed. Lisa explains some of the more interesting artifacts include several that illustrate the meshing of European and Inuit cultures.

Dr. Rudy explains this site, in particular, was ideal for their final adventure because it helps to illustrate how archaeologists interpret artifacts as they view them in concert with other finds. A picture unfolds when viewing the artifacts as a larger canvas rather than separate and isolated items. It is when viewed in this context that we are able to understand how the people at this particular location once lived.

Then we return to the dig site, and Jacob first finds an iron nail used in the construction of the sod-covered homes. Later, he finds exactly what he was hoping to: an iron knife blade that was manufactured in Europe and would have been traded for. Later, Jenifer finds a gun-flint that was also manufactured in Europe.

We also get a flavour for the local  fauna. Jacob and Jenifer have the opportunity to try raw sea urchin. Something tells me that Jacob will not have sea urchin on his “must have again” list.

As a final farewell to Season 1, Jenifer  and Jacob share their bittersweet thoughts about their experiences and all that they have learned throughout their journeys as they explored Indigenous cultures across Canada.

Thank you to Dr. Rudy, Jacob, Jenifer, and all of the crew behind Wild Archaeology. I have thoroughly enjoyed watching and learning from your experiences. Now, all of you go get busy and make Season 2!

You can return and stream season one of Wild Archaeology here at  APTN.

If you are curious to learn more about Double Mer, you can listen to this CBC radio segment from Labrador Morning that aired on August 21, 2014.

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Angry Inuk — The Truth about Seal Hunting in Canada

Last month I had the opportunity to see Angry Inuk at the South Western International Film Festival, and during the follow-up Q&A, filmmaker/narrator Alethea Arnaquq-Baril informed the audience that Super Channel would begin airing her film in the next month. I knew at that moment I had to cover this documentary.

Airing Monday, Angry Inuk explores how the the ads promoting International Fund for Animal Welfare (IFAW) and Greenpeace—the image of a crying harp seal pup (we learn that all seals cry; it is a natural defense against the cold that prevents their eyes from freezing)—is deliberately used to tug at our heart strings and make us open our pocketbooks. But what we don’t realize is that sealing is a way of life for the Inuit, without which the people would starve.

Environmentalists encourage us to reduce our carbon footprint by buying locally produced food items. Without the seal hunt, the Inuit must fly in food from the south. Additionally, anti-fur advocates are marketing a non-sustainable byproduct from the petrochemical industry; an industry that is contributing to air and water pollution globally. Conversely, seal skin is a natural, waterproof byproduct of a sustainable and local food source that does not require drilling, pipelines or industrial manufacturing plants to produce.

Ms. Arnaquq-Baril’s documentary takes the viewer on a journey to her land, the Arctic. We go seal hunting. We see how her community is tied culturally and economically to the seal hunt. We also learn how the anti-sealing ban by the European Economic Community (EEC) has and continues to hurt those who live in Canada’s northern regions.

So, why should anyone tune in and watch? Well, in light of the recent Truth and Reconciliation Commission’s  Calls to Action, the Canadian government’s announcement for an national inquiry into Missing and Murdered Indigenous Women and Girls, and the #NoDAPL standoff at Standing Rock, North Dakota, now is clearly the time when the public will no longer tolerate racist fiscal policies. Angry Inuk brings to light how the anti-sealing movement and the seal product ban by the EU fashion industry continue to plague the Inuit residing in Canada and elsewhere around the globe. When the film finished, I turned to my friend and simply said, “I am buying something seal skin,” because I was so motivated by this story. She heartily agreed with me. She too is currently shopping for seal skin.

Angry Inuk premieres Monday at 8 p.m. ET on SC4 and will be available on Super Channel On Demand as well, beginning tomorrow until Dec. 28. You can view a trailer here.

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An interview with Jenifer Brousseau of Wild Archaeology

I recently caught up with Jenifer Brousseau, co-host of APTN’s Wild Archaeology, and we had a quick chat about her time on the show. Jenifer shared some funny behind-the-scenes stories and also talked about how this remarkable experience continues to shape her life today.

What was the most challenging aspect of this show for you, and what was the reward?
Jenifer Brousseau: Everything from a technical aspect was challenging because we visited remote areas from coast to coast to coast. Every terrain we trekked on was always a challenge. From climbing mountains up the Squamish, B.C., in the very first episode to trekking on the tundra at Richards Island, NWT. The tundra was really difficult because you cannot go fast. It is bumpy like moguls on a ski hill so you have to walk carefully or you will break your ankle. But each of those challenges was a part of the beauty in it; being able to do these physical challenges. But at the end, it was like Christmas because you would go somewhere and you find these amazing artifacts and you think that trek was just so worth it.

Can you tell me one of your funniest memories that viewers did not get to see?
That would have to be the time a bottle washed up on shore when we were at Calvert Island, B.C. It was the mystery of the finger in the bottle, or what was rumoured to be a finger. The freaked out the archaeology students who found it while having a fire on a beach.  Rumours spread quickly throughout camp and we thought this might be one wild episode gone sideways. Everyone discussing the story behind this finger. Dr. Farid Rahemtulla of the Hakai Institute was finally found, and examined the finger only to discover that the finger was actually just a parsnip.

Now that some time has passed since filming ended more than a year ago, what for you is the most memorable experience?
Going to the Pacific West Coast and experiencing the beauty that we saw there was incredible, and then going to the old long house and being on sacred ground there was a highlight. But one thing that really stood out for me was the day we went to Head-Smashed-In, AB, and we sat in the teepee with Reg Crowshoe. You only see a portion of it in the show, but we sat in that teepee with him for most of the day. I remember at the end of the day, going out for dinner and not feeling hungry because I had sat listening to Reg Crowshoe all day long and I was full. I think when you sit with an elder and you hear the richness of these stories it is like being fed a big steak dinner, but for your soul.

Having had this opportunity to participate in Wild Archaeology, what are you personally taking forward?
I have worked in our communities for many years with youth and young people doing workshops, but I have always been on my own journey of my own reclamation. I grew up with a sense of identity crisis, not knowing who I am, not feeling comfortable in my own skin. I didn’t understand our history and growing up I didn’t feel that I knew much.  And while I have been on this journey on Wild Archaeology, I still had my work in my communities. So this has been a journey of my own reclamation.

One of the major things outside of Wild Archaeology, I am also artistic director of Imagi’Nation Collective, which offers youth mentoring, suicide prevention and life promotion workshops. And I think a lot of what this show has done for me has been really magical for me  because I can use this reclamation that I have had in going on this journey and learning all that I have learned about my history. The history of First Nations people, the history of my ancestors has been this beautiful tapestry that has unfolded before me.

Just recognizing the beauty of where I come from  and the strength that I come from, the resilience that I come from, the creativity that I come from  are all amazing things. As I share in the work that I do promoting life and suicide prevention, these are things that I can impart. I toured with a production of a play that I wrote seven years ago called ‘Beneath the Surface,’ and I think that there is a real irony in that what I do as a host on Wild Archaeology because as I dig beneath the surface but in this play, I talk about our stories and traumas and our healing. Now on Wild Archaeology I talk about our resilience and our strength and my own personal reclamation. It is a really beautiful tie-in for who I am what I do and what I can share with Indigenous and non-Indigenous Canada.

Any closing thoughts for young viewers out there?
I think in doing this project I had to have my eyes wide open and I think I would recommend: have your eyes wide open to learn our stories because that is where our foundation is. Knowledge is power and I have said this on the show: ‘When  you know the truth of who you are and where you have come from then you know the truth of where you are going and you can walk in that strength and understanding that you are the the result of the love of thousands and that is what our ancestors say to us.’

My thanks go out to Jenifer for taking the time to share her story with us at TV, Eh? I personally learned a lot as I listened to her story and her remarkable adventures on Wild Archaeology.

The final episode of Wild Archaeology can be seen Tuesday at 7:30 p.m. ET on APTN.

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