All posts by Diane Wild

Diane is the founder of TV, eh? She loves books, movies, TV, science, space, traveling, theatre, art, cats, and drinking multiple beverages at the same time.

Let’s talk skinny basic

Back in the dark ages of television and internet, about 15 years ago, I tried to sign up with Shaw’s most basic cable package, which included the major Canadian networks, major US networks, and not much else. Though I’d had the package before at a previous address, the man on the phone kept telling me about their smallest package which was bigger and more expensive than what I’d had before. I finally asked him to mail me a brochure since that’s where I’d originally seen evidence of it — yes, the ages were that dark — and sure enough, there was the most basic of basic plans on offer.

So the news that Bell is discouraging employees from selling the new  $25 skinny basic package mandated by the CRTC as of March 1 is no surprise, and nothing new in the cable industry. The difference today from those dark ages is the internet is now our instant-access brochure.

Since moving to just outside of Vancouver, my over-the-air antenna doesn’t work as well, and I reserved judgement on whether skinny basic would entice me back to the cable world until I could see the offerings. Because Shaw is my internet provider — and I’ve sporadically signed up for Shomi through them as well — I checked out their skinny package.

For $25 a month Shaw’s Limited TV offers more than what is mandated by the CRTC; it includes the optional US major networks for example. What it doesn’t include — and what every other Shaw TV package does — is the required HD equipment. That’s another $5 a month or $138 to buy outright. For most of us that’s $30 per month for skinny basic, then.

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Shaw’s larger packages currently have introductory offers for the first six months starting from $29.90 a month, which is smart marketing. My choice is to sign up for a skinny package that includes fewer channels for more money, knowing that in six months it will be slightly cheaper, or sign up for the package that’s 10 cents cheaper and has more channels, knowing that it will be about $13 more expensive in six months.

The 10 cent difference during the introductory period is immaterial to the pocketbook yet psychologically profound — I can’t make myself sign up for less for more, even knowing that wouldn’t be true in six months. I’d fail the marshmallow test.  And I think the CRTC failed this test. How many current cable consumers will downgrade for a package that won’t save them much money but will significantly reduce their number of channels?

Skinny basic isn’t going to lure me back to cable. But then the cable companies don’t want it to. I’ll continue to binge watch on Netflix and occasionally Shomi and watch my essential shows with the over the air antenna or online the next day. And the cable companies will continue to follow the letter of the new CRTC rules without actually offering a new benefit to consumers.

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Writers Guild of Canada celebrates 25 years

From a media release:

25 Years of Celebrating Canadian Screenwriters

WGCThe Writers Guild of Canada celebrates 25 years of working on behalf of Canadian screenwriters — the creators of hit TV shows from The Beachcombers to Murdoch Mysteries to Orphan Black — as well as numerous critically acclaimed movies and webseries.

The anniversary year kicks off with a special “WGC at 25” members event in Vancouver on February 26. It’s hosted by Dennis Heaton (showrunner, Motive) and features a stellar panel of writers whose work spans the 25 years of the WGC: Chuck Lazer, Fred Yackman, Susin Nielsen, Brad Wright, Sarah Dodd, and Andrew Wreggitt. They’ll take the audience behind-the-scenes of Canadian TV and film, and share stories from the WGC’s colourful history.

The WGC’s very existence is a triumph. Originally part of ACTRA, the performers organization, with its tens of thousands of members, in 1991 the writers broke away to form a guild devoted solely to writers’ needs. It was ambitious: the writers had almost no money, very few employees, and literally no office furniture.

Twenty-five years later, the WGC has 2,200 members, employs 23 staff, and negotiates solid collective agreements ensuring writers are paid and treated properly.

WGC President Jill Golick says, “It’s been a fabulous 25 years — not always easy, but always inspiring to see how the organization has gone from strength to strength. Our writers have not only become some of the best screenwriters in the world, they’ve also contributed to making the WGC the powerful, forward thinking organization it is.”

In Vancouver on February 26 writers will gather, along with President Jill Golick, Executive Director Maureen Parker, and WGC councillors. Throughout 2016 the WGC will continue to mark its quarter-century of accomplishments. On May 2, a special 25th anniversary edition of the WGC Screenwriting Awards takes place at Koerner Hall in Toronto. A souvenir 25th edition of Canadian Screenwriter magazine comes out in May. Another anniversary event is planned for Montreal later in the year. And launching soon: a video tracing the WGC’s impressive history.

 

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Support TV, eh?’s support of homegrown shows

Patreon AdTV, eh? covers news, reviews and interviews about Canadian television shows, with the odd foray into the odd industry that produces them. We support homegrown content. Consider supporting us with a monthly donation through Patreon?

For eight years, TV, eh? was  a passion project for Diane. As you know, “passion project” is code for “time suck with no financial benefit.” Since Greg joined in 2014, we host even more original content. The kind of content for which writers should be compensated. Consider contributing $1, $3, $5 or more each month and be part of the effort to let Canadians know about Canadian television shows.  (Please note Patreon uses $US currency. )

If you already donate to the podcast, fear not – you will get the same love and perks. 

 

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Link: Martin Sheen reflects on his career and latest role in Anne of Green Gables

From Brad Wheeler of the Globe and Mail:

Martin Sheen reflects on his career and latest role in Anne of Green Gables
Martin Sheen is on the line, talking Bob Dylan, keeping it real and Anne of Green Gables, as one does. Sheen, who stars as Matthew Cuthbert in a new small-screen adaptation of the 1908 Canadian classic, wants to know how authentic the blue-screened snow looks in one of the winter scenes. “I haven’t seen the final version, with the special effects,” he says. Continue reading.

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YTV’s Anne of Green Gables celebrates family

It’s been more than 100 years since Lucy Maud Montgomery’s Anne of Green Gables was first published, and more than 30 since Kevin Sullivan’s CBC mini-series that so many of my generation fondly remember. So YTV is banking on an appetite for another television take on the red-headed orphan for a new generation and for us Anne-a-holics.

The script by Susan Coyne (Slings and Arrows), directed by John Kent Harrison (The Courageous Heart of Irena Sendler), reorders events of the novel and, with Martin Sheen in the role, beefs up the presence of taciturn Matthew Cuthbert. The two-hour TV movie also necessarily truncates the action. Gilbert lovers, for example, shouldn’t get their hopes up. The focus here is on the making of a family, related not by blood but by unanticipated love.

Anne, for those who grew up in a cave, is the story of an imaginative, misadventure-prone orphan who arrives at Green Gables, where sister and brother Marilla and Matthew Cuthbert were expecting a boy to help them with the farm.

Ella Ballentine plays Anne Shirley and though her mother had read the book to her when she was much younger, she worked with director Harrison to give the character new life based on the script rather than the novel. “She falls out of the stereotype of so many girls on television,” said the 13-year-old, who sees a bit of herself in the character. “We’re both very chatty and independent we don’t let anyone tell us not to do something.”

“She’s incredibly positive about the world around her. I try to be positive, but she sees a gloomy place and turns it into a fantastical world.”

Ballentine sees relevance to the story today, despite the old-fashioned costumes and lack of modern conveniences. “For younger audiences it shows them the history of Canada, when it wasn’t all about phones and computers. And it shows that you can have a terrible past and still find the good in things.”

Sara Botsford sees Marilla Cuthbert as a woman protective of her beloved brother Matthew. “Marilla’s a very hard working person and has been all her life. She hasn’t exactly had a life full of romance and joy. But she has a big heart and she can’t see how this girl is going to help her brother with the farm.”

Her take on Anne is similar to Ballentine’s. “She’s determined to have a good life and a happy life. She’s looking for joy wherever she can find it. She’s not beaten down by circumstance, she’s courageous and determined.”

For some parts of the country, the movie is premiering on Family Day, which Botsford points out is perfect timing. “It’s about three people who create a family together. Definitions of family have changed over the years. Anne’s a child who needs parents and they’re older people who need love and warmth in their lives, so these people create their own family.”

Anne of Green Gables airs Monday, February 15, on YTV.

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