All posts by Greg David

Prior to becoming a television critic and owner of TV, Eh?, Greg David was a critic for TV Guide Canada, the country's most trusted source for TV news. He has interviewed television actors, actresses and behind-the-scenes folks from hundreds of television series from Canada, the U.S. and internationally. He is a podcaster, public speaker, weekly radio guest and educator, and past member of the Television Critics Association.

Links: Wynonna Earp Season 4 finale

From Bridget Liszewski of The TV Junkies:

Link: Wynonna Earp: Emily Andras talks “Old Souls”
“I think it’ll always make me cry. I feel bittersweet about it, but mostly so relieved and happy that Earpers seem to like it and find it satisfying. I always said, ‘I want you to find it satisfying.’” Continue reading.

From Radheyan Alexandra Del Rosario of Deadline:

Link: ‘Wynonna Earp’ finale: Creator Emily Andras on unexplored Season 5 stories, how Syfy series made her “Braver In Every Way”
“What was important to me on Wynonna Earp with the finale is to give everybody some version of happiness. It didn’t have to be perfect because Wynonna Earp, both the show and the heroine, have never been perfect.” Continue reading.

From Tracy Brown of the Los Angeles Times:

Link: Commentary: ‘Wynonna Earp’ came at a dark time for queer women on TV. Then it changed the game
But it’s the show’s treatment of another relationship that has made it so groundbreaking and meaningful, particularly to LGBTQ viewers: Waverly’s romance with town sheriff Nicole Haught (Katherine Barrell). Continue reading.

From Chancellor Agard of Entertainment Weekly:

Link: Wynonna Earp creator and cast unpack the ‘perfect’ finale, tease cut scene
“I personally couldn’t have loved it more. I was so happy. The arc of Doc over the four seasons and the way it came together, I was just so overwhelmed.” Continue reading.

From Lisa Weidenfeld of The AV Club:

Link: Freed from the curse that started it, Wynonna Earp became a meditation on heroism
When Wynonna Earp returned for a fourth season following a bewildering 18-month odyssey of funding difficulties, near-cancellation, and miraculous recovery just as dramatic as anything happening onscreen, it felt like a very different beast. Continue reading.

From Matt Webb Mitovich of TV Line:

Link: Wynonna Earp boss hopes Syfy finale made you feel ‘All the Things’ — Plus, scoop on one happy wedding accident
“But those two characters have certainly earned the chance to try to be happy, whatever that means to them.” Continue reading.

From Bridget Liszewski of The TV Junkies:

Link: Wynonna Earp’s Katherine Barrell on Nicole’s growth this season
“We’ve seen Nicole in a way we’ve never seen her before. She was out of control, really broken, not trusting herself, not particularly strong, but I think it’s important from a storytelling perspective to see her not at her best.” Continue reading.

From Bridget Liszewski of The TV Junkies:

Link: Wynonna Earp stars on Wynonna and Doc’s happy ending
“I thought that Waverly and Nicole would get a happy ending. I thought that Wynonna and Doc would just never get it together.” Continue reading.

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Emma Hunter to host WGC Screenwriting Awards, Jim Burt Prize film nominees announced

From a media release:

The Writers Guild of Canada is delighted to announce that award-winning Canadian actor, writer and comedian Emma Hunter is writing and hosting the 2021 WGC Screenwriting Awards ceremony, which will take place over Zoom on Monday, April 26 at 8:00 p.m. ET.

Most recently, Emma completed filming her star turn as Nora in the first season of CBC drama Feudal created by WGC member Sheri Elwood, and she was a co-host and writer for three seasons on CTV’s The Beaverton. Leaning into her comedic talent, Emma has a snappy, fun-filled show planned for attendees. Additionally, the award winners will be invited to accept their prizes in real-time to maintain that true element of surprise.

The WGC is also pleased to name 2021’s nominees for the bi-annual Jim Burt Screenwriting Prize awarded for best unproduced longform script:
• Goners I Written by Ken Hegan
• Magnificent I Written by Travis McDonald
• Sluggy and Bogie I Written by Tommy Gushue
• Struck I Written by Lynne Kamm
• Tall Grass I Written by Bri Proke

The 2021 awards mark the WGC’s 25th annual celebration of Canadian screenwriters and their scripts. The milestone will be formally recognized at a planned live ceremony in 2022. This year, special awards include the Jim Burt Screenwriting Prize, the Sondra Kelly Award and Showrunner of the Year — previous winners of this prestigious prize include Dennis Heaton (The Order), Emily Andras (Wynonna Earp) and Michael MacLennan (The Bletchley Circle: San Francisco).

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Link: Tassie Cameron and Sherry White talk Pretty Hard Cases Season 1

From Heather M. of The Televixen:

Link: Tassie Cameron and Sherry White talk Pretty Hard Cases Season 1
Pretty Hard Cases delivered a nailbiter, bonkers, and completely entertaining finale that left us all warm and fuzzy about not just our dynamic duo, but also maybe also the pairings of Sam and Naz, Jackie and Elliot, and a scoche less warm but definitely fuzzy Duff and Nate. Continue reading.

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Links: Coroner Season 3 finale

From Heather M. of The Televixen:

Link: Adrienne Mitchell and Morwyn Brebner talk Coroner Season 3 and preview the finale
“She is very powerful, as a person and as an actor and can blow people off the screen. It’s not that she wants to. It’s just that’s what she brings. So they met and just had a chemistry that worked.” Continue reading.

From Heather M. of The Televixen:

Link: Adrienne Mitchell and Morwyn Brebner talk the Coroner Season 3 finale
How’s everyone doing after that finale? We’ll have to wait until Season 4 (fingers crossed) to break down that loaded look from Jenny at the end, but to tide you over, here’s the second part of my chat with co-showrunners Adrienne Mitchell and Morwyn Brebner about the other things we can discuss. Continue reading.

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Aml Ameen, Mouna Traoré and Ronnie Rowe Jr. set to star in CBC’s The Porter

From a media release:

The first round of casting for CBC and BET+ original series THE PORTER (working title, 8×60) has been confirmed, with Aml Ameen (I May Destroy You, Yardie), Ronnie Rowe Jr. (Star Trek: Discovery, Pretty Hard Cases) and Mouna Traoré (Self Made, The Umbrella Academy) to co-star in the 1920s drama. With the series set to start production in Winnipeg, Manitoba later this spring, more additions to the cast will be announced in the coming weeks.

Inspired by real events and set in the roar of the 1920s, THE PORTER follows the journeys of an ensemble of characters who hustle, dream, cross borders and pursue their ambitions in the fight for liberation – on and off the railways that crossed North America. It is a gripping story of empowerment and idealism that highlights the moment when railway workers from both Canada and the United States joined together to give birth to the world’s first Black union.

Ameen will portray ‘Junior Massey,’ an intelligent, smooth, ambitious and fearless risk taker and war veteran employed as a porter with the Transcontinental Railroad; alongside Rowe Jr. as fellow porter ‘Zeke Garrett,’ Junior’s friend and war buddy, who is calm, thoughtful and persistent to a fault in his fight for integration. Traoré will play ‘Marlene Massey,’ Junior’s wife who works with the Black Cross Nurses, an offshoot of Marcus Garvey’s Universal Negro Improvement Association, risking resources and reputation to help her community and reach her full potential.

Set primarily in Montreal, Chicago and Detroit as the world rebuilds after the First World War, THE PORTER depicts the Black community in St. Antoine, Montreal – known, at the time, as the “Harlem of the North.” They’re young, gifted and Black, from Canada, the Caribbean, and the U.S. via the Underground Railroad and through the Great Migration, and they find themselves thrown together north and south of the color line, in an era that boasts anything is possible – but if change isn’t coming for them, they will come for it. By any means necessary.

A CBC and BET+ original series, THE PORTER is originated and created by Arnold Pinnock (Altered Carbon, Travelers) and Bruce Ramsay (19-2, Cardinal), with Annmarie Morais (Killjoys, Ransom, American Soul), Marsha Greene (Private Eyes, Ten Days In The Valley, Mary Kills People and Aubrey Nealon (Snowpiercer, Cardinal), and produced by Winnipeg-based Inferno Pictures Inc. and Sphere Media’s Sienna Films. Morais and Greene are showrunners and executive producers. Charles Officer (21 Thunder, Ransom, Coroner) and R.T. Thorne (Blindspot, Utopia Falls) will direct the series, and are executive producers. Pinnock and Ramsay are co-executive producers. The series is written by Morais, Greene, Andrew Burrows-Trotman, Priscilla White, Pinnock and Ramsay, with R.T. Thorne participating in the writers’ room. The series is funded with the support of the Canada Media Fund and Manitoba Film & Music and is distributed internationally by Abacus Media Rights (AMR) and Sphere Distribution.

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