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Canada’s Most Versatile Person?

By Jenna Adams

On Sunday, 656 000 Canadians tuned in to CBC to watch a 2-hour special designed to unveil Canada’s Smartest Person. Hosted by comedian and Mr. D star Gerry Dee, it focused on the theory of multiple intelligences pioneered by Dr. Howard Gardner, a psychologist and professor of Cognition and Education at Harvard University.

The show used 10 challenges to explore six areas of intelligence: logical, linguistic, musical, visual, physical and interpersonal. Audiences could download an app to play along and see how they stacked up against some of Canada’s biggest brains.

I interviewed three of the competitors about their experiences, including the importance of Gloria Gaynor and beer pong.

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The Listener’s Ennis Esmer: “Busy is victory”

Ennis Esmer is perhaps best known as Oz on The Listener, which recently finished shooting a third season for CTV, but he also popped up on MuchMusic’s The LA Complex (premiering April 24 on The CW), co-hosted Wipeout Canada, has a recurring role on Covert Affairs, and is part of the Sex After Kids ensemble, a film in development aiming to raise funding via Indigogo. In his spare time he volunteers for charities and gives funny answers to email interviews.

I have this perception of you being everywhere, juggling multiple projects seemingly at the same time – The Listener, The LA Complex, Wipeout Canada, Covert Affairs. How insanely busy are you? Is there a common thread in your career choices?

I’m not THAT busy. I’m an absolutely manageably amount of busy. All these things are (for the most part) a blast to work on, and I try to never lose sight of the fact that busy is the thing I want to be more than anything. Busy is victory. I try to look at busy as a challenge and never as a struggle, because there’s nothing else I’d rather be busy doing.

As for a common thread, I usually like to go into a situation where I’ve auditioned for a given part, the people in charge have watched said audition, and based on that, have decided to offer me the part, and I’ve said yes. I find that works best. Working for people who want to hire me to work for them. That’s the common thread.

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Industry Update – Bell/Astral, CRTC, APTN

Bell to buy Astral

BCE Inc. announced, on March 16, 2012, its intent to buy Astral Media Inc., pending CRTC approval. The transaction, funded 75% by cash and 25% by BCE Inc. common equity, is valued at around $3.38 billion. As part of the purchase, BCE Inc. assumes $380 million in Astral Media Inc. debt.

A $150 million penalty will be paid by Bell to Astral, should Bell’s acquisition of Astral fall through. If another company courts Astral (as Astral can’t solicit other offers), and Astral ultimately shuns Bell for a “superior proposal,” Astral pays a $100 million termination fee to Bell. Bell has first right to match any “superior” counter-offer.

The Bell/Astral deal attracts critics, including Carleton University journalism professor Dwayne Winseck.

Bell, the largest telecommunications/media company in Canada by market share, wants the eighth-largest telecom/media company. Theoretically, the Astral purchase opens a gateway into Quebec homes, strengthens Bell’s radio reach, and establishes Bell in the premium television arena.

Shareholders can vote on the Bell/Astral transaction, at a meeting to be held on or before May 25, 2012.

Continue reading Industry Update – Bell/Astral, CRTC, APTN

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Canada In Development: Silent Partners and False Flag

Canada In Development returns this week with Silent Partners.  A legal drama  about an unorthodox partnership between an up-and-coming young lawyer and her mentor/beard — a brilliant, South African-born attorney who is unable to practice law for mysterious reasons –  Silent Partners is set in Toronto.  Creator Denis McGrath is scheduled to deliver a first draft pilot and bible to CBC this month, but development terms are still in the works.  “That is development, phase one,” says McGrath, who is working with Cooperheart Productions on this character-based procedural.

McGrath is also working with Lark Productions on False Flag, a team-based action/adventure show about a squad that solves problems through lies, theft and misdirection — doing what governments, corporations and politicians are bound by law not to do — and leaving no trace behind.  False Flag is an hour-long, high-stakes show that McGrath compares to a “smart A-Team.”  It is currently in the first draft of pilot and bible with CTV, to be delivered in the summer of this year.

If you have a project in development with a Canadian broadcaster or production company, let TV, eh? know. See previous posts in this series here.

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WGC Nominee Larry Bambrick on Flashpoint’s “Shockwave”

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Leading up to the Writers Guild of Canada awards on April 23, TV, eh? will be posting a series of interviews with some of nominees. Larry Bambrick was nominated in the TV Drama category for the “Shockwave” episode of Flashpoint (one of four Flashpoint nominations in the category … and his first drama script).

Can you describe the episode and how it fit into the Flashpoint season?

In “Shockwave”, a routine call takes a horrible turn and most of Team One gets trapped underground with a powerful bomb. While Spike Scarlatti (the team’s tech expert) struggles to defuse the bomb, he gets news that his sick father won’t survive the night. Spike has to find a way to connect with an emotionally raw bomber, defuse the device and race to his father’s side. It’s the final chapter in a long arc about Spike and his often rocky relationship with his dad.

What about this episode are you particularly proud of?

I’m particularly proud of how quickly the entire writing team responded to last-minute production notes. Just days before shooting, it became obvious that the original script was simply too big. A couple of long days and late nights later — where we re-broke the last three acts — we turned around a new draft. The other happy surprise is that “Shockwave” is the first drama script I’ve ever written. To get a WGC nomination for it is simply overwhelming.

What does this recognition mean to you?

Two years ago, I took a chance moving into drama. I’d been working in news and documentaries for my entire career before deciding to see if I could make a living in the “non-factual” world. This nomination is just so humbling. This script — and my two years on Flashpoint — couldn’t be a better introduction to dramatic writing.

And finally (imagine my best Joan Rivers impression): what will you be wearing to the ceremony?

I’ll be wearing a black t-shirt and a lovely jacket my wife gave me. Likely shoes and socks too. Although if Michael MacLennan decides not to wear the patchwork pants he bought in Paris, I might borrow those.

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