Everything about Industry News, eh?

Multicam format helps bring the funny to Mr. Young

Mr. Young is a rarity in Canada: a multi-camera sitcom filmed before a live studio audience.

“We’re emulating the American sitcom model which has been around for eons since the I Love Lucy days,” said producer Victoria Hirst in an interview last summer at the converted warehouse studio in Burnaby. Season two premieres March 12 on YTV.

Is it genetic, the Canadian industry’s lack of affinity for the multicam format? An additive in our maple syrup? Or is it just too expensive for our bare-bones budgets?

Continue reading Multicam format helps bring the funny to Mr. Young

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TV, Eh? Industry Update – Thunderbird Films, Recipe to Riches, CRTC, and Family Guy

Frank Giustra invests in Thunderbird Films

Frank Giustra will fund Thunderbird Films as a major shareholder, as Thunderbird Films expands and diversifies its television business. Giustra is best known for his mining and entertainment investments. In particular, Giustra founded Lions Gate Films in 1997, to capitalize on Vancouver’s then-burgeoning film and television industries. Thunderbird Films will change its name, to reflect its television expansion.

Thunderbird Films’ recent shows include YTV’s Mr. Young, Showcase’s Endgame, and CTV’s Hiccups. Other shows in Thunderbird Films’ library include Intelligence, as well as distribution rights to Da Vinci’s Inquest and Cold Squad.

Thunderbird Films also owns half of Ridley Scott’s 1982 film, Blade Runner. Thunderbird Films is an active partner in the new Ridley Scott-helmed Blade Runner film, in whatever shape nu-Blade Runner takes.

Continue reading TV, Eh? Industry Update – Thunderbird Films, Recipe to Riches, CRTC, and Family Guy

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Canadian TV leveling the playing field

From Scott Stinson of the National Post:

  • Canada-U.S. rotations: Why we’re closer to the same TV playing field
    Any discussion with a Canadian television executive will eventually get to the Canada-vs.-United States debate. No matter how many successes the local industry piles up, someone will come along to airily dismiss Canadian television as unworthy of its U.S. counterparts. Christine Shipton, vice-president of original content at Shaw Media, greets the can-Canada-hold-its-own question bluntly. “Whenever this comes up,” she says, sitting in her Toronto office, “I point out that U.S. shows are horrible at times.” Read more.
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TV, Eh? Industry Roundup: Children’s TV-on-DVD, CMPA, CanCon, more

Canadian TV-on-DVD news

According to Alliance Home Entertainment’s media site, Metal Evolution, Sam Dunn and Scot McFadyen’s heavy metal/hard rock documentary series, comes out May 1, 2012, on DVD. The release covers the first eleven episodes. The show airs on MuchMore in Canada, and VH1 Classic in the United States.

A three-disc Franklin set hits United States DVD May 8, 2012, through kaBOOM! Entertainment. Franklin was in production by Nelvana from 1997-2004, in its first incarnation. The Phase 4 Films web site claims “44 complete episodes;” Franklin‘s video and DVD releases treat each standalone story as an episode, so keep that in mind.

As for Franklin and Friends, Nelvana’s current (2011- ) version of Franklin, “Super Cluepers” appears on DVD May 15, 2012, through kaBOOM! Entertainment. This is the fourth release of the Franklin and Friends series; the third release, “Franklin’s Earth Day,” debuts on DVD March 20, 2012.

Other upcoming, non-Franklin children’s DVD titles from kaBOOM! Entertainment include:

The Great, Unending CanCon Debate

Pierre Juneau, as the first chairman of the Canadian Radio-Television Commission, ushered in Canadian content regulations for music and television. These content regulations have long been the subject of debate, and The National Post‘s Marni Soupcoff…is one of its debaters.

Soupcoff’s article argues that the free market and new delivery systems make government-mandated Canadian content obsolete, and that CanCon was never good, from a moral and ethical standpoint. Then again, Soupcoff’s article never mentions the broadcaster’s role in releasing a profitable overall product, while still adhering to CanCon regulations.

Do CanCon regulations hurt the television business, or are Canadian broadcasters just not creative enough in exploiting those regulations? That’s a question I’d like to see answered. For instance, Toronto’s Citytv, which put out indigenous shows like FashionTelevision, MediaTelevision, and Electric Circus, managed profitability during its CHUM Limited ownership. It can be done in this country.

More public subsidies for online series?

The Canadian Media Production Association wants more public subsidies available for standalone online series. The report, prepared by Duopoly Inc. president Catherine Tait, argues that the Independent Production Fund is the only subsidy currently available for standalone online series. The dominant funding model is do-it-yourself, no-budget, and non-union.

According to the CMPA, most of the online eyeballs go to Netflix, YouTube, Hulu, MyDamnChannel, and other non-Canadian players. In addition, the Bell New Media Fund and Canada Media Fund merely bring traditional television producers into the digital realm, rather than produce unique online content, in what CMPA sees as a burgeoning market.

The report was released two days before CMPA’s 21st Prime Time in Ottawa networking conference.

Odds and sods

Akron Beacon Journal‘s pop culture writer, Rich Heldenfels, answers a question about former Global show The Guard. The Guard aired in the United States, on the ION program service, from March-April 2010. It eventually moved to ION’s sister service, ION Life.

Twitter scoops TSN and Sportsnet during the NHL’s trade deadline day…which is something a crowd-sourced, 140-character medium should excel in, by design. At least the ten hours of pomp and circumstance brought in healthy afternoon ratings for TSN, so the promotion for TradeCentre 2012 worked.

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TV, Eh? Industry Update: PDM Entertainment, Geminis, DVDs, and hockey

A small addendum to Monday’s piece: CURV TV and TREK TV’s licences have not been amended, due to the channels not yet launching.

PDM Entertainment launches

Canadian producers Phyllis Platt, Brian Dennis and Peter Moss recently formed PDM Entertainment, a Toronto-based television production company. Projects in development for PDM Entertainment include TV-movie adaptations of Louise Penny’s Three Pines crime novels, and a six-part miniseries based on Terry Fallis’ political satire, The Best Laid Plans.

Phyllis Platt was CBC Television’s English-language executive director of arts & entertainment from 1993 to 2000, and from 2010-11 on an interim basis. Brian Dennis is a producer for such shows as Ghostly Encounters, The Border and The Associates. Peter Moss is best known as the director/executive producer of CBC’s Booky TV-movies, and CBC’s 2007 miniseries adaptation of Mordecai Richler’s St. Urbain’s Horseman.

Gemini Awards: the more things change…

So, the Gemini Awards once again aim for legitimacy, like they do every year. The big stories are the new Best International Drama category – that’s the one for co-productions – and the 20% reduction in the number of awards.

Some fun stats: The Gemini Awards contained 83 categories in 2007, 96 categories in 2008, 99 categories in 2009, 107 categories in 2010, and 114(!) categories in 2011. For 2012, there are 92 regular categories, plus 10 “Special Awards.” Somehow, reducing the number of categories is a big deal, even though there were fewer categories five years ago.

Here’s the .pdf of all Gemini category changes. Some highlights:

  • Best General/Human Interest Series no longer exists.
  • Three categories are subsumed into Best History, Science, Nature or Biography Documentary Program or Series.
  • Two categories are subsumed into Best Sports Host or Analyst in a Sports Program or Sportscast.
  • Best Sportscaster/Anchor, Best Sports Reporting, and Best Sportscast (National or Local) no longer exist.
  • Best Local Newscast no longer differentiates between large and small markets.
  • Best News Special Event Coverage no longer exists.
  • Best Writing in a Variety or Sketch Comedy Program or Series is the other brand-new category.
  • Best Achievement in Main Title Design has been removed.
  • Three categories, including Best Ensemble Performance in a Comedy Program or Series, have been subsumed into Best Performance in a Variety or Sketch Comedy Program or Series (Individual or Ensemble.)
  • Best Performance in a Guest Role, Dramatic Series is now unisex.

To recap, the Gemini Awards aren’t doing anything new. The backstage players change, yet the goofiness and busily-named awards categories keep on coming.

Canadian TV-on-DVD news

Rookie Blue‘s second-season DVD and Blu-ray sets will now be released on May 29, 2012.

My Babysitter’s a Vampire, which airs on Teletoon in Canada, and Disney Channel in the United States, earns a first-season DVD set through Warner Home Video. The set contains the pilot telefilm and the first thirteen episodes, and comes out May 22, 2012.

It’s NHL trade deadline time again!

The NHL trade deadline – this year, February 27 – is serious business among hockey fans, as Sportsnet, The Score, and TSN ready themselves for hours of who-goes-where talk.

Puck the Media, a New Jersey blog, compares TSN and Sportsnet’s breathless press releases. The word “trade” is oft-mentioned. TSN even calls its NHL trade deadline coverage TradeCentre, while Sportsnet makes do with HOCKEY CENTRAL Trade Deadline.

The Score just calls its coverage Deadline Day, and it doesn’t get off its butt until four hours after TSN and Sportsnet. Clearly, those lollygaggers at The Score don’t understand how important the NHL trade deadline is. I wonder if The Score can be traded for Rick Nash.

Noreen Halpern leaves Entertainment One Television

Noreen Halpern, Entertainment One Television’s president of dramatic programming, will leave Entertainment One, after more than three years with the company. Halpern mounted such Canadian shows and co-productions as Rookie Blue, Haven, Call Me Fitz, Almost Heroes, and The Firm.

Halpern was initially a creative executive with Alliance Entertainment. She survived the Alliance Entertainment/Atlantis Films merger, as it became Alliance Atlantis. In 2002, Halpern and John Morayniss left Alliance Atlantis to establish Blueprint Entertainment, which was subsumed into Entertainment One in 2008. Blueprint Entertainment was best known for Testees, The Best Years, Whistler, Exes & Ohs, and Love You to Death.

Halpern’s exit comes ten days after Entertainment One withdrew plans to sell itself. Halpern’s post is now partially split, as Margaret O’Brien is the first president of Entertainment One’s Canadian television division.

Random CRTC news

AUX can now air both human interest shows, and reality television, while Bite can now air game shows, human interest shows, and reality television. Both AUX and Bite are owned by GlassBOX Television.

In addition, AUX and Bite “move” from Category 2 to Category B services…which is odd, as Category B is a renamed Category 2, but whatever. CRTC parlance, you know?

Pelmorex’s The Weather Network/Météomédia wants to branch into regional feeds – one in British Columbia, one in Alberta, and one in Atlantic Canada. Each regional feed will override the national feed, at least on cable.

Odds and sods

Toronto Star columnist Rob Salem hosted the February 22, 2012 edition of etalk, replacing Ben Mulroney temporarily. As part of this publicity stunt, Ben Mulroney will write an Oscar-centric article for The Toronto Star‘s February 24, 2012 edition.

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