Everything about Orphan Black, eh?

Link: 17 Things Canadian TV has to be Smug About

From C. Joan Porter of The TV Junkies:

17 Things Canadian TV has to be Smug About
A year ago, I abandoned the Great White North for a life of sun and palm trees in Southern California. And while there are many (many) things to love about this new ‘Murican existence, there’s plenty to be homesick about when it comes to kickass Canadian television.

So yes, while U.S. Netflix is the promised land of binge watching, here are 17 reasons why Canadians should be smug about what’s on their TVs. Continue reading.

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ORPHAN BLACK Season 3 Premiere Becomes Most-Watched Episode Ever

From a media release:

#HolyDoodle! The multi-channel Season 3 premiere event of Space Canadian original series ORPHAN BLACK on April 18 drew a combined audience of 697,000 viewers to Space, CTV, Bravo, and MTV, making it the most-watched episode of the series ever, final audience data from Numeris confirms. The combined premiere reached 1.9 million viewers. ORPHAN BLACK was also the #1 entertainment program of the day on English Canadian television in the key A25-54 and A18-49 demos. Numeris also confirms that 261,000 viewers tuned in to Space’s broadcast, making Space the #1 specialty network in its Saturday 9 p.m. ET timeslot.

Immediately following the Season 3 premiere of ORPHAN BLACK, the series premiere of Space insider program INNERSPACE: AFTER THE BLACK also made waves with 115,000 viewers tuning in to the all-new after-show. ORPHAN BLACK airs Saturdays at 9 p.m. ET, exclusively on Space. For those yet to get caught up on ORPHAN BLACK,Seasons 1 and 2 are available now on CraveTVTM.

On the next episode of ORPHAN BLACK, “Formalized, Complex, and Costly” (Saturday, May 2 at 9 p.m. ET), Leda and Castor are both on the hunt for original clone DNA. Mark and Gracie pursue new leads to find the samples that might set them free, while Art and Sarah reunite to track them down. Meanwhile, Cosima and Scott try to learn more about Castor’s biology, and Alison’s new money-making venture is going gangbusters. A shocking revelation about the Castor-Leda connection leaves the sisters reeling, just before Sarah witnesses a deadly Prolethean-Castor face-off. For a sneak peek at next week’s episode, click here.

On the next episode of INNERSPACE: AFTER THE BLACK (Saturday, May 2 at 10 p.m. ET), INNERSPACE hosts Ajay Fry and Morgan Hoffman sit down with ORPHAN BLACK co-creators, writer Graeme Manson and director John Fawcett, to dissect the events that transpired in the third episode of Season 3, and to chat about what viewers can expect from the remainder of the season. In the following week’s episode, Ajay and Morgan get an insider look at how multiple clone scenes are made as they chat with clone doubles Kathryn Alexandre and Nick Abraham.

ORPHAN BLACK is executive produced by Ivan Schneeberg and David Fortier (BEING ERICA, X COMPANY), Graeme Manson (Cube, FLASHPOINT), and John Fawcett (SPARTACUS, Ginger Snaps). The series is co-created by Manson and Fawcett, with Manson also serving as writer and Fawcett as director. BBC Worldwide distributes the series internationally, reaching more than 170 countries.

ORPHAN BLACK is produced by Temple Street Productions in association with Space and BBC America. Production Executive is Gosia Kamela. Tom Hastings is Director, Drama, Independent Production, Bell Media. Corrie Coe is Senior Vice-President, Independent Production, Bell Media. Tracey Pearce is Senior Vice-President, Specialty and Pay. Phil King is President, CTV, Sports, and Entertainment Programming.

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Link: Tatiana Maslany Explains How She Played a Clone Playing a Clone on Orphan Black

From Melissa Locker of Vanity Fair:

Tatiana Maslany Explains How She Played a Clone Playing a Clone on Orphan Black
In the premiere episode of Orphan Black’s third season, which aired Saturday night on BBC America, the show’s clone-playing star, Tatiana Maslany, pulled off an acting hat trick that was almost bewildering in its execution. With minimal spoilers we’ll explain. Continue reading.

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Mr. D and Orphan Black topline WGC Awards

CBC’s Mr. D and Space’s Orphan Black were among the winners at the 19th annual Writers Guild of Canada Awards delivered from the TELUS Centre for Performance and Learning’s Koerner Hall on Monday night.

Rounding out the glitzfest—hosted by Ryan Belleville (Satisfaction)—were trophies for Fangbone, Elephant and R.L. Stine’s The Haunting Hour. 19-2 showrunner Bruce M. Smith was given the Showrunner Award, Alison Lea Bingeman (The Pinkertons) the Sondra Kelly Award and Denis McGrath (X Company) the Writers Block Award. More than 150 scripts were nominated for this year’s awards in seven categories; 29 scripts chosen as finalists.

Guests on stage Monday included actors Connor Price (X Company), Patrice Goodman (Sunnyside), Wendy Crewson (Saving Hope) and show runners Stephanie Morgenstern and Mark Ellis (X Company), Gary Pearson (Sunnyside) and Adam Pettle (Saving Hope).

Here is a complete list of the award winners:

Animation
Fangbone, Season 1 “The Warbrute of Friendship”
Written by Simon Racioppa & Richard Elliott

Children & Youth
R.L. Stine’s The Haunting Hour, Season 4 “Mrs. Worthington”
Written by Melody Fox

Documentary
The Cholesterol Question
Written by Michael McNamara

Movies & Miniseries
Elephant Song
Written by Nicolas Billon

Shorts & Webseries
Out With Dad, Season 3 “Outed ”
Written by Jason Leaver

TV Comedy
Mr. D, Season 3 “Old School”
Written by Andrew De Angelis

TV Drama
Orphan Black, Season 2 “Ipsa Scientia Potestas Est”
Written by Tony Elliott

Special Awards
Showrunner Award – Bruce Smith
Sondra Kelly Award – Alison Lea Bingeman
Writers Block Award – Denis McGrath

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Link: Tatiana Maslany on That Emmys Snub and Playing Nine Roles on ‘Orphan Black’

From Brian Hiatt of Rolling Stone:

Tatiana Maslany on That Emmys Snub and Playing Nine Roles on ‘Orphan Black’
On the addictive BBC America hit show Orphan Black, star Tatiana Maslany doesn’t just give one of the best performances on television — she gives nine of them, and counting. The thriller, now kicking off its third season, is centered on a mysterious government cloning program. Maslany, 29, plays wildly different people with identical DNA, from the oft-terrifying, near-feral Helena to passive-aggressive suburbanite Alison. They share scenes on the show, too, via a seamless fusion of visual effects and virtuosic acting. Maslany, a native of Canada, called from the set of a movie she’s shooting in the frigid northernmost province of her home country. “We built an igloo the other day,” she says. “As you do.” Continue reading.

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