TV, eh? | What's up in Canadian television | Page 1270
TV,eh? What's up in Canadian television

Hard Rock Medical plays a mean game of Tetris

Derek Diorio has created hundreds of hours of film and television and knows well that you can’t please everyone all the time. “Somewhere along the line, somebody savages the show.”

Except Hard Rock Medical, the show he co-created with Smith Corindia. The  series has never had a bad review (knock on wood).  “The worst somebody called it was ‘maybe a little too earnest.’ If that’s the worst we get, I think we’re doing OK.”

That seems like a challenge to me, but I can’t do it either: after discovering it part way through its first season, its blend of quirky humour and absorbing character drama  instantly made it a favourite.

Based on the unconventional Northern Ontario School of Medicine, centred around eight medical students learning how to deliver health care to isolated residents,  Hard Rock Medical has been difficult to find even amid the witness-protection-level-promotion of many Canadian series. I was assigned a story about it last summer and had to stifle my “Hard Rock what now?” reaction.

Season two launched last week on TVO — episodes are available online. It gained a nation-wide broadcaster when APTN picked it up after the Australian co-producer dropped it (season two will likely air in April there).

The second season retains its humour but takes a darker turn. “Thematically, there’s a lot of questioning of faith,” said Corindia. “We’ve got Healy questioning his medical career and battling alcoholism.”

“I hate talking about it but mental illness was the underlying theme of this season,” said Diorio. “The pressures you have in your life, things you have no control over that  affect people in very different ways. But if you put that out there, who’s going to watch it?”

How they approach themes is why those who have discovered the show want to watch. Within the first couple of episodes, for example, med student Charlie’s goat (received in payment for treatment) may have swallowed some diamonds, so what’s a man to do but sneak it into a vet’s MRI machine? It’s a comedic entry point to the impending doom of Charlie’s financial situation, another example of the personal cost of pursuing a medical career.

Instead of following a syllabus as with the first season, season two incorporates medical emergencies into the students’ lives. “Healy is a medical emergency,” Diorio pointed out, while Corindia gave the example of Nancy’s estranged husband suffering a stroke. Incorporating the personal stories with the medical cases was one way to make the series more compact.

With eight med student characters and a handful of faculty vying for air time, it’s not easy for a half hour show to serve all the characters. Going from 13 episodes in season one to eight in season two threw in a bonus challenge.

“It’s kind of like a Tetris game,” said Diorio.

They plotted out storylines for four major characters: Charlie (Stéphane Paquette), Healy (Patrick McKenna), Farida (Rachelle Casseus) and Cameron (Jamie Spilchuk). Then came the “mini-majors” and the more minor characters.

“Last year Gina figured much more prominently,” Diorio lamented, “but this year we ran out of real estate. Her story is actually a ton of fun but we just didn’t have time to get into it.”

Corindia explained that people see the ensemble as the med students especially, but this season gives more weight to some of the faculty as well.

Given the tricky financing and huge cast, it seems a minor Canadian TV miracle that the show doesn’t scream low budget.

“Everybody works for free,” Corindia jokingly explained.

“The joy of the show is everybody has bought in,” Diorio continued more seriously. He gives the example of Australian actor Mark Coles Smith, originally cast as part of the Australian co-production deal. Without that deal, Hard Rock Medical takes a financial hit to bring him in, but the producers feel he’s an integral part of the show. His agent isn’t keen on him continuing with a (let’s say it:) obscure Canadian series while his career takes off in his home country. Yet both sides are eager to have him back for a potential third season.

“Part of that is they get to do something they don’t get to do anywhere else,” said Diorio. “We are a dot on the landscape and we get calls from actors who want to be on the show.”

“They’re invested in characters as well as the show,” added Corindia. “But  at the end of the day, I mean come on, you are on a TV series.”

Patrick McKenna, whose character isolates himself in a cabin and in addiction, is nearly unrecognizable, completely absorbed into the role.

“I think it’s safe to say he’s never played a role this dramatic and funny at the same time,” said Diorio. “Wait until you see where he goes.”

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Tatiana Maslany and Gavin Crawford take ACTRA Toronto awards

From a media release:

ACTRA Toronto is proud to announce the winners of the 13th Annual ACTRA Awards in Toronto.

Outstanding Performance – Female
Tatiana Maslany (Various in Orphan Black)

Outstanding Performance – Male
Gavin Crawford (Adam in Two 4 One)

Outstanding Performance – Voice
Cory Doran (Multiple Personality Mike in Total Drama, “The Final Wreck-ening”)

Tina Keeper presented ACTRA Toronto’s 2015 Award of Excellence to Tantoo Cardinal and Marco Biancopresented the ACTRA Toronto Stunt Award to Jamie Jones.

The annual ACTRA Awards in Toronto were presented at The Carlu on February 20, 2015. The gala evening was hosted by Arisa Cox with live music by God Made Me Funky.

The 13th Annual ACTRA Awards in Toronto was sponsored by: DIAMOND SPONSOR: Actra Fraternal Benefit Society PLATINUM SPONSORS: ACTRA National and Performers’ Rights Society, Bell Media GOLD SPONSORS: CBC, CMPA, Film & Entertainment Industries (City of Toronto), Deluxe, In Your Ear Productions, IATSE 873, Rhombus Media, Shaftesbury, United Steelworkers SILVER SPONSORS: Cavalluzzo, RBC Royal Bank BRONZE SPONSORS: Addenda Capital, Corus Entertainment and Nelvana, Creative Arts Savings & Credit Union, Directors Guild of Canada(Ontario), Don Carmody Productions, Entertainment One, Grant Thornton, HUB International, New Real Films, Take 5 Productions, William F. White, Writers Guild of Canada. Music sponsored by: Recording Artists’ Collecting Society

ACTRA Toronto is the largest organization within ACTRA, representing more than 15,000 of Canada’s 22,000 professional performers working in the English-language recorded media in Canada. As an advocate for Canadian culture since 1943, ACTRA is a member-driven union that continues to secure rights and respect for the work of professional performers.

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Tonight: The Fifth Estate, Marketplace

The Fifth Estate, CBC – “400 Days: The Mohamed Fahmy Story”
In a world TV exclusive interview with fifth estate host Gillian Findlay, Canadian journalist Mohamed Fahmy describes his hell in a Cairo prison and what he thinks will happen when his new trial starts Monday.

Marketplace, CBC – “Doing Good, Feeling Bad & Speak Up For Service”
Marketplace investigates two common checkout complaints – being put on the spot for charitable donations, and poor customer service.

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Video: Inside Canada’s First Spy Training Camp with the cast of X Company

From CBC:

X Company is an emotionally-driven character drama, set in the thrilling and dangerous world of WWII espionage and covert operations. In this clip, the cast talks about what it was like to tell the story of Canada’s first spy training camp. X Company stars Evelyn Brochu (Orphan Black), Jack Laskey (Hatfields & McCoys), Warren Brown (Luther), Dustin Milligan (90210), Connor Price (Being Human), Hugh Dillon (Flashpoint) and Lara Jean Chorostecki (Hannibal). Watch the premiere Wednesday, Feb. 18, 2015 on CBC Television at 9 p.m.

 

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Link: ‘Orphan Black’ Season Premiere to Air Across All AMC Networks Channels

From Cynthia Littleton of Variety:

AMC Networks is giving the roadblock treatment across its five networks to the April 18 season premiere of BBC America’s “Orphan Black.”

The season three opener will run simultaneously at 10 p.m. across AMC, SundanceTV, IFC and We TV, in addition to BBC America. The move could provide a crucial boost to turn “Orphan Black” into a broader hit that reaches beyond its hard-core cadre of sci-fi fans. Continue reading.

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