TV, eh? | What's up in Canadian television | Page 1600
TV,eh? What's up in Canadian television

Monday: Bomb Girls, Seed, Winnipeg Comedy Festival

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Bomb Girls, Global – “Kings and Pawns”
Gladys is torn between her patriotic duty and her friendship with the girls. Meanwhile, Lorna wrestles with her family’s changing dynamics and Marco feels trapped when he realizes that the people he thought were on his side are working against him.

Seed, City – “Always Use a Condo”
As Harry (Adam Korson) and Rose (Carrie-Lynn Neales) prepare for a preschool interview, Harry learns that Rose lied on the application, covering up what she perceives to be his biggest flaws. Meanwhile, Michelle (Amanda Brugel) and Zoey (Stephanie Anne Mills) realize that Billy (William Ainscough) is old enough for “the talk,” but can’t agree on how to go about it.

Winnipeg Comedy Festival, CBC – “Characters?”
Reality TV is 100% real, isn’t it? Find out during our “Characters” gala hosted by reality star Shannon Tweed, who hosts this show of impertinent impressions, celebrity mockery, and stunning performances.

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A modest proposal: How to get Canadians to watch Canadian television

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The news that Canadian network executives will be speaking on an Academy of Canadian Cinema and Television panel on how to get Canadians watching Canadian TV gave me a flashback to the Canadian Media Production Association’s proposal that caused me to be more enraged than engaged.

I’ll be interested to hear the Academy webcast and from people attending the session — the panelists are smart people who’ve worked in the industry for ages — but first here’s my modest proposal for them (non-Swiftian version). Consider it a checklist for networks before they ponder more transmedia extravaganzas, online games that gamers would ridicule, sharing more effing “success stories,” or putting the responsibility of basic promotion onto the audience.

The Basics

  • Make more shows. Why are Canadian networks full of American shows we can watch on another channel? Most shows — American, Canadian or Ukrainian — fail, so if you’re only making a couple a year, odds are good you’ll only get a hit every several years.
  • Invest more in their quality. This means you, broadcasters, not the funding agencies. More writers than executives? Higher production values? More marketing? Consequences to continued failure?
  • Schedule regularly and well. The Listener is the rare show that’s managed to find a large, steady audience despite being bounced around from timeslot to timeslot, and with long, unpredictable gaps between seasons. And consider the compatibility of lead-ins and timeslot competition, unlike City and its beleagured Seed.
  • Create exciting promos to launch the series. See the striking difference between ABC’s jazzy Motive promo and CTV’s sedate promo for example.
    • Promos is plural – don’t play the same one over and over and over and over again or audiences will flee from it over and over and over again.
    • If it’s a comedy, make the promo funny. Actually funny. If it’s a drama, make it dramatic. This applies to the shows too, by the way.
    • Put the promos online and make them embeddable so other websites can help do your marketing for you. Show promotion shouldn’t be treated like a state secret.
  • Create episode-specific promos
    • See above – exciting, embeddable.
  • Have episode-specific photos available to media and fans. How many times do we have to use the same group cast shot, with all of them standing and staring at the camera?
  • Populate the show’s website well up front, and keep it updated.
    • At a minimum, I should be able to easily tell when the next episode will air and what’s exciting about it.
    • Use your promos, make all other content you do embeddable or copy and paste-able (I can’t tell you how many times I’ve tried to grab an epsiode description only to have it be Flash or part of an image and therefore not grabbable).
  • Make sure the show’s IMDb page and Wikipedia page are updated.
  • Social media the hell out of your show… but not in a spammy or smarmy marketing way.
    • Teach everyone involved with the show the mores of the social media channels they’re using.
    • Get your cast and key creatives (showrunner, director, whoever) to not just live-tweet shows but respond to fans – set up a search for the name of the show and the star and respond to comments and questions.
    • Find out where your audience is and go there. Think beyond your own official channels. Tumblr? Pinterest? A Facebook page other than the official one? Forums? Fansites?
  • Research before getting interactive. See what your fans do online, or fans of similar shows … especially before you try to make them do something else. Are they making videos, or fan art, or discussing issues? Tap into that. Go where they are, and support them in doing what they do. Tap into a competitive spirit or a desire for recognition.
  • Cut the BS. Don’t get ridiculous parsing the ratings, or call everything a hit.
  • Respond quickly to journalists on deadlines. Treat credible bloggers like online journalists. Offer actual stars for interviews.
  • The usual marketing suspects: ads, billboards, bus ads, banner ads on the network’s family of sites and other targeted websites, etc.

The rest

  • Get creative, think outside the box, be the first to do something new and shiny, and I’ll cheer you on. But first make sure you’ve got the basics covered. Few Canadian shows do.

I’m sure I’m missing some basics – any others you can add?

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Continuum continues tonight

From Glen Schaefer of The Province:

Time of the essence for TV series Continuum
The Vancouver-set sci-fi series Continuum is midway through production of its second season, juggling stories that bounce between the present day and the imagined bleak future of 2077. But when writer-producer Simon Barry talks about the complications of spinning an extended story of present and future, he doesn’t sound, um, tense. Continue reading.

From The Televixen:

Take 5 With Continuum’s Rachel Nichols
Are you ready to return to the world of Continuum? After a hiatus that felt like decades (at least to me), the series is back tonight in Canada with the premiere of its mind-bending second season. To get you up to speed, we have a new edition of “Take 5? featuring star Rachel Nichols! Check out these highlights from a recent press call that we took part in! Continue reading.

From Tiffany Vogt of The TV Addict:

We Shine the Spotlight on CONTINUUM Star Victor Webster
In an exclusive interview, Victor candidly talked about the trust issues between Carlos and Kiera and how that has ripple-effects throughout the upcoming second season of CONTINUUM. Continue reading.

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Hawco’s heroes help out with Republic of Doyle season finale

From Bill Brioux of TV Feeds My Family:

Gross, Pinsent guest on Doyle finale
I was out in St. John’s, Nfld., last fall when these episodes were being shot. The actors and crew were camped inside a retired school house. They were making good use of the place: a fight scene between Hawco and Gross was shot on the roof and a classroom on the second floor was turned into a cabin in the woods on the day I was a fly on their wall. Read more.

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Interview: Rachel Nichols of Continuum thinks scifi fans are the most intelligent of all

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Continuum returns to Showcase today for a second season. TV, eh?‘s Martha Marcin spoke to star Rachel Nichols about  algorithms, corporatocracies and other fun

Martha Marcin: I took a look at your resume and it looks like you did a double major in math and economics, then took up modelling, then acting, so I have to ask, did you envision yourself as the bad ass futuristic cop on Continuum while you were studying algorithms at Columbia?

Rachel Nichols: Oh heck no! My first year at Columbia I had visions of Wall Street and power suits and briefcases, I really had these grandiose ideas about I would go do. Everybody was reading Liars Poker, watching the movie Wall Street and it all seems pretty glamorous  So when I told my parents, three weeks into Columbia, that I was going to graduate school they went, “Good for you but we’re going to be out of money so you’re going to have to pay for that yourself,” and I legitimately started modelling to pay for graduate school and then ended up … well, here. (Laugh).

That’s interesting that you were enraptured by that Wall Street culture and now you are star in TV series that is rather ambiguous about whether or not the corporatocracy is good or bad. But I’m getting ahead of myself, we’ll get to that later.

Of course I’m ahead, I’m from the future, remember?! (Laugh).

So what drew you to the character of Kiera initially?

You know I started reading the script and I was about 10 pages in and I thought, “Holy cow! I have to play this role,” because there was everything: she’s smart, she’s got a family, she’s travelling in time, she’s doing fight scenes, she’s forging her way 65 years into the past. There were so many elements to the script and I just thought, “Wow man, there are not a lot of female characters like this on TV.” There are not a lot of female characters like this in general.

You’re right, there is a definite lack of good strong female characters on TV now, and when I find one I tend to latch onto the show.

We see Kiera’s journey from the hard ass “Protector” of the futuristic corporate government, defending them against the alleged “Terrorists”, to someone conflicted about her beliefs and what side she should fight for. Can you could give us a little sneak peak; does she pick a side in season two?

You know season one was very much about, “I got to get home. I got to get home. I’ll team up with the bad guys, I don’t care. I have to get home.” Season two is very centred around the idea of responsibility and at the end of season one Kagami had this speech where he asks, “If you drop a pebble in the ocean does it create a tsunami on the other side of the world?” That ripple effect, and it’s the idea of what I do now changing the future entirely, and it’s very much about responsibility. So yeah, Kiera this season doesn’t necessarily choose a side but really has to identify the ramifications of her interactions in 2012/13 might be.

There is an inherent ambiguity in the philosophical leanings of Continuum. Is the show pro-capitalism, right wing, left wing, who is the terrorist, who is the freedom fighter? A lot of that is left up to the viewer to fill in. Do you agree and if so why does this help or hinder the story?

You know I love the scifi genre because you can get away with a lot, you know what I mean? You can make some “social commentary statements” and some “sorta-kinda political statements,” and yeah it is a very important part of the show.

Scifi fans are very intelligent and they are very articulate, and if you do something well they will love you forever. If you do it half assed they will have your head on the end of a stick and I completely support that. It’s like inquiring minds want to know, they have ideas, they have thoughts, and on Twitter after every episode you got people being like, “Oh it’s so capitalistic!” or “It’s such a leftist show!” or “That is so political!” and they are saying all of these different things, and that’s what we want.

Ideally you want people to be interactive and ask questions and have opinions about your show. I don’t think we are one way or the other, we’re just making people ask all the right questions and maybe apply it to what is happening in the world today. And if you can do that with a show I’m all for it.

I think you’re absolutely right, that having the conversation started, even if people are disagreeing, and especially if they are disagreeing passionately, it shows that you’ve done something right.

Absolutely.

As a Vancouverite it is not a novelty to watch a show filmed in my city, but it is a novelty to watch one where the story is based in Vancouver as well. Do you like our city? Fair warning, before you answer, that we still haven’t forgiven David Duchovny for complaining about the rain.

Listen, I LOVE it here. I have a realtor here. I’m looking to BUY here! I can’t say enough good things, I love the people, I love the restaurants. My parents were so excited when the show got picked up for a second season so that they could come back. The first weekend they were here I walked 14 miles with them.

I’m in love with Vancouver, it’s an unbelievable city!

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