TV, eh? | What's up in Canadian television | Page 1707
TV,eh? What's up in Canadian television

New tonight: The Funny Pit, Scoring With Science, Heartland, Over The Rainbow, Just For Laughs, Call Me Fitz

The Funny Pit, YTV – series premiere
The Funny Pit is a mash up composed of hidden camera gags, video gags, pranks, bloopers, family portraits, wipe outs, talking pets, fake or for real video quizzes and man on the street social experiments.

Scoring With Science, Discovery
The one-hour special features marquee NHL players including Steve Stamkos, Jake Gardiner, Stephen Weiss, former player Gary Roberts, prominent scientists, and super slow motion video. Together, they explore how the newest advancements in science and technology are aiding the NHL’s top clubs by determining how best to shoot a puck, build a better body and make top-notch skates and sticks.

Heartland, CBC – “Helping Hands”
Amy seeks out an up-and-coming show jumper (JEREMY) to learn why he’s refusing Scott and Ty’s suggested treatment for his horse.

Over the Rainbow, CBC – “Performance #8”
The remaining Dorothys compete, singing a mixture of Broadway and pop songs for a chance to star as Dorothy in Andrew Lloyd Webber’s new production of The Wizard of Oz, to be staged at the Ed Mirvish Theatre in Toronto.

Just For Laughs, CBC – “American Dream?”
As Americans face an election in 2012, JFL has its finger on the pulse of America in this one-hour special of the state of The States. American Dream? is hosted by Lewis Black. Featuring Alonzo Bodden, John Wing, Kathleen Madigan, Andrew Maxwell and Al Rae.

Call Me Fitz, HBO Canada – “Are You There God? I Need To Speak To Frank”
No episode description available.

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Still Life will finally make it to screen

From Brendan Kelly of the Montreal Gazette:

  • Louise Penny’s detective novels get small-screen treatment from CBC-TV
    “Louise Penny has spent years turning down producers who wanted to make movies and/or TV series based on her bestselling detective novels. In fact, the popular Quebec author declined the first couple of times the folks from production companies PDM Entertainment and Attraction Images approached her with the notion of adapting her first novel, Still Life, into a movie for CBC-TV. Read more.
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New tonight: W5 – “The Throwaway Children”

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From a media release:

5 Investigates Stories of Abuse and Terror at a Nova Scotia Children’s Home, Saturday on CTV

  • W5`s Victor Malarek investigates allegations of decades-long abuse in a provincially-funded institution that was supposed to protect vulnerable children

In an all-new W5 investigation premiering this Saturday, Nov. 3 at 7 p.m. ET on CTV, Victor Malarek investigates horrific stories of abuse and terror at a residential home that was supposed to protect vulnerable children. “THE THROWAWAY CHILDREN” explores a devastating cover-up spanning decades that includes allegations of physical, emotional and sexual abuse affecting orphaned and abandoned children.

Exclusive interviews with victims, plus documents obtained by W5, reveal that both the home and government knew about the serious mistreatment of the children.

In the hour-long investigative report, W5’s Malarek meets with former residents of the Nova Scotia Home for Colored Children, set up by the province to accept orphaned and abandoned black children in 1921. The institution was intended to be a symbol of the black community’s dreams and a place for hope. However, for many former residents it will always be home of their worst nightmares.

Malarek meets with some of the approximately 100 survivors who, united in their childhood suffering, have launched a proposed class action lawsuit seeking redress for years of devastating physical, sexual, and emotional abuse. They tell shocking stories of the torment they suffered, while their pleas for help were ignored.

The most horrific allegations are those of sexual abuse, with 20 former residents alleging sexual assault by two staff members at the home. Documents obtained by W5 reveal – in the case of one brutal rape – that although the home’s management was aware of the assault and discussed reporting it to police, authorities were not informed.

Nova Scotia’s black community has long had a special, yet controversial place in the province. Many today are descendants of freed slaves given refuge at the time of the American Revolution. Despite being integrated into the province’s political and social culture, Nova Scotia has, at times, also been called “the Mississippi of the North.”

W5 can also be seen on Investigation Discovery on Tuesdays at 11 p.m. ET, and Wednesdays at 3 a.m. ET, 6 a.m. ET and 12 noon ET; and on demand at CTVNews.ca/W5, the CTV Mobile channel on Bell Mobile TV, and through video on demand partners, such as Bell Fibe TV (visit CTV.ca for local listings).

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TV, eh? Rewind: Shirley

By Dexter Brown

Rewind takes a look back at controversy after controversy and the historic achievements of CTV’s talk show Shirley.

ShirleyShirley (CTV, 1989-1995) was a unique talk show considering the array of guests during its six season run. It featured psychics and non-celebrities like Elvis Presley Jr., while simultaneously attracting big name guests like Celine Dion and Jean Chretien. Often the show would have panels of six to 12 people answering audience questions.

It was an episode of that format that drew controversy. A guest of the March 30, 1994 show brought that particular episode to the Canadian Broadcast Standards Council. He complained it was biased in favour of euthanasia. Additionally the guest complained that he was told there was going to be four guests sharing the hour-long broadcast when in actuality there was nine. Furthermore, he was told by host Shirley Solomon herself not to mention that the show was taped and originating from Canada, as Americans were led to believe it was a program coming live from New York (although an NDP politician was a guest). This controversy may be one of the reasons for the show’s demise shortly after, even though the network and the CBSC found no fault with the episode in question.

Also worth noting is that in 1990 the show previously drew controversy and made headlines in the Toronto Star for rejecting a guest who was supposed to speak about the current economic climate because he wasn’t white. In December of that year the Star later quoted CTV as saying that the producer at fault was no longer with the network.

Despite the show’s controversy, Solomon did a fairly good job as host and looked confident and in control of her interviews. The graphics and set seemed firmly set in the 90s which in retrospect might seem cheesy but I’m sure at the time was just convention. Her studio was fairly large and distinctive considering that this was a Canadian television production. With all that behind her, you couldn’t be faulted for thinking that she was like Canada’s Oprah during the show’s run.

That may have helped sell the show in America. Those with a fairly good memory, however, would remember that in February of 1993, Shirley made headlines in newspapers across the country when it was learned that ABC had picked up the show and had planned to air it for a year. The show was supposed to start its ABC run on April 12, 1993 and to take the 11 am slot on the ABC network even though it was airing in the afternoon on CTV. But Shirley never did make it on ABC, as many affiliates resented airing the show. They felt there were far stronger talk show host who were already known to most Americans available in syndication, according to the Canadian Press. Despite not running the show, the network was reported to have had to pay CTV for the 200 episodes it was expected to run. Shirley was the first Canadian talk show sold to a US market, but that may have also brought its demise.

When Shirley finally made it to the US through syndication, Solomon grew uncomfortable as she now felt it was necessary to compete with the sensationalistic, raunchy and over-the-top talk shows that were growing to be hugely popular in America at the time. It was a catch-22 as Shirley also then grew to be at a size where it needed the audience and the exposure of the American market to stay afloat.

Solomon eventually turned away from her show after six seasons because she found it hard to compete with the sleazy talk shows of the time — which included the likes of the American sensations Jerry Springer and Jenny Jones — according to The Kingston Whig-Standard. She noted the episodes featuring men who were turned on by wearing diapers and another which featured naked people.

But the show also tackled serious political social issues like that of the Quebec referendum and free trade. CTV wanted to pull the show because they found it hard for Shirley to keep audiences interested and to tackle new issues, even though the show pulled in a decent audience of over 300,000 Canadians in its final season on the air.

Shirley was replaced by Homestyle, a show giving home improvement tips, according to the Hamilton Spectator.

Today, CTV’s current daytime talk show offering is The Marilyn Denis Show, a similar yet different beast than Shirley. Upon watching you could instantly tell it was a show aimed at the same demographic, but The Marilyn Denis Show is a much more modern, polished program. Its set feels more like a home, as opposed to Shirley’s which felt like a traditional 90s talk show set. The graphics are brighter, airier, cleaner, lighter and obviously more modern considering it was made about 20 years later.

The Marilyn Denis Show is divided into segments, each usually focusing on home decor, food, films, lifestyle or another on a celebrity of CTV or other Bell Media shows stopping by for cross promotion action. This bucked the one issue for a whole hour trend that Shirley had so often. As The Marilyn Denis Show was done in segments it would tease often for ones to come. This is something I assume was learned since Shirley as a tactic to keep viewers watching the show.

Marilyn is rather professional, as was Shirley Solomon, but she also often tries her best to be fun and quirky. A common example would be the seemingly endless clever ways she gets the audience to abruptly stop applauding when she walks onto the stage. If that’s too much to handle, beware, the guests of The Marilyn Denis Show are often as quirky as Marilyn is herself.

It seems CTV has learned a lot since Shirley, though The Marilyn Denis Show has not been sold overseas. The Marilyn Denis Show is considered live-to-tape, though it airs in various timeslots on CTV and CTV Two stations. The Marilyn Denis Show doesn’t feel like it’s trying to be American or try to be a large television spectacle as Shirley may have. It seems just comfortable reflecting the lives of Canadian women, catering directly to that market and not trying to be too big for itself. It didn’t seem to touch the crassness of Jerry Springer and the like and was rather fresh, fluffy and focused, in that regard. I felt that the grab bag of topics in The Marilyn Denis Show made it a bit difficult to go through — then again, I don’t think I quite fit their demographic.

Watch Celine Dion on Shirley in 1993 on YouTube.

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