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TV,eh? What's up in Canadian television

Tiny Plastic Men and Truckstop Bloodsuckers in production

From a media release:

Mosaic Entertainment in production on Tiny Plastic Men and Truckstop Bloodsuckers

Mosaic Entertainment has launched production on the first season of Tiny Plastic Men, a new comedy television series for the national Pay TV broadcaster Super Channel. The innovative new series combines sitcom and sketch comedy in one neat package and kicks off with a wild and crazy first season featuring an orangutan, a spoiled celebrity socialite and her dog, a faked moon landing, and an unconventional Japanese board game.

Flying high off their whopping 12 Alberta Film and Television Rosie nominations for the third season of CAUTION: May Contain Nuts, Mosaic is launching principal photography on this new series while also prepping to shoot a comedy horror series for BITE immediately after.

Produced by Mosaic Entertainment, Tiny Plastic Men is a dramatic series about three young men working hard and playing even harder as Toy Testers in the basement of “Gottfried Brothers Toys and Trains Co.” As they play in their weird world of toys, their boyish imaginations take them into fantasy sketches where all their biggest nerd fantasies come true.

Nominated for their comedic writing on Seasons 2 and 3 of CAUTION: May Contain Nuts, Matt Alden Dykes and Mark Meer are back as writers and stars of this comedy madness. Joining the Tiny Plastic Men trio of writer-stars is award-winning head writer, Chris Craddock—who recently earned rave reviews for his one-man theatre production, Moving Along. The three writers spark like a pack of dynamite behind and in front of the camera. Rounding out the hilarious cast are improv funny guy Jesse Gervais, theatrical gem Belinda Cornish, Canadian classic John B. Lowe, and a whole host of special guests including former NHL fan favourite, Georges Laraque. Tiny Plastic Men is set to air on Super Channel in the fall of 2012.

While filming Tiny Plastic Men, the folks at Mosaic Entertainment are also in preparations to follow up the shoot with another production. This time it’s a short form TV series and feature film for the national comedy broadcaster BITE called Truckstop Bloodsuckers, a dark comedy that goes for the jugular—literally. In this comedy horror set in a truck stop diner in small-town Alberta, two vampires are passing themselves off as ordinary waitresses. That is, until a gang of tough drug dealers drop in for some pie and stumble upon their secret. Truckstop Bloodsuckers is a seriously tasty dark comedy, where the killers are the good guys, and some jobs suck more than others.

Creators Lindsey McNeill (Head Writer) and Galen Pendleton (Director) came up with the idea while working together on the third instalment of local Nightmare Island film series, Rise of the Blood Queen. With Lindsey’s acting and writing experience in horror films and Galen’s work on CAUTION: May Contain Nuts, the pair have quickly become an irresistible horror-comedy machine and Mosaic Entertainment is excited to bring this latest joint project to life. Truckstop Bloodsuckers begins filming May 7, 2012 and is set to hit BITE and www.bite.ca this summer.

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Canadian Cinema Editors Award nominees announced

From a media release – see full list here (I’m including TV only):

CANADIAN CINEMA EDITORS ANNOUNCE 2012 AWARD NOMINEES

The Canadian Cinema Editors is honoured to announce the nominees for the 2012 C.C.E. Awards, to be held on May 17th at The Capitol Event Theatre in Toronto. The C.C.E. Awards is the largest event hosted by the organization, focusing on the significance of post-production in cinema.

Best Editing in Long Form Television Series (1 hr. drama, comedy, family program):
Teresa De Luca, C.C.E.  -  Combat Hospital, ep110  “Reason to Believe”
Teresa De Luca, C.C.E.  -  Bomb Girls, ep102  “Misfires”
Vesna Svilanovic  -  Murdoch Mysteries, ep413  “Murdoch in Wonderland”
Wendy Hallam Martin, C.C.E.  -  The Borgias, ep107  “Death, on a Pale Horse”
Gareth C. Scales, C.C.E.  -  Flashpoint, ep417  “Priority of Life”

Best Editing in Television Movie or Mini-Series
Lisa Binkley, C.C.E.  -  Magic Beyond Words: The J.K. Rowling Story
Mike Lee, C.C.E.  -  Wrath of Grapes: The Don Cherry Story 2
Ron Wisman, Sr, C.C.E.  -  Committed
Don Cassidy, C.C.E.  -  The Kennedys Ep 4
David B. Thompson, C.C.E.  -  The Kennedys Ep 7
 
Best Editing in 1/2 hour Broadcast Short Form (under 30 min.)
Matthew Hannam  -  Michael: Tuesdays and Thursdays  Ep 4  “Sleeping with People”
Craig Webster  -  Less Than Kind, Ep 301 “Fugue State”
Jay Tipping  -  Picnicface  Ep 106  “Storybook”
Gordon Thorne  -  Degrassi: The Next Generation   Ep 1107  “Cry Me a River, Part 2”
Brigitte Rabazo  -  Todd & the Pure Book of Evil  Ep 206 “Fisting Fantasy”

Best Editing in Documentary
Kathryn Dickson  -  “Fuelled By Passion: The Return of the Jets”
Roslyn Kaloo  -  “The Mystery of Mazo de La Roche”
Michele Hozer, C.C.E.  -  “West Wind: The Vision of Tom Thompson”
James Blokland  -  “Who’s Sorry Now”
Nick Hector, C.C.E.  -  “Wiebo’s War”
 
Best Editing in Lifestyle/Reality
Jonathan Dowler  -  Undercover Boss, Ep 1003 “1-800 GOT JUNK”
Todd Hallam  -   From Spain with Love, Ep 1002 “Paella: Tradition in a Pan”
Robert Kraus  -   From Spain With Love, Ep 1001 “Basque Country”
Robert Ruzic  -   Fanboy Confessional,  Ep 102 “The Steampunk Edition”
Pete Watson -   Amalfi Getaway”, Ep 101 “Limone ”

Best Editing in Animation
Annellie Samuels  -  Producing Parker, Ep 126 “Parker Prophecies”
Annellie Samuels  -  Producing Parker, Ep 125 “Real Men Eat Parker”
Dan Lee  & Robert Henry  -  Sidekick, Ep 31 “Fortress of Maxumtude”
Kurt Skyers  & Robert Henry   -  Scaredy Squirrel, Ep 22 “Perfect Pickle / Goat Police”
Daniel Palmer  -  Dino Dan  “Where the Dinosaurs Are”

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Great Minds of Design premieres April 23 on CBC’s documentary channel

From a media release:

NEW DOCUMENTARY SERIES EXPLORES THE CREATIVE PROCESS BEHIND NEW WORKS OF ARCHITECTURE, VISUAL ART, CONSUMER PRODUCTS AND MORE

  • GREAT MINDS OF DESIGN premieres Monday, April 23 on CBC’s documentary channel

Everything from a cereal box to a skyscraper starts with a design. But how does the creative process behind it unfold? How do inspiration, vision and practical reality come together, and ultimately lead to the development of a brand new building, product or work of art? GREAT MINDS OF DESIGN (Mondays at 8 p.m. ET/10 p.m. PT on documentary) follows a wide variety of highly creative designers driven by innovative ideas, tracking a different design process in each episode from concept to completion.

Witness a new creation take shape at the hands of its maker; learn about different design media and their history; and meet the visionary people behind everyday objects and ambitious ideas. GREAT MINDS OF DESIGN features everyone from computer-aided industrial designers to street artists, and designers whose work becomes quite conceptual. From their desire to create something that is functional and aesthetically pleasing, to finding solutions to human problems, social issues, or groundbreaking improvements to previous concepts, the series explores what drives the development of new designs and their impact on the world.

Episode 1: “Urban Redesign” – Three street artists redesign the cityscape with clever ‘urban interventions,’ that use natural elements, such as grass, soil and flowers as their materials, repurposing city infrastructure for their ‘art stunts,’ to point out issues in need of attention.

Episode 2:  “Solar Stained Glass” – Canadian stained glass designer Sarah Hall works in Germany, but designs architectural glass for buildings around the world, creating colourful works which revolutionize this centuries-old art by incorporating solar collecting cells into the glass itself, collecting energy during the day to illuminate the glass at night and to help power the building.

Episode 3:  “Designing Cultures: Haiti” – Designer Patty Johnson travels to the devastated country of Haiti, where she works with local artisans and craftspeople whose practice is deeply connected to Voodoo.  After months of working with the Haitians, Johnson develops a product line based on their rich culture, which debuts at an international design market back in Canada.

Episode 4:  “Architecture by Nature” – Architect Trevor McIvor and his partners design buildings that take advantage of the innate heating and cooling characteristics of nature.  From an impressive off-the-grid “cottage” that requires no artificial cooling, to a green-roofed sound studio that slowly rises out of the earth, McIvor lets nature dictate how a structure should be designed.

Episode 5:  “Designing with Ghosts” – Nicholas Kennedy works with the ghosts of printing’s past, by using salvaged equipment that the modern industry now considers obsolete. An art school dropout, flunking out of photography and new media, he opened his own print shop while still in his early twenties. His style of “anti-design” or “found design” insists that you don’t have to reinvent the wheel every time you create.

Episode 6:  “Dream Big. Do Good. Spread Joy” – In Helen Kerr’s design process, the designer isn’t the decisive author of everything, but rather one of many collaborators on a large team. They work together in researching a new project, taking into account different points of view, and getting to the heart of the problem that needs solving. In this episode, Kerr visits a factory to oversee production of a line of modular chairs, creates a complexly folded bag out of recycled cardboard, and travels to New York City to meet with partners on a multifaceted and conceptual new project.

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Rookie Blue returns May 24 to Global

From a media release:

Rookie Blue Season Three returns to Global Thursday, May 24 – 10pm ET/PT

  • Episode One Features the Legendary William Shatner and Introduces the Team’s Newest Rookie

Global Television announced today that its perennial fan favourite, Rookie Blue will return for a third season, in simulcast with ABC on Thursday, May 24th – 10pm ET/PT. The rookies may appear to be better on the job, but there’ll be plenty of “bumps in the road” this season to make their lives difficult and the plots interesting.

The iconic and irrepressible William Shatner will guest star in the opening episode playing Henry McLeod, a belligerent drunk driver with a haunting secret – and with a serious grudge against the police. Plus, the rookies of 15 Division, Andy McNally (Missy Peregrym), Dov Epstein (Gregory Smith), Chris Diaz (Travis Milne), Traci Nash (Enuka Okuma) and Gail Peck (Charlotte Sullivan), will have to contend with someone even “greener” than they are – ex-soldier Nick Collins (Peter Mooney – Camelot, Murdoch Mysteries).

For season three, the rookies are learning that experience isn’t everything and that the boundaries between who they are as cops and who they are as people are not as black and white as they once believed. This original series was developed by ICF Films Inc. (formerly Thump Inc.) and produced in partnership with leading indie studio and distributor, Entertainment One (eOne). Rookie Blue is executive produced by award-winning Tassie Cameron (Flashpoint), Ilana Frank (The Eleventh Hour, Would Be Kings), Noreen Halpern (Hung, Call Me Fitz), John Morayniss (The Firm, Haven) and David Wellington (The Eleventh Hour, Would Be Kings).

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WGC Award nominee Alan McCullough on Sanctuary’s “Metamorphosis”

AM - Headshot

Leading up to the Writers Guild of Canada awards on April 23, TV, eh? is posting a series of interviews with some of nominees. Alan McCullough was nominated in the Drama category for the “Metamorphosis” episode of Sanctuary.

Can you describe the episode, and how it fit into the Sanctuary season?

“Metamorphosis” was a departure episode for Sanctuary. It was conceived as our version of “The Fly”, but following our mid-season two parter, we were looking to save money (and relieve our VFX department), so we decided to shoot it from a first person POV. This gave the script a uniqueness, but presented a whole host of production challenges. Specifically, we were forced to shoot the episode on three different types of cameras, eating up any savings we were trying to achieve. It also meant no cutaways, so each shot had to be as technically perfect as possible. Truthfully, the entire shoot was something of an experiment, and I credit director Andy Mikita with making it all work.

What about this episode are you particularly proud of?

One of the things I wanted to achieve with the script was to build the story using a series of vignettes. One scene didn’t necessarily lead into the next, and we were constantly jumping forward in time between scenes. My hope was that it would leave the audience scrambling to catch up, which is where the characters are during the story.

What does this recognition mean to you?

It’s always a great honor to be recognized by peers. Also, other awards shows use a DVD of the episode to evaluate writing, which means other factors such as directing, casting, music, etc. can influence the decision. The WGC Awards focus solely on the script.

And finally (imagine my best Joan Rivers impression): what will you be wearing to the ceremony?

Denim has been my fashion friend for years. Also, I bought a Hugo Boss sport jacket a few years ago that I intend to be buried in.

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