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Nish Media announces brand new TV series on APTN Skindigenous debuting Feb. 20

From a media release:

Nish Media debuts its brand new 13-episode series SKINDIGENOUS, which explores Indigenous tattooing traditions around the world, on Tuesday, February 20th at 7:30 p.m. ET on APTN HD and APTN E and at 7:30 p.m. MT on APTN W. The APTN N broadcast begins on Friday, February 23 at 5:00 p.m. CT.

The art of tattooing is much more than simply a method of decorating one’s body. At its origins among ancient cultures, tattooing was only practiced by those with special standing in the community. Today, modern-day tattoo artists use their art to re-connect with the heritage of their ancestors and to ensure that their stories are not lost. They do this by maintaining the traditions of their forebears and teaching a new generation about both the ancient and modern techniques they’ve learned.

SKINDIGENOUS takes us on a scintillating journey around the world, from the Philippines and Indonesia to Samoa, Hawaii, New Zealand and Mexico, by way of North America via British Columbia, Alberta, Toronto, Alaska and Newfoundland.

Each episode takes the viewer into the lives of the different practitioners and their unique culture to discover the tools and techniques, the symbols and traditions that shape their tattooing art. The art of tattooing is the lens for exploring some of the planet’s oldest perspectives on life, identity, and the natural world.

In Indonesia, a shaman named Aman Jepri gives an apprentice the markings that will complete his initiation into Mentawai shamanism. In Alberta, Amy Malbeuf practices the skin stitch technique with needle and thread; 100-year-old Philippine Wang Od Oggay and Samoan Peter Sulua’pe continue the traditions of their ancient customs; in BC, Alaska, Newfoundland, Toronto, Mexico, Hawaii and New Zealand, Dion Kaszas (BC), Nakkita Trimble (BC), Marjorie Tahbone (AL), Jordan Bennett (NL), Jay Soule (TO), Samuel Olman (MX), Keone Nunes (HI) and Gordon Toi (NZ) are reviving the forgotten art of their ancestors; and in Seattle, artist Nahaan sees tattoo as a political act and a form of resistance.

The accompanying Skindigenous app on the series website will give Indigenous tattoo artists from around the world a forum to record and view their tattoo art. This initiative marks a unique opportunity for a community to build around these artists.

The series was directed by Nish Media producer Jason Brennan and four other directors. Jason, a member of the First Nations community of Kitigan Zibi, has produced shows for APTN, CBC, Radio-Canada, Ici ArtTV, Canal D, TV5 and CBC Docs, including the sixth season of the Indigenous youth hockey show Hit The Ice. The series’ remaining directors are: Award-winning Mohawk filmmaker Sonia Bonspille Boileau (feature film Le Dep, Gémeaux-winning Last Call Indian, Yorkton Film Festival Golden Sheaf winner The Oka Legacy); award-winning film and television director, editor and cameraman Randy Kelly; filmmaker, content creator, director, author Jean-François Martel (the Gémeaux-nominated Radio-Canada documentary Véronique Dicaire : Grand V, La Fosse aux tigres) and Kim O’Bomsawin (La ligne rouge, APTN/Canal D’s Je ne veux pas mourir and the APTN series Motetan Mamo/Marchons Ensemble).

About Nish Media
The series is produced by Nish Media, a multi-award-winning production company based in the Ottawa-Gatineau area. Over the past ten years, producer Jason Brennan has produced over 200 hours of television for various networks such as APTN, CBC, Radio-Canada, Ici ArtTV, Canal D, TV5 and CBC Docs, including Mouki, Wapikoni, La Fosse aux tigres and six seasons of Hit The Ice, nominated in prestigious television festivals including the Banff World Media Festival and Italy’s FICTS. Its first feature film, “Le Dep”, was selected to play in several film festivals including the Karlovy Vary Film Festival in the Czech Republic, the Vancouver Film Festival, the Raindance Film Festival, ImagineNative and the American Indian Film Festival. Nish Media is currently adapting Marc Séguin’s novel Nord Alice for film, as well as producing Sonia Bonspille Boileau’s next feature film Rustic Oracle.

 

 

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A Life on the Line: Manitoba filmmaker returns to rural roots for feature doc, premiering on APTN

From a media release:

Sam Karney left his small western Manitoba town to pursue an education and career in the city. Little did he know the road would one day circle back, return him to his rural roots, and reveal the secrets of one of Canada’s oldest professions.

A Life on the Life is the story of a young man returning to the fur-trapping life he turned his back on. The one-hour documentary premieres on APTN this month:

Ø January 14 @ 7:00pm Eastern
Ø January 16 @ 11:00am Eastern (rebroadcast)
Ø January 19 @ 5:00pm Eastern (rebroadcast)

Watch the trailer here: www.alifeontheline.com

ABOUT THE IDEA
Even though Canada today has largely forgotten about the fur trade, there are still men and women dedicated to preserving this way of life, and passing it down to the next generation. A Life on the Line explores this important part of Canadian history, set against the stunning backdrop of Manitoba’s rugged boreal forest.

“For as long as I can remember, fur trapping has been in my life,” says Karney, a Métis filmmaker from Roblin, Manitoba, who is making his feature documentary debut with A Life on the Line.

“My dad Chuck started working on a trapline when I was very young, so to me, the sights and smells became everyday things. But as I got older and moved away for school and work, the trapline got further and further away.”

“A few years ago, through my work at a TV station, I was given the opportunity to produce short documentaries. I pitched the idea of spending a weekend on my dad’s trapline, documenting the activities, and exploring the challenges in a modernized world. After that, I began thinking there was something bigger here.”

And he was right. What turned out to be ‘something bigger’ was the story of Sam returning to his roots, and reconnecting with his father. The idea eventually turned into A Life on the Line, Sam’s first full-length documentary as a filmmaker, and the first time turning the camera on himself.

“Never have I had any desire to be in front of the camera, but with my father as the subject, I figured the best way to give this film the life it deserved was to immerse myself fully and actually learn what it takes to maintain the line. Needless to say, it was not easy.”

ABOUT THE STORY
Chuck Karney is a fur trapper with over 20 years of experience. Though not Indigenous himself, he married a Métis woman and spent the better part of his life living a traditional “on the land” existence.

Growing up, Chuck’s son Sam had little interest in trapping. In fact, like many typical teens, he had little interest in most things his father tried to teach him. So he left behind his rural home to seek an education and career. After a decade of living in cities, Sam felt compelled to return to the wilderness. In particular, he felt drawn to his father’s trapline.

Throughout the 2016-2017 trapping season, Sam spent time with Chuck, learning what it takes to run a trapline. From bone chilling cold to the gruesome realities of the job, Sam went hands on – and all in – every step of the way. For the successes, and failures.

“No matter how macho you think you are living in the city, there are things that happen on the trapline that make even the strongest men wilt,” says Sam.

Often humorous and occasionally heartwarming, A Life on the Line shows a father’s desire to teach his son a dying way of life, and passing on traditional knowledge that would otherwise be lost. The documentary also takes a look at Sam’s Métis roots, on his mother’s side.

“It’s kind of funny actually,” says Sam. “Here’s my dad, a full-fledged Ukrainian, living a traditional Métis lifestyle. It’s quite something.”

ABOUT THE PRODUCTION
A Life on the Line is co-produced by Winnipeg-based production companies Ice River Films (www.iceriverfilms.com) and Wookey Films (www.wookeyfilms.com). It is directed by Sam Karney, produced by Andrew Wiens and Jérémie Wookey, and executive produced by Janelle Wookey, with Rudy Gauer as director of photography.

The documentary has been produced with support from APTN, Canada Media Fund, Manitoba Film & Music, and the Canadian Film or Video Tax Credit Program.

Image courtesy of A Life on the Line.

 

 

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Mohawk Girls — On:a

Last week’s episode of Mohawk Girls closed with everyone facing a critical decision that would affect their personal happiness. Would Caitlin choose Butterhead or Leon? Would Bailey choose to remain with James–a white man–or choose her responsibility to family and culture? Would Zoe choose to her needs or her mother’s ideal for a Mohawk citizen? And finally, would Anna, at long last, choose to accept herself and by doing so find her home in Kahnawa:ke?

This week the cold open featuring Bailey (Jenny Pudavick) and James (Jeffrey Wetsch) nicely summarized all of Bailey’s fears as this young couple contemplated what their future could mean together. After lists and careful reflection, Bailey chose both James and Kahnawa:ke. To celebrate, she hosted a pool party to welcome James. Anyone who supported her decision was invited to attend; a test run of sorts. Initially, it looked as though no one was going to attend and then once they did, no one was interacting. In the end, James broke the ice and challenged everyone to a cannonball contest. Nothing beats a good competition, and bridges between families and communities were forged.

Meanwhile, with Ohserase’s (Shawn Youngchief) support, Zoe (Brittany LeBorgne) was finally, at long last putting her own needs first instead of quashing them until they manifested in unhealthy ways. She was simply unwilling to sacrifice her dance class to participate in an end-of-season garbage clean up. She chose herself first over her community. Recognizing that she needed a clean slate, Zoe decided to remove herself from her family and Kahnawa:ke entirely. She and Ohserase went apartment hunting and found her fresh start; Zoe is moving off rez and into Montreal.

Anna ( Maika Harper) took a stand and chose self-respect over Midas’ two-blowjobs-a-day requirements, and Midas showed her the door. Anna’s cousin quickly stepped up to serve his needs. Later at the bar, Anna also took a stand against Iostha (Ally Pratt), and publicly declared that she is white and Mohawk and is “damn proud of who I am!” Did anyone else catch that look of envy by Iostha? The ONLY complaint I have about this episode was the Iostha storyline. While I understand the desire to tie up all of the loose ends, I didn’t think it was necessary for Iostha to also have an epiphany and suddenly put her nastiness aside. Cue the Happy-Happy. It just felt too rushed. At any rate, with her declaration, and self-acceptance, Anna finally feels as though she belongs in Kahnawa:ke. Hat Girl is BACK!

And finally, the most satisfying conclusion for the series! Caitlin (Heather White) finally put it all together. After unleashing a long stream of consciousness on poor Watio (Jimmy Blais), Caitlin realised she was looking for validation through men instead of loving herself. Watio queried, “So what are you going to do about that?” Let’s just say that when Caitlin makes up her mind, she really makes up her mind. First, she broke up with Leon (Dwain Murphy), and then we got to savour that moment we have all been waiting for since Season 1. Caitlin said goodbye to Blockheaded Butterhead (Meegwun Fairbrother) for good!

If you recall back when the series returned for Season 5, I felt Mohawk Girls had come full circle; back to the beginning of Season 1. While this final episode “Warriors” served to complete the series, I think it also satisfied many issues raised back in Season 1, Episode 4, “Where’s My Warrior?”

“Where’s My Warrior?” focused on the choice between the search for the warrior who would always have your back rather than just settling for a guy. Butterhead had just betrayed Caitlin when he drunkenly treated Lollipop to the butter treatment, so Caitlin returned to Stoney where her father (Lawrence Bayne) promptly let her down as well. Bailey was dating Jack, another white man, who ultimately let her down because he could not handle the drama. Zoe was just beginning to travel down the path of sexual addiction. Her need to rebel against the pressures her mother placed upon her were proving too difficult to cope and her father never stood up for her. And Anna had just embarked on her path of discovery, relying on Thunder for the cultural knowledge and community status that her deceased father could not provide, in order to help her establish her position in Kahnawa:ke. All of our protagonists were looking outward to locate themselves and find their self-worth.

Now we have come full circle. Instead of looking elsewhere for strength like we saw in Season 1, this season all of our leading ladies found that strength in themselves. In the end we saw Bailey, but with confidence in herself, and with the support of her family and her community, facing a bright future with James. Caitlin chose to find her happiness and self-worth inside herself rather than relying on the men in her life. Zoe chose to separate herself from her dysfunctional family and from the demands of Kahnawa:ke as she focuses on her next stage of healing. And Anna finally chose to accept both sides of herself, the white and the Mohawk, just as her parents had done by choosing each other, and through that self-acceptance found her position in Kahnewa:ke. So, tonight also answered the question posed in Season 1 “Where’s My Warrior?” Your “Warrior” is you.

My sincere thanks go out to co-creators Tracey Deer and Cynthia Knight, and the cast and crew of Mohawk Girls for a truly insightful but hilariously fun look at life in Kahnawa:ke and life as a modern Indigenous woman in Canada today. Nia:wen for sharing your home with us, teaching us and doing so with laughter.

Niawenkowa!

How do you feel about Mohawk Girls coming to an end? Let me know in the comments below!

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Mohawk Girls: The choice is yours

Caitlin, Zoe and Bailey from Season 1, Episode 1, “Welcome to Our World”.

When we first began, we met Bailey, Caitlin and Zoe, three longtime girlfriends who were coping with the mundanity of life, looking to meet Mr. Right. Then, along came this misfit Anna who just wanted to fit and make some new friends. Now here we are; the penultimate episode of Mohawk Girls. And, we are down to some serious, potentially life-altering CHOICES! Do they each choose this or that? Are you “In or Out?” Episode 5 laid these decisions out for our Mohawk Girls and for viewers.

Caitlin (Heather White) was trying every sexy trick she possessed to earn her way back into Butterhead’s (Meegwun Fairbrother) good graces. Foot massage, home cooked meal, and cancelling her salon renovations. She vowed to always put Butterhead’s needs before her own. She even gave up an opportunity to participate in a fundraiser in order to cheer on Butterhead in his weekend lacrosse match. Then the day of the fundraiser arrived and Butterhead was too hung over to play in his match. Caitlin was left disappointed in him, but most of all herself, for once again putting a man before her own wants and needs.

Now, if you recall from Episode 4, Ohserase (Shawn Youngchief) came to Zoe’s (Brittany LeBorgne) defence in the coffee shop and the Twitterverse began to wonder if there was life for #Zohserase. This week Zoe came clean and revealed to Ohserase why she dated him: to get her parents off her back. Can I just say, every woman needs an Ohserase in her life! Dude is the perfect boyfriend! At any rate, he was impressed with Zoe’s honesty and bravery! He even attended her jazz class and OH YES! It is safe to say that #ZOHSERASE lives!

No doubt boosted by  Ohserase’s forgiveness and support, Zoe finally mustered up the courage to visit her parents (played by Tantoo Cardinal and Erland Campbell), which predictably, went terribly wrong!

Last week, I was not certain that Bailey (Jenny Pudavick) recognized where the photo of James (Jeffrey Wetsch) and her was taken. This week we learned pretty quickly that indeed, she did know that the photo came from Anna (Maika Harper), and the two come to blows, literally. “This place has turned you into an animal!” But theirs were not the only tempers to fly. Sose (Glen Gould) stopped in to check on Bailey and found her packing to leave Kahnwa:ke. “Your great great great grandchildren will grow up to be those awful white people who say they might have some Indian blood in them. How can  you deny you and your future children their heritage?”

Feeling pressure from her father’s attack, Bailey unloaded on James, listing everything that she must give up in order to be in a relationship with him. However, later, at the same fundraiser that Caitlin had turned down, Bailey presented a cheque in absentia for Auntie Velma. Other benefactors also in attendance came to Bailey’s side, all supporting her decision to be with James, and all disgusted by the behaviours of the Marry Out Get Out movement.

And finally, our misfit Anna, who in the wake of her vicious fight with Bailey, returned to her cultural lessons drunk. Anna was at her breaking point, feeling trapped into the party life she’s fallen into as a means to stay connected to the memory of her father. The instructor of the class reached out to Anna with a bit of cultural perspective. Buoyed by that knowledge she began to recognize the hypocrisy and deep seeded anger within Iostha (Ally Pratt) as they reviewed the quality of the prizes at the fundraiser.

Alright, everyone, this is it. Co-creators Tracey Deer and Cynthia Knight have led us to this point. All of our ladies must each make a choice that could mean sacrificing their personal happiness. Will Caitlin choose Butterhead, or Leon or herself? Will Bailey choose to remain with James or choose her responsibility to culture? And, like Bailey, will  Zoe choose herself or her mother’s Mohawk vision for herself? And lastly,  will Anna finally, at long last, find her place in Kahnawa:ke?

How do you think the series will end? Let me know in the comments below!

The series finale of Mohawk Girls airs Tuesday, Dec. 19, at 8:30 p.m. on APTN.

 

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Mohawk Girls: Ain’t it a Shame?

Last week on Mohawk Girls, we were left with Zoe (Brittany LeBorgne) falling off the wagon and into bed with Phillip (Max E. Williams), Caitlin (Heather White) running to Leon (Dwain Murphy) when Butterhead (Meegwun Fairbrother) ditched her for the lacrosse team, and Anna (Maika Harper) was snarled in a scheme with Iostha (Allyson Pratt) to oust Bailey (Jenny Pudavick) from Kahnawa:ke because she’s dating James (Jeffrey Wetsch). AND Anna was also second-guessing her decision to stay with Midas (Tanner Novlan). WHEW! That was a mouthful (pun intended)!

Sometimes when you watch an episode and it is finished you sit back and say “Wow!” My response to this week’s episode, “Shame Campaign,” was exactly that, as it tackled the effects of shame on so many levels. This time co-creators Tracey Deer and Cynthia Knight have really outdone themselves. We still have all of the comedic elements that Mohawk Girls is known for, but this episode touched on several heavier topics, including verbal abuse, addiction recovery and the violence associated with the “Marry Out Get Out” movement. Of all the episodes since the series began five seasons ago, I feel this one counts as one of the best for scripting, timing, character reactions and interactions.

We open with Bailey taking James to the coffee shop where they immediately ran into her ex-fiancée Watio (Jimmy Blais) who was quick to accuse Bailey of being a race traitor. The entire shop backed Watio’s argument and Bailey and James left, but not before her father Sose (Glen Gould) witnessed the town’s anger and Bailey’s discomfort. The town’s rage continued to grow, the flyer campaign of Anna’s and Iostha’s doing took hold and by the episode’s end, Bailey’s car and home were left vandalized.

Meanwhile, Zoe immediately regretted her tumble with Phillip and she self-prescribed a dose of self-flagellation—”Weak, pathetic, a loser.” Apparently “Perfect Zoe” is still not allowed to make mistakes. But, some growth was evident when she was later confronted by town members at the coffee shop. They delivered an ultimatum: denounce Bailey as a race traitor. But Zoe refused and instead came to Bailey’s defense: “We should value happiness, and we should all have as much joy in our lives as possible.” And then who came to Zoe’s defense? Ohserase (Shawn Youngchief)!!! “She’s right. And, then maybe we’d stop trying to tear everyone down.”

In the meantime, Caitlin made the commitment to open her own salon, and she hired Watio to do the renovations. During their negotiation, Watio revealed that he’s inspired by Caitlin’s new found confidence. But not everyone was pleased.  Butterhead was not liking Caitlin’s metamorphosis. He’s “tired of playing second fiddle to Caitlin’s career,” and was definitely not liking the “no sex until I am finished working,” stand of Caitlin’s. Guess that self-love stuff is working because Caitlin’s confidence is growing! This arc delved to a darker level of overt verbal and very public abuse from Butterhead and we were witness to the effects his insulting comments had upon Caitlin’s confidence. “Proud of my new and unimproved shitty girlfriend who’s not there when I want her. And who is no longer fun and into partying because she is obsessed with her stupid salon. What the hell is there to be proud of?” Bravo to both Heather White and Meegwun Fairbrother for committing themselves to this scene.

And finally, we get to Anna. Up until now, Anna has been battling to locate herself in Kahnawa:ke. Now she is battling herself as she faces a critical choice in her journey. Will she embrace the angry and vindictive party girl that Iostha has been modelling for her, that negative stereotypical false concept of what a Mohawk should be? Or will she embrace the more culturally aware and authentic Mohawk traits? As a part of her Mohawk culture course, Anna was assigned to build a sweat lodge. In an attempt to force Anna and Bailey to mend their ways, Zoe invited Bailey along. Bumpy start is putting it mildly, but the three finally managed, and using traditional land-based education to understand their Mohawk culture and heritage, they realized success, healing and even the possibility of a liberal arts degree in the future for Bailey.

There are just two episodes left! How is Caitlin going to react to Butterhead’s escalating abusive behaviours? Will she run back to Leon’s arms for good? Now that Zoe has faced down the town, will she be able to face her parents? Will Bailey cave to the pressures of the “Marry Out Get Out” movement and break up with James? Will Bailey discover that Anna is behind the smear campaign? What is in store for the Mohawk Girls in the last two episodes? Let me know your thoughts in the comments below!

Mohawk Girls airs Tuesdays at 8:30 p.m. on APTN.

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