Tag Archives: APTN

APTN’s Mohawk Girls ending after five seasons

It’s the end of the road for Mohawk Girls. That’s the word from co-creator, co-executive producer and director Tracey Deer, who broke the news to TV, Eh? during a one-on-one interview at the Toronto Screenwriting Conference. Deer was part of a panel entitled I Am: A Discussion on the Female Gaze alongside Shoot the Messenger‘s Jennifer Holness, Degrassi‘s Courtney Jane Walker, Odd Squad‘s Robby Hoffman and moderated by Saving Hope‘s Katrina Saville.

“This is our final season,” Deer confirmed. “[Cynthia Knight] and I have always known where we wanted to get these girls, from the three-arc conception of the show, so we’re doing it.”

Filmed and set in Montreal and the Kahnawake Mohawk Territory, Mohawk Girls stars Brittany LeBorgne as Zoe, Heather White as Caitlin, Maika Harper as Anna and Jennifer Pudavick as Bailey. Pre-production on Season 5 begins next week; the last six episodes were greenlit by APTN two weeks ago.

Mohawk Girls has been nominated for several Canadian Screen Awards, including Best Comedy Series, Best Direction in a Comedy Program or Series, Best Writing in a Comedy Program or Series and Best Performance by an Actress in a Continuing Comedic Role for LeBorgne.

What can fans expect from Season 5? Deer was mum on details but did say the series’ final scene makes her cry every time she thinks about it.

“The final scene is going to be traumatic [to film],” Deer admits. “There is an event that is going to take up a lot of the final episode and there is a pool involved.”

Are you upset Mohawk Girls is ending? Do you have a message for the cast and co-creators? Comment below.

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A new and improved Guilt Free Zone

Admittedly, I had never heard of Guilt Free Zone, so quite obviously I had never seen it before. That also meant the total revamp of the series—returning Saturday at 11:30 p.m. ET—was entirely lost on me. Also, I have to admit that I am not much of a blues fan either. However,  the screeners were passed on for me to take a look and I went in with no preconceptions and no Season 1—GFZ was more of a talk show last year—to compare with before I watched a couple of episodes.

I laughed. Some of the gags seemed a bit forced, the way live theatre often looks on TV. But still, I laughed. A few gags were predictable. I still laughed. Out loud. As a variety show, Guilt Free Zone kind of works for me. If you go back and watch old reels of The Sonny and Cher Comedy Hour or Laugh-In (yes, I know that dates me, but really how many comedy variety shows are out there these days?), those gags were forced, but they worked. They work here too.

Guilt Free Zone is set in a fictional blues bar owned and operated by none other than Derek Miller. He won the bar from its original owner in a poker game.  I do have to wonder if that was an intentional loss. Be that as it may, in each episode our stalwart cast of miscreants must battle back forces of evil to protect their new hangout. The cast is made up of Miller, Amy Matysio (Just Friends), Darrell Dennis (Leaving Normal), Herbie Barnes (Dance Me Outside), Michaela Washburn (Video Cabaret), Camille Stopps (Reign) and Craig Lauzon (Royal Canadian Air Farce).

The premiere episode, entitled “Science,” directed by Darrell Dennis, also features a special guest appearance by Gary Farmer (Blackstone and Forever Knight). The team battles asteroids, tornadoes and hurricanes; the world is in danger of complete destruction by mother nature’s wrath. If everyone worrying about the apocalypse, no one will bother coming down to the bar for that night’s gig. Our team must come up with a solution to ensure a full house.

Yes, the premise is quirky—even absurd—but Miller and castmate Herbie Barnes play off each other well. (The satirical nod to Iron Eyes Cody’s Make America Beautiful Again is perfect). The addition of Farmer as one of the Oracles is priceless. His proclamation “the only way to restore balance to nature is with nature” is kind of genius! I won’t give away the solution. Episode 1’s musical guests are Lee Harvey Osmond and Logan Stats.

A fun little show overall.

Guilt Free Zone airs Saturdays at 11:30 p.m. ET on APTN.

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Link: Native Americans don’t have their own TV channel. A Canadian network wants to change that.

From Anita Elash of PRI.org:

Link: Native Americans don’t have their own TV channel. A Canadian network wants to change that.
In Canada, the Aboriginal Peoples Television Network has been telling stories about Native Canadians for nearly 20 years. Now, its owners want to expand into the United States. If they succeed, they promise to bring some innovative programs to US airwaves. Continue reading.

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Steve Sxwithul’txw’s Tribal Police Files

I recently had the chance to catch up with producer and host of Tribal Police Files, Steve Sxwithul’txw. Debuting Friday, March 3, at 7:30 p.m. ET on APTN, the 13-part documentary series explores the challenges faced by officers serving on B.C.’s only tribal police force, in the Lillooet region.

We covered a lot of ground in this brief conversation!

What was your motivation for creating a program about this particular police service team? What do you hope viewers come away with when they watch Tribal Police Files?
Steve Sxwithul’txw: For me, the thought behind Tribal Police Files was brought about a number of years ago from my personal experience as a police officer for eight years in B.C., around four of them with Stl’atl’imx Police Services. I have heard other police services across the country say, ‘No, we are community policing; we are focused on the citizens,’ but really that is not the case. However, these officers in the Lillooet region, they demonstrate the way community policing should really be done. They perform their duties while being culturally sensitive, being very understanding, and being very upfront with the people they police. Most of the people they deal with on a regular basis are people they know on a first-name basis.

But the thing that I really wanted to highlight: that these officers are just regular people. These are everyday people that have a job to do but, as well, they protect the public they want to serve and I think people, in general, have to respect that. They keep people safe, they have families, they have people that love them that they go home to at night. As a viewer, you are going to get attached to these officers and their families because you can see how forthright they are and how honest they are. I think that is something a lot of people in that community and across Canada do not know about police officers in general; they are everyday people with everyday lives.

Is the Stl’atl’imx Tribal Police team unique from other self-administered policing programs across Canada?
This is an Indigenous Police Service that focuses on specific communities and specific land bases within the interior B.C. land region, so from that perspective yes for sure. The officers are provincial police officers and have powers throughout B.C., but they focus specifically on areas within the Stl’atl’imx Nation. Their style of policing—the way they deal with people—is much different than you would expect from big city police services across Canada and the RCMP. This is just a totally different approach. This is true community policing, which I think people will certainly appreciate when they start watching the show and start identifying with what the officers are trying to accomplish.

Foremost, they are trying to deal with people with respect and dignity, and they are dealing with people that they know. These officers are a part of the community, they are ingrained in community events, and they want to serve their people. That is a really important aspect that we want to highlight with the show.

I think the philosophy in Lillooet is the same with all other First Nations Police Services across Canada. One of the reasons this program came about is quite simple: the surrounding police services were out of touch with the people. They did not know them. The RCMP does not have a great reputation with First Nations across Canada. It never has. And that is one of the reasons I think that this type of policing strategy was developed in the 90s; so that First Nations could reach out and form their own service. This type of programming was seen as something that was culturally sensitive and something that was very responsive to the communities’ needs.

What do you hope other communities that are seeking to improve their own services take from the approaches adopted by the Stl’atl’imx Tribal Police Services?
I would encourage Chiefs and Councils in communities across Canada to think about this as a viable option. It is my understanding that the First Nations Policing Policy will be reviewed by the Trudeau government. Whether that comes true I don’t know, but it does need an update. It has needed an update for the past 15 years and it truly will affect whether people will stand behind First Nations policing. When an update occurs it will change the way you view police officers within your community. Sometimes [community policing] works, sometimes it doesn’t, but if you have a well-balanced board that is receptive to the needs of the officers, you are going to find that you are going to have a very, very successful police service if you decide to go down that road.

For those who watch who are not Indigenous, like myself, what do you hope we take away from Tribal Police Files if we choose to tune in? Why should we tune in?
It is important for the non-Indigenous audience to really try and make an effort to try and understand who we are as people. We are not all drunks, we are not people who have lower education standards, we are not people who continue to suffer in peril. We are people who are struggling to come through one the most tumultuous times in this country’s history. I am waving the flag of residential schools in terms of how it has affected our people in general. I mean, the Indian Act from there on has just turned our lives upside down and we continue to suffer from that.

I think where the non-Indigenous audience comes from is just not knowing the true history and not understanding where we come from. So for people who want to watch our show, yeah you will see some negative interactions with police. But you know what? You are going to see some culture, you are going to see some tradition and you are going to see some elders and you are going to see some youth. You will see a little bit of everything about a people who are trying to find their way in modern Canadian society and we use the police officers as a conduit to that. I think it is a real learning opportunity for our non-Indigenous audience to follow these officers, get to know them over the course of these 13 episodes, and then make your own decision, at the end of season, about what you really think policing is like on reserve.

 I was really struck from a philosophical position, this concept of Bridging. We hear Bridging and Reconciliation. These are the popular catchphrases, and yet as I watched this show, I was struck by the irony that these Indigenous officers are enforcing colonial policy and still approaching their duty, in a manner that is conducive to healing for the people within the communities.
That was something that I struggled with during my eight years as a police officer. You are using the laws of the land that were brought in by the colonial power. You are arresting people and taking people to jail. But in retrospect, ultimately, we are trying to keep people safe. We are trying to protect people on a regular basis so that they are not harming themselves, they are not harming others. And yes, that is right, it is a bridge to a modern-day society off the reserve that is something that our people still struggle with on a daily basis.

To be honest, this involves racism and stereotyping which is very much alive in today’s communities. So in a way, if this show bridges that a little bit, I hope so. And if it brings a broader understanding as to what police officers on reserve have to deal with daily, even better. I am hoping that people, both Indigenous and non-Indigenous will come along for the ride with us and feel like we are trying to make a difference in our communities with these police officers.

My thanks to Steve Sxwithul’txw for taking the time to speak with me!

Tribal Police Files debuts Friday, March 3, and can be seen Fridays at 7:30 p.m. ET on APTN.

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TVO’s Hard Rock Medical embraces North Bay in Season 3

Derek Diorio uses the word “talent” a lot when talking about North Bay, Ont. The city, almost four hours up Highway 11 from Toronto, was the new home for Season 3 of TVO’s Hard Rock Medical.

Returning on Sunday, Jan. 8, at 8 p.m. ET on the network, Diorio not only sings the praises of the city and its environs but the folks who live and work there too. After two seasons of filming in Sudbury, Ont., the medical drama decamped for a couple of reasons, one of which was a partnership with Canadore College.

As with previous seasons, these new nine instalments follow the adventures of medical students enrolled in the fictional Hard Rock U, loosely based on Lakehead University and Laurentian University’s Northern Ontario School of Medicine. Sunday’s debut and the second episode boast some intriguing storylines: Gary (Mark Coles Smith) and Charlie (Stéphane Paquette) are embedded with an EMS team, Eva (Andrea Menard) and Melanie (Melissa Jane Shaw) are placed on a First Nations reserve, and Dr. Healy (Patrick McKenna) begs to return to work. We spoke to Hard Rock Medical co-creator Diorio about the move to North Bay and what fans to expect from Season 3.

Season 3 was filmed in North Bay, Ont., after being in Sudbury for two seasons. Why the change?
Derek Diorio: There is always a bit of a gap in production of about 18 months. And in the interim, Sudbury really got hot. The Northern Ontario Heritage Fund Corporation has put funding into a lot of productions and just as we were about to go into production, they also financed Cardinal. That was a big, huge, production and they sucked up a lot of the local resources and shooting days. If they were shooting for 50 days we were shooting for 30.

In previous seasons, I had built a relationship with Canadore College and the students in two of the programs there, Television and Digital Cinema. It was such a great experience working with the kids in the program. Conversations took place and I was asked if I would move production to North Bay. It was an ideal fit. I cannot say enough good things about the people running the program at Canadore. There are really good programs in Toronto at Ryerson and here in Ottawa with the Algonquin program, but there is something special going on in North Bay. The people who are there really care about what they’re doing and there is money because of the NOHFC and an industry. We had so much talent there, and it raised the game of the show.

I love the fact that, through this partnership with Canadore, the students are not only getting paid to do the work but are getting a hands-on education working on a television series.
What I keep stressing is that Canadore is unique. You can attend their programs and you can graduate with a television or film credit. I don’t think there are any other programs in North America that come close. It’s a small college, but it has a really good program.

We’re a small production and our budget is extremely low. There are lots of great actors in Toronto that I don’t really have access to because I can’t bring a day player in from there because it costs me $3,000. We designed the show, very heavily this year, around actors that were available to us in the North Bay area. I think we put 45 actors from North Bay in continuing roles. And the music that we use in the show are from acts in the area; our music is composed by a guy from North Bay. I think the area has improved the show.

A storyline that struck me in Episode 1 was Eva and Melanie out on Nipissing First Nation and a patient with cancer. It’s a very timely storyline.
There are two things we try to do with the show. Every year we loosely follow the curriculum of the Northern Ontario School of Medicine. It’s great because it gives us structure. We also look at what the school does and come up with our own premise or torn from the headlines stories. The whole First Nations storyline began torn from the headlines and we drifted off into a completely different storyline. We’re writing for the environments that are easily accessible to us, so 80 per cent was shot in and around Canadore and the edge of Nipissing First Nation is about five minutes from the campus. We were driven a lot by location and made it Eva’s reservation. And then you just start exploring what can happen on a reserve. The idea of bringing Melanie into the storyline was very much a fish out of water. Part of our theme for Eva this year is that it’s tough to go home. She has the ambitions to do it, but it turns out to be a lot harder than she thought it would be.

Gary and Charlie are embedded with the EMS. I was surprised to see Charlie break down following the scene of a car accident.
Charlie is the least likely to succeed and he’s our comic foil as well. We want to show his scope and the reality of students who have three or four kids and decide to go back to school. The pressure is unbelievable and one of the things that comes up is marriages are really tested by medical school. Most people who enter medical school are doing it coming out of university and are footloose and fancy-free and very few are connected. But what happens with Charlie is actually pretty funny too.

So, it’s just you and co-creator Smith Corindia doing all of the writing?
That’s it. We don’t have a choice, dude. But there is a huge advantage to that. We pound out a story arc for a character or two characters and go through all of the episodes. And then it’s lather, rinse and repeat for the rest of the characters. And then you assemble them all into the episodes and you find that one episode has 40 scenes in it and other has 15 and you adjust. You adjust the outlines and then you go to script and it’s actually quite a fast process.

Hard Rock Medical airs Sundays at 8 p.m. ET on TVO. All of the episodes will be available on TVO.org beginning on Jan. 9.

Hard Rock Medical airs Wednesdays at 8 p.m. ET on APTN beginning on Feb. 8.

Images courtesy of TVO.

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