Tag Archives: Canadian TV

TV, Eh? podcast Episode 229 — Overall nutty overtone

This week’s episode is brought to you courtesy of The Pop Shoppe Lime Ricky Hard Soda and Wild Turkey Forgiven.

First up is the latest Calendar news, including THE SUMMER OF SCI-FI with the returns of Dark Matter, Wynonna Earp and Orphan Black. This is Canadian Upfronts week and, yes, some networks have Canadian shows to announce, like Corus with their plethora of originals and co-productions. Also: CityNews has gone national (not really), and Bellevue‘s future is up in the air.

And we say thanks to our Patreon supporters!!

Listen or download below, or subscribe via iTunes or any other podcast catcher with the TV, eh? podcast feed.

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Cue the hits in 5, 4, 3, 2, 1… City unveils its 2017/18 prime-time schedule

From a media release:

Proven, powerful, and pedigreed. Today Rogers Media unveils City’s 2017/18 programming schedule, building on last season’s proven hits with bold new additions backed by some of the most creative minds in television today. Rogers Media president, Rick Brace, and senior vice president of television & broadcast operations, Colette Watson, together with the executive team will present the new schedule to advertisers and media this afternoon at the Metro Toronto Convention Centre.

Comedies
This broadcast year, City had three of the Top 10 and eight of the Top 20 comedy hits4, and City will continue to bring the laughs with five new comedy series for the 2017/18 season. Joining the fall lineup, The Orville, from Emmy Award-winning executive producer and creator Seth MacFarlane and director Jon Favreau, is an irreverent workplace sci-fi adventure comedy set 400 years in the future that follows the adventures of the U.S.S. Orville, an exploratory spaceship, and the familiar and funny everyday challenges of its human and alien crew. The weird and wonderful out-of-this-world theme continues with Ghosted, when a cynical skeptic (Craig Robinson, The Office) and a genius “true believer” (Adam Scott, Parks and Recreation, Big Little Lies) are recruited to investigate unexplained phenomena in Los Angeles – all the while uncovering a larger mystery that could threaten the existence of the human race. Canadian cult classic Fubar moves to the small screen, propelling beloved characters Terry and Dean into the modern age. New-to-City, Speechless starring Minnie Driver joins the schedule in mid-season, along with new Will Ferrell-produced commuter comedy LA to Vegas.

Dramas
Power and political games drive City’s scripted drama slate for the 2017/18 season with four new series joining the lineup.  A City original, Bad Blood follows the true-crime saga of one of Canada’s most notorious mob families, a revenge story of Godfather-like proportions. New-to-City this fall, hit series The Blacklist joins the schedule with prime-time’s favourite fugitive-turned F.B.I informant, “Red” Reddington (James Spader), as he teams up with his hand-picked profiler to work through his own “most wanted” list of criminals. Coming in 2018, Versailles is a lush Canadian drama about Louis XIV, and the darkness, ambition, and manipulation that simmers just beneath the gilded surface of the Sun King’s court. Also, a young doctor’s ethics are tested when The Resident, starring Canadians Emily VanCamp and Bruce Greenwood, joins City’s schedule in mid-season.

Returning Favourites
Proven hits and fan favourites return as City confirms the renewal of 16 prime-time series, delivering more laugh-out-loud moments, dramatic plot twists, and thrilling competition through the 2017/18 season. Returning series include The Bachelor franchise, Black-ish, Brooklyn Nine-Nine, Family Guy, Hell’s Kitchen, Hockey Night in Canada, Last Man on Earth, Lethal Weapon, Life in Pieces, The Mick, The Middle, Modern Family, Mom, New Girl, Nirvanna The Band The Show,and Scorpion.

New Series:

BAD BLOOD
60-minute Canadian scripted drama series
Thursdays at 8 p.m.
National broadcast

Inspired by reputed mobster Vito Rizzuto, and based on the best-selling book, Business or Blood: Mafia Boss Vito Rizzuto’s Last War by Antonio Nicaso and Peter Edwards, Bad Blood: The Vito Rizzuto Story is a six-part limited event series. While imprisoned in Colorado’s Supermax Prison for the murders of three Bonanno family members, Rizzuto watches helplessly as the thriving empire he built is dismantled, and his closest friends and family members are mysteriously murdered one by one. When Rizzuto is finally released from prison, a Shakespearean-level revenge tale plays out – leading to the brutal murders of his closest companions, and ultimately the death of Rizzuto himself.

PRODUCTION COMPANY: New Metric Media, Sphere Media, and DHX Media
EXECUTIVE PRODUCERS: Michael Konyves, Simon Barry
CAST: Anthony LaPaglia (Without a Trace), Kim Coates (Sons of Anarchy), Paul Sorvino (Goodfellas), Enrico Colantoni (Flashpoint)

FUBAR: THE AGE OF THE COMPUTER
30-minute Canadian scripted comedy series
Sundays at 10:30 p.m.
National broadcast

Based on the beloved film franchise and hurdling it into the modern age, Fubar: The Age of the Computer finds Terry and Dean fleeing from the wildfires of Fort McMurray in a desperate retreat to Calgary, with nothing but emergency government debit cards to their names. Discovering high-speed Internet for the first time, Terry is exposed to a world of commerce and social media and attempts to harness the web to make a profit. Meanwhile, Dean embarks on a journey to record a triple-concept album using his burnt bass guitar and extreme falsetto voice.

PRODUCTION COMPANY: Busted Tranny Productions Ltd Cardinal Film Inc., Vice Studio Canada
EXECUTIVE PRODUCER: Michael Dowse
CAST: David Lawrence (Freezer Burn), Paul Spence (It’s All Gone, Pete Tong)

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Link: Denis McGrath

From Alex Epstein of Complications Ensue: The Crafty TV and Screenwriting Blog

Link: Denis McGrath
We lost one of the best writers I know tonight. A writer, and a firebrand for writers. And a good friend. And a wit, and a style, and a voice. Damn it.

I met Denis McGrath on a plane to South Africa. We were parachuting in on a show where the previous writing team, who were on a plane going the other way, had not got along too well with the showrunner. When we got there, we had to retcon some sort of sense out of the episodes that had been shot, and then rewrite the next script literally over the course of 24 hours. Continue reading. 

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Film, television and digital production in Toronto hits record-breaking $2 billion in 2016

From a media release:

Domestic and foreign film, television, digital and commercials production investments in Toronto had a third record-setting year in 2016 and achieved the $2.01-billion level for the first time.

Some of the major highlights for 2016:
• Domestic and international screen-based productions exceeded the $1-billion mark for the sixth consecutive year, with a 33-per-cent increase over the $1.55 billion reported in 2015.
• Foreign major production investment in film and television grew to $794 million, a 49-per-cent increase from 2015. Since 2014, foreign production investment has increased by 129 per cent.
• Investment in animation and visual effects grew to $403 million, a 179-per-cent increase from the $144.5 million reported in 2015. Since 2014, investment in this area has increased by 363 per cent from $87.1 million.
• Television series, foreign and domestic, remains the dominant investment type in Toronto with an increase to $908 million in 2016.
• Investment in commercials production continued to rise to record levels, growing to $380 million, a 10-per-cent increase from the $345 million reported in 2015. Since 2014, investment in this area has increased by 95 per cent from $195 million. (Note that this type of investment is measured by Toronto but not by other levels of government.)
• The number of location filming shoot days has seen three record breaking years, with an increase to 7,280 shoot days in 2016.

The above numbers also help to show a larger Toronto industry success story. Combining the $2 billion in investment noted above with figures from broadcasters and the interactive digital media cluster results in a total investment figure of $3.26 billion for all of Toronto’s film, television and digital media production in 2016. That figure represents a 16 per cent increase from 2015.

The detailed report can be found here.

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Link: New system for funding Canadian content would rely on tax credits

From Kate Taylor of The Globe and Mail:

Link: New system for funding Canadian content would rely on tax credits
Canada desperately needs an update to its cultural policies but, like many Liberal initiatives, the review announced last spring by Minister of Canadian Heritage Mélanie Joly feels pretty mushy. To date, the consultations about nurturing Canadian-content creation seem mainly to have produced pieties about the digital age but few concrete suggestions. Continue reading. 

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