Tag Archives: CBC Gem

Something Undone’s second season continues its creepy storytelling

When I first connected with Madison Walsh and Michael Musi, it was to chat about Season 1 of Something Undone.

The CBC Gem series was filmed during the first wave of COVID-19, meaning a stripped-down tale of Jo (Walsh), a foley artist and her partner, Farid (Musi), who are putting the finishing touches on a true-crime podcast about the murder of the Chaffey family. While Farid was in Newfoundland chasing down leads on the case, Jo was sequestered in her late mother’s home in Ontario, sorting through her things while working on the podcast. Season 1 of Something Undone is a psychological scare-fest full of odd sounds and intense feelings of loss and isolation.

Now, in Season 2, we get Farid’s side of the story. With production expanding to include guest cast and on-location filming, Something Undone goes all-in on the new six instalments. In Episode 1, we catch up with Farid, who is in Briddus, Newfoundland, investigating the Chaffey murders. There he uncovers shocking truths about the case, persevering despite threats from townsfolk and Jo’s stresses in Ontario. With an all-star cast consisting of Mary Walsh, Nicole Power, Shaun Majumder, Shawn Doyle and Tom Power, and directed by Hannah Cheesman, Something Undone is simply fabulous.

We spoke to Madison Walsh and Michael Musi about the second season.

Had you planned at telling Farid’s side of the story in Season 2?
Michael Musi: No. I know that when we did Season 1, we never thought really much past that while we were in production. But I do remember at some point while shooting, we said, ‘Is this good? Is this special?’ We couldn’t tell if we were onto something and then we started, while shooting, talking about other ideas. And I remember I said something like, ‘It’d be really cool to see what Farid is doing.’

And then CBC said, ‘Have you guys thought about Season 2?’ And said, ‘Of course, we’ve thought about it.’ We never dreamed the show would live on when we were creating the first season, but after winning an award over the summer we started secretly hoping they’d be interested in more. 

Madison Walsh: So they came to us and they said, ‘Hey, if we did a Season 2, can you get started now?’ And we just smiled and said, ‘Yeah, for sure.’ And our producers obviously screamed and they got going. Tricky thing was, I was shooting a horror film in Calgary called Dark Nature and Mike was in Toronto but we weren’t going to pass this up so we ended up writing it almost entirely over the phone.

MM: We wrote the first draft of all six episodes of Season 2 over Zoom. And then I flew out to Calgary and we had about four days of eating and of finessing the scripts and interviewing directors.

MW: When we were writing Season 1, it was really important for us to flesh out what was happening to Farid on the other side even though it didn’t really play a huge storyline, it was important that it tracked. So not only were we writing the mystery of what happened in the house, but we also had to design what happened to the Chaffey’s so that was already kind of done, which was really helpful, and then it all came together. Even though we really loved what organically came of Season 1, that it was a psychological horror-thriller, we thought, ‘OK, let’s try not, with this short amount of time, to recreate the same kind of thing.’ Let’s give ourselves the flexible freedom to make this more of a detective mystery, more of noir. That freedom allowed us to work quickly rather than really trying to risk doing something bad that we had gotten right the first time.

Nicole Power in Season 2 of Something Undone

And, unlike Season 1, you were juggling location shoots and other actors.
MM: Season 2 was really, really tricky. We had a ton of locations. We had a ton of actors. It was so much bigger. And we had the same time and we had a bigger budget, but it was nowhere near as much as we needed to feel really comfy. We really stretched ourselves out thin.

MW: But what really helped in Newfoundland was, miraculously, our second AD in Toronto, Liz, is actually from Petty Harbour, which was the tiny town that we chose, we had gone and scouted and found this amazing little town that was perfect for it. And it just so happened she was like, ‘Oh my god, I’m from there.’ So we flew her out and then we got together a small Newfoundland crew.

And also working with three hours of daylight in Newfoundland at the time. It was freezing. All the locals kept apologizing. They were like, ‘It’s never this cold.’ Yeah, it was wild.

Looking at the cast, Shawn Doyle, Nicole Power, Mary Walsh and Shaun Majumder. How did you land all of this talent?
MM: When we went into this, we said, ‘We keep shooting for the stars on so many different levels on this and things have been working out for us, we’re going to get the best Newfoundland actors out there.’ That was our dream list and everyone said yes. Nicole Power had no choice, she’s one of our best friends, but Shaun Majumder, Shawn Doyle, Mary Walsh, Tom Power, everyone said, ‘Absolutely.’ It was cuckoo.

MW: I think they are A), really great actors who I think are doing things not for the money but for the time. But also maybe part of it was because they’re Newfoundlanders who just are, ‘Why not?’ people. They’re so hospitable and so wonderful and so easygoing; they were OK to work on a small set, small budget, for one day. We tried to write each person a character that even though they were on screen for just a short amount of time, was meaningful. They all were ready to play and it was intense. Our days were really fast. It was hard for our director, Hannah Cheesman, to tell Mary Walsh, ‘I’m sorry, you get two takes.’ Which she didn’t need.

She aced it right off the bat. They had to come in and work on these sets where we were getting two giant scenes done in half a day. And it was really stressful. After we finish, every time we finish a shoot, when we’re in it, we’re like, ‘What are we doing? Why are we doing this?’ And then when you’re done and it comes together in some miracle way and you get to work with somebody like Mary Walsh, you say, ‘Oh God, I could do this forever.’

In the first season, the focus is on Jo. It’s different in Season 2. Michael, what was it like doing the heavy lifting when it came to the acting this time?
MM: It was really scary stepping into it because I got so comfortable with Maddie having to do it. And I remember a week before I thought, ‘I don’t want to do this.’ I felt like, ‘Yeah, this is a horrible decision. I’m going to let people down.’ Season 1 was so good and I just started feeling really insecure about it. But when you have these incredible actors that you get to act with they just make you feel so comfortable.

Are you working on Season 3? And if so, can you give any details?
MM: I don’t think we can give you story details, but what we can say is that we don’t have a third season green-lit, but we definitely want to be prepared if that happens. We can certainly say that it would be a continuation of the story so we’re not going back in time. It would be after all this happened. It would be in a completely different part of Canada and it would be Jo and Farid together.

MW: Our goal from the beginning, we said it as a joke because obviously, we were like, ‘We’re not getting a Season 3,’ just like we thought we weren’t going to get a Season 2. Anything can happen, but we said, ‘We’re setting it in summer and it’s the Sunshine Coast.’ A setting so uniquely Canadian and I think it would be the perfect place for Farid and Jo to go to get better. But meanwhile, things are only going to get worse.

Watch Season 1 and 2 of Something Undone on CBC Gem now.

Images courtesy of the producers.

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Link: TV writer Zarqa Nawaz creates stories that challenge stereotypes about Muslim women

From Debra Yeo of the Toronto Star:

Link: TV writer Zarqa Nawaz creates stories that challenge stereotypes about Muslim women
Between 2012, when the sitcom “Little Mosque on the Prairie” went off the air, and today, as Zarqa Nawaz’s latest TV series is about to debut, our small screens haven’t exactly been awash in Muslim women. Continue reading.

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The Black Academy and CBC set The Legacy Awards for September 25 at History in Toronto

From a media release:

Shamier Anderson and Stephan James, Scarborough natives and co-founders of The Black Academy, alongside CBC, Insight Productions, and Bay Mills Studios today announced that the inaugural edition of The Black Academy’s award show, The Legacy Awards, will air on CBC and CBC Gem on Sunday, September 25, 2022 at 8 p.m. (9 p.m. AT/9:30 p.m. NT). The live 90-minute telecast is the first major Canadian award show to celebrate and showcase Black talent and will be broadcast from Live Nation Canada’s newest entertainment venue HISTORY, in Toronto’s east end. The telecast will feature performances, award presentations, and tributes honouring both established and emerging Black Canadian talent. Information about the award categories, membership, the submission process, and additional details will be announced in the coming weeks.

“When Stephan and I were thinking about a name for the award show, we really wanted it to convey something big and lasting – it’s about creating a legacy for this and future generations of Black Canadians,” said Shamier Anderson, Co-Founder, The Black Academy. “We want viewers to recognize and appreciate how much Black talent there is in this country and to be inspired by all the nominees and award recipients for years to come.”

“When we walked into HISTORY for the first time we were totally blown away and after months of discussions, everything immediately started to feel real,” said Stephan James, Co-Founder, The Black Academy. “It’s a very cool, very state-of-the-art venue, but also really intimate. HISTORY is the perfect home for The Legacy Awards and we can’t wait to work with our partners at Insight on the look of the show.”

“We are excited to offer a nationwide platform for The Legacy Awards, as The Black Academy makes history this September,” said Sally Catto, General Manager, Entertainment, Factual and Sports, CBC. “All of Canada is invited to participate in this celebration of Black talent and achievement, and we look forward to collaborating with the Black Academy and Insight to produce an inspiring and dynamic award show.”

The Black Academy, Insight Productions, and CBC are committed to hiring Black senior staff and crew members for The Legacy Awards. Insight Productions continues to accept résumés from those who have a passion for live events and award shows at BlackAwardShowResumes@insighttv.com.

“In addition to The Legacy Awards, we have other incredibly important initiatives and we’re very grateful to everyone who has come on board early to support the organization on a year-round basis, helping us to empower Black talent,” said Martha Hagos, Executive Director of The Black Academy. “The Black Academy is at the forefront of a cultural shift in Canada and we continue to call on other forward-looking organizations to aid us in this challenge.”

The Legacy Awards is executive produced by Shamier Anderson and Stephan James of The Black Academy and Bay Mills Studios. John Brunton, Lindsay Cox, and Shannon Farr are the executive producers for Insight Productions (A Boat Rocker Company). For CBC, Sally Catto is General Manager, Entertainment, Factual & Sports and Jennifer Dettman is Executive Director, Unscripted Content. Daniel Abrams and Norbert Abrams

also serve as executive producers. The 2022 edition of The Legacy Awards marks the first of an exclusive three-year partnership with CBC.

The Black Academy gratefully acknowledges the financial support of eOne Canada and Bell Media which support The Black Academy’s year-round operations.

Photo Credit: NICOLE DE KHORS

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CBC and HBO Max renew Sort Of for a second season

From a media release:

CBC and HBO Max have renewed SORT OF for a second season, it was announced today. Created by Bilal Baig (Acha Bacha) and Fab Filippo (Save Me), the critically acclaimed CBC and Max Original comedy debuted on HBO Max in November 2021 following its Canadian premiere on CBC Gem in October 2021. The series was an official selection of the 2021 Toronto International Film Festival and made The Hollywood Reporter, The Globe and Mail and Vanity Fair’s Best TV Shows of 2021 lists. SORT OF also leads this year’s Canadian Screen Award nominations with 13 nods, including Best Comedy Series.

“We are so thrilled that we are able to dive back into the worlds of SORT OF, and to keep exploring the evolution of all our characters (including some new ones!) as they continue to investigate who they are in the world as friends, family members, lovers and human beings,” said Bilal Baig, co-creator, showrunner, executive producer and lead actor.

“SORT OF speaks to the complexity of being human in the world with wit, warmth and an authentic sense of inclusivity, thanks to the distinct voices of Bilal and Fab,” said Sally Catto, General Manager, Entertainment, Factual & Sports, CBC. “SORT OF has struck such a powerful chord with audiences, and we are thrilled to work with HBO Max and Sienna Films on the next chapter of Sabi’s story.”

“Baig and Filippo’s honest and insightful storytelling is a lesson in unraveling conventional views of identity,” said Jeniffer Kim, SVP, International Originals, HBO Max. “We could not be more excited to partner with CBC and Sienna Films on another season of this very special show.”

“It’s been a wonderful experience to develop this show from the ground up with Bilal and Fab, and now to have the opportunity in Season 2 to dig even deeper,” said Jennifer Kawaja, executive producer, Sienna Films.

Called “funny, tender, and humane” by NPR, “the kind of representation everyone deserves” by Mashable, and “a small masterpiece of contemporary urban storytelling” by The Globe and Mail, SORT OF follows the journey of “Sabi Mehboob” (Baig), a gender fluid millennial who straddles various identities from sexy bartender at an LGBTQ bookstore/bar, to the youngest child in a large Pakistani family, to the de facto parent of a downtown hipster family. Sabi feels like they’re in transition in every aspect of their life, from gender to love to sexuality to family to career. A coming-of-age story, SORT OF exposes the labels we once poured ourselves into as no longer applicable…to anyone.

The series is created by Bilal Baig and Fab Filippo, who also serve as showrunners and executive producers, and produced with the participation of the Canada Media Fund. Sienna Films’ Jennifer Kawaja is also an executive producer on the series. SORT OF is distributed worldwide by Sphere Media. Abacus Media Rights handles sales outside of the United States and Latin America.

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Links: The Porter, Season 1

From Greg Harder of the Regina Leader-Post:

Link: Labour of love: Sabryn Rock’s latest acting job was a life-changing experience
“It was this interesting kind of synchronistic thing … having this huge life event of motherhood happen and then portraying somebody who all she wants is to be a mother.” Continue reading.

From Debra Yeo of the Toronto Star:

Link: CBC’s ‘The Porter’ sheds light on part of Canadian history with ‘energy,’ ‘sexiness’ and ‘fun’
If you want to know what CBC’s historical drama “The Porter” is about, there’s a lot to be gleaned from the television series’ opening minute and 10 seconds. Continue reading.

From Sadaf Ahsan of the Toronto Star:

Link: CBC’s ‘groundbreaking’ new drama series ‘The Porter’ is a story of Black ambition
When CBC’s “The Porter” debuts Monday, it will become one of the network’s largest Black-led television series, ringing in Black History Month in a “powerful” way, says Toronto star Ronnie Rowe Jr., who adds that he’s “honoured to be a part of history.” Continue reading.

From Heather M. of The Televixen:

Link: Previewing CBC’s The Porter with the creative team
A rich, wide-ranging story of Black Canadians during the 1920s, the series follows the story of the titular porters who work the railways and their extended community of family and friends in Montreal. Continue reading.

From Johanna Schneller of The Globe and Mail:

Link: The Porter is an overdue win for Black representation on Canadian TV
When the cast wall went up, everyone got a lump in their throats. Headshots of the actors playing the 100-odd characters in The Porter, an eight-part CBC series in partnership with BET. Row after row of faces. Ninety-five per cent of them Black. Continue reading.

From Eric Volmers of the Calgary Herald:

Link: The Porter takes a rare look at the injustices, triumphs of Canada’s Black Diaspora in the 1920s
In the new CBC series, The Porter, part of the action takes place in a lively night spot called Club Stardust. It’s a gathering place for many of the characters in the series, a hotspot in Montreal’s Black neighbourhood of St. Antoine in the roaring 1920s. Continue reading.

From Alicia Cox Thomson of Chatelaine:

Link: How CBC’s The Porter Made Me Reexamine My Own History
The Porter takes place in 1921 when train travel for wealthy white people was the height of luxury; train porters were always male and Black. Continue reading.

From Sherlyn Assam of Broadview:

Link: ‘The Porter’ showcases Black Canadian train workers’ historic fight for equality
CBC’s new original series The Porter tells the fascinating story of how Canadian train porters helped organize North America’s first Black labour union. Continue reading.

From Bill Brownstein of the Montreal Gazette:

Link: Brownstein: CBC-TV’s The Porter revisits the Black experience of 1920s Montreal
Some had just returned from fighting overseas for Canada during the First World War. Others were recent immigrants from the Caribbean. They had dreams of finding promising jobs and earning the respect of their fellow countrymen. Continue reading.

From Etan Vlessing of The Hollywood Reporter:

Link: ‘The Porter’ Creators Talk Black Representation and Canadian TV’s Culture Shift: “It’s a Pretty Powerful Moment”
Canada is making a giant step forward in representation with the civil rights drama The Porter, to air on the CBC and BET+ stateside. Continue reading.

From Carolyn Hinds of The Gate:

Link: Loren Lott and Aml Ameen talk The Porter on CBC
“Colorism has affected me all my life, you know? But it’s something that I always swept under the rug, just like I think the Black community has.” Continue reading.

From Norman Wilner of NOW Toronto:

Link: The Porter gives Black Canadian history a new look
Mostly, the show is about the path to social justice for its idealistic characters, which is paved with tragedies, betrayals and setbacks. But it makes room for Black joy, and that feels important. Continue reading.

From Bill Brioux of Brioux.tv:

Link: The Porter is a dazzling train ride 100 years into Canada’s past
Set 100 years ago in the early 1920s, the Canadian railway drama tells the story of train porters Junior Massey and Zeke Garrett (Ami Ameen and Ronnie Rowe Jr.) and their families as they strive against fierce resistance to form North America’s first Black labour union. Continue reading.

From Charles Trapunski of Brief Take:

Link: Interview: The cast and creators of The Porter
It was extremely resonant hearing from Marsha Greene, in particular, about the ways in which The Porter developed along the way, finding the correct track, so to speak. Continue reading.

From Heather M. of The Televixen:

Link: The Televixen chats with the women of The Porter
In the final part of my chat with The Porter team during the press day, series stars Mouna Traoré (Marlene), Loren Lott (Lucy), and Oluniké Adeliyi (Queenie) discuss working on the show. Continue reading.

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