Tag Archives: Claire Rankin

CBC’s Son of a Critch cast on fifth, and final, bittersweet season

By Scott Campbell

Mark Critch, Benjamin Evan Ainsworth, Claire Rankin and Malcolm McDowell are reflective as CBC’s Son of a Critch wraps after five seasons.

“Bittersweet is the word everyone’s using,” Critch says during a Zoom interview. “I thought I would be crying more, but I did cry, but there are more tears of joy for the beautiful experience we’ve had … I still say it was my allergy.”

The TV show is based on Critch’s best-selling memoir about growing up in St. John’s, Newfoundland. Critch plays his own father, Mike Critch Sr., while Ainsworth is Mark. Rankin is mom, Mary, and McDowell is Patrick, a.k.a. Pops. This final season is set in 1992, and returns Tuesday, September 8, at 8:30 p.m. Eastern on CBC and CBC Gem.

“Each season is like a year of my life,” Critch says. He looks at the year and thinks about what was special to him.

“I’ll write out maybe 12 or 13 main memories or things that stand out. Then, you link them together, put them in an order, and write little things around them that aren’t necessarily true, but are on a theme.”

For Ainsworth, the journey to Newfoundland to be the son of a Critch did not even start in Canada. It was an email highlighting an untitled CBC project, Newfoundland and Mark Critch.

“So, 12-year-old me from good old Yorkshire was sort of like, ‘What’s Newfoundland?’” he recalls. “Figuring out what this amazing place was through research, and then getting to go there… and how beautifully written [the show] was, all of those things posed this kind of great adventure of discovery.”

The COVID pandemic provided a positive spin for Rankin. She was doing a national tour of Dear Evan Hansen, the Broadway musical, in the United States, and the production got shut down.

“I came back to Canada,” she says. “And during the time period that we were shut down, this audition came onto my plate. Had I still been doing Dear Evan Hansen and been contracted to them, I would never have been able to audition for the show. The best job of my life came out of a very strange situation.”

McDowell jokes, “They begged me,” to join Son of a Critch. He also teased a scene which happened on the last day of filming as one of his favourites of all time.

“The same casting director, who is Irish, said, ‘You know, Malcolm may do it.’ I’d done a show in England that they had cast [Truth Seekers]. I read the scripts, and I loved the scripts. I called my manager, and I said, ‘Make it work.’”

The filming experience on the show had Critch wondering what makes a moment a memory.

“Why are there certain little moments from my life that I’ll remember for the rest of my life, and the majority I’ll never remember?”

That led him to want to enjoy those moments a little more, because he knew it was something he’d be longing for years from now.

“You have to lose something to gain something,” Critch says. “And I think the great tax on this wonderful experience has been that one day it will end, and that’s the price you pay for it.”

For Rankin, the word family comes to mind for her because that is the theme of the show.

“That is what I gained in the five seasons,” she says. “That we got to spend this time together. People that I consider family.”

“Malcolm has been saying it’s fun to start a job,” she continues. “Wonderful to finish it. But not true on this one because as much as there’s some wonderful thing about the completion of the story, the unwonderful part of it is that we won’t be spending our summers together.”

Rankin joked the plan will be a Son of a Critch cruise someday for a Christmas special.

Ainsworth turns 18 this month; Mark Critch also turns 18 during this final season.

“An awesome character that I’ve been fortunate enough to grow up with,” he says. “I feel honoured to kind of have that journey with the character and to get those five seasons that other shows might not be fortunate enough to have.”

For Critch, the surprise was being able to pull off the whole television show experience.

“I’m surprised that we were able to get Benjamin,” he says. “Surprised Malcolm did it. I remember Claire’s audition was before she even really spoke a line. We knew that it would be her because she was so engaging right off the top. I’m surprised we got some wonderful guest stars,”

“And I was very surprised, actually, the very last scene, Benjamin’s performance, I thought it was going to go a certain way. And he brought a certain quality to the scene that I hadn’t really envisioned, but was actually perfect.”

Son of a Critch airs Tuesdays at 8:30 p.m. on CBC and CBC Gem.

Images courtesy of CBC.

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CBC’s Small Achievable Goals and Son of a Critch embrace female stories

Howie Mandel has a joke/observation he told years ago that has stuck with me. In it, he is talking about being out on the town with his wife, who is dressed immaculately, interacting with guests and having fun. All this, he says, while she is menstruating.

“If we were the race that was menstruating, we wouldn’t go anywhere,” Mandel opines. “There would be no nights out. Your buddy could call you, ‘Do you want to come over for a beer?’ ‘No.’ ‘No? Why not?’ ‘Because my crotch is bleeding!'”

I couldn’t help but reflect on Mandel’s remarks while I watched the first episode of Small Achievable Goals because it plays a major part in world-building and character development.

Airing Tuesdays at 9 p.m. on CBC and streaming on CBC Gem, Small Achievable Goals follows the adventures of Julie (Jennifer Whalen, top left) and Kris (Meredith MacNeill, top right), two women trying to navigate different stages of menopause. When they’re forced together to produce a podcast, Kris and Julie help each other through workplace challenges and office politics, dating disasters and relationship drama, health concerns and parenting woes. The project reunites co-creators Whalen and McNeill, who CBC viewers last saw on the award-winning Baroness Von Sketch Show. Whalen recalls how the pandemic caused her to reflect on her own menopause experiences and that a TV show could be made around it.

“I started to realize that some of my existential crisis was not actually just the pandemic,” she says. “Maybe I was in some stage of [menopause] and I realized that I knew nothing about it and what I did know was relentlessly bleak. I thought, ‘I can really use a laugh about this. I’m sure other people could.'”

The result? A series that is hilarious, shocking and touching. The first episode features Kris experiencing sudden, heavy perimenopause bleeding moments before she’s to participate in a photo shoot to promote her podcast … while wearing white. Kris’ emotions are already heightened thanks to learning a younger woman will be her podcast co-host (to pull in a younger audience, she is told), and furtively asking for help securing a tampon. The scene’s final, bloody conclusion may be shocking for some, but it’s about time the plight of half the population was shown on-screen. So too of Julia’s experience in that first episode, dealing with menopause hot flashes as she’s told she has, once again, been passed over for the top producer gig in favour of someone younger and, it should be said, male. What took it so long for this kind of storytelling to be shown?

“I think it is a function of our patriarchal society that it does feel like menopause is this dividing line that if you’re no longer fertile, you’re no longer a value to our society,” Whalen says. “And I think that a lot of people didn’t want to talk about it because you have a lot to lose by talking about it publicly.”

Claire Rankin as Mary on Son of a Critch

Ironically, CBC’s Son of a Critch is exploring a similar storyline. Season 4 of the veteran comedy, airing Tuesdays at 8:30 p.m. on CBC and CBC Gem, and based on Mark Critch’s award-winning, best-selling memoir about growing up in Newfoundland, is all about pursuing one’s passion. And for the character of Mary (Claire Rankin), that means entering a new stage in her life.

With sons Mark (Benjamin Evan Ainsworth) and Mike Jr. (Colton Gobbo) older and relying less on her, Mary is experiencing a loss of identity. Is she still a mother? Yes, of course. But what else? Upcoming storylines follow Mary as she goes back to school—igniting her passion for a possible career—and experiencing her first steps into menopause. The growth of Mary’s character came at the suggestion of Rankin herself.

“After the first season, Mark basically came to me and said, ‘You know, if you have any ideas please sort them out,'” Rankin says. “[I said] she’s going to need a menopause story, something that actually tells that journey.”

And, like Small Achievable Goals, Son of a Critch explores ageism through Mary’s eyes. An ego-boosting trip to have her pictures taken at a Glamour Shot-esque mall kiosk gets the wrong reaction from husband Mike (Critch) and her first college class results in trepidation until she’s called upon by the teacher.

“There’s still this unattainable standard that we’re somehow supposed to constantly be striving for in the sense that we even created a term ‘aging gracefully,'” Rankin says. “Do we use that for men? No. Guys are just allowed to age. They’re allowed to look rugged and wrinkles are kind of sexy in an older man, and so is gray hair”

“And yet we are somehow supposed to maintain this bizarre sense of looking 25 when we’re in our 50s.”

Son of a Critch airs Tuesdays at 8:30 p.m. on CBC and CBC Gem.

Small Achievable Goals airs Tuesdays at 9 p.m. on CBC and CBC Gem.

Images courtesy of CBC.

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