Tag Archives: Hospital Show

Dramatic actors take a comic turn in Hospital Show

I’d been excited to see the web series Hospital Show ever since the project received support from the Independent Production Fund in June of last year. The chance to see dramatic actors like Sara Canning, Adrian Holmes and Jordan Connor in comedic roles got me jazzed.

Now, the wait is over. Hospital Show, created, written, directed, produced and starring Adam Greydon Reid, debuts today on YouTube with the first two episodes—subsequent instalments roll out one per week—on the platform. Charlie (Canning) is a med school dropout turned actor who plays one in a medical drama called Critical Condition. Alongside Charlie are the big-hearted Rich (Holmes), Instagram lover Vince (Connor) and alcoholic Will (Reid).

We spoke to Adam Greydon Reid ahead of Hospital Show‘s debut.

How did the idea for Hospital Show come about in the first place?
Adam Greydon Reid: I’ve been an actor since I was a kid. I started off on, You Can’t Do That On Television. I’ve always wanted to explore the world of actors because I’d been an actor all my life and I actually see it as very non-glamorous. It never felt real to me. I wanted to create a comedy that just felt like a workplace comedy, except these people, who all feel like people you went to high school with. Totally normal human beings who all have problems and foibles and weaknesses, happen to wear white coats for a living and pretend to be doctors.

The next step was, ‘OK, well what kind of set do I want it to be on?’ When you look for a premise, you often try to look for something that’s ironic. I just liked the idea of setting it on a hospital show because here we have these broken, diluted, addicted if lovable people who are pretending to be healers when they need the healing.

How long have you had this idea kicking around?
AGR: Oh, a long time. Over five, at least five or six years, maybe more. I think as a result the characters feel very rich. The world feels very rich. I always thought if I looked at it as sort of the archetype of The Wizard of Oz and Dorothy is Charlie. Charlie is sort stuck in this world that she kind of belongs in, but doesn’t really belong in. She should be a real doctor instead of pretending to be one. The rest of the characters kind of fill out from there. Rich is The Cowardly Lion. And I would be The Scarecrow.

Carol-Ann is really enjoying her amorous activities at the moment. She’s a widow, a mother of two and so I see her kind of like The Tin Man. Looking to find heart, find love again, find something to fill a void that’s inside her. And then, of course, Oz being the all-seeing eye, the showrunner that’s not really there but can see everything. Kind of like the God figure.

Now that you’ve given me this whole Wizard of Oz angle, I totally see it now. Is it supposed to be there for people to pick up? 
AGR: No one will see it. No, no one would see it or figure out. It’s just for me. Just for me and people like you who I can tell, but honestly, they’ll feel it. When you’re dealing with archetypes, it’s completely transmitted on an unconscious level.

Sara Canning, Jordan Connor and Adrian Holmes all star in Hospital Show. How did you land them?
AGR: We all kind of know of each other and sometimes we’ve gotten to work with each other. I actually did not know Sara at all. I think we’d met maybe once, but I knew of her, of course, and I immediately imagined her as Charlie. There aren’t a lot of people that have the right energy to play someone that you believe is that smart. She’s so sharp. And I believe that she could be a doctor.

I knew Adrian from before. I’ve known him from other stuff. I just ended up being at the airport with him. We shared a cab home one day and I said, ‘Hey, you ever thought about doing comedy?’ He said, ‘Yeah, man. I’d love to, I’d love to do comedy.’ That’s the thing about the cast. Sarah, Jordan, Adrian and even Kristin [Lehman]. These are people who have basically made their careers doing dramatic fare. I think the chance of doing a comedy was really appealing to them because they just don’t get the chance to do it.

What kind of a writer are you? Are you the type that needs to have a quiet room to write?
AGR: Well, for this process, I tapped my actors for ideas. I had a general overall kind of thing going already and it had many rough drafts of it, but there were things that I wanted to spice up and I wanted to add to it. So, probably on the fifth draft, I started that once I had my cast together. I was like, ‘So, tell me about some of your experiences.’ And some of Kristin’s experiences are already in the show, they’re just exaggerated. And with Sara, who actually did Remedy. She says, ‘Well, probably one of the weirdest things in that was we had to practice. We really had to do suturing and we had to practice on bananas.’ And I’m like, ‘Oh my god, that’s going in. That is for sure going in.’

Hospital Show is available on YouTube now.

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Detention Adventure and The Communist’s Daughter among web series selected for IPF funding

From a media release:

The Independent Production Fund and its 40-member Pre-Selection Committee have selected 30 projects which are now eligible to advance to Phase 2 of the application process and apply for Production financing. These include 20 projects in English and 10 in French. Four web series previously funded by the IPF are eligible to apply for funding for second or subsequent seasons.

The IPF received 170 proposals for web series funding from across Canada, in English and in French. Applications included 2-minute proof-of-concept trailers, creative material and audience engagement strategies. Development opportunities for new talent and mentorship by experienced creative and business web series professionals were evaluation factors. All of these criteria were reviewed, scored and discussed by the Pre-Selection Committee members, who are industry professionals and advanced media students.

Producers of the selected shortlisted projects are now invited to submit complete Production Applications by May 1, 2018.  An international Jury will evaluate these proposals and the Board of Directors of the IPF will make final funding decisions in June.

“The 2018 “IPF Trailer Season” as dubbed by the industry, has exposed online viewers to great Canadian talents and teased them with terrific stories that have been watched, liked and shared by hundreds of thousands of fans during the past month.  “Our Canadian production community is certainly not lacking in imagination and diversity” noted Andra Sheffer, CEO of the IPF. “ The efforts that have gone into creating the content and engaging audiences will ideally provide invaluable feedback to all those who have participated in this process.” Continue reading for a list of the projects receiving funding.

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