Tag Archives: Industry News

Indigenous-produced docu-drama series “1491” reveals untold history of the Americas before Columbus

From a media release:

The Aboriginal Peoples Television Network (APTN) will present the world premiere of the docu-drama series 1491: The Untold Story of the Americas Before Columbus starting November 8th on APTN East and HD at 7:00 p.m. ET, APTN West at 7:00 p.m. MT and APTN North at 7:00 p.m. CT. The series is also slated to air on ZDFE (Germany) and SBS (Australia).

Based on Charles C. Mann’s best-selling book, 1491: New Revelations of the Americas Before Columbus, the eight-hour miniseries, produced by Animiki See Digital Production of Winnipeg and Aarrow Productions of Victoria, takes its audience on a journey dating as far back as 20,000 years ago through to 1491. The series focuses on the origins and history of ancient civilizations and groundbreaking achievements in North and South America in the areas of agriculture, astronomy, architecture, environment, governance, medicine, technology, science, trade and art.

The series is produced, directed and written by Indigenous Canadians and most of the 35 historians, archaeologists and cultural experts interviewed have Indigenous ancestry. The series features 20 drama scenes and an Indigenous cast of actors that provide context on Indigenous history in the Americas.

Mann’s critically acclaimed book dispels long-held theories that prior to European contact, Indigenous Peoples were largely nomadic, did not alter the natural landscape, and were not as advanced as other civilizations in the world at the time.

Award-winning filmmakers, Barbara Hager (Cree/Métis) and Lisa Jackson(Anishinaabe), directed the series in locations throughout North and South America. The series was written by Barbara Hager and Marie Clements (Métis). Other key creatives include composer Russell Wallace (Lil’wat), production designer Teresa Weston, costume designer Carmen Thompson (Nuu-chah-nulth), director of photography Bob Aschmann and narrator Dr. Evan Adams (Tla’amin).

 

 

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Link: Why Nirvanna the Band the Show is the best Canadian TV show in the last two decades

From Calum Marsh of the National Post:

Link: Why Nirvanna the Band the Show is the best Canadian TV show in the last two decades
Its ideas are bolder and its means are more radical. Its budgets are bigger, and because the creative team is so resourceful, every dollar does the work of 10. Even the title has expanded: “Nirvanna” gained a letter to curb the threat of being sued. The combined effect of these advances is a marvellous accomplishment. Nirvanna the Band the Show is the best show to air on television in this country in nearly 20 years. Continue reading.

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APTN Seeks Public Support for Licence Renewal Process

From a media release:

Aboriginal Peoples Television Network (APTN) has submitted an application to renew its broadcasting licence to the Canadian Radio-Television and Telecommunications Commission (CRTC). The CRTC governs the conditions and terms by which APTN operates to provide programming to the Canadian audience. The licence renewal process is open to the public and everyone is invited to participate by submitting letters to the Commission.

Since 2013, APTN has received a fee of 31 cents per Canadian subscriber through monthly subscription fees. This has fueled a nationwide network of Aboriginal producers, writers, directors, actors, broadcast professionals and Aboriginal news teams in every province and territory. In 2015, APTN was called upon by the TRC to support reconciliation through the continuation of our leadership in programming and organizational culture.

85. We call upon the Aboriginal Peoples Television Network, as an independent non-profit broadcaster with programming by, for, and about Aboriginal Peoples, to support reconciliation, including but not limited to:

i. Continuing to provide leadership in programming and organizational culture that reflects the diverse cultures, languages, and perspectives of Aboriginal peoples.

ii. Continuing to develop media initiatives that inform and educate the Canadian public and connect Aboriginal and non-Aboriginal Canadians.

(Excerpt from Truth and Reconciliation Commission of Canada: Calls to Action, 2015)

It is no secret, the portrayal and representation of Aboriginal Peoples in Canadian television is meagre. APTN is the only Canadian network that stands out as the exception to this reality. The network is a window into the profound diversity of their cultures, lives and languages. APTN is diligent in giving Aboriginal Peoples the opportunity to hear and see themselves on the screen, and that Canadians as a whole can access meaningful, informative and non-stereotypical programming. Also, news stories that other broadcasters are not covering that reflect Aboriginal cultures and perspectives.

APTN is requesting a modest increase to their wholesale fee for the next term, so as to continue their service to Aboriginal audiences, sustain a strong and talented Aboriginal production industry and grow opportunities to better serve the needs of Aboriginal communities through a comprehensive strategic plan. The network does not receive government funding for operations but generates revenue through subscriber fees, advertising sales and strategic partnerships.

The network proposes to meet substantially the same conditions of licence as currently apply to their service with some adjustments to the conditions of licence providing for greater flexibility. Highlights of APTN’s successes and key components of their application, as well as information on how to participate in the process can be viewed at www.aptn.ca/licencerenewal. APTN’s application for licence renewal was officially submitted on July 28, 2017 and the deadline to receive letters is November 16, 2017.

 

 

 

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Bell Media to Acquire Séries+ and Historia

From a media release:

Bell Media announced today it has entered into an agreement with Corus Entertainment Inc. (TSX:CJR.B) to acquire French-language specialty channels Séries+ and Historia.

Séries+ is Québec’s most-watched fiction channel, offering popular locally produced drama, including recent successes SUR-VIE and MIRADOR, as well as the best of foreign series. Historia, a Top 10 channel among A25-54, broadcasts a suite of locally produced original content, ranging from award-winning documentaries, popular reality series like LE LOT DU DIABLE, and drama series such as BÉLIVEAU.

Bell Media currently operates 10 French-language TV channels in Québec, including Canal D, Canal Vie, Cinépop, Investigation, RDS, RDS Info, RDS2, Super Écran, Vrak, and Z.

The transaction is subject to approval by the Canadian Radio-television and Telecommunications Commission (CRTC) and the Competition Bureau, and is expected to close in mid-2018.

Caution concerning forward-looking statements
Certain statements made in this news release are forward-looking statements, including, but not limited to, statements relating to the proposed acquisition by Bell Media Inc. (“Bell Media”) of French-language specialty channels Séries+ and Historia, the expected timing of, and certain benefits expected to result from, the proposed transaction, and other statements that are not historical facts. All such forward-looking statements are made pursuant to the “safe harbour” provisions of applicable Canadian securities laws and of the United States Private Securities Litigation Reform Act of 1995.

Forward-looking statements, by their very nature, are subject to inherent risks and uncertainties and are based on several assumptions, both general and specific, which give rise to the possibility that actual results or events could differ materially from our expectations expressed in or implied by such forward-looking statements. As a result, we cannot guarantee that any forward-looking statement will materialize and we caution you against relying on any of these forward-looking statements. The forward-looking statements contained in this news release describe our expectations at the date of this news release and, accordingly, are subject to change after such date. Except as may be required by Canadian securities laws, we do not undertake any obligation to update or revise any forward-looking statements contained in this news release, whether as a result of new information, future events or otherwise. Forward-looking statements are provided herein for the purpose of giving information about the proposed transaction referred to above and its expected impact. Readers are cautioned that such information may not be appropriate for other purposes.

The completion and timing of the proposed transaction are subject to customary closing conditions, termination rights and other risks and uncertainties including, without limitation, approval by the Competition Bureau and the CRTC. Accordingly, there can be no assurance that the proposed transaction will occur, or that it will occur on the terms and conditions, or at the time, contemplated in this news release. The proposed transaction could be modified, restructured or terminated. There can also be no assurance that the benefits expected to result from the proposed transaction will be realized.

 

 

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Viceland to explore wrestling and skateboarding subcultures in The Wrestlers and Post Radical

From a media release:

VICE Studio Canada and Rogers Media announced today two new, original, documentary series: The Wrestlers, an examination of the wrestling world’s underground, and Post Radical, an exploration of skate culture and its many sub-cultures. Both series are slated to premiere early next year, with additional broadcast details to be announced at a later date.

The Wrestlers follows long-time VICE host, legendary Toronto punk band F*cked Up front man, and wrestling fanatic, Damian Abraham, as he explores the modern day manifestations of the world’s oldest combat sport. Each episode looks beyond the polished pro wrestling scene to the gritty, often dangerous, world of unscripted wrestling. From the grueling “Death Tour” across First Nations communities in rural Manitoba to Juarez Mexico’s Lucha Libre scene, Abraham travels across North America to examine the religious zeal of wrestling participants and fans.

Hosted by pro-skater and amateur anthropologist Rick McCrank, Post Radical will explore skate culture in all of its various forms in the signature aesthetic style of VICELAND’s break-out success Abandoned. Each episode will focus on the groups and individuals that make up a specific skateboarding sub-culture, ranging from the best female skaters in the world to those at the intersection of skate and religion. Post Radical looks at the differences between each group as well as their connections to the wider skate community.

 

 

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