Tag Archives: JPod

In the news: Leafs object to ‘lame excuse’

From the Toronto Sun:

  • Leafs put blame on CBC shows
    “CBC spokesperson Katie Heath-Eves said yesterday that all shows are ultimately renewed or dropped based on performance and there would be Canadian produced shows to eventually replace MVP and others.” Read more.

From the Barrie Examiner:

  • CBC excuse a lame one
    “In the first place, would the CBC really be foolish enough to count on revenue from the Leafs making the playoffs? Toronto hasn’t played a playoff game since 2004. What about ratings? Despite MVP attracting what’s being called ‘an unprecedented new youth-skewed audience’, that audience just wasn’t big enough. About 349,000 viewers tuned in during its January debut, which isn’t great. And it’s been look out below since then.” Read more.
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In the news: A novel reason to hate the Leafs

From Lee-Anne Goodman of the Canadian Press:

  • Leafs to blame for cancelled shows?
    “The producer of “MVP” says she was recently warned by CBC programming director Kirstine Layfield that if the Leafs failed to make the Stanley Cup playoffs this year, the public broadcaster’s arts and entertainment division would take a $10 million hit that would put some of the network’s much-heralded new shows at risk.” Read more.
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In the news: Crunching CBC’s demographics

From Alex Strachan of Canwest Media breaks down the demographics of CBC’s year:

  • Crunching CBC’s numbers: the how and why behind CBC’s fall renewals
    “Layfield has her work cut out for her. And she’s actually doing a lot with very little. While culture snobs decry LCD (lowest common denominator) fare like MVP, The Border and The Week the Women Went, the fact is that CBC is trying to become relevant to a mass audience, and not just intellectuals, lefties and culture snobs.” Read more.
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In the news: CBC’s cancellations

From John Doyle of the Globe and Mail:

  • CBC axes Hockey Wives, jPod
    “However, the cancellation of Intelligence, which concluded its second season last November, is likely to be the most bitter disappointment for viewers. About a Vancouver drug baron named Jimmy Reardon and his intricate relationship with the CSIS, the show drew about 350,000 viewers each episode, but it was widely praised for its complexity and compelling intrigue. Made by Haddock Entertainment, which also made the Da Vinci’s Inquest series, it has been sold to several dozen countries and is under consideration for a remake as a U.S.-set series for the Fox network.” Read more.
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