Tag Archives: Morwyn Brebner

Coroner: Éric Bruneau on Liam’s “demons” and his first English-language role

When the world rang in 2019 a couple of weeks ago, we wouldn’t be surprised if actor Éric Bruneau was a little reluctant to let 2018 go–it was a momentous year for him.

In June, Bruneau and his partner Kim Lévesque-Lizotte welcomed their first child, a baby girl. In addition, the Quebec native was cast in his first English-language TV series, landing the role of enigmatic handyman Liam Bouchard opposite Serinda Swan’s Jenny Cooper in the new Morwyn Brebner-created CBC crime drama, Coroner.

Bruneau, who already has an absolutely bustling TV, film, and theatre career in Montreal, says he wasn’t actively trying to score English-speaking roles, but Coroner executive producer and lead director Adrienne Mitchell saw his work on another project and asked him to submit a self-tape. Soon, he was shooting in Toronto.

In last week’s series premiere, viewers learned that Liam is a military veteran who feels an instant connection to Jenny. But Bruneau said there’s much more to come for his character.

“He’s a little bit cocky, but he’s fun sometimes and he’s romantic,” he says. “I hope people are going to get into his journey in the show. He’s a great guy. I know he’s mysterious, but they’re going to learn to love him, I hope.”

To get us ready for Monday’s new episode, “Bunny,” Bruneau–whose other credits include films Laurence Anyways and The Reign of Beauty as well as TV series Blue Moon, Le Jeu and Trop–recently phoned us to tell us more about Liam and his first experience working in English.

I understand that Coroner is your first English-language TV series. Were you looking to break into more English roles?
Éric Bruneau: I’m not on a mission for playing in English. I really appreciate the experience and I’d like to do it again, but it always depends on the project. In Montreal, I’m working a lot in French. So it’s more about the director and the character and the stories and the experience. But yeah, I’d like to work again in English if the project and the character are great. But now I have a baby, and to be moving your family, the project needs to be good.

Did you find any challenges to working in English?
EB: Well, I worked with a dialect coach, so I had a little bit of the accenting on my mind, but at some point, you just need to hit your mark and be attentive as much as possible and be with the other actors. There was not that much of a difference. What I really appreciate and what I like is that nobody knew my work, so it was like when I finished my film theatre school. I was green and with new people and acting with new actors. I really love that because I’m working a lot in Montreal, so being with new directors and new actors and new producers, it’s good. Artistically, it was great. It was challenging.

Let’s talk about your character, Liam Bouchard. He’s a bit mysterious in the first episode. All we really know is that he’s a Canadian Army vet and he has a strong attraction to Jenny. What else will we find out about him?
EB:  He has a dark side. He has something that he’s trying to avoid. So when he connects with Jenny, he sees something in her. When we were building the character with Adrienne, I met some veteran people who were like Navy SEALs but in Canada to prepare for the role, and I met this guy who told me, ‘My nightmares are worse than yours.’ He’s a sniper. And I thought, OK, this is going to be the key for my character. It’s a thing where he’s having post-traumatic episodes. So we tried to build something around what he saw when he was over there, and how he felt when he was in Afghanistan. We’re going to see how he’s going to deal with his own demons as we see the series.

I like the scene in Episode 1, where Liam and Jenny compare their physical scars. I thought it was an interesting way of echoing their inner trauma. 
EB: Totally. Because it’s fast with them. They both see in each other that they have to deal with some ghosts. This is where they connect.

What about Coroner sets it apart from other shows?
EB: Well, first of all, it’s Serinda’s show, and I hope people are going to love what she’s doing with the character. And what Roger [Cross] did, too, because I think they have a great relationship. After that, it’s always about human beings. In the trailer, it says, ‘Every body has a story,’ but everybody has demons. So I love the dark things about the characters, actually.

I really like the darker, psychological aspects of the show.
Yeah, it’s about these people spending every day with dead people and trying to be…alive. There’s something in them that responds to being in their day-to-day job, being with dead people, trying to find out what’s happening, and trying to stay alive. So, for me, it was beautiful to see these characters fighting for themselves.

You’re also in a great French-language comedy called Trop, which has been renewed for a third season. Have you started filming yet?
EB: No, we’re filming in two months.

Can you say anything about what’s coming up for your character, Marc-Antoine, in the new season? 
EB: I can’t say anything yet, but we can talk about it in a couple months if you want! [Laughs.]

We’re chatting during the first week of 2019. Did you make any big New Year’s resolutions? 
EB: Be the best of me, that’s my resolution. Because, sometimes, you get tired and you accept being a little less. But since having my kid, I’m like, no, no, I need to be the best of me always. For her, with her.

Coroner airs Mondays at 9 p.m. on CBC and CBC Gem.

Images courtesy of CBC.

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Serinda Swan on her CBC series Coroner and why Canadian actors in L.A. should come home

The last time I spoke to Serinda Swan, she was co-starring in A&E’s excellent and cancelled-too-soon Breakout Kings. Filmed in Toronto, Swan played one of a handful of criminals who worked with the U.S. marshals to collar prison escapees and have time taken off their own sentences.

Now Swan is back in Toronto, on the other side of the law in CBC’s new drama Coroner. Debuting on Monday at 9 p.m., the drama—based loosely on the books by M.R. Hall—stars Swan as Dr. Jenny Cooper, a recently widowed new coroner who investigates suspicious, unnatural or sudden deaths in Toronto. Created by Morwyn Brebner (Saving Hope) and produced by Muse Entertainment, Back Alley Films and Cineflix Studios, Coroner features Roger Cross as homicide detective Donovan McAvoy; Lovell Adams-Gray as pathologist Dr. Dwayne Allen; Tamara Podemski as Alison Trent, Jenny’s assistant; Kiley May as River Baitz, Dr. Allen’s assistant; and Ehren Kassam as Ross, Jenny’s son.

I chatted with Swan and Cross during CBC’s winter media day in November.

How did you get involved in Coroner, Serinda? Were you looking to come back to Canada?
Serinda Swan: I’ve had my eye on projects, Canadian projects, for a while because I feel there’s this new face of Canadian television that’s coming up or new perception of Canadian television that I think, as Canadian actors, we need to come back. We need to come back to Canada and we need to stop this archaic idea that in order to make it, we need to go to the U.S.

I think that dilutes the Canadian talent pool because we all leave, and then our team and our managers and agents don’t want us to come back, and I think this is a time that’s really exciting for Canadian television because we’re having these shows come out, and they’re becoming more specific. We’re not making Canadian television for American markets anymore. We’re making Canadian television for Canadian markets, and in that specificity, it becomes more universal.

Roger Cross: It’s making quality television, and it translates universally.

SS: I read a script a few years ago [for] Bellevue. And I loved it, I absolutely loved it, I thought it was incredible. And we got very, very close to actually doing it, and it didn’t end up working in the end, and so I had my eyes on [the production companies]. I was like, ‘OK, this is a pretty incredible group of humans that are orbiting around some really interesting material.’ They called me when this role came up, and said, ‘Would you be interested?’

And they sent me the bible for it, and it just was such an interesting perspective, the imagery that they used in it, the way that they described the character. The fact that she was more human than she was coroner … And so when I read it, I was like, ‘Oh this is some character work. I’m gonna be able to physically, emotionally and mentally change.’ And they were all for it. I was like, ‘I want my character to cut off her hair, I want to be able to put on weight, I want to be able to change my physicality, I want to be able to have a minute and a half panic attack on television. I want to show mental health issues, I want to show a diverse cast. I want to be able to have gay, straight, trans, black, white, First Nations on our show and not exploit it, but celebrate it. Show what Canada really is.’

And they literally went, ‘Yeah, of course.’ And I was like, ‘Wow, my people.’ This is exactly where I want to be, and I want to stop being a part of the problem, and just doing what I think cool American TV is.

A show like Dark Matter, just thinking most recently Roger, it’s just good TV regardless of what country it’s from.
RC: Yeah. And that’s the thing, you want to get rid of those labels. Let’s forget about, ‘It’s good for this,’ or, ‘You’re good because you’re a woman.’ And hopefully we evolve to that point where we can do that one day, and that will be great.

Jenny has her world ripped apart, and you see her struggle at times, but evolve and grow throughout it.
SS: To show the bad and the ugly. She makes good choices, bad choices and then some lovely choices.

I love the chemistry that Jenny and Donovan have. They have a really good repartee.
SS: I think that comes from both of them not really giving a shit about the other one. To be honest, she doesn’t care if he likes her, he doesn’t care if she likes him, and so there’s this relaxed sense of just being who you are, that is really interesting when it comes to two different characters. Because, normally, it’s two people don’t like each other and they’re fighting to make each other like each other, and that’s not it. I’m after the truth here, with or without you, I’m going after the truth. And so it’s this breaking down and figuring it out.

RC: One of the things that homicide detectives have is a consultant we talk to. We had real pathologists, real detectives, we had real SWAT members come out … We had some great people to lean on, and ask them, ‘When you are cutting a body out, would you do this? How would you handle evidence? How would you do things?’ We had these great people to lean on. And one thing this homicide detective said to me was, ‘Listen, we’re the main thing, it’s our world. They all serve to assist us to find the murderers and find these other people.’ And so, Donovan’s been used to that world where, ‘OK, we need you, coroner. We need you over here, we need these other people. But we run the show and we know what’s going on.’ He’s been used to doing things his way and had a coroner that would sign off on things, saying, ‘Yes, that’s how it’s done.’ ‘Yeah? OK good.’ [Jenny] comes in and she’s like, ‘Nah, ah, ah, ah, ah. I’m not signing off until I’m absolutely sure that that’s right.’ He’s like, ‘What’s wrong with you? Just stay in line, do your thing.’

SS: He started as Jenny, and then slowly it dulled out, based on the constant rubbing of people just trying to get the quick fix. And so eventually, it’s that knife, he comes in very sharp and by the end, you’re like, ‘I’m worn out, man.’ She’s coming in strong, and so there is that friction of, ‘Don’t mess up my life,’ on both sides.

With Morwyn Brebner as the creator, it’s no surprise Coroner is a roller coaster of emotion. It just came across like it’s a cable show. Yes, it fits on CBC, but it also very much as a cable show where you can have those moments, those long moments to really let a scene breathe and let those emotions come out.
SS: That was something that was really important to me because that’s how I act. I don’t react, I act, and in order to act, you have to hear, you have to listen, truly listen and you have to process and then you have to figure out how you want to act. And it could be a reaction, but there is that moment of processing.

Coroner airs Mondays at 9 p.m. on CBC and CBC Gem.

Images courtesy of CBC.

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Additional casting confirmed as Muse, Back Alley and Cineflix start production on CBC original drama Coroner

From a media release:

With production now underway in Toronto, Ontario, Muse Entertainment, Back Alley Films and Cineflix Studios today revealed additional casting for new CBC original drama CORONER (8×60), set for a winter 2019 broadcast and streaming premiere on CBC, the CBC TV app and cbc.ca/watch. Inspired by the best-selling series of books by M. R. Hall and created by Morwyn Brebner (Saving Hope), the series centres on newly appointed coroner Jenny Cooper as she investigates suspicious deaths in Toronto.

CORONER stars Serinda Swan (InhumansBallers) as Jenny Cooper, a brave, determined yet vulnerable coroner, former ER doctor, and recently widowed mother, driven by an intense desire for the truth. She loves her son more than life itself and strives to support him while also trying to take care of herself. The passing of Jenny’s beloved husband has unlocked a primal connection to death, tied to a secret in her past that is only now coming to the surface.  With storylines based on real-life cases, Jenny is a coroner for our time, an advocate for the dead even when it’s inconvenient for the living, and a defender of those who are powerless or in peril.

Joining the series are Roger Cross (The X-Files) as Donovan “Mac” McAvoy, a police detective who partners with Jenny; Éric Bruneau (Blue Moon) as Liam, Jenny’s new neighbour; and Ehren Kassam (DeGrassi: Next Class) as Ross, Jenny’s 17-year-old son. Also joining the cast are Tamara Podemski (Rabbit Fall) as Alison Trent, Jenny’s eccentric colleague; Allison Chung (UnReal) as Taylor Kim, a smart, junior homicide detective; Lovell Adams-Gray (Second Jen) as Dr. Dwayne Allen, an idealistic young pathologist; and Saad Siddiqui (Madame Secretary) as Dr. Neil Sharma, Jenny’s insightful psychiatrist.

A CBC original series, CORONER is produced by Muse Entertainment, Back Alley Films and Cineflix Studios. Morwyn Brebner is creator, executive producer and showrunner, Adrienne Mitchell (Durham County, Bellevue) is lead director and executive producer for Back Alley Films, Jonas Prupas is executive producer for Muse Entertainment with Peter Emerson and Brett Burlock executive producers for Cineflix Studios. For CBC, Sally Catto is General Manager, Programming; Helen Asimakis is Senior Director, Scripted Content; and Sarah Adams is Executive in Charge of Production. Cineflix Rights has the exclusive worldwide distribution rights to CORONER.

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Link: Women Behind Canadian TV: Morwyn Brebner

From Bridget Liszewski of The TV Junkies:

Women Behind Canadian TV: Morwyn Brebner
” There’s a lot of money in television and with money people become conservative, they want to feel like their dollar is going somewhere safe, somewhere there’s a guarantee of confidence and strength. For a lot of people that means a man, although that’s absolutely not a true thing. I don’t think it’s a conscious bias, but I do think it’s a bias. The way to counter bias is to be conscious. Everyone wants to hire the best writer, but if the best writer is always a man maybe it’s time to look at why that is.” Continue reading.

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