Tag Archives: Showcase

Interview: Continuum’s Rachel Nichols says goodbye to Kiera

Rachel Nichols is grateful to the city of Vancouver. Not only was the west coast locale her transplanted home for four seasons of Continuum, but she met her husband there. With just four more weeks until the series finale, we sat down with Nichols to chat about this sci-fi roller coaster ride.

I’m sad to see Continuum end.
Rachel Nichols: I am too, but we’ve been given six episodes to bring it all to an end and I’ve never had that opportunity before. It is bittersweet because you do those final six episodes and you know it’s the end and that end comes so quickly. But, at the same time, we get to tie up some of the loose ends—it wouldn’t be Continuum if tied them all up—and we have this family between he cast and the crew. We’ve all been here together for the last four years.

I lived in L.A. before and came up here for the first season. And I came up here for Season 2 and met the man who is now my husband. I have so many things to be grateful for. The fans were so incredibly supportive and demanding of answers and wanting another season and wanting an end to the show. I wholeheartedly believe we wouldn’t have gotten a fourth season without them, so this season if for the fans.

It would have been awful if our final vision had been the Season 3 finale.
It would have been horrible!

What was it like to read through that final episode script?
I usually go on a script by script basis so I don’t read a lot in advance, primarily because I think it would scramble my brain and I need to focus on one block of episodes at a time. I had been hearing rumblings about the last episode and I thought at one point, ‘What if they kill Kiera? What if Kiera goes back to the future and dies?’ So, when I got the first draft of Episode 6, I went right to the end to see if Kiera was still alive. There are a lot of twists and turns this season.

Continuum2

It’s been hard to see the relationship between Carlos and Kiera, and Kiera and Alec erode somewhat over the last season.
It’s hard for Carlos because he’s taken over Dillon’s position. He’s an Inspector now. I’m happy to say that Kiera and Alec are back on track. Kiera was very much a lone wolf last season and trying to figure out how to manipulate the situation as best she could. Carlos is that loving, Type-A, football-watching, beer-drinking high moral standard type of guy. He’s never going to change. She doesn’t like lying to him, but sometimes leaving him out of the truth is the most helpful thing for him.

Things have also gotten complicated with Brad.
Oh yeah. We’ve quickly found out that the soldiers are Brad’s people. He’s come from a time where Kellog is a warlord, so the relationship becomes much more complicated. Plus, this season has become more about getting home and I always joke, ‘What am I going to do, show up back home with my new boyfriend and tell my husband to go and kick rocks?’ Brad and I were people who had lost so much and found this bond because of everything they’ve been through … that takes a back seat to Kiera not wanting to stay anymore. She’s done. Liber8 has been disbanded.

You’re a producer on Continuum. Does this set up groundwork for you moving forward on your own projects?
I don’t know at this point. I want to learn as much as I can and be involved in the day-to-day things as much as I can. I want to direct and add another piece to that IMDB page that says you’ve done this before. I’m very protective of the crew and making sure they’re being treated fairly. Simon has been very gracious about the words and letting me make the words more natural. I’m the lead and I want everybody to want to come to work every day and be sad that it’s going to end. My dad woke up every day happy to go to work and I want that for everybody who works on the show.

I’ll probably direct a short film first and call on a lot a favours and ask a lot of questions. [Laughs.]

Continuum airs Fridays at 9 p.m. ET/PT on Showcase.


Look for more interviews with Continuum stars Victor Webster, Erik Knudsen, Stephen Lobo and Roger Cross, and creator Simon Barry, in the coming weeks.

Facebooktwitterredditlinkedinmail

Continuum blasts into its final season

If Friday’s first episode of Continuum is any indication, this final season is going to blow fans away. The Future Soldiers have Kiera Cameron (Rachel Nichols) in their sights and, intent on restoring order to the timeline, are willing to blow our heroine to smithereens. And they’ve got the tech to do it; Kiera’s suit just doesn’t seem to stand a chance.

The first of these last six episodes, “Lost Hours,”—returning Friday at 9 p.m. ET/PT on Showcase—is packed with the stress, action and armaments of a feature film, which is exactly how Continuum‘s creator tackled the farewell storyline.

“The six episodes really freed me up creatively because I didn’t have to service episodic storytelling,” Simon Barry says during a Vancouver set visit. “I said, ‘Let’s just do a six-hour movie and break it up into six chapters.'” Some fans vented their frustration on social media when Showcase announced the sci-fi project would conclude with Season 4, but Barry says he’d rather have a half-dozen hours to tie up loose ends than have three more seasons and be cancelled suddenly.

Continuum

The result? A storyline that sticks to the present timeline of 2015 Vancouver. To be honest, that’s quite enough. Along with the Future Soldiers (played by Lisa Berry, Ty Olsson, Aleks Paunovic, Kyra Zagorsky, Michael Eklund and Garfield Wilson), Kiera has to contend with Kellog (Stephen Lobo), who is on a course to become a powerful warlord in a war-torn future; a budding romance with Brad (Ryan Robbins); and a shaky alliance with Liber8 that puts her relationships with Carlos (Victor Webster) and Alec (Erik Knudsen) in jeopardy. Barry explains Kiera evolved in Season 3, realizing Liber8 was smaller fish and that she needed to think bigger if she wanted to have an effect on the future and did so by aligning with the terrorist group to take down Sonmanto. The partnership carries over to Season 4, but it doesn’t mean they’re sharing a beer anytime soon.

As for the series finale episode, Barry is—as you’d expect—mum on the details, though he advises “There will be discussion,” among fans once the credits roll for the last time.

“In a weird way, Episode 6 has been a series of endings masked as a story,” he says. “We have a last shot and a last scene that I think is very important, but I don’t think the scene carries the weight of the rest of the episode on it.”

Continuum airs Fridays at 9 p.m. ET/PT on Showcase.


This is just the first in a series of Continuum stories TV, Eh? will be posting as the series comes to an end. Look for interviews with stars Rachel Nichols, Victor Webster, Erik Knudsen, Stephen Lobo and Roger Cross, and creator Simon Barry, in the coming weeks.

Canadians can get a preview of the first episode on Showcase.ca before Friday’s broadcast.

Facebooktwitterredditlinkedinmail

Photo gallery: Continuum’s final episode images revealed

It’s the end of the road, Continuum fans. Will Kiera Cameron get back to 2077 and be reunited with her family? Will Kellog turn out to be the most powerful man on the planet? Will Emily and Alec be together forever? And what will those Future Soldiers do when they run into Kiera and Brad?

There are just six episodes in Season 4 for all of those storylines—and more—to be wrapped up. The adventure begins next Friday, Sept. 4 at 9 p.m. ET/PT, on Showcase with “Lost Hours.” Here’s what Showcase sent out as an episode synopsis:

“Newly arrived time travellers threaten to destroy Kiera and her alliance with Brad. But can her reignited desire to return to her own time and son be reconciled with the threat they now pose?”

Yeah, just a little vague. In the meantime, here are some episodic images to tide you over until Friday. Enjoy!

[slideshow_deploy id=’29253′]

Facebooktwitterredditlinkedinmail

Showcase’s Haven cancelled

It’s the end of the road for Haven. After five seasons on the air, the Showcase/Syfy supernatural drama has been cancelled.

The news came down Tuesday afternoon via TheWrap.com, where showrunner Gabrielle Stanton revealed the show’s creative team had viewed this super-sized season of 26 episodes the series’ last.

“I’m sure as a fellow TV fan, there’s nothing more annoying than when a show kind of feels like it might be wrapping up, but they just don’t address it, they don’t come to any kind of satisfying conclusion,” she told the outlet. “I always think that’s cheating the audience a little bit, of a nice satisfying ending. So we really looked at these 13 episodes as if… If we were indeed going to end, what would be the best ending we could possibly do for Haven?”

Based on Stephen King’s short novella, The Colorado Kid, Haven focused on the odd goings-on in the fictional town of Haven, Maine, where FBI agent Audrey Parker (Emily Rose) became involved in the supernatural lives of those in the community. Lucas Bryant portrays Nathan Wuornos, Eric Balfour is Duke Crocker and Adam Copeland is Dwight Hendrickson. Created by Jim Dunn and Sam Ernst, Haven has called Canada home: the series has shot in and around Halifax and Chester, Nova Scotia, since its pilot.

The first half of Season 5 has aired on Showcase; the last 13 instalments of the co-production will be broadcast beginning Sunday, Oct. 11.

The cancellation follows Syfy’s shift in focus to shows with a more traditional sci-fi element, like 12 Monkeys, Dark Matter, Killjoys, Defiance and Dominion.

Video: check out Lucas Bryant during last year’s Showcase Fan Expo panel

Facebooktwitterredditlinkedinmail

Review: A Helix of legacies

I doubt “Densho,” the title of this week’s Helix, was referring only to Hatake passing on his legacy via the katana to Julia. As Sarah lay bleeding and gasping about her baby and Peter and Alan continued to feel the aftershocks of their troubled childhood, that Julia’s last resort when confronted with her imminent death was to sing Hatake’s song was just the final scene of an episode that really delved into what it meant to pass something on to the next generation.

And while Hatake’s dreamy break with reality got played up more for the twisted humour of the show—through an amazing, revert-to-childhood fishing trip—it also showed how Hatake was still trying to sort out his ties to his children: one of his flesh, as the series put it, and the one he’d raised and who died for a sister he didn’t even like. Considering everything about Hatake in Season 1 revolved around revealing himself to Julia and making her immortal, it’s fitting that his final preoccupation was whether or not what he’d passed on was actually as lucky as he thought it was. And that despite this—and the troubled times the father and daughter alluded to while sparring in the woods—Hatake’s last breaths were spent getting himself back to the table so he, Jane and Daniel could be together forever.

That same paternal discord could be felt between Peter and Alan as they struggled to work together despite years of mistrust. Except this time around, Alan’s only playing the trusting brother to Peter’s lies, knowing full well that it wasn’t a random blow to the head that brought him to that field. Although I doubt even this new, killer Alan could have expected Balleseros to be the person on the other end of that phone exchange.

As Hatake weighed his legacy—and then passed it onto Julia—it doesn’t entirely feel like a coincidence that Balleseros is involved with the island too. It’s another community where parental ties are dissolved at a young age and smacks of Hatake’s own kidnappings. Is Balleseros still on the hunt for Anana’s orphans, or is he back in Ilaria’s pocket? Either way, he’s looking less like the organization’s Doberman and more like a man in charge—though who between he and Peter is the least trustworthy one is still a hard call. But for all the answers that were dished out tonight, the pull the island has for immortals remains a mystery.

One thing that is starting to come together are Michael’s “girls,” as mother, daughter and grandmother faced a grilling over Soren’s fate. Michael seems to be just as in the dark as the CDC when it comes to the generations of women who have clearly been involved in protecting him and the island. If nothing else, it dropped a couple of hints about what Michael’s actual secret might be—and I don’t think it’s the one Kyle was alluding to when the doting cult leader stopped by to check on his bruises.

Still, whatever legacy the women are passing on, it’s growing more corrupt with each generation as Amy took matters into her own hands last week, leaving Anne and Agnes to try to reign her in this week. Despite appearances, Anne seems to be weakest of the three—making me slightly nervous about Michael’s habit of resting his hands tightly around her throat. But while she’s still trying to maintain the isolation of their colony in a way that’s putting her at odds with Michael, I suspect she just might be the only one in that family that’s still playing by the same rules he is. Whatever Amy is trying to accomplish with Landry’s help seems darker than anything her mother could dream of cooking up.

For a man who clearly can’t handle losing a smidge of power, Michael seems oblivious to the fact that he’s already lost control of the situation. And I’ve got a feeling that while Michael and the CDC play their little games with each other the real danger was standing right beneath him in that hall, awaiting her own legacy.

Other goo-dness:

  • Between Michael’s comments about grafting and humans and Mischa’s remark about her pregnancy, does anyone else suspect the cult of practicing eugenics?
  • Do Sarah and Kyle know Peter has a working phone? Because when your vectors go murder-y on each other being able to call for backup might be a good option to have.
  • The fact that Jordan Hayes is only listed as a guest star might make it a bit of a giveaway, but Sarah’s behaviour this season has me thinking she’s not going to immortal her way out of this one.
  • Again, that fishing montage was the series’ sick humour at its best. They need to find a way to keep Meegwun Fairbrother around again (like putting Tulok with Balleseros).

Helix airs Mondays at 10 p.m. ET on Showcase.

Facebooktwitterredditlinkedinmail