From Kat Jetson of The Hollywood Reporter:

Link: ‘Wynonna Earp’s’ Secret Weapon: Feminism in a Demon-Haunted World
The July 21 installment (“Everybody Knows”) effectively serves as a 101 class in feminism, highlighted by the revelation that someone other than Doc could possibly be the father of Wynonna’s (Melanie Scrofano) child. Viewers soon learn that that someone is a misogynistic, Revenant-sized jerk. The episode shines a spotlight on the power and confidence that come from being an unapologetically flawed and emotional woman with all manner of desires and needs. A woman who is able to carry herself with dignity and respect and refuses to allow the judgment that comes with ladies’ choice, all while disarming every argument one would have against her by way of a bad-ass, slow-motion strut. Continue reading. 

From Bridget Liszewski of The TV Junkies:

Link: Wynonna Earp: Michael Eklund explores a new side to Bobo Del Rey
“The thing about Wynonna Earp is that it’s family-oriented and everyone is very close, which I love. It’s like they invite you, ‘would you be willing to come back?’ It’s like an invitation back to the party. I said ‘of course I’d like to come back! I’ve been waiting for this a whole season.’ They present it like ‘maybe you don’t want to,’ but of course I do! I want to play Bobo! So when I got the call I jumped at it.” Continue reading.

Link: Wynonna Earp’s Michael Eklund says Bobo can’t be trusted
“They write so well for Bobo and Waverly because of the relationship they have. I have to give credit to the writing first of all, and the scenes they write for the two of us are so strong, powerful and give us so much to work for. Then I have to give credit to Dominique because she’s so good and what she brings to those scenes is so strong.” Continue reading.