Tag Archives: Syfy

Links: Killjoys, “The Kids are Alright?”

From Heather M. of TV Goodness:

Link: Julian Doucet talks about Killjoys’ “The Kids are Alright”
Typically, the next-to-last episode of a TV season has a ton of buttoning up as the various threads are resolved in anticipation of, and to set up, the finale. Doucet had to wrangle both of those pieces and fold in a specific story. Continue reading.

From Kelly Townsend of The TV Junkies:

Link: Killjoys: Julian Doucet talks “The Kids are Alright?”
Killjoys delivered a shocking and heartbreaking episode, along with some powerhouse performances, with “The Kids Are Alright?”–and, frankly, we’re not alright. Continue reading.

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Link: Wynonna Earp: Why Dani Kind is so happy to be back in Purgatory

From Bridget Liszewski of The TV Junkies:

Link: Wynonna Earp: Why Dani Kind is so happy to be back in Purgatory
“She wasn’t in it a lot but there was something between her and Wynonna. They said they were friends but the way it was written the connection was something else. It was sort of like ‘why do these women even like each other? They are so different!’” Continue reading.

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Link: Killjoys: Kelly McCormack on Dutch and Zeph’s growing trust

From Kelly Townsend of The TV Junkies:

Link: Killjoys: Kelly McCormack on Dutch and Zeph’s growing trust
“I love all my stuff with Dutch and there’s more of it to come. It really has such a beautiful, altruistic, positive power behind it because we’re so different, but we both seem to have the exact same philosophical views on what we want and what we want for our found family.” Continue reading.

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Link: Director Stephanie Morgenstern talks Killjoys “It Takes a Pillage”

From Heather M. of TV Goodness:

Link: Director Stephanie Morgenstern talks Killjoys “It Takes a Pillage”
Killjoys was also the perfect segue [from] directing on X Company because I felt I was among family. On top of Adam Barken and Julie Puckrin, I knew Mike and a handful of the crew from working with them in Budapest on X Company…so I didn’t have to face the awkward prospect of parachuting into a roomful of strangers and having to earn their trust from scratch. I realize a lot of emerging directors don’t have this advantage, so I feel seriously lucky it came together this way.” Continue reading. 

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