Tag Archives: Killjoys

Hudson & Rex’s Mayko Nguyen: “It’s equal parts dog, and equal parts us.”

The film and television business is truly a unique one. A project can seem dead in the water and then, suddenly, months later it’s up and running. Likewise, an audition that seemed to go nowhere can just as easily return.

The latter occurred with Mayko Nguyen. After having what she felt was a great audition for Hudson & Rex led to, well, nothing. Then, out of the blue, a screen test and a jaunt to St. John’s to play Doctor Sarah Truong, Head of Forensics on the police force and helping Charlie and Rex catch criminals.

We spoke to Mayko Nguyen after she’d completed a long day of rehearsals for her latest project, the play Beautiful Man running from May 4-26 at Toronto’s Factory Theatre, and some ADR work on Hudson & Rex.

How did you get the role of Dr. Sarah? Did you audition, did they seek you out, how did that work out?
Mayko Nguyen: I auditioned. It was an interesting process in that. In January 2018, I think, they started the first rounds of auditions. And I did that. And I actually felt good, like decent about the audition, because that never happens. And then I never heard back. And I think it was like months later, I found out that the project had been shelved for a little bit.

And then it wasn’t until sometime in the summer, I think,  just got a call and they wanted to screen test me with some people, which was really bizarre, because it was just one audition, and then I never heard anything about it, and then to jump from that into a screen test, seemed a bit crazy.

I guess the gap was because Ken Cuperus came on board, and they re-jigged the show because he thought that it would fit better the way that it exists now.
MN: Yeah, yeah. It’s funny because I actually didn’t even know that that was exactly what it was. But that makes sense. But it is funny though, it’s just like this business is so bizarre in that way, where you can do this thing and then you might know nothing about it. And then, half a year later, it pops up and you have a job.

How much of a lapse then was there on production from Killjoys to Hudson & Rex? It might have been a pretty quick turnaround for you.
MK: It was a very quick turnaround. I think I moved out to Newfoundland while they were still finishing up the final season. So I got out of Killjoys, and then yeah it was October I think they were still just, they were just finishing up. So yeah, it was a very quick turnover.

What’s the experience been like being in St. John’s?
MN: Actually my very first real kind of big gig that I booked out here in Toronto started shooting in St. John’s. And that was in 2003, I think it was. So I had spent a tiny bit of time. But shooting, so not hitting the tourist spots. And that was so long ago. So I didn’t really remember it. And then this past little bit, we were out there for about six months.

And it was … I mean listen, it was great. It was great. Because it’s gorgeous, and it’s a landscape and a beauty that I’m actually not accustomed to, here in Canada. It’s different, you know? But in the winter time, it’s also ferocious. The wind is insane. And the show’s supposed to be a summer show. So the snow was definitely an impediment, and it was a challenge constantly. It would be really lovely if the show came back, and we shot at a different time of the year. But I hear that their summers are not very long. So I don’t think we really get away from the inclement weather, regardless.

One of the things that I really like about Hudson & Rex so far, and I said this to Ken Cuperus, is the fact that yeah, there’s a dog on the show, but you’ve got this core group of humans as well. And they all get along. I really like that.
MN: I think that’s actually one of the things that I was most surprised by. When you’re shooting it, you don’t know how much the dog becomes the focal point of the show. And it’s really nice because it feels like it’s equal parts dog, and equal parts us. Sometimes when an animal is the focus of a show, it changes the tone and the nature of the show and this doesn’t feel that way. I love it. And Diesel’s so great. It’s shocking what he’s able to do.

According to the press kit, Dr. Sarah is motivated, she keeps a schedule of late nights in the lab, and early morning forensic sweeps. She has the discerning eye for forensic evidence. Nothing gets past Sarah. Are we going to find out a little bit more about her as the season goes on? What can you say about this character?
MN: The one really great thing you pointed out with the show is that it does really focus on the four of us, and I think a lot of the season is spent just establishing that group dynamic. Establishing those relationships. We definitely learn more about the characters as the season goes on. But I think, again, this season has really focused on establishing this ensemble, including the dog, and this unit, this team. You do get to meet my boyfriend for a quick little bit. But we’re still leaving things … we’re not saying too much about anybody just yet.

Give me an update on the play Beautiful Man, that you’re a part of. You’ve been doing auditions, so what can you say about that?
MN: Well, I’m in the throes of auditions. I’m very stressed out. We start our technic next week, and it’s at the Factory Theatre. It’s a show that sort of looks at gender reversals in a really interesting and provocative way. To watch it is a little bit of a mindfuck. It’s a really interesting show and I’ve had very many really great conversations that have come out from this rehearsal process.

Watch Hudson & Rex online at Citytv.com, on Rogers on Demand, or on the Citytv app.

Hudson & Rex returns with new episodes Thursday, June 13, at 8 p.m. ET on Citytv.

Images courtesy of Rogers Media.

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Thom Allison and Sharron Matthews named co-hosts of the upcoming CAFTCAD Awards

From a media release:

People are either born hosts or born guests (thank you, Max Beerbohm). Thom Allison and Sharron Matthews were most definitely born hosts which is why they will take to the stage at the Aga Khan Museum on Sunday, February 10th to head up the inaugural Canadian Alliance of Film & Television Costume Arts & Design (CAFTCAD) Awards.

“If we are going to do an awards gala, then we are going to do it right. Thom and Sharron bring a triumphant spirit to this event and we are thrilled to have them on this very special night,” said Joanna Syrokomla, Chairman of the CAFTCAD Awards.

Two-time Dora nominee, Thom Allison, can be seen as ‘Pree’ in the hit series, Killjoys, on Space Channel/Syfy Network. Thom has appeared on Broadway in Priscilla, Queen of the Desert and in the original Canadian companies of Miss Saigon, The Who’s Tommy and Rent. At the Stratford Festival, Thom has appeared in Romeo and Juliet, Pericles, Threepenny Opera, The King and I, Hello, Dolly and King Henry VIII, and Into the Woods. At the Shaw Festival, he received critical acclaim for his performance in Ragtime, as well as performing in Wonderful Town, A Little Night Music, Guys and Dollsand Follies: In Concert. Some other credits include The Drowsy Chaperone(Vancouver Playhouse, National Arts Centre, Citadel Theatre), OUTRAGEOUS(CanStage), Cabaret (Theatre Calgary), My Fair Lady (Manitoba Theatre Centre), Evita (Manitoba Theatre Centre, Theatre Calgary), Elegies, A New Brain (Acting Up Stage) and Take Me Out (CanStage). Film/TV: Judge on CBC’s Over the Rainbow, Leaving Metropolis, I Me Wed, Road to Christmas, Kim’s Convenience, Murdoch Mysteries, Private Eyes, Your All-Time Classic Hit Parade. Directing: Seussical, Mary Poppins (YPT). His CD, “A Whole Lotta Sunlight” can be purchased on iTunes.

Award-winning actress, writer, singer, producer Sharron Matthews is one of the stars of the CBC’s hit TV drama Frankie Drake Mysteries, airing on OVATION and PBS in the United States and ALIBI in the UK. She has toured her highly acclaimed one-woman shows around the world from New York to London to Cape Town, has acted in movies with stars like Tina Fey (Mean Girls) and John Travolta (Hairspray: The Movie), written for newspapers and magazines across the globe, sung with Canadian icon Jann Arden, and performed on stages alongside comedy legends Mary Walsh and Andrea Martin. As if that wasn’t enough, Sharron is also the host of the CBC digital series, “The Mystery Of…”.

The CAFTCAD Awards will take place on Sunday, February 10, 2019 at the Aga Khan Museum in Toronto.

ABOUT CAFTCAD 
Formed in 2008the Canadian Alliance of Film & Television Costume Arts & Design (CAFTCAD) is an association of individuals interested in promoting costume design for film, television and media from both an artistic and technical perspective. Our goal is to enrich our community with a national organization that is inclusive of experience and talent. The Alliance provides an open forum for discussion, networking and knowledge sharing for our members through periodic seminars, workshops, exhibits and an online forum. We explore the areas of individual design approach, illustration, and advancements in film technologies. We celebrate the richness of historic and contemporary fashion and its relationship to our craft. Our vision is to increase awareness and the value of costume arts and design as a powerful element in the collaborative process of filmmaking; furthering international recognition of the creative talent we have in Canada.

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Link: Creator Michelle Lovretta of Killjoys and Lost Girl on keeping the story alive

From Ilana Rapp of NY Castings:

Link: Creator Michelle Lovretta of Killjoys and Lost Girl on keeping the story alive
“You need a concept strong enough to attract an initial audience the crucial first year, that is producible within a reasonable budget, and that has a built in story engine ensuring that you can tell this story for years to come. Lots of TV ideas make for great pilots but unsuccessful series, simply because they run out of story.” Continue reading. 

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Link: Killjoys: Derek Robertson finds “write” opportunity — interview

From John Baker of Three If By Space:

Link: Killjoys: Derek Robertson finds “write” opportunity — interview
“Ever since I was 10 years old I wanted to write TV shows. There was a Hollywood memorabilia store a few blocks from my place and that’s where I kind of stumbled onto the idea. In the back, they had copies of old TV scripts. I’d buy them and I just become hooked on the idea.” Continue reading. 

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Links: Killjoys, “Sporemageddon”

From Heather M. of TV Goodness:

Link: Adam Barken deconstructs the Killjoys Season 4 finale, “Sporemageddon”
“Before the [two-season] pickup, we talked about what The Lady’s power would be. At the end of each season, we’ve sent [someone] away—first D’av, then Johnny, then Dutch. We didn’t want to do that again. We thought if we had two seasons, we could do the ultimate thing and take away the one thing they rely on–each other. And what if they didn’t know who each other was or who they are in relation to each other?” Continue reading.

From Kelly Townsend of The TV Junkies:

Link: Killjoys: Adam Barken talks “Sporemageddon”
“We were talking in the summer about what we would do if we came back, and we both thought that after three seasons of cliffhangers, we needed something special. Season 1 ended with D’av (Luke Macfarlane) being split off from the group. Season 2 ended with Johnny leaving. And Season 3 ended with Dutch going off into the Green. We kind of ran out of Killjoys to make go away.” Continue reading. 

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