Tag Archives: eOne

Global renews high-stakes drama Ransom for third season

From a media release:

Today Global announced a fourth renewal to its slate of Canadian content for the 2019 broadcast year, as suspense drama Ransom has been greenlit for Season 3. From global studio Entertainment One (eOne), Korda Studios, Big Light Productions, and producers Sienna Films, the 13-episode series will shoot in Budapest, Hungary, beginning in October 2018 and premiere next year on Global in Canada and CBS in the U.S. This announcement comes on the heels of Global’s recent renewals for Mary Kills PeoplePrivate Eyes, and Big Brother Canada.

With principal cast returning including Luke Roberts, Nazneen Contractor, Brandon Jay McLaren, and Karen LeBlanc, Season 3 of Ransom follows the world of international crisis and hostage negotiating with Eric Beaumont (Roberts) and his elite team as they save lives when no one else can. Eric understands criminals better than they understand themselves and uses his insight into human behaviour to resolve the most difficult kidnap and ransom cases.

Viewers who missed any of the action from Season 2 can catch up on Ransom now on GlobalTV.comGlobal GO (available on Apple TV and Chromecast), and On Demand.

Ransom is inspired by the professional experiences of distinguished crisis negotiator Laurent Combalbert, who, along with his partner, Marwan Mery, are among the top negotiators in the world. They travel the globe to help multinational corporations and government agencies with complex negotiations and conflict resolution.

Ransom was created by David Vainola (DiamondsCombat Hospital) and Frank Spotnitz (The X-FilesThe Man in the High Castle) who also serves as Executive Producer. Ransom is a Canada-Hungary treaty co-production, produced by Entertainment One (eOne) with executive producers Jennifer Kawaja and Julia Sereny (Sienna Films); Daniel Kresmery and György Rajnai (Korda Studios) are co-producing. The series executive producers include Valerie Pechels and Odile McDonald (Wildcats Productions). Ransom is developed in association with Corus Entertainment Inc., with the participation from the Canada Media Fund, and produced with the financial assistance of the Ontario Film and Television Tax Credit and the Canadian Film or Video Production Tax Credit.

eOne controls worldwide rights to the series.

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Link: Mary Kills People’s Charlotte Sullivan on how Nicole could use her skills to help others

From Bridget Liszewski of The TV Junkies:

Link: Mary Kills People’s Charlotte Sullivan on how Nicole could use her skills to help others
“I think we’re getting this sense that Mary may be struggling with some of the same mental issues that their mother did. I think that’s frightening to Mary as well. Because of that, Nicole may have more of a clear conscience of what’s going on, where Mary is knee-deep in it. She’s sacrificing her family, her home and job for this and has a lot on the line where Nicole doesn’t.” Continue reading.

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Link: ‘Dark Matter’ EP Vanessa Piazza Sets Multi-Year Producing Partnership with eOne

From Joe Otterson of Variety:

Link: ‘Dark Matter’ EP Vanessa Piazza Sets Multi-Year Producing Partnership with eOne
Entertainment One (eOne) has entered into a multi-year producing partnership with executive producer Vanessa Piazza through her production company Piazza Entertainment.

The partnership encompasses Piazza’s television projects, where eOne will serve as the studio and will control worldwide rights. Piazza developed and executive produced the international hit supernatural series “Lost Girl” and served as executive producer of Seasons 1 and 2 of the sci-fi drama “Dark Matter.” Continue reading.

 

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Showrunners exit CBC legal drama Burden of Truth starring Kristin Kreuk

Not only has the CBC’s new legal drama gone through a name change, but the project’s showrunners—Noelle Carbone and Adriana Maggs—have departed the project.

“Noelle and Adriana, were both key to shaping the first season of Burden of Truth, but at this time they have left to pursue other projects,” confirmed a representative from eOne, one of the show’s production companies, on Friday afternoon. While it’s fairly common for a television project to swap out some key cast between being greenlit and production, it’s a little more rare for showrunners to leave. Production on the 10-episode project, starring Kristin Kreuk, is set to begin this summer in Manitoba with a winter 2018 debut. Carbone most recently served as writer and co-executive producer on CTV projects Saving Hope and Rookie Blue; Maggs was writer and consulting producer on Space’s Aftermath and Rookie Blue.

We’re awaiting news on who will assume showrunner duties on the series.

Formerly known as Burden of Proof, Burden of Truth stars Kreuk as lawyer Joanna Hanley, who returns to her hometown to take a case after being passed over as partner in the big-city firm she’s been working for. After clearing a drug company accused of causing a debilitating illness among high school girls, Joanna discovers the case has more to it than she first assumed.

Burden of Truth is produced by eOne, ICF Films and Eagle Vision. The series was created by Brad Simpson (Rookie Blue, King) and executive-produced by Ilana Frank (Saving Hope, Rookie Blue), Linda Pope (Saving Hope, Rookie Blue), Jocelyn Hamilton (Mary Kills People, Cardinal) and Kreuk (Smallville, Beauty and the Beast). Kyle Irving and Lisa Meeches (Taken, Ice Road Truckers) are co-executive producers.

Photo: Frank Ockenfels /The CW

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Link: Women Behind Canadian TV: Marsha Greene

From Bridget Liszewski of The TV Junkies:

Link: Women Behind Canadian TV: Marsha Greene
“But I do see the importance of women having showrunner power. The female showrunners I’ve worked with are treated with a lot of respect in the room. They don’t have to demand to have their ideas heard or valued, because it comes with the job. Having said that, I imagine those are all things they dealt with en route to getting that job. So I think I’ve gotten to reap the benefits of their hard work, because my experiences have been working for women who are generous, encouraging and supportive of other female writers.” Continue reading.

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