Tag Archives: Jason Priestley

Feature: Cindy Sampson and Jason Priestley return to form in Global’s Private Eyes West Coast

New city. New cases. New characters. New showrunners. Same chemistry. Angie Everett (Cindy Sampson) and Matt Shade (Jason Priestley) are back, and it’s like they never left.

Ending in 2021 after five seasons, Private Eyes returns to Global with a West Coast feel and name. Debuting Wednesday at 9:30 p.m. Eastern on Global, Private Eyes West Coast sees private investigators Angie and Shade swapping Toronto for Victoria.

When viewers last saw the couple, they shared a kiss in the then-series finale. Now, the duo are married, have an infant son, and are trying to figure out just what to do next. The same could be said for Sampson and Priestley. They both shared concerns over whether a series reboot would actually work. After all, a new setting, new supporting characters and new showrunners in Sarah Dodd and Jennifer Kassabian might have been too much change for viewers. It could have been a massive failure.

“Absolutely it could have,” Priestley acknowledges during a recent interview. “But Jennifer and Sarah, when they came in to pitch their idea for where Shade and Angie are now five years later, their idea was so original and so charming. They both just absolutely overperformed. They were fantastic partners and super creative people and we just had a great time with them.”

“Five years had passed since we aired,” Sampson says. “There was this cliffhanger to the original series that I feel like the fans, even us as cast, the crew, it was left hanging out there for someone to do something about it. And this was the natural progression. I never thought that it would work and it works so beautifully. Shade and Angie being married, having a kid, solving cases together.”

Sampson and Priestley

That uncertainty extended to new showrunners Jennifer Kassabian (Hudson & Rex) and Sarah Dodd (Cardinal). The duo, who had never worked together, pitched ideas that Corus Entertainment, Lionsgate Canada and Pillar/Segan liked, so they paired the two.

“Well, I see them married,” Kassabian recalls. “They’ve been together ever since that first kiss. They would have a kid. It would be a show about a mom getting back into the game. And the little catchphrase of, will they or won’t they for fans has now been turned into they worked out, but can they make it work?”

“I pitched the show set in Victoria, which is my hometown, born and raised,” Dodd recalls. “The producers put us on a Zoom call on a Sunday afternoon and we talked for about three hours about the show, about life, about how we like to work, all kinds of things.”

The result? The heart and humour that made the original series so much fun to watch remains intact, with a refresh of setting and supporting characters. Among those characters are Angie’s half-brother, Will Federgreen (David Kaye), who helps take care of the couple’s son when they’re working past his bedtime, Detective Violet Xiao (Olivia Cheng) of Vancouver Island PD’s Major Crimes Unit and Raine Atebe (Khamisa Wilsher), a confident computer whiz.

Sampson, Wilsher and Priestley

Kassabian notes that, as viewers met Shade’s family in the original series, it was important to learn more about Angie’s family. An antagonist and helpful team member—so integral to a procedural—meant the creation of Violet and Raine.

Dodd explains the move west sets up Angie and Shade as fish out of water, key to introducing supporting characters.

The west coast shift also offers the series an opportunity to follow Angie and Shade’s evolution as parents.

“Angie was always described as this feisty lone wolf who did things by herself,” Sampson says. “Now she’s really embracing this beautiful life that she’s created. In the same respect, Shade gets a second chance at parenthood. Whereas he wasn’t necessarily there during Jules’ formative years as much as he would’ve wanted to be, this is his second time around. There’s still that very heartfelt family element throughout the whole series, and then we throw in a bunch of ridiculousness on top of it to make it fun.”

Private Eyes West Coast airs Wednesdays at 9:30 p.m. Eastern on Global.

Images courtesy of Corus Entertainment.

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Banff World Media Festival sets 2026 Rockie Honourees

From a media release:

The Banff World Media Festival (BANFF) today announced its highly anticipated Showrunner Super Panel, alongside its 2026 Rockie Awards Gala Honourees, recognizing outstanding talents whose work has made a significant impact on the global entertainment industry. The prestigious Rockie Awards, including the Program Competition awards, will be hosted by Emmy Award-winning actor, director, writer, and executive producer Allana Harkin (Full Frontal with Samantha Bee) on Tuesday, June 16 at 6:00 PM MT (5:00 PM PT / 8:00 PM ET).

As part of its 2026 programming lineup, BANFF will present its Showrunner Super Panel, bringing together an extraordinary lineup of award-winning and in-demand creators behind some of today’s most talked-about series and films. Representing a true who’s who of contemporary television writing and production, this rare gathering offers an unfiltered look at the creative forces shaping the industry today and where it’s heading next.

The panel will feature:

  • Nick Antosca, award-winning writer, creator, and showrunner whose work spans critically acclaimed series including Channel Zero (SYFY), the Emmy®-winning limited series The Act (Hulu), Brand New Cherry Flavor (Netflix), and A Friend of the Family (Peacock). He also executive produced Chucky, Candy, and Murdaugh: Death in the Family, and is currently showrunner and executive producer of Cape Fear for Apple TV+.
  • R. Scott Gemmill, Emmy®, Golden Globe, Critics’ Choice and Humanitas Award-winning television writer, producer, and showrunner with decades of experience shaping some of television’s most successful dramas including JAG, ER, and NCIS: Los Angeles. He is the creator and showrunner of the Emmy Award-winning hit series The Pitt.
  • Amy B. Harris, an acclaimed writer, producer, and showrunner known for her work on Sex and the City, The Comeback and The Wilds and as the creator of The Carrie Diaries, whose upcoming series Every Year After premieres June 10 on Prime Video.
  • Lee Sung Jin, Golden Globe Award and three-time Emmy® Award winning creator, executive producer, writer and director of the critically acclaimed, multi-award winning Netflix series BEEF. Lee made his directorial debut with Season One’s finale, starring Steven Yeun and Ali Wong in Emmy-winning performances. For Season Two, Lee returned to write every episode and direct half the critically praised new season, starring Golden Globe winner Oscar Isaac, three-time Academy Award nominee Carey Mulligan, Golden Globe nominee Cailee Spaeny, Golden Globe nominee Charles Melton, Academy Award winner Youn Yun Jung, and Actor Award winner Song Kang Ho. He also served as Executive Producer on Alex Russell’s award-winning film LURKER, which premiered to rave reviews at the Sundance and Berlin International Film Festivals. Next, Lee is writing X-MEN for Marvel, which reunites him with director Jake Schreier. 
  • Glenn Kessler, Emmy®-winning writer, producer, and showrunner who co-created Damages and executive produced Bloodline, currently co-showrunning the Fox series Memory of a Killer alongside Aaron Zelman.
  • Oren Uziel is a renowned writer, director, and producer currently serving as co-showrunner and executive producer of Spider-Noir starring Nicolas Cage. The highly anticipated new series, produced by Sony Pictures Television exclusively for MGM+ and Prime Video, will premiere on May 25 on MGM+’s linear channel and globally May 27 on Prime Video. Oren’s credits also include The Lost City, 22 Jump Street, and The Cloverfield Paradox.
  • Aaron Zelman, Emmy®-nominated writer, producer, and showrunner known for Law & Order, Damages, and Bloodline, currently co-showrunning the Fox series Memory of a Killer alongside Glenn Kessler.

“The Showrunner Super Panel brings together some of the most compelling creative minds working in television today,” said Pam Silverstein, Head of Programming, BANFF. “These are the storytellers behind the shows audiences are watching and talking about around the world. This session offers a rare opportunity to hear directly from them, how they create, lead, and continue to push the boundaries of storytelling in a rapidly evolving industry.”

BANFF is also proud to unveil its 2026 Rockie Awards Gala Honourees:

CANADIAN AWARD OF DISTINCTION: Jason Priestley (Private Eyes West Coast, Wild Cards, 90210)

Presented by the Canada Media Fund (CMF/FMC) and MadeNous, the award is given to a Canadian whose body of work exemplifies outstanding achievement in the entertainment industry. Past honourees include:  Stephan James, Simu Liu, Eric McCormack, Kim Cattrall, Sheila Hockin and Jean-Marc Vallée.

CREATIVE VOICE AWARD: Mae Martin (Wayward)

The creative voice award is bestowed on an executive or creative talent that has created outstanding work that breaks through, inspiring and connecting global audiences. Past honourees include Renée Elise Goldsberry, Rose Matafeo and Jennifer Podemski.

SIR PETER USTINOV COMEDY AWARD: Ken Jeong (Community)

The award recognizes a creative talent who has made an outstanding comedic contribution to the media industry. Past honourees include: Tom Green, Kenan Thompson, Sean Hayes, John Cleese, Tracey Ullman, Bob Newhart, Tantoo Cardinal, John Candy, Bill Hader, Ana Gasteyer and Craig T. Robinson.

CAREER ACHIEVEMENT AWARD: Tantoo Cardinal (Killers of the Flower Moon, Dances with Wolves)

The Career Achievement Award recognizes individuals whose extraordinary work has made a significant impact on the screen-based industries. Past honourees include: Alanis Obomsawin, Dan Rather, Christine Baranski, Larry King, Ed Asner, William Shatner, James Burrows and David Attenborough.

COUNTRY OF HONOUR: Spain

This distinguished recognition highlights Spain’s global influence on the entertainment industry and its trailblazing producers, media companies, and content creators.

“The Rockie Awards Honourees represent the very best of creative excellence and global impact in our industry,” said Jenn Kuzmyk, Executive Director, BANFF. “From iconic performances to bold, original storytelling, Tantoo, Jason, Mae, and Ken have each shaped the cultural conversation in meaningful ways.”

The Banff World Media Festival and Rockie Awards remain a premier gathering for the global media industry, offering more than 1,200 networking sessions and over 25,000 meetings connecting creators, producers, studios, streamers, brands, and decision-makers. BANFF 2026 will once again serve as a key destination for deal-making, thought leadership, and forward-looking conversations shaping the future of the industry.

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Interview: Vanessa Morgan and Giacomo Gianniotti tease Season 3 of CBC’s Wild Cards

To say that Max’s (Vanessa Morgan) life has become difficult would be an understatement. In the Season 2 finale of Wild Cards, she and her Dad, George (Jason Priestley) cashed in millions of dollars. And, though she missed the boat (literally) to join Ellis (Giacomo Gianniotti), they were in a good place in their working and personal relationship.

That all goes out the window in Season 3. Returning Wednesday at 8 p.m. on CBC, viewers learn the person who appeared at the door in the closing moments of Season 2 was Vivienne, Max’s mother. Turns out Vivienne faked her own death and is back with some disturbing news for Max and George. Meanwhile, Ellis has returned from his boat trip, and he isn’t alone.

We spoke to Vanessa Morgan and Giacomo Gianniotti about Season 3.

Was there an obvious chemistry between the two of you, either during the chemistry read or within those first few hours and days of shooting the show? Because I think that is a huge reason why people love to tune in.
Vanessa Morgan: It just felt really natural and comfortable from the moment we met. We did a rehearsal day, and then we went straight into shooting, but it kind of always just felt very comfortable. And it’s one of those things that, as an actor, you’re just really blessed that you get along as friends, personality-wise. And then I feel like that just shows on camera that we just complement each other.

Giacomo Gianniotti: Yeah, we didn’t have much time really to build any chemistry or really get to know each other. We just hit the ground running, and we’re just very lucky that we are fond of each other and work well together and have similar senses of humour. We laugh on set all the time, all the time, and find the same things funny, which is great when you’re trying to make people laugh on television that what I think is funny, she thinks is funny if I give her an idea to play something in a certain way, she’s like, ‘Oh yeah, that’s really funny.’ Or she said something to me, or that we’re collaborative, and we both have that same sense of humour. I think that’s a great asset.

So how much of that interplay is allowed? Are you doing takes where you’re sticking to the script, and then you’re allowed to play a little bit in subsequent takes? How does that work?
GG: Yeah, I think for a comedy, you like to hope that you work on a set where funny wins no matter what, there’s no ego involved, whether that’s an assistant or a director or a script supervisor or actors pitching something, but essentially everyone just has this common goal to make people laugh and whatever’s the funniest should win. So yeah, of course, we try to get it word perfect, but there are certain scenes and certainly certain characters—Amy Goodmurphy, who plays Detective Yates—that just lend themselves a little bit more to improvisation and being a little bit sillier and bringing more of her personality, her comedic personality out into the character. So yeah, there are moments where it’s very real, and we just have to say the words the way they are. And there are other moments where there’s more opportunity to play, and everyone is really game.

The elephant in the room on Wild Cards is whether Max and Ellis will get together as a couple. There have been so many TV shows throughout history where the creators will keep that going from season to season. Aside from what’s going to happen in the script, Vanessa, do you feel as though Max and Ellis should, ultimately, be together?
VM: I think they should. I think they work very well together. I think they complement each other; what one is lacking, the other has, and I just think it really meshes and works. Obviously, though, we’re kind of in a love triangle situation. He’s found a new romance. He thought that Max had abandoned him on the boat. So of course, he was like, ‘Well, I’m just going to go out, and if I meet somebody, I meet somebody.’ We don’t blame him for that.

GG: Yeah, we’re introducing a girlfriend for Ellis, so that’s a new thing that we haven’t really explored or played with in the show, either one of us having to take a sort of second or backseat to the love story and having to work together every day, stare at this person that you have strong feelings for and not being able to act on them out of respect because you know they’re in a romantic relationship. So that’s a new dynamic that we’re playing with.

(L-R) Max Mitchell (Vanessa Morgan), Vivienne (Tamara Taylor), George Graham (Jason Priestley), Tomo Hayashi (guest star Kevan Ohtsji)

Vanessa, when this new season kicks off, she’s officially a consultant. She’s got the bejewelled badge to show for it. Can you talk a little bit how the dynamic within the office is going to change, if at all, now that she’s a little bit more legit, like a more legitimate member of the team?
VM: I don’t think it changes much because I feel like everyone’s already accepted Max, but I will say maybe Max has a bit more confidence with her strutting in and with her authority with things. I feel like she’s just like, ‘I’m a detective.’ More so. She’s fully arrived.

Joining the cast this season is Tamara Taylor in the role of Vivienne, Max’s mother, who Max and George thought was dead.
VM: Max is obviously ecstatic that her mom is back. It’s like, ‘Oh wow, what a blessing, she’s returned from the dead.’ But then she’s also torn with the fact that, ‘Well, you also abandoned me for 15 years. If you’re alive, you couldn’t have sent a card, any type of hint, a phone call from a payphone, anything to just let me know that I’m in hiding, I’m alive.’ Even me not being Max, as Vanessa, I’m like, she should have really reached out in some way. I could see why Max is torn. So I feel like there’s this love-hate relationship where she’s so happy, but she’s also so mad because she’s dealt with this internal pain for 15 years.

Let’s talk a little bit about The Big Bad, certainly that was unveiled in that first episode. Gedeon Varga. Looking at some of the episode synopses going forward, I assume that this job is going to last more than one episode and affect relationships.
GG: I think it’s a big setup for our entire season. Gedeon Varga is going to be this looming, dark shadow throughout our whole season. And in fact, with Vivienne coming back, she can’t just sort of land and be a mother and work on repairing her relationship with her daughter because there’s this much bigger problem at play, which is taking precedent, which is that she owes him a bunch of money and he’s threatening to kill everybody if he doesn’t get it. So the whole season is about Max and her parents doing this job for this bad guy to sort of repay the debt and save their lives. So there’s not a lot of time to work on feelings and repairing relationships because there’s this big, glaring high-stakes heist to be planned.

Wild Cards airs Wednesdays at 8 p.m. on CBC and CBC Gem.

Images courtesy of CBC.

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Production begins on Global’s Private Eyes West Coast

From a media release:

Cameras are set to roll on Private Eyes West Coast, as Global, Lionsgate Canada, and Piller/Segan confirm production kicks off on Thursday, June 5 on Vancouver Island. The new ten-episode spinoff series sees Canadian stars Jason Priestley and Cindy Sampson return as Matt Shade and Angie Everett – TV’s favourite private investigators – now navigating a fresh set of mysteries in their new West Coast home base of Victoria, B.C.

With the Pacific Ocean as their backdrop and a new cast of characters joining the action, Private Eyes West Coast promises a sun-soaked, suspense-filled season. Picking up after the events of the original hit series – which ran for five seasons on Global (2016-2021), won the CSA Golden Screen Award, and was licensed in over 180 territories worldwide – this spinoff brings back the quick-witted, sizzling chemistry, and high-stakes detective work that made Private Eyes a fan favourite across Canada and around the world.

Production is set to run through the summer, with the first look at Shade and Everett’s new coastal digs coming soon. Additional information including casting and storyline details will be announced at a later date.

The series comes from Lionsgate Canada and Shawn Piller & Lloyd Segan, the award-winning, writer-driven studio known for premium, character-centred series including Wild Cards (CBC, The CW), The Dead Zone, Haven, Wildfire, Greek, and the original Private Eyes. Corus Entertainment is the commissioning broadcaster with Rachel Nelson, VP, Original Programming and Head of Corus Studios, and Lynne Carter, Director, Original Programming, overseeing the production. Lionsgate Television handles international distribution.

“We’re thrilled to reunite Jason and Cindy for this next chapter of Private Eyes, and to be reteaming with our longtime partners at Corus and our good friend Jocelyn Hamilton, along with our extended Lionsgate family,” said Piller & Segan, Executive Producers. “Victoria gives us a new cinematic canvas and a chance to evolve the series in fresh and unexpected ways. This is a west coast reinvention– same sharp wit, same beloved lead characters, brand new mysteries,with stunning new views.”

“Private Eyes West Coast builds on the brilliance and charm that made the original series a hit, while introducing a bold new setting and cast of characters in this spinoff. We’re thrilled to partner with Piller/Segan, and Corus to bring a fresh, west coast energy to the franchise,” said Jocelyn Hamilton, President, Television, Lionsgate Canada. “Audiences are in for a smart, stylish ride that stays true to the heart of the original while blazing its own trail.”

“We’re thrilled to see cameras roll on Private Eyes West Coast in British Columbia” said Rachel Nelson, VP, Original Programming and Head of Corus Studios. “Together with our talented partners at Piller/Segan and Lionsgate Canada, this new spinoff series will offer some new surprises with the same Shade and Angie banter that our Global viewers love.”

Executive Producers are Sarah Dodd (Cardinal, Family Law), Jennifer Kassabian (Hudson & Rex, Degrassi: Next Class), Jocelyn Hamilton (Cardinal, Burden of Truth) and Jason Priestley, in addition to Piller & Segan. Kassabian and Dodd also serve as Showrunners. Piller will also direct the pilot episode, and season directors will include Jason Priestley, James Genn (Wild Cards, The Good Doctor), Shannon Kholi (Resident Alien, You) and Alysse Leite-Rogers (When Calls The Heart, Family Law).

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Global greenlights Private Eyes West Coast

From a media release:

Today, Global announced it has greenlit a new Canadian original scripted series Private Eyes West Coast, a spinoff of the iconic and hugely popular Global Original Private Eyes, which aired on the network for five seasons from 2016-2021. Starring Jason Priestley and Cindy Sampson, reprising their roles as Matt Shade and Angie Everett, the series comes from Lionsgate Canada and Piller/Segan.

Summer on the west coast has never been hotter as viewers will find Matt Shade (Jason Priestley) and Angie Everett (Cindy Sampson) leading surprisingly different lives in Victoria, B.C. With a group of new friends, and fresh faces to help them, TV’s favourite PIs adapt to a whole new world of cases in this vibrant west coast spinoff of Private Eyes.

“I am thrilled to be part of the Private Eyes West Coast spinoff, bringing Matt Shade back to the screen,” said Jason Priestley, series co-lead. “The Private Eyes series has been such a global success thanks to our incredible partners and talented teams at Corus, Lionsgate Canada and Piller/Segan, and I can’t wait for our audiences to see what surprises our new world has in store.”

“This marks the first time Corus has greenlit a spinoff of one of our homegrown scripted series,” said Rachel Nelson, VP, Original Programming and Head of Corus Studios. “Private Eyes resonated so deeply with viewers at home and abroad, and alongside our valued production partners, we’re so excited to see Shade and Angie now on the beautiful coast of British Columbia.”

“We’re delighted to reunite with Corus and Piller/Segan for Private Eyes West Coast and bring back the talented acting duo of Jason Priestley and Cindy Sampson,” said Jocelyn Hamilton, President, Television, Lionsgate Canada. “We can’t wait to reveal the surprises we have in store for audiences in this highly anticipated new series.”

Additional information including casting, start of production and storyline details for Private Eyes West Coast will be announced at a later date.

The series comes from Lionsgate Canada and Piller/Segan, with Lionsgate Television managing international distribution. Shawn Piller and Lloyd Segan are acclaimed producers of commercially exciting premium television programming spanning the past thirty years including, in addition to Private Eyes, Wild Cards (CBC, The CW), adaptations of Stephen King’s novels Haven (Syfy) and The Dead Zone (USA Network) and ABC Family’s Greek and Wildfire.

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