Everything about Kim’s Convenience, eh?

CBC announces its 2017-18 primetime schedule

From a media release:

CBC, Canada’s public broadcaster and the number-one media brand in Canada,* today announced broadcast premiere dates for its fall 2017 television season, featuring a uniquely Canadian lineup of new and returning series including Canada’s most-watched homegrown drama and comedy series, MURDOCH MYSTERIES and KIM’S CONVENIENCE.**

New original series launching on CBC this fall include the highly anticipated miniseries ALIAS GRACE (6×60) premiering Mon.Sept. 25, written and produced by Sarah Polley, directed by Mary Harron and starring Sarah Gadon, based on the novel by Margaret Atwood; THE GREAT CANADIAN BAKING SHOW (8×60), the homemade version of the popular British competition bringing together 10 amateur bakers from across Canada hosted by Dan Levy and Julia Chan, premiering Wed. Nov. 1; FRANKIE DRAKE MYSTERIES (11×60) from the producers of Murdoch Mysteries, following Toronto’s only female private detective in the 1920s, premiering Mon. Nov. 6; and THE STATS OF LIFE (4×30); a factual series that humanizes a range of population statistics to reveal the surprising truths about how Canadians live today, premiering Fri. Nov. 24.

CBC will also offer the exclusive Canadian broadcast of Jane Campion’s acclaimed drama TOP OF THE LAKE: CHINA GIRL (7×60) premiering on Wed. Oct. 25, starring Elizabeth Moss and Nicole Kidman. The BAFTA-nominated British series THE DURRELLS (6×60) will also premiere on Wed. Sept. 13.

Returning drama, comedy, factual and arts series include CORONATION STREET (Sept. 18), with six new episodes per week this fall including back-to-back episodes on Mondays; DRAGONS’ DEN (Sept. 28), featuring Arlene Dickinson’s return to the Den as the sixth Dragon; arts series EXHIBITIONISTS (Sept. 22); weekday daytime series THE GOODS (Sept. 18); HEARTLAND (Sept. 24); Emmy-nominated political arts series INTERRUPT THIS PROGRAM (Oct. 13); KIM’S CONVENIENCE (Sept. 26); MR. D (Sept. 26); MURDOCH MYSTERIES (Sept. 25); RICK MERCER REPORT (Sept. 26); and THIS HOUR HAS 22 MINUTES (Sept. 26).

On Mon. Nov. 6, flagship news program THE NATIONAL launches with a new format hosted by Adrienne Arsenault, Rosemary Barton, Andrew Chang and Ian Hanomansing. CBC News’ investigative series MARKETPLACE, THE FIFTH ESTATE and THE INVESTIGATORS WITH DIANA SWAIN also return with new seasons on Fri. Sept. 15.

CBC’s award-winning documentary programming moves to Sundays starting Sept. 24 including David Suzuki’s THE NATURE OF THINGS, which will launch its new season with THE WILD CANADIAN YEAR (5×60), showcasing Canada’s extraordinary wildlife; and CBC DOCS POV (formerly FIRSTHAND), which launches with Bee Nation, a charming documentary following students as they prepare for the first-ever First Nations Provincial Spelling Bee in Canada.

Also this fall, CBC SPORTS will provide compelling coverage and storytelling leading up to the OLYMPIC WINTER GAMES PYEONGCHANG 2018 and connect Canadians with high-performance athletes each weekend with ROAD TO THE OLYMPIC GAMES, which launches its fall season on Sat. Oct. 21 with coverage of the ISU Grand Prix of Figure Skating from Moscow, Russia.

CBC’s fall 2017 broadcast premiere dates and times are as follows –
All series will also be available to stream on the CBC TV app and at cbc.ca/watch (all times local with the exception of Newfoundland, please add half an hour to all times)

MONDAYS

  • 2 p.m. The Goods (Season 2 premieres Sept. 18)
  • 7 p.m. Coronation Street (fall premiere Sept. 18)
  • 8 p.m. Murdoch Mysteries (Season 11 premieres Sept. 25)
  • 9 p.m. Alias Grace (Miniseries premieres Sept. 25)
    [Frankie Drake Mysteries series premieres Nov. 6]
  • 10 p.m. The National (launches Nov. 6)

TUESDAYS

  • 8 p.m. Rick Mercer Report (Season 15 premieres Sept. 26)
  • 8:30 p.m. This Hour Has 22 Minutes (Season 25 premieres Sept. 26)
  • 9 p.m. Kim’s Convenience (Season 2 premieres Sept. 26)
  • 9:30 p.m. Mr. D (Season 7 premieres Sept. 26)

WEDNESDAYS

  • 8 p.m. The Great British Baking Show Season 7 premieres Aug. 23
    [The Great Canadian Baking Show premieres Nov. 1]

THURSDAYS

  • 8 p.m. Dragons’ Den (Season 12 premieres Sept. 28 with a two-hour special)

FRIDAYS

  • 8 p.m. Marketplace (Season 45 premieres Sept .15)
  • 8:30 p.m. The Investigators with Diana Swain (premieres Sept. 15)
    [Interrupt This Program Season 3 premieres Oct.13]
    [The Stats of Life series premieres Nov. 24]
  • 9 p.m. The Fifth Estate (Season 43 premieres Sept. 15)
  • 12:30 a.m. Exhibitionists (Season 3 premieres Sept. 22)

SATURDAYS

  • 6:30 p.m. ET Hockey Night in Canada

SUNDAYS

  • 7 p.m. Heartland (Season 11 premieres Sept. 24)
  • 8 p.m. The Nature of Things (Season 57 premieres Sept. 24)
  • 9 p.m. CBC Docs POV (Season 4 premieres Sept. 24)

 

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Writing an episode of Kim’s Convenience at the TSC

Hey CBC, you can go ahead and greenlight Season 3 of Kim’s Convenience because the folks in the WGC Writers Room Intensive at the Toronto Screenwriting Conference have got you covered.

Storylines featuring a pregnant Janet, a shirtless Jung, Nuit Blanche, speed dating, Feng Shui and, yes, more shirtless Jung, were outlined during an eight-hour session at Entertainment One’s downtown Toronto offices. Writers Amy Cole, Derek Robertson, Elize Morgan, Gillian Muller, Jennifer Siddle, Lisa Rose Snow, Marcia Johnson and Richard Clark were chosen to participate in the Writers Room Intensive and, led by Kim’s Convenience co-creators Kevin White and Ins Choi, broke ideas for a mock midseason episode of the hit CBC comedy.

Two groups of four, with White and Choi as the leaders on each—as they do when working on Kim’s Convenience—went off and brainstormed ideas for scenes. Nothing was ignored, but everything was analyzed in detail, plot holes plugged and then written down on sticky notes. Then the two groups assembled and the culling began. White, aiming for a “typical” episode of Kim’s, nixed a plethora of possible threads until two remained and two groups of four separated to beat out the scenes. It was fascinating not only to see how Choi and White

It was fascinating to see how Choi and White strip away ideas to figure out what would work and what wouldn’t. An added bonus? The pair taking threads, verbally running through them with the group and then with each other. There was a lot of laughing, especially when Choi adopted Appa Kim or Kimchee’s persona to recite dialogue.

What did the group settle on, and what story beats were nailed down? Make sure you attend In the Writing Room with Kim’s Convenience, taking place on Saturday, April 22, at 2:30 p.m. ET in the John Bassett Theatre at the Toronto Screenwriting Conference.

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Kevin White previews this year’s Writing Room Intensive at the TSC

This year’s WGC Writing Room Intensive at the Toronto Screenwriting Conference is notable for a couple of reasons. For one, it’s the first time the TSC’s Intensive is focusing on comedy writing. And secondly, the Intensive is being run by Kevin White and Ins Choi, the co-creators of CBC’s hit comedy Kim’s Convenience, giving the participants the opportunity to write a mock episode of the series which is, coincidentally, prepping for Season 2 on CBC.

On Thursday, Amy Cole, Derek Robertson, Elize Morgan, Gillian Muller, Jennifer Siddle, Lisa Rose Snow, Marcia Johnson and Richard Clark will join White, Choi and myself for six-hour session (there will be snacks, just like a real writer’s room). What can these lucky eight expect from the session? We got Kevin White to tease what’s in store. And check back on Friday to read my recap of the session; I’ll be moderating a panel discussing the group’s experiences on Saturday, April 22, at the Toronto Screenwriting Conference.

First off, what interested you about participating in the Writing Room Intensive this year?
Kevin White: It’s hard to get experience making stuff and doing stuff. I feel like anytime you can share that with people, with the hopes that people can learn and get better at the craft [is good]. And, hopefully, we learn something too and get a chance to meet emerging or young writers. That’s what was in it for us. If anyone can take anything away from the way we write the show, all the better.

What are you hoping they walk away with?
I don’t really know how other writer’s room are run. I’ve been in other people’s rooms as a writer for hire, so I have some sense of that. I’ve adapted a lot of things over the years as to how we approach breaking story and writing scripts collectively, so I hope some of that might be informative and helpful to people who have had less time in rooms. From a selfish point of view, it’s always nice to meet writers you haven’t worked with before and have a chance to see what their ideas are about, how they think and their point of view. I think it will be exciting for us to have eight fresh eyes on the material and really hear what it’s like for someone who hasn’t had any previous experience or exposure to the behind-the-scenes of our show freshen our outlook as well.

Will you be setting up the Intensive like you do it on Kim’s Convenience?
We’re going to try. Obviously, we have part of the morning finding out who everyone is. Then we’ll share ideas.

What can you say about the breakout sessions you have planned?
We have seven writers in the room on Kim’s Convenience now. With a number like that, we often work in different side group configurations. I hope we’ll have time to break up how we do it a little bit. Ins will have half the room, I will have half the room and we’ll be able to work in two smaller groups and report back to the bigger group. We want to be able to work with as many people as possible and meet with as many people as possible.

People will, presumably, be coming to the table with ideas. We need to hear those ideas and ruminate on them on them in the smaller groups. We’ll boil down to the ones that seem to have the most promise and then get back together and have feedback as the groups present their strongest ideas. They may be big stories and they may be small stories. Then, once we land on the stories we like the most and can sort of fit together, then we can figure out what will be the main story and what will be the other story. There might even be a third story. Then we’ll probably break off again into groups and beat those out.

Are you expecting to have an episode outline completed by the end of the day?
[Laughs.] I don’t know! I’m sure we can cobble together something. You can always make something because of time constraints because day’s end is coming. But, yes, I think we’ll be able to cobble together the bones of an episode and try to come up with what those 18 or 20 scenes could be for this typical Kim’s Convenience episode.

The Toronto Screenwriting Conference runs April 22-23, 2017. Get the latest information—including events and how to register—on the official website.

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Link: Canadian Asian actor Simu Liu is all talent with a side of eye candy

From Erin Chew of YOMYOMF:

Link: Canadian Asian actor Simu Liu is all talent with a side of eye candy
“Before I got into acting I did what any stereotypical Chinese son would do – I became an accountant, even though I have always wanted to try acting. At the time I was laid off and unemployed and thought it was either now or never with regards to trying acting.” Continue reading. 

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