From Christy Spratlin of The TV Junkies:
Saving Hope’s Michelle Nolden on how Dawn will bounce back from tragedy
“It was slightly horrifying, but I had positive reaction in a sense that we were delving in to Dawn’s life. I knew from the beginning that that was probably where it was going to go, and I feel very grateful that the writers have given me such great stuff as an actor to play. But actually having to do it was horrifying.” Continue reading.Â
For six seasons and one major motion picture, Tara Spencer-Nairn played beleaguered small-town cop Karen Pelly on the wildly successful Corner Gas. And while she’s forever grateful for the experience of starring in a beloved Canadian television series and will cherish it forever, she’s been champing at the bit to play something different.
Janice Fenn is that character. Unlike the perky, sarcastic Karen, Janice is a drug addict who comes to the aid of Taylor, a 12-year-old who checks into Hope Zion on Thursday night following a motocross accident. What follows in “Heart of Stone” is harrowing and heartbreaking … exactly what Spencer-Nairn has been looking for.
Janice Fenn is definitely not Constable Karen.
Tara Spencer-Nairn: Right?! I was pretty excited about this.
Janice is the type of person Karen would try to arrest.
As soon as I got the breakdown I knew it was something I wanted to do and that I needed to do. I love Corner Gas and everything it has done for my and I’ll be forever grateful, but I feel like I’m constantly having to remind people that I’m not just a comedian and that I’m not a comedian. This was a real departure and something that I could really sink my teeth into. It was dirty and gritty. And I’m at this point in my life, with two kids, where it fits. It’s funny, I was telling my agent, ‘There’s no way I can’t get this role because I haven’t slept in days and I look like shit. I’m perfect! They don’t have to do anything, they don’t even have to put makeup on me.’
After Corner Gas and taking a break to have kids, I really wanted to come back and do something I’ve never done before. I think that’s what’s great about these Canadian shows; there are these great little characters that come along that we all get to drop in and play.
Although you appreciate it, do you feel as though Corner Gas caused you to be pigeon-holed?
Absolutely. It’s weird, because if you look back at how my career started, it’s not very funny. New Waterford Girl was funny, but in a very different way. And again, I love Corner Gas and everyone involved and if I could do a Corner Gas movie every two years, I’d be there. But I do kind of feel like I’m constantly fighting to get into rooms and show people I’m more than just Karen Pelly. And because of the success of Corner Gas, it’s been really hard for all of us to break out of those roles.
“We’re fighting pretty hard to not have strong characters, but good characters, interesting characters and characters reflective of who we are that don’t just support another male character.”
OK, let’s talk about Saving Hope and this role of Janice. She’s a tough character to play because she’s a drug addict, and therefore a little hard to viewers to like. Is it hard to portray a somewhat unlikeable character?
Well, I never thought of her as unlikeable. It was interesting working with David Wellington—the director for this episode—I trusted in him 100 percent. We really wanted to make sure we didn’t play into any stereotypes and the way the character was originally written was more of a stereotype. He really went back and fought hard to make sure she wasn’t dressed in a miniskirt. In a way, I felt sorry for her and I wanted to help her and make her better. Her choices, from the outside, look truly horrible but when you walk a mile in those shoes it’s horribly sad and heartbreaking.
Having two kids of your own, was it easy to tap into the emotions the role calls for?
Yeah, you have to go there. Having kids has become, truly, a blessing for my career because I now have a depth that I couldn’t have imagined before I had kids.
The storyline is open-ended; will you be back?
I don’t know, but let’s make that happen! I watch Saving Hope and I’ve never seen a character like her on the show. I applaud them for creating a character like this and for allowing the character to be a woman. As women, we’re fighting pretty hard to not have strong characters, but good characters, interesting characters and characters reflective of who we are that don’t just support another male character.
Are female characters getting more interesting and reflective?Â
I think we’re talking about it, but I don’t think it’s getting better. I hope that talking about it is the first step. I’m in my mid- to late-30s and as an actor I do feel like I should be busier than I am. I feel like there should be more roles for me out there and it kind of breaks my heart every morning when I get up and it’s, ‘Nope, not today.’ It’s nice that it’s a big topic in Hollywood and I hope the ripple effect will happen.
Is writing, directing and producing your own projects the next step in that journey for you?
It’s something that I’m working on, yeah. At first I was like, ‘I’m just going to do this, no problem!’ And now that I’m in it, it’s ‘Wow, this is really hard!’ The stuff that I want to write isn’t necessarily network TV and as you know this industry is in flux with pick and pay. There aren’t a lot of cable shows being made in Canada. But, at the same time, I appreciate conventional network and a show like Saving Hope who create characters like Janice, but that isn’t the type of show that I want to create.
What kind of show do you want to make?
I want to make the kind of show everyone wants to make. You look at a Nurse Jackie or an Orphan Black … gritty and dirty and real. I’m not interested in being earnest.
Saving Hope airs Thursdays at 9 p.m. ET/PT on CTV.
From Bridget Liszewski of The TV Junkies:
Charlotte Sullivan on her emotionally charged Saving Hope role
Actress Charlotte Sullivan is keeping with the trend of Rookie Blue actors who are now playing vastly different characters from the ones they spent six years portraying on the cop drama. Sullivan does this by guest starring on Thursday’s episode of Saving Hope, where she plays social worker Elizabeth Grant, the victim of a horrific acid attack that disfigures her face. Grant’s attack will also cause new Hope Zion resident, Dr. Cassie Williams (Kim Shaw) to question whether or not she can remain objective in an episode that’s also directed by Sullivan’s husband, Peter Stabbings. Continue reading.
It doesn’t take long for Hope Zion’s newest junior resident, Dr. Cassie Williams—played by Kim Shaw—to make an impression on Dr. Alex Reid in Thursday’s new episode. Cassie’s bubbly enthusiasm and confidence attracts the attention of all. But this being Saving Hope, nothing on the surface is truly what it seems, and key facets to Cassie’s life are uncovered by the end of “Start Me Up.”
Shaw’s gig on Saving Hope is the latest in an impressive body of television work. The Windsor, Ont., born actress has appeared in sitcoms like Two and a Half Men, Anger Management and How I Met Your Mother, and high-profile dramas like NCIS and The Good Wife. We spoke to Shaw about her career, playing Cassie and winter weather.
You’ve had a really varied career. You’ve been on comedies like Two and a Half Men, Anger Management and How I Met Your Mother, and dramas like The Good Wife and NCIS. That’s a lot of high-profile stuff.
Kim Shaw: It’s been a roller coaster. You never feel like you work enough. I moved to New York when I graduated from high school and went to theatre school and kind of started working right out of the gate. I was very lucky to find people who wanted to work with me and put in the time, management-wise. Then I got sick of the cold and moved to L.A. about five years ago and, happily, haven’t had to waitress since I made that move. When you’re a comedy actress, which I kind of consider myself, you never really feel like you ever get a chance to show that darker side. And then when you’re doing a dark show, you just want to be light! [Laughs.] It’s been fun to explore all of that.
How did you get the role of Dr. Cassie Williams?
I’m a Canadian citizen but have been living in the States and I applied to have a Social Insurance Number. Saving Hope was the first audition I had after getting the card. It was a self-tape, so my boyfriend—God bless him—put me on tape about 20 times, just trying to get the takes right for the scenes they had given me. You send that away and kind of forget about it after it’s gone. I got that wonderful phone call that every actor dreams of—that they were interested—and they tested me out of Los Angeles and I booked it and flew to Toronto.
My best friend is a nurse, my mom is a nurse and my brother is a doctor, so I’ve had that repertoire in my system but have never gotten the chance to do it myself. I’ve played heroin addicts and things on the other side of it, but this is so challenging. Everyone on set has been so lovely … it’s lovely to join a well-oiled machine and feel like you fit in immediately.
How does your family feel about you playing a doctor?
I called my brother and told him, ‘I’m a doctor now! In your face! Mine happened a lot quicker than yours!’
Has anyone on-set, like Michael Shanks or Benjamin Ayres played practical jokes on you?
Wendy Crewson is the most trouble on-set. She is just the most fun; she is an amazing person and cracks everybody up. I have a couple of story arcs with her and I’ve learned so much from her, from who I want to be as a person and who I want to be on-set. Erica has just had a baby, so she has this glow and joy about her all of the time which is fun to be around. I don’t have a lot of scenes with Michael, but during the table reads he likes to throw in zingers and make everyone laugh.
Cassie certainly makes an impression when she appears on Thursday night. She’s spunky and ready to go.
She’s over-eager, but I think anyone—on the first day of the rest of your life—is excited to get started. I’m sure that’s how I came across on our first table read.
That excitement is tempered by an incident that occurs a little later on.
As medical students, I think you think you’re ready but you’ve only been cutting open dead bodies for the past four years and you crave that real OR. It’s overwhelming as an actor to be in the OR for the first time because you’re covered in plastic, the gloves are so hard to put on, you’re sweaty and your mask is on. I’m glad I got to show how I felt on the inside.
At the end of the episode, there is another incident, this time involving Dr. Curtis. How long will it take for that storyline to shake out?
It’s a little bit of a slow burn, but it’s a juicy storyline once we get into it.
What can you tell me about Cassie’s evolution this season?
The thing I enjoy about her the most is that she is extremely empathetic, which I can relate to, and she is going through this thing. She thinks she wants to be a doctor and realizes how hard it is to see a patient as a patient and not a person. She struggles with that, and how blunt she has to be. Doctors have to be really cold sometimes and she has a hard time with that. She is one of the smartest doctors—she knows her stuff—but she struggles with the emotion of the new job.
Saving Hope airs Thursdays at 9 p.m. ET/PT on CTV.
From a media release:
Leading independent studio Entertainment One (eOne) today announced that it is expanding its relationship with award-winning producer Ilana Frank and her production company ICF FILMS (ICFF), and extending their partnership through a new three-year overall deal.
Under the deal, eOne will serve as the studio, deficit financier and distributor on all of Frank’s projects across all media.
Since joining forces on a first-look basis in 2008, ICFF and eOne have successfully delivered long-running series including 74 episodes of drama ROOKIE BLUE for ABC and Global and 67 episodes of drama SAVING HOPE for CTV. eOne has successfully sold Rookie Blue and Saving Hope to over 200 territories.
eOne produces and distributes a diverse slate of award-winning, critically acclaimed programming across all genres. In addition to Rookie Blue and Saving Hope and the upcoming polyromantic comedy You Me Her for DirecTV and drama Havana Quartet for Starz, hit original shows from the company include Welcome to Sweden, the half hour comedy series executive produced by siblings Amy and Greg Poehler, Hell on Wheels, Nellyville, Bitten, Haven and successful miniseries The Book of Negroes and Klondike, as well as a number of highly successful series coming out of its output relationship with AMC and SundanceTV including The Walking Dead and companion series Fear the Walking Dead, Halt and Catch Fire, TURN: Washington’s Spies and Into the Badlands.
