All posts by Greg David

Prior to becoming a television critic and owner of TV, Eh?, Greg David was a critic for TV Guide Canada, the country's most trusted source for TV news. He has interviewed television actors, actresses and behind-the-scenes folks from hundreds of television series from Canada, the U.S. and internationally. He is a podcaster, public speaker, weekly radio guest and educator, and past member of the Television Critics Association.

TV, Eh? podcast Episode 236 — Pancake Batter-Like Quality

This week’s podcast brought to you by Two Oceans wine and Old Crow Bourbon!

As always, we begin with the next two weeks of programming via the Calendar, followed by casting news for Just Like Mom and Dad and Cycle 3 of Cardinal beginning production in North Bay, Ont. We finish off the show discussing Netflix’s blog post about their Canadian TV deal and the loss of broadcasters Rafe Mair and Ray Turnbull.

Listen or download below, or subscribe via iTunes or any other podcast catcher with the TV, eh? podcast feed.

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Link: CMF waves funding flag for Canadian television

From Bill Brioux of Broix.tv:

Link: CMF waves funding flag for Canadian television
Many politicians say they don’t have time to watch TV. They do, however, through various funding agencies, help to pay for it.

One of the top agencies, The Canada Media Fund, brought TV stars and politicians together earlier this month in a talent showcase held directly across from Parliament Hill. Gathered inside the beautifully restored Sir John A. Macdonald building – once, fittingly, a bank – were the stars, producers and others associated with some of Canada’s most popular and exportable TV shows: Murdoch Mysteries, Vikings, Kim’s Convenience, Frontier and Private Eyes, to name a few. Several French-language as well as digital production were also showcased. Continue reading.

 

 

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Global greenlights high stakes drama Ransom for a second season

From a media release:

Global announced today that original suspense drama Ransom has been green lit for Season 2. From global studio Entertainment One (eOne), Korda Studios, Big Light Productions and producers Sienna Films, Ransom will shoot in Hungary in the coming months and premiere next year on Global in Canada and CBS in the U.S. Additional details to be revealed at a later date.

With a 13-episode order, Season 2 welcomes back Luke Roberts (Black Sails, Wolf Hall, Game of Thrones) as expert hostage negotiator Eric Beaumont in the new season. Beaumont’s team includes Maxine Carlson (Tony Award-nominated Sarah Greene, Penny Dreadful, Burnt) a young newcomer eager to prove herself; Oliver Yates (Brandon Jay McLaren, Graceland, The Killing), a psychological profiler; and ex-cop Zara Hallam (Nazneen Contractor, Heroes Reborn, Covert Affairs).

Season 2 of the series continues to follow crisis and hostage negotiator Eric Beaumont and his team as they save lives when no one else can. Eric understands criminals better than they do, and uses his insight into human behaviour to resolve the most difficult kidnap and ransom cases. Despite the stakes, Eric refuses to resort to violence, even when confronted by some of the most dangerous criminals in the world.

Ransom is inspired by the professional experiences of distinguished crisis negotiator Laurent Combalbert, who, along with his partner, Marwan Mery, are among the top negotiators in the world. They travel the globe to help multinational corporations and governmental agencies with complex negotiations and conflict resolution.

Ransom was created by David Vainola (Diamonds, Combat Hospital) and Frank Spotnitz (The X-Files, The Man in the High Castle). Ransom is a Canada-Hungary treaty co-production and will be produced by eOne with executive producers Jennifer Kawaja and Julia Sereny via their Sienna Films banner and Spotnitz, via his Big Light Productions banner.  Wildcats Productions’ Valerie Pechels and Odile McDonald will executive produce with Daniel Kresmery and György Rajnai of Korda Studios will co-producing. Ransom is developed in association with Corus Entertainment Inc., with the participation from the Canada Media Fund, and will be produced with the financial assistance of the Ontario Film and Television Tax Credit and the Canadian Film or Video Production Tax Credit.

 

 

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Link: Former B.C. broadcaster Rafe Mair dies at age 85

From Amy Judd of Global News:

Link: Former B.C. broadcaster Rafe Mair dies at age 85
Legendary broadcaster and political commentator Rafe Mair has died at the age of 85.

Mair is remembered as a provincial cabinet minister, opinionated public voice, and above all as a radio host who spent much of his career at CKNW.

Mair joined the station in 1984, and quickly drew a massive following. His show drew nearly unprecedented ratings in the 20 per cent range, with hundreds of thousands regularly tuning in during his 19-year run. Continue reading.

 

 

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What Netflix’s half a billion CAD investment in Canada is really about

From Corie Wright, Director, Global Public Policy of Netflix:

Last week, we received approval under the Investment Canada Act from the Minister of Canadian Heritage, the Hon. Melanie Joly, to create Netflix Canada, a new home for Netflix original productions in Canada. It’s our first permanent production presence outside of the U.S. Netflix will use Netflix Canada to work directly with Canadian producers, creators, talent and crews to create more great content.

As part of this approval, Netflix committed to invest at least half a billion CAD in movies and television shows produced in Canada, both in English and in French, over the next five years. This means certainty that Netflix will continue to play a large role in the Canadian production community. We have invested in Canada because Canadians make great global stories. That says more about the quality and strength of Canadian content, talent, and crew than a commitment of any dollar amount.

We have more work to do when it comes to finding great stories from Quebec told in French. That is why on top of the half a billion CAD investment, we made a commitment to invest CAD $25 million dollars in market development activities over five years. Netflix will use that additional investment to host pitch days, recruitment events, and support local cultural events to ensure Netflix Canada reaches vibrant Canadian production communities, including the French-language community in Quebec.

Setting the record straight

Since the announcement we’ve seen lots of excitement, questions, and even some conspiracy theories about our investment. We’d like to set the record straight:

  • The recent price increase has nothing to do with our investment or commitments. That price increase was planned a long time ago.
  • We have not made any deals about taxes. Our investment was approved under the Investment Canada Act. No tax deals were part of the approval to launch our new Canadian presence.
  • Netflix follows tax laws everywhere we operate. Under Canadian law, foreign online services like Netflix aren’t required to collect and remit sales tax.

Netflix is an online service, not a broadcaster

Some say Netflix got special treatment because the government didn’t force us to meet special content quotas as part of our investment – that’s wrong. Netflix is an online service, not a broadcaster. No online media service — foreign or domestic — is subject to traditional broadcast media regulations like quotas or content levies; they’re also not eligible for the regulatory benefits that traditional media enjoy. The CRTC decided in 1999 (before Netflix even had a streaming service) that these regulations would not apply to internet-based media. We think that’s the right approach. Internet-native, on-demand services like Netflix are consumer-driven and operate on the open internet. We don’t use public property like broadcast spectrum or rights of way and we don’t receive the regulatory protections and benefits that broadcasters get (and, by the way, we’re not asking for them).

Canada’s exceptional, world-class stories and production community

People choose what they want to watch on our service so we have to invest in the best content from around the world. We didn’t invest in ANNE, Frontier, Travelers or Alias Grace to fill a quota, we invested because they are great global stories. We will continue to invest in great Canadian content, and in other productions made in Canada like Hemlock Grove, A Series of Unfortunate Events, and Okja, that are not Canadian content but that make use of, and showcase to the world, Canada’s outstanding talent, facilities, resources and locations.

What’s next

We understand that people are curious and eager for immediate details about what comes next. But remember: our commitment marks a long term investment in Canada — not just a next week, next month, or next year investment. That means that now that we’ve been given the green light to establish a local production presence, we have some planning and hard work to do before we can make any additional official announcements.

There is more to come. Stay tuned….

– Corie Wright, Director, Global Public Policy

 

 

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