All posts by Greg David

Prior to becoming a television critic and owner of TV, Eh?, Greg David was a critic for TV Guide Canada, the country's most trusted source for TV news. He has interviewed television actors, actresses and behind-the-scenes folks from hundreds of television series from Canada, the U.S. and internationally. He is a podcaster, public speaker, weekly radio guest and educator, and past member of the Television Critics Association.

Production underway on Season 3 of CBC’s Baroness Von Sketch Show

From a media release:

Frantic Films today announced that production is underway on Season 3 of CBC original series BARONESS VON SKETCH SHOW (10×30). The acclaimed sketch comedy series recently wrapped its second season on CBC in Canada and also debuted on IFC in the U.S. this August. The Canadian Screen Award-winning series will be shooting on location in and around Toronto until November 2017 for broadcast on CBC in 2018.

Created, written by and starring award-winning Canadian comedians Carolyn Taylor, Meredith MacNeill, Aurora Browne and Jennifer Whalen, the single camera, all-female sketch comedy series was a breakout hit from its debut in June 2016. Their debut sketch “Locker Room” garnered 1.8 million views on Facebook, with latest viral hit “Psych-up salad” receiving 7 million views on Facebook, helping to create a cult following for the show in Canada, the U.S. and beyond.

Last month Vogue magazine declared, “Baroness Von Sketch Show Is the Best Thing to Come Out of Canada Since Ryan Gosling” and the New York Times called it a “fabulous Canadian sketch series.”  Dubbed “refreshingly different” by Rolling Stone magazine, the show enjoys a loyal fan base, including musicians Jann Arden, Tegan and Sara and Reggie Watts as well as actors Kyle MacLachlan, Michael McKean and Orange Is the New Black star Lea DeLaria.

Fast-paced and irreverent, BARONESS VON SKETCH SHOW celebrates the absurd, mines the embarrassing and satirizes our daily lives. This all-female series takes a fresh look at our contemporary culture and captures the banalities and absurdities of modern life.

A CBC original series, BARONESS VON SKETCH SHOW is produced by Frantic Films and executive produced by Jamie Brown, Carolyn Taylor, Meredith MacNeill, Aurora Browne and Jennifer Whalen. The series won three Canadian Screen Awards (CSAs) in 2017 including Best Variety or Sketch Comedy Program Series, Best Writing in a Variety or Sketch Program or Series and Best Picture Editing in a Variety Sketch Program or Series.

 

 

 

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Photo gallery: Murdoch Mysteries Season 11 sneak peek

With the Season 11 premiere of Murdoch Mysteries just days away, CBC has released four images in advance of Monday’s new episode, “Up from Ashes.” Yes, we wish we had more pictures as well, but we’ll take whatever we can get!

No, the images do not reveal the fates of Inspector Brackenreid, Dr. Julia Ogden and Constables Crabtree, Jackson or Higgins—we’ll have to tune in on Monday for those reveals—there are still some pretty treats contained in this quartet.

In the first picture, Det. Murdoch sits in a chair in front of Miss Marsh (Tamzin Outhwaite). Is he out of jail, or just given a reprieve from his cell? Who, exactly, is Miss Marsh and why is she speaking to Murdoch? Is he pleading his case? Is she on his side, or against him?

In the second photo, Murdoch is giving serious side-eye to someone. It’s not apparent who.

The third image is a wide shot of Murdoch and Detective Watts. Murdoch is shackled, so we know he’s in police custody. Who is it he and Watts are looking at? It kind of looks like Councilman Williams, who got Murdoch into this mess in the first place.

In the final image, Murdoch is giving a wry smile to the man seen in Image No. 3. I’d guess it is indeed Councilman Williams; I recognize that stiff collar anywhere!

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How excited are you for Monday’s Murdoch Mysteries return? Do you think anyone was killed in the Season 10 finale? Let me know in the comments below.

Murdoch Mysteries airs Mondays at 8 p.m. on CBC.

Images courtesy of Christos Kalohoridis for CBC.

 

 

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Link: Bad Blood, good experience: 8 things I learned watching my book become a TV series

From Peter Edwards of the Toronto Star:

Link: Bad Blood, good experience: 8 things I learned watching my book become a TV series
It has been almost four years since New Metric Media (Letterkenny) bought the option to Business or Blood: Mafia Boss Vito Rizzuto’s Last War, a non-fiction book I co-authored with Antonio Nicaso.

At the time it was sort of exciting, like buying a batch of lottery tickets. Since then New Metric has kept plugging away and, starting this Thursday, a six-part limited series inspired by the book will air Thursdays on City TV.

Here are eight things I’ve learned from this journey. Continue reading. 

 

 

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TV Eh B Cs podcast 69 — Mann on a Mission

Jon Mann is a graduate of Acadia University (POLS, 2011) and the New York Film Academy (Screenwriting, 2013). In 2012, he wrote the documentary Drink ‘Em Dry which premiered at Harvard Law School, making Jon the youngest person in the school’s history to present written work (at age 22). After Harvard, the film Drink ‘Em Dry is now in universities and colleges in North and South America, Europe, and Australia. Drink ‘Em Dry was also nominated for Best Canadian Documentary at the Canadian Labour International Film Festival (2012). In 2014, Jon completed his first feature-length documentary, Project Power, which follows the social movement against the sale of NB Power to Hydro-Quebec in 2010. In 2015 Jon co-wrote and directed the short-film Rearview which racked up wins and nominations at film festivals worldwide.

In 2017, Jon and production partner Rob Ramsay’s project Wolfville was selected for the 2017 National Screen Institute’s Totally Television program.

Listen or download below, or subscribe via iTunes or any other podcast catcher with the TV, eh? podcast feed.

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Bad Blood: Kim Coates headlines City’s Mafia mini based on the life of Vito Rizzuto

It’s a story from the pages of Canadian history. Bad Blood, the six-part miniseries debuting Thursday at 8 p.m. ET on City, reaches into the history of mob-influenced Montreal to tell the real-life story of Vito Rizzuto, who had everyone from city hall to motorcycle gangs under his command during the 1990s.

The project, from New Metric Media (Letterkenny) and Sphère Média Plus (19-2), is toplined by an incredible cast led by Kim Coates, Enrico Colantoni, Maxim Roy, Tony Nappo, Michelle Mylett, Paul Sorvino and Anthony LaPaglia. Adapted from Business or Blood: Mafia Boss Vito Rizzuto’s Last War by Antonio Nicaso and Peter Edwards by Simon Barry (Continuum) and Michael Konyves, Bad Blood is a deep dive into Montreal’s seedy underbelly, a blood-splattered thrill ride in Canadian history. Back in 2013, before New Metric Media was formed, producer Mark Montefiore was going through his morning routine of reading news outlets and noticed an uptick in mob hits in Montreal. One person kept popping up in the stories he was reading: “mob expert” Antonio Nicaso. After six months of coffee with Nicaso and discussing general Mafia-themed ideas, Vito Rizzuto’s name came up. Nicaso, Montefiore learned, was writing a book about Rizzuto with Peter Edwards, the organized crime reporter for the Toronto Star.

“I said, ‘I want this story.'” Montefiore remembers during a break filming Bad Blood in snowy Sudbury, Ont. “We closed the deal on the manuscript on the Friday of December 2013 when we had the ice storm. On Monday, December 23, Vito was dead.” Rizzuto died from complications from lung cancer at the age of 67, but he’d left a trail of bodies in his wake that had suffered more violent fates. Montefiore and his New Metric Media partner, Patrick O’Sullivan, always pictured Bad Blood as a miniseries that picked up with Rizzuto (played by Anthony LaPaglia) getting out of prison until his death and following how a man who built an empire based on bringing people together and working together built an empire.

Thursday’s first episode sprints out of the gate, with Rizzuto’s right-hand man—the fictional Declan Gardiner (Kim Coates)—setting the scene and describing how Rizzuto united the Irish gangs that ran Montreal’s ports, the Italians who controlled business, politics and government, the bikers who ran distribution and the Haitians who handled street-level distribution of drugs to construct an empire. Viewers learn that even the police are in Rizzuto’s employ (Sphère Média planted a sweet 19-2 Easter egg in the first script.) and that anyone who attempts to take down Rizzuto will experience a major hurt thanks to Declan and loyal bodyguard Gio, a fictional character played by Tony Nappo.

“I was cast early on and then I read the scripts as they came in,” Nappo says. “I got to the end of each script and I couldn’t wait to see what was going to come next.” Gio and Declan are around Rizzuto all the time, Nappo explains, describing his character as a ninja who observes and protects, a soldier who is never going to refuse orders.

For Coates, Bad Blood came at the perfect time in his career.

“I took some time off [after Sons of Anarchy] and was offered some TV roles and I turned them all down,” Coates, who also serves as a co-producer on Bad Blood, says. “I wanted to focus on films. This was handed to me—they sent me the first three scripts—and every 20 minutes I would come out and say to my wife, ‘This is unbelievable.'” He got on the phone with the producers, committed to the project, and passed on Godless, Netflix’s western TV series from Steven Soderbergh. Scheduling eventually allowed for him to do both, but Coates was willing to drop Godless entirely in favour of Bad Blood.

“I know what everyone is wanting to do with this project,” Coates says. “I’m not afraid to tell everyone what a great job they’re doing. I’m so proud to be involved with this. It doesn’t have to perfect, but it does have to be honest.”

Bad Blood airs Thursdays at 8 p.m. ET on City.

Look for more coverage of Bad Blood from our set visit late last year in the coming days, including exclusive interviews with actors Enrico Colantoni and Brett Donahue, and authors Antonio Nicaso and Peter Edwards.

Images courtesy of Rogers Media.

 

 

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