All posts by Greg David

Prior to becoming a television critic and owner of TV, Eh?, Greg David was a critic for TV Guide Canada, the country's most trusted source for TV news. He has interviewed television actors, actresses and behind-the-scenes folks from hundreds of television series from Canada, the U.S. and internationally. He is a podcaster, public speaker, weekly radio guest and educator, and past member of the Television Critics Association.

TV, Eh? podcast Episode 234 — A sweet-to-the-nose package

Brought to you by Irresistibles Cranberry-Concord Grape Cocktail and W. L. Weller 12-Year-Old Kentucky Straight Bourbon!

Canadian fall television is here and the Calendar reflects it with a jam-packed two weeks of upcoming programming. Then we discuss the Canadian screenwriters and producers extending their latest agreement, the fight to keep Dark Matter on the air and the death of longtime CBC producer Arnold Amber.

Listen or download below, or subscribe via iTunes or any other podcast catcher with the TV, eh? podcast feed.

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Food Network Canada’s Original Series The Baker Sisters Premieres October 20

From a media release:

Food Network Canada’s new dynamic duo, The Baker Sisters (13x30min), have a serious craving for sweet treats and are on a mouth-watering mission to find them. The new Canadian original series celebrates the most scrumptious baked treats North America has to offer. Hosted by self-taught bakers and real-life sisters, Rachel Smith and Jean Parker, The Baker Sisters takes viewers on a guilt-free road trip to see how tasty, tantalizing treats are made. The Corus Studio-created original series premieres Friday, October 20 with back-to-back episodes at 10 and 10:30 p.m. ET/PT on Food Network Canada.

Food Network Canada’s new personalities Rachel Smith and Jean Parker are sisters, moms, entrepreneurs, and of course, bakers. Born in Windsor and raised in Trenton, ON, baking, and specifically making butter tarts with their mother, has always been an important part of their lives. Recently, their family inspired them to start their own butter tart business, Maple Key Tart Co. Now, these two sisters are taking their baking skills on the road for a pastry-filled adventure in search of gooey goodies, meeting the people who make them, and picking up tips and tricks along the way.

In each episode of The Baker Sisters, Rachel and Jean visit three locations to sample treats for which the bakery, restaurant or deli is known. The sisters take turns in the kitchen with the expert baker to see exactly how their tempting confections are made. From great Canadian classics such as Nanaimo bars and butter tarts to intriguing creations including Lemon Lavender Cake, Peach Cobbler Cupcakes and Wild Berry Fritters, these sisters discover it all. Throughout their journey, the sisters make stops in Calgary and Edmonton, Alta., Toronto, ON, Victoria and Vancouver, B.C., Halifax, N.S., and stops south of the border in Atlanta, Ga., Charleston, S.C., and Phoenix, Ariz. to name a few. Together, they find out who makes North America’s most blissful treats and discover how they are made.

In the back-to-back premiere episodes “I Dream of Doughnut” and “The Chosen Bun,” the sisters head west to Purebread in Vancouver, where they learn to create Peanut Butter Shorties and visit Crave Bakery in Calgary to try their hand at a Chocolate Caramel Bar. Next, they head south to Atlanta to sample an Orange Star Doughnut at Sublime Doughnuts and visit Proof Bakery to taste test their Peach Buckle. The sisters make a final stop in Toronto for a nostalgic éclair at Nugateau and some classic cinnamon buns at Rosen’s.

FoodNetwork.ca serves a double helping of dessert with exclusive segments featuring the sisters as they sample even more tempting treats. Additionally, viewers can access exclusive recipes from the series and watch new episodes each week after broadcast.

The Baker Sisters is produced by Alibi Entertainment Inc. in association with Corus Studios for Food Network Canada.

 

 

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19-2: Memories and moving forward

With just one more episode of 19-2 left to air, I’m at a crossroads. I want to know how the series ends, but I’m not ready to say goodbye to the series. I’m thrilled and appreciative that showrunner Bruce M. Smith was given a fourth season to conclude the series but I really, really wanted more. With the series finale coming next Monday, Smith et. al had a lot to wrap up.

Would “Wake,” written by Nikolijne Troubetzkoy and directed by Louis Choquette, see Ben manage to get out from under the mob? When we last left his apartment, Martine had been grabbed by the man sent to kill Ben. Meanwhile, Nick was feeling the pain of meddling in Farah’s affairs and she had broken up with him. And Dulac appeared headed for some kind of breakdown after becoming addicted to oral sex via a prostitute.

Monday’s new episode began at Ben’s apartment, and from all of the cop cars and the ambulance, I was afraid Martine had been grievously injured. After all, last week’s final moments found her with a gun jammed in her mouth. Thankfully, Martine was just shaken. Ben, on the other hand, was pissed. The protection he was promised didn’t extend to his place and—apparently—thugs from Toronto were looking to muscle in. That meant putting Martine on a bus and her saying goodbye to Ben; for good if she had anything to say about it. “I don’t want to be here anymore,” she told Ben before climbing on a bus for Hamilton, Ont. “Bad shit happens.” Amen, girl, amen. The attempt on Ben’s life lead to an all-out response by 19; they targetted a bar frequented by a motorcycle gang and took everyone into custody.

I’ve written before about how I watch 19-2 with a terrible feeling in my stomach, wary a key character could die at any moment. So my guts were roiling when Ben and Nick accompanied a strung-out teacher back to the place he’d left all his clothes. Were they walking into a dangerous place with no backup? No, but Nick did receive a troubling phone call from his mother: she’d fallen and was hurt and scared. Turns out she’d broken her hip, but was suffering from malnutrition and abusing her medications. In short, she needed round-the-clock care and it was Nick’s responsibility to take care of it. A visit to his mother’s house revealed to Nick and Ben what she was going through: an empty fridge and freezer and a bedroom full of memories of Emelie. We also got a crash-course in the fractured relationship between mother and son. She doesn’t like his career choice and makes no apologies for her stance.

(The teacher, thankful Nick and Ben didn’t arrest him, asked the pair for help with one of his students. That brought the past back to the partners; they reported to the same high school where the massacre took place in Season 2. The bullet holes have been filled in, but the memories remain.)

Audrey, meanwhile, faced her past head-on when she requested to ride solo; the first time she’d done it since being violently assaulted. With flashbacks still fresh in her (and our) mind, Audrey came upon a group of people looking up: a woman was standing on the edge of a building. After attempting to talk the woman to safety, the pair tussled and for one horrifying moment, Audrey was in danger of falling. Then, as quickly as it started, it was over: the woman plunged off the roof and broke both her legs. She would survive, but the incident shook Audrey; J.M.’s ghost haunted her, explaining “the job fucks you up.” Will it do the same to Audrey? She was doing her best not to let it by calling Liam; talking to someone about her feelings is more important than bottling them up.

As for Dulac … well, things were getting serious for the rookie and Tammy, and not in a good way. Tammy’s ex-boyfriend had tracked her down and travelled from New Brunswick to Montreal to stalk her. Dulac ran to her aid off-hours and was promptly jumped by Tammy’s ex and beaten badly. I had an awful premonition recalling Emilie but that didn’t happen to Dulac. Instead, Tammy and her ex-boyfriend were collared and Dulac was admonished for dating a 17-year-old sex worker. Gendron was going to protect him … for a favour. Oh, how I’ve missed the sleazy side to Gendron.

After a long time away from 19-2, Maxim Roy returned as Isabelle, with a plan to help Ben shake his troubles for good. The plot? To arrest a mob guy with ties to several unions (including the police) while television cameras captured it all. It was a show of police force, but I couldn’t help but think the mob would consider it a middle finger and will come down on Ben even harder. Still, it does seem to have worked for now: the man who targetted Ben was found dead in the St. Lawrence.

The 19-2 series finale airs next Monday at 10 p.m. ET on CTV.

Images courtesy of Bell Media.

 

 

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Canadian Screenwriters and Producers Extend Agreement

From a media release:

Canadian screenwriters and producers have agreed to extend the current agreement governing English-language screenwriting in Canada. The Writers Guild of Canada (WGC), the Canadian Media Producers Association (CMPA), and the Association Québécoise de la Production Médiatique (AQPM) announced today that all parties have ratified an eighteen-month extension to the Independent Production Agreement (IPA), which will come into effect Jan. 1, 2018. This agreement maintains the current terms of engagement, with an increase of minimum script fees, and now expires on June 30, 2019.

All parties agree that screenwriters and producers are best positioned to face a time of industry flux by continuing to work under the terms of the current IPA in order to focus on issues that impact the entire industry. The extension includes a one per cent script fee increase in 2018.

WGC President Jill Golick says, “From contentious CRTC decisions to the government’s Canadian Content in a Digital World policy review, there’s a lot of uncertainty in our industry, making it a less than ideal time for labour negotiations. For now, our top priority is ensuring a healthy future for Canadian screenwriters. We are hopeful that in 18 months the situation will have improved significantly.”

CMPA Senior Counsel and Vice-President of National Industrial Relations Warren Ross says, “Today’s announcement means Canada’s independent producers and the country’s talented writers can continue to focus on what they do best — bringing compelling stories to life on screen that entertain audiences here at home and around the world.”

AQPM President and CEO Hélène Messier says, “The AQPM is confident that the agreement reached by the associations and the Guild will allow for the continued success of Canadian writers and producers. Canadian writers, with their remarkable ideas and distinct sensibilities, are an integral part of the Quebec television and film industry and the AQPM is glad to count on their continued services for the foreseeable future.”

 

 

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Link: Arnold Amber was CBC TV’s behind-the-scenes mastermind

From Fred Langan of The Globe and Mail:

Link: Arnold Amber was CBC TV’s behind-the-scenes mastermind
Most viewers never knew his name, but Arnold Amber, who died in Toronto on Labour Day at the age of 77, was the brains behind TV programs that millions of Canadians watched. For a decade and a half, he was the man in charge of special news broadcasts at the CBC, covering elections, leadership conventions, the first Quebec referendum and the Meech Lake crisis. He was also a passionate union leader, representing fellow journalists at the CBC. Continue reading.

 

 

 

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