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Working it Out Together recap: Birthing on her own terms

The second episode of Working it Out Together explores the positive ripple effect that childbirth creates via a woman within her community. It is about empowerment. It also critically examines, from the perspective of colonization, the effect that western medicine has had on the process of birthing in Indigenous communities across Canada.

We begin with the idea that women’s bodies are designed for childbirth. But the process of childbirth also acts to connect  women of a community together.  Historically, one woman within the community held a position of great distinction: the midwife.  It was the function of traditional midwifery to attend to the emotional, spiritual, physical, and mental health needs of expectant mothers, their newborns, and the families welcoming their newborns. However, with the invasion of western medicine came the belief that birthing was dangerous and thus required powerful people–educated physicians–to control the procedure. Governmental control* of women’s reproduction persisted and midwifery as a whole, across Canada, was outlawed. This disconnected women from their bodies and fathers/families from the process as well.

Traditionally, the cyclical process of birth is seen as a means of renewal and hope,  restoring balance to the community at large. The western practice of removing childbirth from the community to the sterile environment of the hospital, isolates women during the procedure, necessarily severing the initial ties between mother, child, and community. This in turn has created yet another social fracture among the people of the community and has disrupted the emotional and social balance in people’s lives for generations.

We are also reminded that historically, midwives attended successful births in very challenging environments, with limited resources, when compared to the living conditions that are more common today.  In this context then, trained midwives are able to recognise possible complications that could threaten the health of both mother and child. If  suitable medical instrumentation is also available, midwives can make these diagnoses well in advance, thus ensuring proper care for their patients.

The entire scenario further complicates birthing for women who live in the north. Communities that lack birthing centres are forced to fly expectant mothers south to the nearest hospital weeks in advance of their due dates. This removes them from family and friends for weeks at a time. Children are left missing their mothers; fathers and families are left struggling to care for distraught children. This is done because of the “what if” scenario, a plausible argument. However,  the added emotional stress this places on a community and/or family, coupled with the financial stress caused by extended hospital stays, could be eased simply by placing trained midwives, with appropriate equipment,  in  communities.

Episode two follows the journey of Shillene McNaughtan, a mother of three, pregnant with her fourth child. It is Shillene’s belief that the birthing centre at Six Nations is the more suitable location for a natural act of life, rather than attending a hospital for a procedure.  In Shillene’s case, we are also reminded of the complications gestational diabetes causes . Gestational diabetes in Indigenous women occurs at a rate five times the national average.

***Spoiler Alert*** Shillene gave birth to a healthy baby boy!

*This episode also touches on the government management of Indigenous reproduction with the forced sterilization of Indigenous women during the 1970’s. I wish we dug deeper into this very dark aspect of colonization in Canada.

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TV, eh? podcast episode 206 – Buckwheat Style Nuttiness

With Greg away this week, Anthony and Diane discuss the upcoming CBC schedule, new CTV morning show, the Leo Awards, Private Eyes’ good premiere ratings and a slew of new series announcements.

Listen or download below, or subscribe via iTunes or any other podcast catcher with the TV, eh? podcast feed.

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Corus announces Global and specialty schedules

The media releases from Corus today make me fear for their advanced caffeination levels and I can’t bring myself to print them verbatim but among the Canadian series news are these tidbits with the superlative adjectives edited out:

Global

Ransom – As announced yesterday, Global, together with TF1 France, green lit new original suspense drama Ransom, starring Luke Roberts (Black Sails, Game of Thrones), with CBS joining as a broadcast partner for the series. Production on Ransom will begin later this summer.

Mary Kills People – Also in production this summer, Global’s new original drama Mary Kills People has cast Caroline Dhavernas(Hannibal) as the series lead. The six-episode series follows Dr. Mary Harris (Dhavernas), a single mother and emergency doctor, who also moonlights as an underground angel of death – helping terminally ill patients who want to die slip away on their own terms. So far Mary has managed to stay under the radar; but her double life gets complicated when the police start to close in, forcing Mary to fight dirty if she’s going to stay in the killing game.

Big Brother Canada – After its most successful season yet, with an average audience of almost 1.2 million viewers per episode (2+) – growing audiences with total viewers and key demos A18-49 and A25-54 versus Season 3, Big Brother Canada, returns for a fifth season of competing, scheming, and household chaos. Based on Endemol Shine Group’s worldwide franchise and commissioned by Corus Entertainment Inc., Season 5 of Big Brother Canada is produced by Insight Productions in association with Corus Entertainment Inc.

Specialty Top Chef Canada from Food Network Canada makes its return with an All-Stars edition slated for early 2017. Real Housewives of Toronto promises an intimate look at the luxurious lives of the city’s wealthiest women, from their extravagant day-to-day escapades in Toronto to grandiose getaways at their exclusive colossal cottages in Muskoka, Canada’s playground for the rich and famous. A different kind of haute couture continues in the new Slice™ original Style Factory with a behind-the-scenes look at how fashion and beauty products are made. W Network is set to launch the first ever version of The Bachelorette Canada this fall. Bryan Baeumler, Scott McGillivray, and Mike Holmes all return to HGTV Canadawith new series this fall. Bryan Inc., Moving the McGillivrays, and Holmes and Holmes each give a deeper look into the personal and professional lives of the network’s biggest stars.

HISTORY treks north to Edmonton International Airport in the new, original series Airport: Below Zero. The series takes Canadians behind-the-scenes at North America’s most northerly big city airport. Joining HISTORY in Spring 2017, a team of crack investigators search for billions of dollars worth of treasures stolen by the Nazis in Nazi Treasure Hunters. Finally, CMT (Canada) brings host Billy Bretherton north of the 49th parallel in the original series Billy Goes North. The series chronicles Billy’s adventure with Canadian pests, critters, and gnarly animals other exterminators can’t handle alone.

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Leo award winners include Motive, 19-2, Blackstone, This Life

Last night the Leo Awards presented their gala awards ceremony — the final of three nights celebrating British Columbia’s film and television industry — and the television winners  were dispersed among several shows.

CTV’s whydunnit Motive won best dramatic series, beating out 19-2, Blackstone, Continuum and The Romeo Section.

In performances, Jared Keeso was named best lead performance by a male for 19-2, and Carmen Moore of Blackstone won best lead performance by a female. Lauren Lee Smith of This Life was named best supporting performance by a female, with Osric Chau  best supporting male for Blood and Water.

Jesse McKeown picked up a screenwriting award for 19-2’s “Orphans” episode, while David Frazee won best direction in a dramatic series for The Romeo Section’s “Elephant Faces East.”

For a complete list of winners, see the Leo Awards website.

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Comments and queries for the week of June 3

From our mailbag:

Cardinal

All these media releases keep saying Cardinal is CTV’s first ever serialized drama – huh?

References to that six-part murder mystery as “CTV’s first-ever original serialized drama” popped up in CTV’s announcement this week about The Disappearance, which they were billing as their second-ever serialized drama. People with long memories cited 1973’s Starlost as likely the first serialized original drama on the network, with later contenders including Would Be Kings, Associates, Whistler, The City (aka Flesh and Blood) and Power Play. After my inquiry, CTV adjusted the media release on their website to say that Cardinal and The Disappearance are the  first- and second-ever limited run original serialized dramas.  Would Be Kings was a two-part miniseries they’re not including in the definition of “limited run”, but I’ve simply deleted the reference in the media release as published on this site.


Caught/The Council 

Just realized CBC didn’t mention “Caught” in their latest press release about the new season. I wonder what’s up? 

As our questioner saw immediately after tweeting us, Allan Hawco, the star and producer, tweeted that the show will be delayed from the winter 2017 time period originally announced. The Council is another show missing from CBC’s recent season media release, and was originally announced as a fall 2016 newcomer. CBC’s Sally Catto explained that Caught was caught in a financing issue, while The Council has been delayed because of climate and location issues — it was being filmed in Iqaluit and Manitoba.

I think the climate excuse is a crock. The north is the north and the show needs to adapt to what they are given.

Sure, but a few points to consider …

  • Sally Catto was candid about financial issues on Caught, though she could have made a generic comment about production delays for both shows.
  • The originally announced time from greenlight to air was fast in Canadian TV terms.
  • The logistics of shipping everything up to a place that doesn’t have a TV industry infrastructure and that has a very short filming window are not exactly easy (for example Arctic Air had its own short-window issues filming in Yellowknife which isn’t as remote as Iqaluit). It’s not hard for me to believe they ran into location scouting, crewing, shipping, etc. issues and didn’t want to rush the show to air to meet a self-imposed deadline.

We may never know if there were other issues involved as well, but I don’t have any problem believing climate and location was a big one. I also think it’s admirable they want to shoot in the place the series is set rather than faking the Arctic around Vancouver.


Sensitive Skin

Who plays David (silver-haired man) in tonight’s episode of Sensitive Skin (season 2 episode 2, May 29, 2016)? Thanks.

Guest starring in that Kim Cattrall series is Hamilton-born, Edmonton-raised Rick Roberts (pictured above), who also has a starring role in CBC’s This Life (which returns for a second season Sundays this fall). He’s had a long and varied career in Canada and the US so he might look familiar from Republic of Doyle, Traders, Jack (the Jack Layton TV movie), Pontypool or a number of other roles — not always with that distinctive silver hair, of course.


Private Eyes

This seems good, but it just reminds me a bit too much of Republic of Doyle, don’t you think? I didn’t know it was inspired by a book though, so it might be just a coincidence, but I don’t know …

I think if you watch the show you’ll see it has a similar tone to Republic of Doyle but it’s far from a carbon copy.  Given the CBC series isn’t coming back, its fans might find this one scratching a similar itch, though. It’s worth noting that wisecracking detective/cop shows are not rare, especially in Canada — no reason to think there’s a copycat situation going on here.


Wipeout Canada

Just curious how to become an applicant for the show Wipeout Canada.

The show had its first and only season in 2011 on the now-defunct TVropolis channel, so the short answer is you can’t. Actually that’s the long answer too, since even the longer-running U.S. version is now off the air.

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