Everything about Featured, eh?

Preview: SongbirdSOS examines declining numbers of feathered friends

My Toronto backyard is a playground for songbirds. We have a resident cardinal and his mate that have claimed our property as theirs. Robins, sparrows, chickadees and crows land on the lawn in droves. We’ve had woodpeckers on our dying tree in the back, and goldfinches in the flowers out front.

But we’re on the verge of losing our birds forever. That’s what SongbirdSOS—part of Thursday’s episode of The Nature of Things—posits. As York University’s Dr. Bridget Stutchbury says, species of birds still exist, but their numbers are way down. The wood thrush population in the Americas is down 62 per cent since 1966; the Baltimore Oriole is down over 45 per cent; the Bobolink has seen a 64 per cent decline. The question is, why?

Beautifully shot, SongbirdSOS suggests a few sobering answers. Mankind’s creation of artificial light has messed with the birds’ ability to migrate during the night, disorienting them and causing midair collisions. And, of course, we’ve constructed huge skyscrapers that songbirds fly into, a point driven home by FLAP  (Fatal Light Awareness Program) Canada when they lay out the bodies of hundreds of dead birds on a plain white sheet for all to see. Lost breeding and wintering habitats in rain forests, wetlands and boreal forests, oil pipelines and farm pesticides are contributing to declining song bird numbers, as well as house cats.

On the positive side, there are steps being taken to halt the dropping populations, including allowing birds to feast on hurtful insects in Costa Rican coffee fields and mandating building owners to switch off the lights at night. Hopefully enough changes will come in time to save the songbirds before their tunes cease.

The Nature of Things airs Thursdays at 8 p.m. on CBC.

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Review: Trains and strain on X Company

I love Juliet Stevenson. I first saw her in Truly Madly Deeply, then Bend it Like Beckham, Nicholas Nickleby, The Hour and Atlantis. So I was thrilled to see her take on the role of Marie Bellaire, the fiery French mayor of Saint-Antoine.

X Company‘s latest, “Walk with the Devil,” carried on the exploration into the complex relationship between the French and the Nazis during the occupation of France. Though some citizens saw Marie rubbing shoulders with the SS officers in town as blasphemy, she saw it as a guarantee of keeping her citizens safe. I could certainly understand her feelings; she was voted into office and had a responsibility to uphold. Things got complicated, however, when several of the town’s girls, including her niece Claire, were taken to a private school.

Instead, the girls were impregnated by German soldiers as part of the Ledensborn Program, Adolf Hitler’s plan to breed the perfect Aryan race. Give birth to a healthy, blonde-haired, blue-eyed baby and it was adopted by a German family. Have anything else and it would be disposed of.

The lengths Marie would go for the town was driven home when Harry and Neil’s plot to blow up the German train—packed with torpedoes—hit a snag and the train was halted while still in the station and with the fuse lit. Putting a gun in the back of the SS officer was signing her death warrant, but it ensured the train left town before it blew sky-high. I knew it was coming, but I was still shocked when Marie took a bullet in the forehead.

But at least the townspeople were safe.

Notes and quotes

  • I love old trains and that one in Wednesday’s episode was beautiful.
  • I’m relieved that Sinclair knew all along that Krystina was reporting back to British high command and that the two have become a united front.
  • The Oberfuhrer better watch himself. I’m betting his underling will be all to willing to report his son has Down’s syndrome if it means an advancement.

X Company airs Wednesdays at 9 p.m. on CBC.

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Discover this, CRTC

I’ve been gorging on a lot of UK crime dramas lately, though crime shows have rarely been my preferred series of choice (there’s a The Wire exception to every rule though).  Luther might have been the first I devoured, but it’s been followed by The Fall, Happy Valley, Scott & Bailey, and Broadchurch. I tried others and found they weren’t to my taste: Inspector Morse and Midsommer Murders are two I remember. Some UK not-crime dramas slipped into my heart, too: Call The Midwife, The Bletchley Circle.

US series have the advantage of all the marketing money in the world and being widely covered in Canadian media, and Sherlock Holmes and Downton Abbey have become mainstream North American water cooler shows, but how did I discover all these UK series? Netflix. One after another, Netflix told me I’d probably like them, and Netflix is often right.

One of the interesting aspects of last week’s TalkTV announcements was the CRTC’s intention to host a “Discoverability Summit” this fall to “bring together innovators and thought-leaders from the public and private sectors to explore how technology can be used to help viewers find programs made by Canadians.”

Great things happen when thought leaders get together, naturally. I sure hope those innovators consist of the people who thought up the Eye on Canada brand.  That was super successful.

Sarcasm aside, very few Canadian series are on Netflix Canada, and that’s by design. Shaw, Rogers and Bell don’t want their programs on the evil empire, choosing instead to create their own walled garden streaming services where they can place their original series, unfettered by Netflix’s established, incredible recommendation engine.

I’m unlikely to be invited to this Discoverability Summit, but I have some ideas for the CRTC and the industry at large, free for the taking:

  • Sell your damn shows to Netflix.
  • Fund TV critic positions at all major newspapers in the country. Accept that these critics will not always cover or like your shows, and fund the positions anyway. Newspapers sure aren’t doing much of that lately.
  • Hell, fund TV, eh? (I may have a slight bias here.)
  • Run far, far away from attempts to brand all Canadian content as though it’s the brand and not the show that matters (hi, Eye on Canada).  In fact run from anything that smacks of “build it and they will come”.
  • Did I mention Netflix? I hear they buy shows.
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Preview: Hockey Wives score for W Network

“If Brandon cheated on me, I would cut his balls off, cook them and make him eat them.” This is what would befall Montreal Canadiens right winger Brandon Prust if he ever cheated on his girlfriend, Marpier Morin.

Morin’s threat is just a sample of the various bon mots and personalities uncovered in the first episode of Hockey Wives, debuting Wednesday at 10 p.m. ET/PT on W Network. The reality show follows 10 girlfriends and wives of NHL hockey players and coaches who are shown doing the everyday things that other married women do, like shop, take care of kids or carry on a career. Unlike most married women, however, these gals live in an environment where an injury to their partner can mean the end to a steady paycheque or a trade equals picking up their entire lives and moving somewhere else.

For someone like Noureen DeWulf—betrothed to Vancouver Canucks net minder Ryan Miller—it equals a couple of unknowns. Pregnant with their first child, DeWulf is unsure whether to move to Vancouver to be with her man or stay in Los Angeles and continue her acting career.

For Brijet Whitney—wife of recently retired player Ray—it means a wholesale upheaval in her life. The mother of three has her husband home for the first time in over two decades and worries they’ll become a statistic of hockey couples who divorce after the player hangs up his skates for good. Brijet is clearly the most grounded of all the wives featured in Episode 1; she’s been through the ups and downs of an NHL career and knows it can be taken away in a flash.

Hockey Wives isn’t my cup of television tea, but I certainly see the allure. The opportunity to tune in and see how these ladies get on with organizing the home and kids while their pro athlete partners are away is fascinating stuff. Even the group get-togethers—which I’m sure were set up by producers and fuelled with booze in hopes of fireworks going off—are entertaining, if not a little tame.

Hockey Wives airs Wednesdays at 10 p.m. ET/PT on W Network.

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TV, eh? podcast episode 178 – It’s Not Easy Being Green Beer

The bulk of this week’s show featured Diane, Anthony and Greg breaking down the major points of the CRTC’s latest decision regarding the future of Canadian TV. (Special kudos to Kelly Lynne Ashton for her easy-to-understand breakdown of the decisions: you can find the links to them in this week’s He Said/She Said column.)

Also on tap: a chat about Chris Haddock’s return to the CBC with The Romeo Section and the Canada-Brazil co-production Rio Heat, which we kinda hope is so bad it’s good.

Listen or download below, or subscribe via iTunes or any other podcast catcher with the TV, eh? podcast feed.

Want to become a Patron of the Podcast? We’ve got a Patreon page where you can donate a small amount per podcast and get a sneak peek of each release.

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