Everything about Reality, Lifestyle & Documentary, eh?

Mighty Cruise Ships sails into Season 2 with drama and extravagance

You have to admire Exploration Production Inc.’s, track record. Discovery’s in-house production company is responsible for some of the most engaging—and highly rated—series on specialty television. They’re not only the folks behind Daily Planet, Megaspeed, Forensic Factor and Factory City but the “Mighty” series, including Mighty Ships and Mighty Trains.

Pulling away from Discovery’s dock on Sunday is Season 2 of Mighty Cruise Ships, which aims to spotlight the most outrageous, expensive and exciting cruise ships sailing around the world. The first episode features a stunner: the Carnival Vista. The largest in the Carnival fleet, the ship cruises the Mediterranean with more than 4,600 passengers, and crew of 1,400 in almost 2,000 staterooms. There are 10 restaurants, a 140-metre long slide, IMAX theatre, brewery and—astoundingly—the first-ever suspended bike loop that allows guests to ride 46 metres above the sea. Carnival Vista truly is a small city on the sea, and that comes with positives and negatives.

What has always impressed me about the Mighty series of programs is the unrestricted access they get not only to staff but the nooks and crannies of the things they’re exploring. With just a few hours to do it, the crew successfully completes a turnaround in Greece, offloading previous passengers and their luggage, cleaning, refreshing and loading new passengers, luggage and supplies for the next 10-day voyage. That means cleaning tons of laundry, overseeing 350 pallets of food … and getting out of port on time.

Not everything goes well. Mere moments after beginning the voyage there is an emergency that shows just how nimble a massive ship and its crew can be when called upon.

Upcoming weeks of Mighty Cruise Ships focus on Royal Clipper, Viking Sea, Europa 2, Ocean Endeavour and MSC Divina.

Mighty Cruise Ships airs Sundays at 7 p.m. ET/4 p.m. PT on Discovery.

Image courtesy of Bell Media.

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Introducing the six from the 6ix: Slice reveals The Real Housewives of Toronto

From a media release:

This March share in all the glitz, glamour and drama that Toronto has to offer with The Real Housewives of Toronto premiering Tuesday, March 7 at 10 p.m. ET/PT on Sliceâ„¢. The hotly anticipated 10×60 series follows six of Toronto’s most privileged, powerful and glamorous women as they navigate the elite social scene of Canada’s largest city. Watch as the ladies open up their extravagant lives and share every shocking moment as they deal with the ups and downs of relationships, careers and family.

The wait is over. Meet The Real Housewives of Toronto:

  • Kara Alloway – devout fashionista, mother of three.
  • Roxy Earle – outspoken jet-setter and entrepreneur.Gregoriane (Grego) Minot – proud mother and life of the party.
  • Gregoriane (Grego) Minot – proud mother and life of the party.
  • Ann Kaplan Mulholland – sharp businesswoman with an even sharper wit.
  • Joan Kelley Walker – small town girl living the big city dream life.
  • Jana Webb – sizzling fitness CEO and single mother.

The housewives juggle many responsibilities including families, growing empires, multiple homes and jam-packed social calendars. Throughout the series, cameras follow them at home in Toronto, north to Ontario’s playground for the rich and famous, Muskoka, and across the ocean to Barcelona, Spain. The housewives live large in every sense; dining at Toronto’s top restaurants, attending lavish soirées, travelling first class to luxurious destinations, and shopping for the very best designer clothes, shoes and jewelry. But not all that glitters is gold as the women deal with the highs and lows of living large in the big city.

The Real Housewives of Toronto is the latest series to join The Real Housewives franchise, which includes Orange County, New York City, Atlanta, New Jersey, Beverly Hills, Dallas, Potomac and international additions from England, Australia, New Zealand and Vancouver.

The series is produced by Lark Productions, in association with Corus Entertainment’s Slice™.

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Link: Showcasing The Bugs In Your Home!

From Jim Bawden:

Link: Showcasing The Bugs In Your Home!
Usually on The Nature Of Things TV fans get to visit tropical rain forests or the frozen Canadian North or laboratories in Oxford University.But director Roberto Verdecchia had this great idea — he wanted nothing better than to visit an average Toronto home and report from there.

But director Roberto Verdecchia had this great idea — he wanted nothing better than to visit an average Toronto home and report from there.

You can see for yourself on the absolutely original hour The Great Wild Outdoors which premieres on CBC-TV Thursday, February 9 at 8 p.m. Continue reading.

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Link: CBC’s Vancouver-shot Crash Gallery returns with fun and facts from the world of visual art

From Craig Takeuchi of The Georgia Straight:

Link: CBC’s Vancouver-shot Crash Gallery returns with fun and facts from the world of visual art
What does trying to paint on a canvas suspended above you while being rotated in a circle sound like to you?

Bizarre? Intriguing? Fun? All of the above?

If you answered yes to any of those questions, you’ll probably want to check out CBC’s Crash Gallery, back for a second season on CBC. Continue reading.

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Crash Gallery returns for a colourful, chaotic second season

Crash Gallery host Sean O’Neill has a few modest goals for the visual art competition series, which is heading into Season 2 tonight on CBC. “I do think art can transform lives, I do think art can help build a more compassionate, empathetic, humane society. And it’s also fun. It feels good.”

He has hopes the accessible, high-energy show—airing on primetime on the public broadcaster—can act as a gateway drug to a type of art that doesn’t often benefit from the pop culture embrace given to music or movies, for example.

“It’s really about having fun with art. It’s not about creating masterpieces. It’s not a 30-minute art history lesson,” said the host, whose day job is an associate director with the Art Gallery of Ontario, where, like other art museums, he and his colleagues have had plenty of conversations about how to bring visual art to a broader audience.

The five episodes of Season 2 were shot one a day in Vancouver, where media were invited to participate in a challenge the contestants had also tackled. Lying face up on a rotating platform, a canvas above us, covered in disposable overalls, we began to paint … and attempt to avoid the inevitable splatters. (My hairdresser a few days later: “Were you painting something red?”)

After our time was up, the judges asked us what our vision was for the painting. Me: “To not get paint in my mouth, oh and the colours and motion of nature.” They then offered their very kind, you’re-not-professional-artists critique which nonetheless had me puffed up for weeks when they compared it to a famous (to people more in the know than me) painting by abstract impressionist Joan Mitchell.

You be the judge: an original Wild on the left, Mitchell on the right.

The judges and critiques are new this season, bringing more depth to the conversation around the art without veering into an “eat your vegetables” art history lesson. Also new is that the show flew in artists from around the country rather than sticking with the Vancouver-area base of Season 1. The colourful, frenetic energy remains, helped by the new set that is more gallery, less warehouse.

“I think people are curious about art,” said O’Neill. “I hope people watch the show and the world of visual arts seems a little less intimidating. I hope they think, hey, I can pick up a sketch book, or take an art class, bring my grandchildren to an art museum, or go with friends to one of the late night parties most of the museums are throwing. I hope it helps break down barriers between people and the visual arts. It’s a show for people who are curious.”

Crash Gallery airs Sundays at 9:30 p.m. on CBC.

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