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TV,eh? What's up in Canadian television

Link: Interviews a-plenty on Orphan Black

From Eric Deggans of NPR:

Clone Drama ‘Orphan Black’ Returns As Complex And Complicated As Ever
For fans of BBC America’s majestically complicated drama Orphan Black, it might be the toughest task they face all year: Explaining to newbies what the heck is going on just before the new season starts on Saturday. (Spoiler Alert: several plot points from the new season are discussed below). Continue reading.

From Alan Sepinwall of Hitfix:

‘Orphan Black’ co-creator on season 3: ‘Our sisters are teamed up a little bit more’
In its second season, “Orphan Black” came perilously close to collapsing under the weight of its many interlocking conspiracies. The BBC America sci-fi drama still had Tatiana Maslany’s remarkable performance(s) as a series of clones on the run from their makers, and it had turned each clone into a fully-realized character, many of whom could potentially carry their own show without the others. But the mythology got so dense, and forced so many abrupt changes in loyalty among both the clones and their various enemies and allies, that at a certain point I resolved to just pay attention to the character work, the comedy, and the episode-by-episode thriller material and not focus much brainpower on trying to keep track of who’s in charge and what their agenda is. Continue reading.

From Maureen Ryan of Huffington Post:

‘Orphan Black’ Returns With Boy Clones And More Mysteries
We know Maslany will inhabit each clone identity so thoroughly that we’ll forget one woman is playing half the cast. We know each clone will have a male friend or lover — think Alison’s husband Donnie, Sarah’s hunky boyfriend Cal, Cosima’s science pal Scott — who will be simultaneously impressed and a little afraid of each woman’s boldness and bravery. One of the smallest but most welcome subtexts of this energetic BBC America show centers on the idea that men find the sisters, who stick by each other and fight hard for their autonomy, attractive as either friends or lovers. “Empowerment is sexy” isn’t the show’s tagline, but it could be. Continue reading.

From Amber Dowling of TV Junkies:

Tatiana Maslany: Tony, cages and Orphan Black season 3
To gather more Season 3 intel, The TV Junkies caught up with Ms. Clones herself, Tatiana Maslany. Here she talks about last season’s introduction of trans clone Tony, filming scenes in a box and Orphan Black‘s ongoing gender identity debates. Continue reading.

From Caroline Siede of AV Club:

Orphan Black’s third season almost devolves into chaos before finding its feet
Throughout its excellent second season, Orphan Black was always in danger of tossing one too many balls in the air. In addition to exploring female identity through five clones (Tatiana Maslany as Sarah Manning, Alison Hendrix, Cosima Niehaus, Rachel Duncan, and Helena), the ever-expanding show introduced multiple shadowy corporations, corrupt religious institutions, scientific mysteries, conspiracies-within-conspiracies, and uneasy alliances. The season finale added yet another factor: a line of male clones known as Project Castor who were developed for, and controlled by, the military. The third-season premiere struggles to keep all those elements in the air as it reintroduces major players and key plots, but once the show settles into familiar patterns, it’s as good as it’s ever been. Continue reading.

From John Doyle of The Globe & Mail:

Orphan Black veers from terrific to trite and back
It’s back – the phenomenon that is Tatiana Maslany marches back to amaze us, again.

Orphan Black (Saturday, CTV, Space, MTV Canada, 9 p.m.) starts its third season with an idyllic scene. Maslany, as several of the show’s clones, and other characters are in a pleasant outdoor party situation. The music on the soundtrack is a version of the Beach Boys’ Wouldn’t It Be Nice. “Maybe if we think and wish and hope and pray it might come true …” Continue reading.

From Dalton Ross of Entertainment Weekly:

Orphan Black creator promises ‘bold moves’ in season 3
Orphan Black will be doubling down—pun intended—when season 3 kicks off this Saturday with the addition of a whole new batch of male clones (played by Ari Millen). Who are they? What do they want? And how will they affect the female clones we know and love, played by Tatiana Maslany? We traveled north of the border to the Orphan Blackset to put co-creator Graeme Manson in the hot seat. (Actually, it was pretty damn cold up there.) Here’s what he told us. Continue reading.

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TV Eh B Cs podcast (repost) – Ari Millen’s Clone con Brio

When Anthony talked to Ari Millen in September, it had just been announced that he would be the next set of clones on Orphan Black. In case you missed it, here’s their conversation that’s no “cloning” around.

Discussions about growing up in Kingston and transitioning to Toronto, how dreams of a glorious Orphan Black death led to an unexpected “splice” of life, learning by watching on set, and JUST wrapping the film Hunter’s Moon. Plus a little obligatory talk about growing up goalie and grasping for a lost Italian word… chinotto!

Listen or download below, or subscribe via iTunes or any other podcast catcher with the TV, eh? podcast feed.

Want to become a Patron of the Podcast? We’ve got a Patreon page where you can donate a small amount per podcast and get a sneak peek of each release.

 

 

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Ari Millen steps into the Orphan Black spotlight

Canadian actor Ari Millen is poised for great things. From one viewpoint, his position is enviable: he’s playing the new male clones (all four that we know of!) on sci-fi TV zeitgeist Orphan Black and is the focal point of Season 3. Looking at it another way, it’s downright terrifying—his performance(s) will be a make-or-break scenario for the show, and he’s stepping into some gigantic shoes after castmate Tatiana Maslany expertly played more than six different clones for two seasons.

TV, eh? spoke with Millen in a dark-lit apartment in Toronto. Simply put, Millen is an absorbing man, very passionate about his roles, and his eyes have that thing where they stare directly into your soul. His gaze never wavers, and his slow, deliberate tone foreshadows what’s most likely going to be an intense season of Orphan Black.

Trained in classical theatre at Toronto’s Ryerson University, Millen brings a solid repertoire along with his striking look. Yes, he’s not just a pretty face. Maslany, also schooled in theatre and improv, transcends the typical TV actor in the same way. Together the duo are a formidable pair, and on screen they deliver the goods. There is a tangible exchange between the two, and Millen did his best to learn the tricks of playing multiple clones from his predecessor.


If they were the Seven Dwarves, Seth would be Dopey. I look like my maternal grandfather with that moustache, it’s kind of scary.


“I sat in on the clone dancing party shoot in the Season 2 finale, just to get a taste of what that sort of scene is like, where you play different characters,” says Millen. “No one spoke to me about how to do it, I kind of learned through osmosis. All actors have different ways of getting into things, but I definitely learned from watching Tat.”

It is quite the challenge. Millen is playing four Project Castor clones—probably more as the season progresses—and like Maslany’s characters, they vary wildly. There’s Mark, who we already know, who’s run off with Gracie. Rudy, who we saw in the Season 2 finale, is the “alpha-male peacock” (Millen’s words) with the scar, always looking to push somebody else’s buttons. Seth is the moustachioed clone, the goofball.

orphan_seth

“If they were the Seven Dwarves, he would be Dopey,” laughs Millen. “I look like my maternal grandfather with that moustache, it’s kind of scary.”

Perhaps the most intense and multi-faceted character Millen is going to play this season is Miller, a military-minded clone who lost his leg in the field. He is sharp, refuses to take any pity, and still resolves to be the best soldier he can be. Despite his disability, he yearns to be top military brass. From these four characters, it’s apparent there is a wide spectrum of personality traits Millen has to hit.

“For me, the whole process was done completely in reverse,” he says. “Normally I would develop the character after reading the scripts and figure out who the person was. When the guys were introduced, the two ones at the end of Season 2, I don’t even know if the writers or producers knew who they were, as characters. I only had visuals on them for most of the summer leading up to shooting. I knew Mark, obviously. For Rudy, Miller and Seth, it wasn’t until I sat in the makeup chair and they adjusted the hair or added the scar or moustache, then I could figure out who they were.”

Millen has been appearing here and there in a number of projects over the past couple of years. (“I died six times last year!” he jokes.) Again, like Maslany, who starred in several independent films before making waves at Sundance and ultimately getting the gig on Orphan Black, Millen has appeared in several TV shows (and a couple films) in small-yet-diverse roles, often starring next to some of Canada’s finest talent.


I was so excited to get to play more than one character, sometimes in one day. I can’t wait to explore different parts of my personality, and make them bigger.


He played The Shadow King in Reign alongside Megan Follows, deliciously chewing the scenery as a fraudster. He played former CIA analyst and whistleblower Adam Wexler (think Edward Snowden) in 12 Monkeys, and had bit roles in both Nikita and Rookie Blue. Film-wise, he appeared in retro-horror movie Hellmouth and the as-yet-released werewolf flick Hunter’s Moon, which stars none other than legendary actor Colm Feore.

Weirdly, Millen’s acting trajectory looks very similar to Feore’s, and that is not lost on him.

“Colm Feore is definitely someone whose career I admire,” says Millen. “If I could emulate his career, I would count myself very lucky. That, for me, is the pinnacle of making it —someone who can do a healthy balance of film, television and theatre. And it’s on the world stage too.”

All of Millen’s experience culminated for Orphan Black, and he poured himself into the roles with every single ounce of energy.

“It certainly is a challenge unlike any other that I’ll encounter in the acting world, but it’s been nothing but exciting,” he says. “I was so excited to get to play more than one character, sometimes in one day. I can’t wait to explore different parts of my personality, and make them bigger.”

Orphan_miller_143

He still considers himself somewhat of a rookie in the industry, and is set to do what is probably the right thing—ignore the Internet—when it comes to comments or blogs about the show. Knowing how rabid Orphan Black fans are, and how critical they can be, Millen doesn’t want it to colour his performances in any way going forward.

“I’m going to ignore a lot of it,” he says. “Positive or negative. Thankfully we’re done shooting. The danger might be, if I read it, if it was positive, I’d be like, ‘Yeah I’m doing great!’ and then lose sight of what I’d found. If it was negative, I’d start changing the way I approached it. I’m not going to go looking for it, that’s for sure. I’m too green. I haven’t built up a callus yet. I need more time in the industry before I can laugh it off.”

But he couldn’t be happier being a part of Orphan Black. As most of the cast and crew have attested, the feeling on-set is one of harmony, a collective group giving their all to deliver.

“It’s very seldom that you get the entire package,” he says. “This is one of those projects where everyone across the board is equally enthused about bringing the product to life. It’s never going to work on Orphan Black unless everyone is invested. It’s a very good, supportive and healthy atmosphere.”

And what can we expect from Season 3?

“It’s a really exciting season. The introduction of Project Castor is forcing Project Leda to batten down the hatches and become more cohesive. It’s really challenging Sarah and her sisters. They’re nobody to mess with!”

Orphan Black returns Saturday, April 18, at 9 p.m. ET on Space, CTV, Bravo and MTV.

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Link: ‘Orphan Black’ Origin Story: Co-Creator John Fawcett On How the Show Nearly Never Happened

From Liz Shannon Miller of IndieWire:

‘Orphan Black’ Origin Story: Co-Creator John Fawcett On How the Show Nearly Never Happened
“It sort of began with the idea of a woman seeing her twin or her clone or her double commit suicide in front of her. At the time, we were in a subway station. We wanted to do it in a subway. Then I had this idea, because I’ve always been a fan of genre. I’ve always been a fan or science fiction and horror. Gareme [Manson] was a buddy of mine and he’s a very good writer. I approached him with this concept and we started working on it together as a feature film. I kind of went, “Here’s a really cool idea for an opening scene, what is it?” So we kind of started working on it together and developed the idea that this was a clone story.” Continue reading.

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Keith Pelley to leave Rogers for golf’s The European Tour

From a media release:

Rogers Communications today announced that Keith Pelley, President, Rogers Media, will leave the company to become the new Commissioner and CEO of The European Tour – a global golf tour featuring 48 events in 26 countries. He will remain President of Rogers Media until his departure this summer.

During his tenure, Pelley repositioned the media business to address the changing media landscape. He reorganized the media division, breaking down silos to function in an integrated manner across the diverse portfolio of assets; he led the push to digital across the publishing brands; launched shomi and Next Issue in Canada; launched Sportsnet magazine to make Sportsnet the only five-platform sports media brand in the country; and expanded the reach of the company’s TV assets to deliver world-class content to more Canadians. He joined the company in August 2010.

A search for Pelley’s successor will begin and details on his exact departure date will be announced later.

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