TV, eh? | What's up in Canadian television | Page 1227
TV,eh? What's up in Canadian television

Review: Tumble from the top on MasterChef Canada

You’re only as good as your last dish. Michael Bonacini’s point was certainly driven home on Sunday when David found himself in the bottom two next to Kwasi. It was a pretty stunning fall for David, who has up until this point wowed the judges with his creative take on several recipes, earning him challenge wins and spots as team captain.

And yet it almost ended during “One Potato, Two Potato,” first when his red team and Sabrina’s blue team lost the Team Challenge to Line’s ragtag group of misfits on the green squad. I was sure that David’s bacon-topped poutine would win him votes from hungry University of Guelph students, and they very well might have if the contest had taken place right after the campus pub closed for the night. Instead, the kids—seemingly sober after a day full of classes—opted for Line’s butter chicken on fries and she walked away with the win and safety for her team.

That meant strong chefs like Michael, Christopher, Sabrina and Cody battled it out in the Elimination Challenge re-creating tortellini for the judges. And though Cody, Sabrina and David were confident their flavours would triumph, all three were criticized for lacklustre attempts. Luckily for them, Kwasi’s African and Italian-inspired pasta filling confused the judges, leaving them the easy task of sending him home.

Notes and quotes

  • I had no clue the University of Guelph had that agricultural program. Is it too late for me to enrol as a mature student?
  • Michael Bonacini can talk about “perfectly seasoned gravy” all he wants. University kids aren’t picky when it comes to scarfing down poutine after a night at the campus pub.
  • “Grab your potatoes!” Alvin makes everything sound dirty.
  • Alvin is the huggiest judge of Season 2.
  • As a judge, I’d be worried there was finalist sweat in my food.

MasterChef Canada airs Sundays at 7 p.m. ET on CTV.

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Link: Canadian Actress Alberta Watson Passes Away At 60

From Brent Furdyk of ET Canada:

Canadian Actress Alberta Watson Passes Away At 60
Toronto-born actress Alberta Watson has passed away. She was 60.

Watson’s passing was confirmed by her agent Pam Winter, who told ET Canada, “It is the case, sadly. Alberta passed away on Saturday evening at Kensington Hospice in Toronto. Her husband Ken was by her side. We await details of a memorial service for her.” Continue reading.

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You say quality, I say qualit … eh?

When the CRTC talks about creating more quality TV, when John Doyle talks about a golden age of TV, when Jesse Brown says Canadian TV has a quality problem, when I say there are quality Canadian shows no one talks about … are we all talking about the same thing? The short answer is no. The long answer is noooooooo, so be skeptical about all discussions on quality in Canadian TV.

With recent changes designed to focus broadcasters on bigger budget and less obviously Canadian primetime drama at the expense of other types of Canadian programming, it seems the CRTC is defining quality as big budget dramas that will sell to the international market — while also name-checking shows such as Reign and Beauty and the Beast which do have US broadcasters and have no visible Canadianness, but which are neither ratings behemoths nor critically acclaimed.

You know what doesn’t guarantee quality? A bigger budget. You know who buys international shows? Netflix. You know what buyer of international shows the Canadian TV industry thinks is the devil, and which buyer of international shows’ testimony the CRTC struck entirely from the TalkTV record ? Netflix.

John Doyle is looking for shows critics and a cult audience can salivate over, such as Mad Men and Breaking Bad. Yet in a country where we have less than a handful of professional critics, 1/10 the population of the US and non-existent marketing budgets, our critical acclaim can often be distilled to “John Doyle likes it” and our audience buzz to “no one’s heard of it because it’s on a pay cable channel 10 people subscribe to.”

I think we’ve had shows that stand up as golden: Slings and Arrows, to go further back in time than I’d like, but also Michael: Tuesdays and Thursdays, Strange Empire, Less Than Kind, Intelligence, Blackstone, Hard Rock Medical, Call Me Fitz, 19-2. But all those choices are subjective, as in “Diane thinks they’re good.”

If we’re talking about what the Canadian TV industry should aspire to, the only way I can define quality  is “shows Canadians want to watch.” What US, UK or Norwegian show has become popular with international audiences without being successful at home?

So by the “good ratings for that particular network” metric, the only quality metric that matters, Canadian TV is doing well lately. In the last few months, the top 30 has included Murdoch Mysteries, The Book of Negroes, Rick Mercer Report, Motive, Saving Hope, Masterchef Canada, not to mention all the hockey and news I don’t care about. Bitten is among Space’s most popular shows — more so than critical darling Orphan Black, in fact. 19-2 is doing well for Bravo. Trailer Park Boys is getting its second Netflix-only season.

Few of those popular shows are personal favourites, but I’m not advocating for DianeTV: I’m advocating for a strong Canadian TV industry.

The industry needs to take more risks, to aspire to better, to have original content as a business imperative. There is much, much room for improvement. I’m just not sure the CRTC’s definition of quality — or any other definition that isn’t about what audiences actually watch — is useful.

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