TV, eh? | What's up in Canadian television | Page 1610
TV,eh? What's up in Canadian television

Bomb Girls’ Michael MacLennan on his WGC Screenwriting Award Nomination

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This year’s Writers Guild of Canada Screenwriting Award winners will be announced on April 22. We’ve been catching up with many of the writers nominated in the comedy and drama categories. Bomb Girls‘ Michael MacLennan was nominated for his episode “Jumping Tracks.”

Can you describe the episode “Jumping Tracks” and how it fit into the Bomb Girls season?

“Jumping Tracks” is the first episode of the series, establishing the “world” of the show, setting up the central characters and their various interconnections, and beginning the major themes, conflicts and storylines that launch the show, garner an audience, and serve as a blueprint for the episodes to come.  In other words, there’s a lot that goes into those 50 pages!

What was the biggest triumph in this particular episode?

Triumph?  Hm, I’d have to say two: when Lorna, a modestly educated, working-class woman, finds the courage to stand up to a doctor in order to protect one of her girls (Vera) and give her top-tier medical treatment reserved for soldiers.  And in a different light, I’d say the moment when Gladys decides to accept a marriage proposal from Lewis, a man she barely met, before he goes overseas, likely never to be seen again.  There’s something about how she elects to boldly give comfort and bolstering to this fellow — and in so doing, offers us — and herself — an inkling of just what she’s capable of.

What does this recognition mean to you?

It’s huge.  It’s the one opportunity for the script to be recognized AS a script, and given all the thinking and writing that’s gone into it, it means a great deal, especially since it is, as they say, a jury of one’s peers.

Bomb Girls is airing its second season on Global on Monday nights. 

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Cracked and Motive part of Canadian cop show trend

From Scott Stinson of the National Post:

Can cons: Motive and Cracked add to our reputation of solid police dramas
It’s one of those generalizations that would probably fall apart under the weight of real-world evidence, but we Canadians like to think of ourselves as having a softer approach to certain kinds of criminals. It’s interesting, then, that two new successful shows on Canadian networks are both cop series in which the detectives, and by extension the viewers, are led to feel empathy for the murderers. Read more.

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Jonathan Strange & Mr Norrell in production for Space

From a media release:

JONATHAN STRANGE & MR NORRELL
ANNOUNCE WORLD CLASS CO-PRODUCTION TEAM

JONATHAN STRANGE & MR NORRELL is going into pre-production this month with a world class production team and international co-producers in place, brokered by FAR MOOR MEDIA. The carefully constructed team now in place are: ENDEMOL WORLDWIDE DISTRIBUTION, BBC AMERICA, Bell Media’s SPACE and SCREEN YORKSHIRE, along with production companies CUBA PICTURES, FEEL FILMS, Quebec’s CITÉ AMÉRIQUE and co-production specialist FAR MOOR. The seven part series for BBC ONE is based on the bestselling novel by Susanna Clarke, set during the Napoleonic Wars in an England where magic once existed and is about to return.

In the growing international industry of high end scripted drama, FAR MOOR have secured the major international co-production team to enable JONATHAN STRANGE & MR NORRELL to have the best possible financial grounding for a production worldwide.

Peter Harness (Wallander starring Kenneth Brannagh; Is Anybody There? starring Michael Caine and David Morrissey) is adapting all seven episodes of JONATHAN STRANGE & MR NORRELL.

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Monday: Bomb Girls, Murdoch Mysteries, Seed, Being Human

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Bomb Girls, Global – “Something Fierce”
Legendary and controversial journalist, Dottie Shannon (Rosie O’Donnell) ruffles a few feathers when she shines a light on the disparity between the women and men’s salaries at the factory. Meanwhile, Gladys has an encounter with Clifford, and Kate is faced with a career dilemma when she’s offered a singing gig at a burlesque show. Rosie O’Donnell and George Stroumboulopoulos Guest Star.

Murdoch Mysteries, CBC – “Crime & Punishment”
Detective Murdoch and his methods are compromised when one of his colleagues is implicated in a suspicious murder. Guest star: Michael Seater

Seed, City – “Womb-mates”
When Rose (Carrie-Lynn Neales) needs a place to stay, Harry (Adam Korson) reluctantly agrees to put her up, but soon discovers that she has a video-game-playing, junk-food-eating bachelor side he never knew about. Meanwhile, Zoey (Stephanie Anne Mills) reveals she never told her grandmother that she was gay – or married to Michelle (Amanda Brugel) – just as old Baba decides to pay them a visit.

Being Human, Space – “Ruh-Roh!” Season Finale
Josh and Nora face Liam (Xander Berkeley, NIKITA) for the final time. Sally deals with the consequences of her showdown with Donna, and Aidan must deal with Kenny now that he’s turned into an abomination.

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Safe is the Word for CBC

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If you were excited by this season’s lineup of shows on CBC, you’re bound to like next season. Safe is the word for our public broadcaster. All primetime scripted programs have been renewed, and no new ongoing series have been picked up. Further details will be provided at the upfront in May, so I’d still have hope that a new series or two is up their sleeve if I thought CBC could afford even the sleeve in this second year of imposed austerity.

Promising but short-lived additions are a television movie based on Lawrence Hill’s The Book of Negroes – which, among other accolades, won CBC’s Canada Reads competition a few years ago — and the Best Laid Plans miniseries based on Terry Fallis’ political satire, adapted for television by Susan Coyne and Jason Sherman. Coyne’s association with Slings & Arrows means I already have impossible expectations for that miniseries, as well as the no-basis-in-fact expectation that, like Bomb Girls, if the ratings are decent it could become a maxi-series.

My reality-hating heart has to admit excitement about Battle of the Blades’ return after a season’s hiatus. I didn’t watch it regularly but it’s entertaining and a unique format amid all the [American Reality Show Title] Canada series out there, and it could only be a more quintessentially Canadian idea if they made the skaters ride moose covered in maple syrup. I mean that as a compliment.

The no-brainers for renewal included the resurrected Murdoch Mysteries, which gained even more of an audience in its City to CBC transition, Republic of Doyle, Rick Mercer, Dragons’ Den and Marketplace.

22 Minutes should be a sure thing based on ratings, but never quite seems to be based on network neglect. Slightly more surprising is the renewal of the under-the-radar and lukewarmly rated The Ron James Show, which nonetheless must be cheap to produce and James has earned his place with the network (but it’s not as though that always means much).

There were three titles I scanned for in the renewal list to see which one or ones caught the axe. Mr. D and Arctic Air have declined drastically in the ratings after great starts the previous year, and Cracked, while not completely DOA, never came close to cracking a million. But they were all there. Everything was there except The Big Decision.

Another kind of person would praise CBC for giving shows with middling ratings more than a season or two to find an audience. That kind of person would have thought all of them were shows deserving of a greater audience in the first place, would refrain from pointing out a couple of them found and then lost an audience, and would not have written this post after the 2012/13 season announcement.

The fact that everything was renewed to me doesn’t indicate CBC’s faith in all these shows – seriously, all of them? – but that they had no faith in any of their shows in development.

In sticking with a stable lineup, CBC is coming closer to fulfilling its impossible mission of having to be all things to all people and, in the process, making its schedule look a lot like a private broadcaster’s should, if Canadian private broadcasters didn’t look a lot like American broadcasters. CBC is staying the course with a staid lineup, and fewer people will note the loss of innovation than would have noted the loss of even a mediocre scripted show.

By Diane Wild

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