Tag Archives: Cardinal

Cardinal director Nathan Morlando on Season 4: “It was super, super physically intense”

It’s no secret that I love Cardinal‘s winter settings most. The cold and snow are another character, keeping Algonquin Bay’s citizens inside and cut off from each other. That distancing adds to the isolation and gives an added level of dread to the crimes that are happening.

And while it sure looks good and contributes to the story, the extreme climate played havoc during Season 4 of Cardinal. As co-showrunner and season director Nathan Morlando told us, it was a challenge to bring unforgettable scenes to life.

Morlando, who wrote and directed the feature film Citizen Gangster and directed Mean Dreams, gave us a behind-the-scenes peek at the process.

What was it like to come into Cardinal where the world had already been built?
Nathan Morlando: Fantastic, actually because it had been so strongly established. The only negative, and it’s a very temporary negative, is the stress and anxiety you feel initially by inheriting such a successful show. So before it gets really, really, really going, there’s always that voice in your mind, ‘Are you going to be the one who’s going to screw this up?’ But once the machine gets going, like after the first half-hour of shooting, the voice was gone because there was no time for it.

The positive was to inherit such a great show. And to have been invited to follow on the heels of everyone else that preceded me was really amazing. The Cardinal crew themselves were very loyal, passionate; they are super fans of the show. They care so much and they work so hard. This year we spent the first month in February, which was North Bay’s coldest recorded month in their history. Outdoors it was super, super physically intense and psychologically intense because of that. But the crew was just an extraordinary team. And because they are so loyal to Billy, Karine, to the show, to [producers] Julia [Sereny] and Jennifer [Kawaja], there was never a complaint, there was never, ‘We can’t do this.’

Wow!
NM: For the last episode, we spent a week in the woods. And before we shot that last episode, we had the biggest snowfall in North Bay’s history, it was four feet of snow. And suddenly, the paths and how we thought we were going to shoot this thing and move our trucks, we couldn’t conceivably move in the forest. We had an emergency production meeting two weeks before, whether or not it was even feasible to get in there, to get in and out.

Part of our crew spent days, day and night, flattening paths so that we could actually move in the woods. Steve Cosens, the cinematographer, and I had to go into the woods two weeks before to imagine the movement of all these various scenes. Then we had to imagine where our camera was going to move because. So we had to create the actors’ paths and the camera’s paths two weeks in advance.

Aside from all that planning, what about your cameras? They’ve got to get cold to a point where the shutters won’t close.
NM: Yeah, exactly. For the first couple of weeks, because of these cameras [and temperatures], the camera crew had to get on set earlier and stay sometimes four hours after to heat the lenses because the lenses would fog. They had to work extremely long hours to make that happen. So yeah, there were a lot of equipment challenges. We were using a drone, we were really concerned that the drone would crash in the cold. Fortunately, it didn’t.

My favourite seasons of Cardinal have been the winter seasons. I think it really plays well into the feeling, that isolation that you feel, that you’re supposed to feel.
NM: For sure. And the outer environment, so winter, is actually a character this year, which I really loved. And that’s really, that’s the slow mystery actually, is the character of the environment.

What was it like to work with Billy Campbell and Karine Vanasse?
NM: They were amazing, as actors and as people, truly. And the crew worked the way they did because they were committed to Billy and Karine. The crew would do anything for Billy and Karine, and that isn’t always the case … that is not often the case. And the crew feels that way about them because of the way Billy and Karine treat people. This is what’s special about them: there is no hierarchy in their perception. Billy and Karine are friends with everyone and they respect everyone. They care for everyone and they make sure everyone is doing well. They’re real team players and team leaders. We were able to do what we did because of the leadership from Billy and Karine. I was very indebted to that and to the crew for feeling that way.

Cardinal airs Mondays at 10 p.m. ET on CTV.

Images courtesy of Bell Media.

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Links: Cardinal, Season 4

From Debra Yeo of the Toronto Star:

Link: Long goodbye for Canadian crime drama Cardinal
Inside a nondescript office building in downtown North Bay, something that hundreds of people have devoted four years or more of their lives to is coming to an end. Continue reading.

From Stephen Cooke of The Chronicle Herald:

Link: Billy Campbell says farewell to detective Cardinal, dreams of sailing N.S. schooner
“When you boil it down, it’s really about the relationship between Cardinal and Delorme, and I think people who like that relationship and if they love the show and the tone and flavour of it, then they will be highly appreciative of the way the whole thing is handled and wraps up.” Continue reading. 

From Heather M. of The Televixen:

Link: Previewing Cardinal’s final season with Billy Campbell and Karine Vanasse
“The metaphor we played with the first season [that] we talked a lot about, was [that] all these feelings [are] underneath a layer of ice for both characters. And it really did feel like coming home or coming full circle to shoot the final season in the winter.” Continue reading.

From Mark Daniel of the Toronto Sun:

Link: ‘Cardinal’ star Billy Campbell reflects on ‘best job’ of his career
“Both Cardinal and Delorme put themselves in mortal danger in ways that they haven’t before.” Continue reading.

From Bill Brioux of Brioux.tv:

Link: Heart and chemistry make Cardinal more than a cop show
When a TV series ends, it can be an emotional day for the cast and crew. After several seasons’ worth of long days on sets and locations, a production team often bonds together like family. Continue reading.

From Heather M. of The Televixen:

Link: Previewing Cardinal: “Adele” + reflections from Billy Campbell and Karine Vanasse
“Here are two people, I think, who could never admit how they felt about each other — to the other [and] maybe not even to themselves.” Continue reading.

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Cardinal’s Billy Campbell: “The best role I’ve had in my career”

When asked what his experience has been like playing John Cardinal for four seasons, Billy Campbell hesitates and then states the following:

“This really has been maybe the best job I’ve had in my career, and the best role I’ve had in my career.”

Pretty lofty words for a guy whose career has included roles in such series as The Killing, Once and Again and The 4400. Still, Cardinal really is a series like no other. Based on the books by Giles Blunt, the past three seasons of Cardinal have proved Canada can do Nordic Noir too. And do it darned well.

Returning Monday at 10 p.m. ET on CTV, the final season of Cardinal—tagged Until the Night after Blunt’s sixth and final John Cardinal novel—follows Detective John Cardinal (Campbell) and Detective Lise Delorme (played by Karine Vanasse) as they investigate the deaths of several townsfolk in the sleepy fictional town of Algonquin Bay. Monday’s debut catches up with the pair in the dead of winter as they investigate the disappearance of a legal prosecutor. Cold and snow have been a hallmark of Cardinal—the first season was set in winter, followed by jaunts in the spring and fall—and adds to the feeling of isolation and, perhaps, being unable to escape.

“You’re right about the isolation,” Vanasse says. “The whole environment is supporting that isolation and feeling that you have to be quick when you’re outside. If someone is left outside, yes, he’s going to freeze the death.” Isolation and drawing inward have been a staple of Cardinal and Delorme’s relationship too. Yes, they’re work partners, but that doesn’t mean they’re doing karaoke after shifts. In Season 1, Delorme joined the force to investigate supposed dirty dealings by Cardinal; it can be hard to truly trust someone whose been keeping tabs on you. Add to the fact that, in Monday’s Episode 1, Delorme drops a career bombshell on him … Cardinal even at the best of times can be frustratingly distant.

“That’s Cardinal,” Campbell says simply. “That’s who he is, and he’s a prototypical human male in that respect. He has a very difficult time expressing his feelings and these, I imagine, are such powerful feelings. He just has no framework for even dealing with these feelings inside of himself.”

Veteran actor Currie Graham—most recently seen on The Rookie—plays Neil Cuthbert, the villain stalking Algonquin Bay. According to Bell Media’s press notes, there is a final showdown where Cardinal and Delorme put everything on the line to save an innocent life. (Look for more about that showdown next week in my interview with co-showrunner/director Nathan Morlando.)

With the final six episodes scheduled, and interviews in support of it underway, Cardinal‘s conclusion is sinking in for its co-stars. Vanasse and Campbell admit to claiming key wardrobe as physical souvenirs of their time filming in Sudbury and North Bay, Ontario—she Delorme’s winter gear, he Cardinal’s winter boots—and memories of their time filming.

“The biggest thing that I keep from the show is just the profound happiness of working with this crew,” Vanasse says. “That’s what I’m leaving with. It’s been just wonderful from Day 1 to the end.”

“I get misty thinking about the fact that I won’t be going back to North Bay to do another season of Cardinal with people that I love, and with the characters that I love,” Campbell admits.

Cardinal: Until the Night airs Mondays at 10 p.m. ET on CTV.

Images courtesy of Bell Media.

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Link: Quebec’s Datsit Sphere buys Kew Media’s ‘Cardinal’ producer Sienna Films

From Manori Ravindran of Variety:

Link: Quebec’s Datsit Sphere buys Kew Media’s ‘Cardinal’ producer Sienna Films
French Canadian producer-distributor Datsit Sphere has made its second acquisition of a Kew Media Group business, swooping in to buy “Cardinal” producer Sienna Films from the embattled production group. Continue reading.

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