Tag Archives: Cardinal

Cardinal, Kim’s Convenience and Schitt’s Creek win during Night 3 of the 2020 Canadian Screen Awards Virtual Presentations

Cardinal, Kim’s Convenience, Schitt’s Creek and Baroness Von Sketch Show were among those who captured trophies during Night 2 of 2020 Canadian Screen Awards Virtual Presentations.

The Canadian Screen Awards, originally scheduled to air in March, moved online and was streamed because of the COVID-19 pandemic. Wednesday’s online ceremony celebrated Crafts in Scripted Programs, narrated by Evany Rosen and Kayla Lorette, and Scripted Programs and Performance, presented by Eric McCormack.

Here are the winners in Wednesday’s key categories:

Best Writing, Web Program or Series
Wendy Litner, How to Buy a Baby

Best Writing, TV Movie
Christina Welsh, Believe Me: The Abduction of Lisa McVey

Best Writing, Variety or Sketch Comedy
Baroness Von Sketch Show

Best Writing, Comedy
Jared Keeso and Jacob Tierney, Letterkenny

Best Writing, Drama Series
Patrick Tarr, Noelle Carbone and Aaron Bala, Cardinal

Best Guest Performance, Drama Series
Dalmar Abuzeid, Anne with an E

Best Guest Performance, Comedy
Amanda Brugel, Kim’s Convenience

Best Supporting Actress, Drama
Kristen Thomson, Cardinal

Best Supporting Actor, Drama
Thom Allison, Killjoys

Best Supporting Actress, Comedy
Emily Hampshire, Schitt’s Creek

Best Supporting Actor, Comedy
Andrew Phung, Kim’s Convenience

Best Supporting Performance, Web Program or Series
Emma Hunter, How to Buy a Baby

Best Lead Performance, Web Program or Series
Emily Hampshire, Save Me

Best Web Program or Series, Fiction
Save Me

Best Lead Performance, TV Movie
Kate Drummond, Nowhere to Be Found

Best Lead Actress, Drama Series
Karine Vanasse, Cardinal

Best Lead Actor, Drama Series
Billy Campbell, Cardinal

Best Lead Actress, Comedy
Catherine O’Hara, Schitt’s Creek

Best Lead Actor, Comedy
Eugene Levy, Schitt’s Creek

Golden Screen Award for TV Drama or Comedy
Murdoch Mysteries and Private Eyes

Best Sketch Comedy Show & Ensemble Performance
Baroness Von Sketch Show

Best TV Movie
Believe Me: The Abduction of Lisa McVey

Best Comedy Series
Schitt’s Creek

Best Drama Series
Cardinal

For the complete list of winners, visit the Academy of Canadian Cinema and Television website.

Virtual Presentation Schedule:

Thursday, May 28, 2020

7 PM ET: Canadian Screen Awards for Cinematic Arts (Narrator: Théodore Pellerin)

Watch the Virtual Presentations on  Academy.ca, Twitter, Facebook and YouTube.

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Comments and queries for the week of May 15

I was crying through the last season of Cardinal and blubbering so hard during the last episode (rather incongruous for a murder mystery, I know). I’m glad that it wasn’t a tidy ending in that Delorme does end up going and Cardinal just starts on another case. I understand the actors would willingly return if there is a chance for more stories. I hope it happens. —John

I loved this show from the first episode in Season 1. Billy and Karine are unforgettable as Cardinal and Lise. I love them both. The music, the scenery, the shots … it was a treat to watch and I looked forward to every episode. Farewell, parting is such sweet sorrow.  Hope to see Karine again soon, but don’t expect that Billy is going to leave Denmark/Norway anytime soon. At least we had him for four [brief] seasons. —Judy

Canadian TV at its absolute best and on a par with Motive. I’m sad it has come to an end but how many more deranged serial killers could there be in Algonquin Bay?! Still, I’ll miss the scenery and stellar cast. —Paresh

On one level it was a shame the TV show attempted to blend the novels together. Each book alone could have been one season! On another level, some of the scenes in the novels couldn’t be filmed, right? But this show did an amazing job of bringing the books to life. Damn, I don’t want it to end!! —Stephen

Will miss this hauntingly beautiful show; maybe, just maybe, they can muster up another season or movie. The scenery’s too beautiful to waste, along with the fabulous leads. One can hope. —D Mac

Got a question or comment about Canadian TV? Email greg.david@tv-eh.com or via Twitter @tv_eh.

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Farewell, Cardinal

This Monday night, a Canadian television series says goodbye. After four seasons, Cardinal ends, closing a chapter on some truly groundbreaking TV.

I was a fan of the Cardinal from the very beginning thanks to reading and loving the source material written by Giles Blunt years ago. The tale of a small-town Canadian cop solving crimes? I was all in. But would a television adaptation work? How would a lead character that was so in his head translate to the small screen?

There are a lot of folks to credit with how it was done, from Season 1 writer Aubrey Nealon, to actor Billy Campbell, director Podz, Sienna Films, and executives at Bell Media. Instead of going inside Detective John Cardinal’s head, we stayed outside, the camera coming in close on Campbell’s face, reading what was there in his expression and in his eyes. The same goes for Detective Lise Delorme. Karine Vanasse, and the creative folks get kudos for breathing life into this feisty, fantastic cop. I can’t imagine two actors more suited to the roles they were cast in. Re-reading the novels, which I will do this summer, means I’ll picture their faces as I scan the pages.

Northern Ontario—and the weather than comes with it—has played a huge role in Cardinal‘s storytelling, reflecting the changes in season in this country and adding another layer (pun intended) to each episode.

Back in 2004, Corner Gas debuted. It changed the way we looked at ourselves on the sitcom front, and proved Canada could do comedy just well—and I’d argue better—than the U.S. Now, with Cardinal Bell it has been done with the drama genre. I’m a huge fan of Nordic Noir—crime dramas set in Scandinavian locales—and Cardinal deserves to stand among the very best of those. And, I’m hoping, Cardinal will inspire more drama like it to be created in this country.

Thanks to Billy Campbell, Karine Vanasse, Glen Gould, James Downing, Kristen Thomson, Deborah Hay, Eric Hicks, Zach Smadu, Alanna Bale and the rest of the cast for bringing these characters to life in such a convincing way. Thank you to Aubrey Nealon, Sarah Dodd, Patrick Tarr, Jane Maggs, Gemma Holdway, Naben Ruthnum, Patrick Whistler, Alison Lea Bingeman, Jennica Harper, Russ Cochrane, Noelle Carbone, Aaron Bala, Shannon Masters, Penny Gummerson and Jordi Mand for writing such wonderful scripts. Thank you to Podz, Jeff Renfroe and Nathan Morlando for your directing. And thanks to the crew, producers, executives and everyone else who made Cardinal happen.

I’m going to miss Cardinal, but I’m so glad it was made in the first place. It’s hard to make television in this country, and even harder to do it right.

Cardinal did it right.

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Cardinal director Nathan Morlando on Season 4: “It was super, super physically intense”

It’s no secret that I love Cardinal‘s winter settings most. The cold and snow are another character, keeping Algonquin Bay’s citizens inside and cut off from each other. That distancing adds to the isolation and gives an added level of dread to the crimes that are happening.

And while it sure looks good and contributes to the story, the extreme climate played havoc during Season 4 of Cardinal. As co-showrunner and season director Nathan Morlando told us, it was a challenge to bring unforgettable scenes to life.

Morlando, who wrote and directed the feature film Citizen Gangster and directed Mean Dreams, gave us a behind-the-scenes peek at the process.

What was it like to come into Cardinal where the world had already been built?
Nathan Morlando: Fantastic, actually because it had been so strongly established. The only negative, and it’s a very temporary negative, is the stress and anxiety you feel initially by inheriting such a successful show. So before it gets really, really, really going, there’s always that voice in your mind, ‘Are you going to be the one who’s going to screw this up?’ But once the machine gets going, like after the first half-hour of shooting, the voice was gone because there was no time for it.

The positive was to inherit such a great show. And to have been invited to follow on the heels of everyone else that preceded me was really amazing. The Cardinal crew themselves were very loyal, passionate; they are super fans of the show. They care so much and they work so hard. This year we spent the first month in February, which was North Bay’s coldest recorded month in their history. Outdoors it was super, super physically intense and psychologically intense because of that. But the crew was just an extraordinary team. And because they are so loyal to Billy, Karine, to the show, to [producers] Julia [Sereny] and Jennifer [Kawaja], there was never a complaint, there was never, ‘We can’t do this.’

Wow!
NM: For the last episode, we spent a week in the woods. And before we shot that last episode, we had the biggest snowfall in North Bay’s history, it was four feet of snow. And suddenly, the paths and how we thought we were going to shoot this thing and move our trucks, we couldn’t conceivably move in the forest. We had an emergency production meeting two weeks before, whether or not it was even feasible to get in there, to get in and out.

Part of our crew spent days, day and night, flattening paths so that we could actually move in the woods. Steve Cosens, the cinematographer, and I had to go into the woods two weeks before to imagine the movement of all these various scenes. Then we had to imagine where our camera was going to move because. So we had to create the actors’ paths and the camera’s paths two weeks in advance.

Aside from all that planning, what about your cameras? They’ve got to get cold to a point where the shutters won’t close.
NM: Yeah, exactly. For the first couple of weeks, because of these cameras [and temperatures], the camera crew had to get on set earlier and stay sometimes four hours after to heat the lenses because the lenses would fog. They had to work extremely long hours to make that happen. So yeah, there were a lot of equipment challenges. We were using a drone, we were really concerned that the drone would crash in the cold. Fortunately, it didn’t.

My favourite seasons of Cardinal have been the winter seasons. I think it really plays well into the feeling, that isolation that you feel, that you’re supposed to feel.
NM: For sure. And the outer environment, so winter, is actually a character this year, which I really loved. And that’s really, that’s the slow mystery actually, is the character of the environment.

What was it like to work with Billy Campbell and Karine Vanasse?
NM: They were amazing, as actors and as people, truly. And the crew worked the way they did because they were committed to Billy and Karine. The crew would do anything for Billy and Karine, and that isn’t always the case … that is not often the case. And the crew feels that way about them because of the way Billy and Karine treat people. This is what’s special about them: there is no hierarchy in their perception. Billy and Karine are friends with everyone and they respect everyone. They care for everyone and they make sure everyone is doing well. They’re real team players and team leaders. We were able to do what we did because of the leadership from Billy and Karine. I was very indebted to that and to the crew for feeling that way.

Cardinal airs Mondays at 10 p.m. ET on CTV.

Images courtesy of Bell Media.

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