Tag Archives: Schitt’s Creek

Links: Schitt’s Creek, Season 5 finale

From Chris Harnick of EOnline:

Link: Schitt’s Creek lets Catherine O’Hara be ridiculous—and she’ll be forever grateful
“When it’s a word like ‘amazing’ or like ‘astonish,’ it’s just fun to break up the syllables with way too much pausing in between, like, ‘a-stonish,’ just for no good reason…There are certain words that beg to be stretched out or beg to be destroyed.” Continue reading.

From Carrie Courogen of Garage:

Link: How ‘Schitt’s Creek’ turned Catherine O’Hara into a couture queen
“Moira Rose is such a wonderful example of how fashion has no age limit. This is a woman who loves her legs and has no qualms about showing them off. She knows what she likes and is so free in her approach to how she gets dressed every day. I love Moira for that.” Continue reading.

From Christine Linnell of the Advocate:

Link: Emily Hampshire shines in Schitt’s Creek season finale
“Speaking for myself, this show has changed my life — not just in terms of getting a job that pays and being on a TV show, but my life has just opened my heart in ways I didn’t think existed.” Continue reading. 

From Lea Palmieri of Decider:

Link: Emily Hampshire on her huge ‘Schitt’s Creek’ moment: “I got my dream in the best way possible”
“Stevie breaks my heart. Mr. Rose breaks my heart. When I read it, and just even reading on the page, it just gets me. All of her relationships really hit a nerve for me. So I was glad that she got to express herself more rawly.” Continue reading.

From Justin Kirkland of Esquire:

Link: For Dan Levy, the end is just the beginning
“I stand behind the idea of never taking advantage of the audience you’ve built and putting 110 per cent into the show until you’re finished.” Continue reading. 

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Link: Dan Levy on David’s engagement and the end of ‘Schitt’s Creek’

From Rose Dommu of Out Magazine:

Link: Dan Levy on David’s engagement and the end of ‘Schitt’s Creek’
“I just felt so much empathy for my character who had clearly been through a string of terrible relationships in the past to have finally found someone who is actively choosing to spend the rest of their life with him. It was a very lovely and emotional storyline to play.” Continue reading.

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Link: Catherine O’Hara finds humor in the gulf between perception and reality

From Judy Berman of Time:

Link: Catherine O’Hara finds humor in the gulf between perception and reality
A sweet yet sharp Canadian family sitcom that will end its fifth season in the U.S. on Pop TV on April 10, Schitt’s Creek follows the megarich Rose clan–Moira, her husband Johnny (O’Hara’s frequent co-star Eugene Levy) and their grown kids David (Eugene’s son and co-creator Dan Levy) and Alexis (Annie Murphy)–after they lose their fortune and move into a motel in the titular podunk town, which they somehow own. Continue reading. 

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CBC announces first round of renewals for the 2019-20 season

From a media release:

As Canadian Screen Week kicks off and CBC celebrates 236 nominations at the 2019 Canadian Screen Awards, the national public broadcaster is confirming an initial round of original scripted and unscripted renewals for the upcoming 2019-20 season on CBC and the CBC Gem streaming service. To date, 17 titles across drama, comedy, factual, arts and documentary programming have been confirmed to return, with additional renewals across all genres and content areas to be announced later this spring.

Returning series for 2019-20 confirmed to date are as follows:

  • ANNE WITH AN E (Season 3, 10×60, Northwood Entertainment)*
  • BARONESS VON SKETCH SHOW (Season 4, 10×30, Frantic Films)*
  • BURDEN OF TRUTH (Season 3, 8×60, ICF Films, Entertainment One and Eagle Vision)
  • CBC ARTS: EXHIBITIONISTS (Season 5, 26×30, CBC Arts)
  • CBC DOCS POV (Season 5, 18×60)
  • CORONER (Season 2, 8×60, Muse Entertainment, Back Alley Films and Cineflix Studios)
  • THE DETECTIVES (Season 3, 8×60, WAM Media GRP Inc.)
  • DRAGONS’ DEN (Season 14, 10×60, CBC)*
  • FRANKIE DRAKE MYSTERIES (Season 3, 10×60, Shaftesbury)
  • THE GREAT CANADIAN BAKING SHOW (Season 3, 9×60, Proper Television)*
  • HEARTLAND (Season 13, 10×60, Seven24 Films and Dynamo Films)
  • IN THE MAKING (Season 2, 8×30, White Pine Pictures)
  • KIM’S CONVENIENCE (Season 4, 13×30, Thunderbird Entertainment)*
  • MURDOCH MYSTERIES (Season 13, 18×60, Shaftesbury)
  • THE NATURE OF THINGS (Season 59, 18×60)
  • SCHITT’S CREEK (Season 6, final season – 14×30, Not A Real Company Productions Inc.)*
  • STILL STANDING (Season 5, 13×30, Frantic Films)*

*Previously announced as returning

CBC is celebrating 236 nominations at the 2019 Canadian Screen Awards, a new record for the national public broadcaster. ANNE WITH AN E and SCHITT’S CREEK each received 15 nominations – the most for any scripted series this year. THE NATURE OF THINGS was honoured with 21 nominations and CBC DOCS POV received seven. Other returning titles that were nominated include: BARONESS VON SKETCH SHOW (5), FRANKIE DRAKE MYSTERIES (5), THE GREAT CANADIAN BAKING SHOW (5), MURDOCH MYSTERIES (5), STILL STANDING (4), IN THE MAKING (3), THE DETECTIVES (2), BURDEN OF TRUTH (1) and DRAGONS’ DEN (1).

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Jann: Co-creator Leah Gauthier and showrunner Jennica Harper on developing the series and Jann Arden’s star power

During the same week that Daniel and Eugene Levy broke our hearts by announcing the end of their genius mega-hit comedy Schitt’s Creek, another stellar, and very Canadian, comedy debuted.

CTV’s Jann stars iconic singer-songwriter Jann Arden as a mostly fictionalized version of herself. In this alternate universe, Jann is a self-absorbed, down-on-her-luck musician who is desperate to claw her way back into the spotlight—and to get the best of her musical nemesis, Sarah McLachlan. Meanwhile, she’s also dealing (quite badly) with her recent split from long-time girlfriend Cynthia (Sharon Taylor) and her mom’s (Deborah Grover) increasing forgetfulness, a situation that echoes Arden’s real-life experiences with her mother, who passed away from Alzheimer’s in December.  The show is sharp, genuinely funny, and at times, deeply moving. It’s also a show fans of Schitt’s Creek might want to check out to help ease their anticipatory grief.

During a visit to Jann‘s Calgary-based set in October, we spoke with series co-creator Leah Gauthier (Motive) and showrunner Jennica Harper (Cardinal, Motive) about developing the comedy—which airs its second episode, “Go With the Flowga,” on Wednesday—pitting Jann against Canada’s sweetheart McLachlan, and Arden’s immense star quality.

Leah, you co-created the series with Jann Arden. How did that come about?
Leah Gauthier: I’ve worked in television for 10 years, on the factual and reality side of TV, and between two shows, I went on the road with Jann as part of her production team. So we met through work but became fast friends. I did three tours with her, and we’ve always talked about one day when we were both ready, we would pitch a show. It’s changed a lot over the years, and she’s been approached a lot to do television, but it was never the right format. Everyone always wanted her to be like a version of Ellen [DeGeneres] and do a daytime talk show. But we knew we wanted something scripted.

So about three years ago, we sat down in her kitchen and we just wrote it out. It started weird. She was very different versions of herself—she lived in a trailer park or she ran a strip mall—and we kind of pared it down to what it is now. We wrote it together on her kitchen island, and then we flew to Toronto and pitched it, and here we are. It’s almost insane. It took a long time, but now it feels like it happened overnight. It took three years.

What were some of the biggest roadblocks you experienced over that three-year period?
LG: I knew I had obviously something super special with Jann because the country really loves her, so I had a foot in the door because of her. I’m aware that this opportunity would have never have happened for me if not for her being my champion. So my biggest roadblocks were all of the things. Jann busted the roadblocks down, and now I get to do this, and I’m eternally grateful.

You and Jann chose Jennica as your showrunner. What was it about her that really stood out to you?
LG: We interviewed a bunch of different people for the position of showrunner and talking to her on the phone, it was just immediately apparent that she had all of the things that we were lacking. You know, together we made just a perfect, complete human. And she also came into the interview pitching great ideas, like there’s a whole rivalry with Sarah McLachlan that was Jennica’s idea. When she came up with that, we were like, ‘This woman gets us.’ She has the right sense of humour for us, she’s clearly talented and very smart and professional, ‘You’re hired.’

Jennica, you have worked on dramas like Cardinal and also have a background in kids comedy. How has it been working on a primetime comedy aimed at adults?
Jennica Harper: I was very grateful to be working in kids comedy for many years and then I had been developing a number of comedy shows, but it’s hard to get one going here. So I sort of interviewed and pitched my take on the show idea and sort of helped flesh it out. I know very well how lucky I am to be one of the people getting run an adult comedy, a primetime comedy in this country. There’s been very few. So I have no illusions about why I’m here. I’m here because I have the experience and because Jann got us a greenlight. Like, I know how our show got greenlit. I did my best with the scripts, I did my best with the story, but we’re here because we have a star and everyone was like, ‘This is a no-brainer. Let’s put this on TV.’ So I got to sort of ride the train, and now I’m sort of steering the train, but the train belongs to Jann.

I think Jann’s rivalry with Sarah McLachlan on the show is hilarious. Why does fictional Jann hate Sarah? 
JH: Right from the beginning, when I understood that the proposal was to do a fictionalized version of Jann and that she is super flawed and jealous and imperfect and a blurter who thinks about herself first, that immediately came to me. I was like, ‘This is going to be so much fun.’ Because that’s where the comedy is going to come from, it’s going to come from the conflict of her against the world. And sometimes that’s her versus her work, and sometimes it’s her versus her family. So I thought she needed a nemesis, and who is a better Canadian nemesis than, honestly, one of the most hard-to-criticize human beings in the world? Someone who is beautiful with an incredible songwriting ability and a beautiful voice and works for charities and creates music schools for children, that that would be somebody who—if you’re really having fun with a flawed person—you’re like, ‘I hate that perfect person. She’s terrible. How does she get everything and I get nothing?’ That kind of vibe.

The series is very funny, but it also has a serious side, particularly in its treatment of Nora’s dementia. Was it at all difficult to strike a tonal balance between those two elements?
JH: I know it’s going to be a big part of the conversation, so I’ve tried to think really hard about all of the aspects that go into finding that tone, but I think partly what’s helped us has been not to worry too much about it, to accept that we’re going to allow for some more serious moments and to not fight it, to embrace them.

We did know that we were kind of starting in a more comedic place and the season’s going to grow and build into more serious moments, and that was really helpful because we felt we were really earning some of them later, as opposed to trying in the pilot to start with really serious things. We’re not really doing that. We’re keeping it light up front and then hoping we’re bringing the audience along for a journey and that they’re going to come with us to a point where they really love these characters, they’re invested in their lives and they want to see what’s going to happen to them that’s not so perfect. And I also think that, even with the more serious moments in the show, we do allow for those responses that are imperfect and flawed and sometimes even funny. Life takes you to those places and you’re still yourself, you still respond the way you respond.

What has it been like working with Jann?
JH: On Day 1, we were kind of bracing ourselves: Is this going to be good? Is it going to work? It’s such a hard job. Can Jann do the job? And then there was a moment on Day 1 where I was watching and I almost cried because realized that it was so far beyond that. I looked at Leah and said, ‘Oh, my god. I think it might be really good. She’s really good.’ It was really exciting in that moment to realize that you were going to be a part of something special. It is an amazingly collaborative group, and we happen to have top-notch people, and I’m really proud of the scripts. I think that all of our writers have done a great job, they’re really strong scripts. But it would live or die with Jann—and it’s going to shine. She’s a star.

Jann airs Wednesdays at 8:30 p.m. ET/PT on CTV.

Images courtesy of Bell Media.

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