Tag Archives: Schitt’s Creek

Nominees announced for 19th Annual DGC Awards

From a media release:

It is our pleasure to announce the nominations for the 2020 DGC Awards for Feature Film, Documentary and Short Film. The nominees for Television Series, Movies for Television and Mini-Series were previously announced on September 3rd and are also included below. Winners in these categories will be announced at the 19th Annual Awards on consecutive nights beginning on October 24th, 2020.

We were pleased to receive over 300 submissions this year that represent a broad swath of the diversity and talent of the Canadian film & television industry.

“These nominees represent the inventiveness and perseverance of the Canadian film & television industry,” said DGC President Tim Southam. “The exceptional work that these filmmakers have created have earned them recognition not just in Canada but around the world. It is a privilege to be able to celebrate this talent year after year at the DGC Awards.”

OUTSTANDING DIRECTORIAL ACHIEVEMENT IN FEATURE FILM
Charles Officer – Akilla’s Escape
Jeanne Leblanc – Les Nôtres / Our Own
Sonia Bonspille Boileau – Rustic Oracle
Daniel Roby – Target Number One
Vincenzo Natali – In the Tall Grass

ALLAN KING AWARD FOR EXCELLENCE IN DOCUMENTARY
Yung Chang – This is Not a Movie
Michelle Latimer – Inconvenient Indian
Claude Guilmain – High Wire / Sur la Corde Raide
Charles Wilkinson – Haida Modern
Danielle Sturk – El Toro

DGC DISCOVERY AWARD SHORT LIST
Michelle Latimer – Inconvenient Indian
Tracey Deer – Beans
Aisling Chin-Yee, Chase Joynt – No Ordinary Man
Dusty Mancinelli, Madeleine Sims-Fewer – Violation

BEST SHORT FILM
Andrew Moir – Take Me to Prom
Trevor Anderson – Jesse Jams
Tiffany Hsiung – Sing Me a Lullaby
Glen Matthews – Teething
Jesse Shamata – A Simple F*cking Gesture (formerly The Wave)

BEST PRODUCTION DESIGN – FEATURE FILM
François Séguin – The Song of Names
Craig Lathrop – The Lighthouse
Diana Abbatangelo – Akilla’s Escape
David Pelletier – Mafia Inc

BEST PICTURE EDITING – FEATURE FILM
Ron Sanders – Falling
Matthew Hannam – The Nest
Michele Conroy – In the Tall Grass
Jorge Weisz – Hammer
Michelle Szemberg, Orlee Buium – Queen of the Morning Calm

BEST PICTURE EDITING – DOCUMENTARY
Caroline Christie (with Roland Schlimme) – Meat the Future
Jennifer Abbott – The Magnitude of all Things
Lee Walker – Butterflies in the Storm
Caroline Christie – First We Eat
Nicholas Montgomery – No Roses on a Sailor’s Grave

BEST SOUND EDITING – FEATURE FILM
Robert Bertola, Marvyn Dennis, Kelly McGahey – The Education of Fredrick Fitzell
Dave Rose, David McCallum, Adam Stein, Claire Dobson, Krystin Hunter, Kevin Banks, Jean Bot, Christopher Alan King – In the Tall Grass
David McCallum, Dave Rose, Krystin Hunter, Amelia Chiarelli – Akilla’s Escape
Adam Stein, Joseph Bracciale, Kevin Banks, Rose Gregoris – Ready or Not
Faustine Pelipel – Things I Do for Money

OUTSTANDING DIRECTORIAL ACHIEVEMENT IN DRAMATIC SERIES
Daniel Grou – Vikings, Episode 610, The Best Laid Plans
Dawn Wilkinson – Locke & Key, Episode 107, Dissection
Holly Dale – Transplant, Episode 101, Pilot
Stephen D Surjik – See, Episode 106, Silk
Ken Girotti – Fortunate Son, Episode 105, For What It’s Worth

OUTSTANDING DIRECTORIAL ACHIEVEMENT IN COMEDY SERIES
Daniel Levy & Andrew Cividino – Schitt’s Creek, Episode 614, Happy Ending
Jordan Canning & Aleysa Young – Baroness Von Sketch Show, Episode 401, Humanity is in an Awkward Stage
Adriana Maggs, Sarah Polley & Will Bowes – Hey Lady!
Bruce McCulloch – TallBoyz, Episode 101, What’s it gonna be, boys?
Joyce Wong – Workin’ Moms, Episode 405, To Lure a Squirrel

OUTSTANDING DIRECTORIAL ACHIEVEMENT IN FAMILY SERIES
Siobhan Devine – Gabby Duran & the Unsittables, Episode 118, Warm, Thick and Saucy
Bruce McDonald – Malory Towers, Episode 111, The Spider
Leslie Hope – Lost in Space, Episode 203, Echoes
Nimisha Mukerji – Gabby Duran & The Unsittables, Episode 116, Night Train and Vortex
Megan Follows – Heartland, Episode 1304, The Eye of the Storm
Felipe Rodriguez – Hudson and Rex, Episode 202, Over Ice

OUTSTANDING DIRECTORIAL ACHIEVEMENT IN MOVIES FOR TELEVISION AND MINI-SERIES
Michael Nankin – Chris Watts: Confessions of a Killer
Caroline Labrèche – No Good Deed
Nathan Morlando – Cardinal: Until the Night, Scott
Ali Liebert – Amish Abduction
Winnifred Jong – Mystery 101: Dead Talk

BEST PRODUCTION DESIGN – DRAMATIC SERIES
Britt Doughty – Impulse – Season 2, Episode 203, The Moroi
Armando Sgrignuoli – Frankie Drake Mysteries, Episode 301, No Friends Like Old Friends
Tony Ianni – The Expanse, Episode 401, New Terra
André Guimond – Transplant, Episode 101, Pilot
Ingrid Jurek – Titans, Episode 207, Bruce Wayne
Rory Cheyne – Locke and Key, Episode 101, Know what this is about?

BEST PRODUCTION DESIGN – MOVIES FOR TELEVISION AND MINI-SERIES
Dennis Davenport – Cardinal: Until the Night, Robert
Britt Doughty – Self Made: Inspired by the Life of Madam C. J. Walker, Episode 104, A Credit to the Race
Marian Wihak – Christmas 9 to 5
Jean Bécotte – Glass Houses

BEST PRODUCTION DESIGN – COMEDY OR FAMILY SERIES
Zoe Sakellaropoulo – The Bold Type, Episode 310, Breaking Through the Noise
Lisa Soper – The Chilling Adventures of Sabrina, Episode 303, Heavy is the Crown
Chris Crane – New Eden, Episode 105, A Whole Lotta Buzz
Ian Brock – Utopia Falls, Episode 110, If I Ruled the World
Ciara Vernon – Hey Lady!

BEST PICTURE EDITING – DRAMATIC SERIES
Aaron Marshall – The Handmaid’s Tale, Episode 309, Heroic
D. Gillian Truster – Anne With An E, Episode 307, A Strong Effort of the Spirit of Good
Teresa De Luca – Coroner, Episode 208, Fire Part 2
Roderick Deogrades – Killjoys, Episode 501, Run, Yala, Run

BEST PICTURE EDITING – MOVIES FOR TELEVISION AND MINI-SERIES
Hugh Elchuk – Cardinal: Until the Night, John & Lise
Sandy Pereira – Cardinal: Until the Night, Scott
James Patrick – Chris Watts: Confessions of a Killer
Lee-Ann Cass – Christmas Chalet

BEST PICTURE EDITING – COMEDY OR FAMILY SERIES
David Wharnsby – Hey Lady!
James Patrick – Utopia Falls, Episode 109, Worst Behavior
Paul Winestock – Schitt’s Creek, Episode 613, Start Spreading the News
Mike Fly, Marianna Khoury, Aren Hansen, Sean Song, Nick Wong – Baroness Von Sketch Show, Episode 401, Humanity is in an Awkward Stage
Robert de Lint – Kim’s Convenience, Episode 413, Bon Voyage

BEST SOUND EDITING – DRAMATIC SERIES
J.R. Fountain, Dustin Harris, Jill Purdy, Dashen Naidoo, Craig McLellan, Kevin Banks – Locke & Key, Episode 110, Crown of Shadows
Nelson Ferreira, Alex Bullick, Dustin Harris, Craig MacLellan, Tyler Whitham – The Expanse, Episode 401, New Terra
David McCallum, Jane Tattersall, Brennan Mercer, Brent Pickett, Krystin Hunter, Yuri Gorbachow – The Handmaid’s Tale, Episode 309, Heroic
Nelson Ferreira, Alex Bullick, Danielle McBride, Dashen Naidoo, Gerald Trepy, Mitch Bederman – Altered Carbon, Episode 202, Payment Deferred
Tyler Whitham, Danielle McBride, Joe Bracciale, Joe Mancuso, Kayla Stewart – Anne With An E, Episode 306, The Summit of My Desires

BEST SOUND EDITING – MOVIES FOR TELEVISION AND MINI-SERIES
David McCallum, Barry Gilmore, Jane Tattersall, David Caporale, Brennan Mercer – Cardinal: Until the Night, John & Lise
Jeremy Kessler, Ray Campbell, Steven Blair – Christmas 9 to 5
Faustine Pelipel – Christmas Chalet
Jill Purdy, Marvyn Dennis, P. Jason MacNeill, Steven Blair, Kelly McGahey – Escaping the NXIVM Cult: A Mother’s Fight to Save Her Daughter
Claudia Pinto, Faustine Pelipel, Mark Gingras, Tom Bjelic – Matchmaker Mysteries:  A Killer Engagement

BEST SOUND EDITING – COMEDY OR FAMILY SERIES
Janice Ierulli, Bryson Cassidy, Matthew Hussey, Dave Johnson, Steven Roberts – Hudson & Rex, Episode 217, Graveyard Shift
James Robinson, John Smith, P. Jason MacNeill – Odd Squad: Mobile Unit, Episode 301, Odd Beginnings
David Caporale, David McCallum, Krystin Hunter – Hey Lady!
Danielle McBride, John Smith – Baroness Von Sketch Show, Episode 401, Humanity is in an Awkward Stage

Follow us on Twitter and Instagram @DGCTalent. Use the hashtag #DGCAwards to join the conversation!

The Directors Guild of Canada (DGC) is a national labour organization that represents over 5,000 key creative and logistical personnel in the screen-based industry covering all areas of direction, design, production and editing. The DGC negotiates and administers collective agreements and lobbies extensively on issues of concern for members including Canadian content conditions, CRTC regulations and ensuring that funding is maintained for Canadian screen-based programming.

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Link: David Hayman dies: Music supervisor for film, TV and ads, VP Guild of Music Supervisors Of Canada Was 42

From Bruce Haring of Deadline:

Link: David Hayman dies: Music supervisor for film, TV and ads, VP Guild of Music Supervisors Of Canada Was 42

David Hayman, a Canadian music supervisor with extensive film and television credits, has died at age 42. His death was confirmed by his company, but no cause was immediately available. Continue reading.

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Schitt’s Creek says goodbye with tear-filled Best Wishes, Warmest Regards

“It’s a double cry night.”

That’s the promise delivered by Amy Segal, describing Tuesday’s series finale of Schitt’s Creek at 8 p.m., on CBC and the one-hour documentary that follows it, Best Wishes, Warmest Regards: A Schitt’s Creek Farewell, at 8:30 p.m. Segal knows of what she speaks since she’s been working on Schitt’s Creek from Day 1, having produced and directed all 52 scripted webisodes, as well as Behind the Episodes. 

Segal, who got her start on CTV’s etalk before segueing to The Hills Aftershow, met and became friends with Schitt’s Creek co-creator Daniel Levy. Now, with the final episode of six seasons upon us, we spoke to Segal about her experiences working on Schitt’s Creek, and what fans can expect when they tune in to Best Wishes, Warmest Regards: A Schitt’s Creek Farewell.

What are the unique challenges that you run into when you’re filming the Behind the Episodes segments?
Amy Segal: The Behind the Episodes were fun. We ended up shooting them all day, and by the end, we were exhausted. But they talked for a solid 20 to 30 minutes for each show, and I had to pare it down two and a half, three minutes. I know, it’s difficult, but it’s fun. I always have a good time.

Are you making notes while they’re talking and saying, ‘OK, I think this might make for a good soundbite or short conversation.’ Or do you wait until you’re in the editing suite after? How does that work?
AS: I’m always listening and I’m asking them questions and leading the conversation a little bit. I definitely take notes, but I think it comes down to see how it flows in the edit. I edit everything myself, so it’s sort of picking and choosing what I like and having to get rid of things that I do like because it’s too long. But I’m just really making sure that I know I have content before we finish wrapping up. I definitely take notes and I go in with, so I know what parts I want to highlight.

What were some of the logistics behind filming Best Wishes, Warmest Regards: A Schitt’s Creek Farewell? How much filming did you do for that?
AS: So much. I originally wanted to do the 44-minute version, and then an actual documentary length version. I’m hoping that will maybe find its way somewhere, eventually, because like I do with the behind the episodes, I had to cut so much gold and it crushed me. You want to get in the important things, but it doesn’t leave a lot of room for longer moments and pauses, and that was hard for me to get over.

It’s a celebration of the show and the fans and the cultural impact that the show has had. So there was a lot to say, and at the same time, I really wanted to show what it was like to make a final season of a show. Because it’s not easy. We started in the writer’s room in Los Angeles, in their incubation room in November 2018. And then we shot for almost a year and a half.

Who floated that idea of there being a farewell documentary?
AS: It was Dan and I. It’s always been my dream to make a documentary and we were talking and I said, ‘What if we do something for the last season?’ Because we were fans of Girls and they did a miniature, not really a documentary, but like a little clip show kind of thing. Originally, the intention was a look back, interviewing the cast and just their favourite moments, highlights, whatever. And then it ended up turning into a much bigger beast, a celebration of the show and just seeing the process of it.

You’ve been with the show since Day 1. How does it feel to be for this all to be ending on Tuesday?
AS: Oh gosh. It’s devastating. It’s a huge part of all of our lives. And it’s weird because now is the time we usually go back to set and start prepping for the next season. And it is sad. The last shows started airing, and I’ve been so preoccupied with making this that I haven’t really had a moment to think. But now that it’s winding up, it’s kind of a surreal moment. But, yeah, very sad.

I’ve been a fan of Schitt’s Creek from the very beginning and have been getting a lump in my throat as we get closer to the end and to the wedding. What’s the cultural impact from your standpoint that Schitt’s Creek has had on us?
AS: That was another reason I wanted to make the documentary. In Canada, we’re so removed from Hollywood and that world and the first four seasons were just like any other television show that we’ve worked on. The fan base just started to get really into it. Dan would show me messages that he had gotten from fans and people even messaged me, which is so nice.

The fans are just so lovely and there were so many stories that were so positive and beautiful … kids coming out to their parents … and then I met fans on the tour … their parents have embraced them because they watched Johnny and Moira embrace David.

Amy, can you pretty much guarantee that if you’re a fan of the show, that someone like myself is going to cry after watching this special?
AS: You will 110% be bawling at the end. A good, therapeutic cry. You’ll cry at the end of the episode as well. It’s a double cry night.

Best Wishes, Warmest Regards: A Schitt’s Creek Farewell airs Tuesday at 8:30 p.m. on CBC.

Images courtesy of CBC.

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CBC celebrates the end of Schitt’s Creek with new special

From a media release:

CBC today announced a 90-minute viewing event celebrating SCHITT’S CREEK on Tuesday, April 7. This special night of programming kicks off at 8:00 p.m. (8:30 NT) with the final episode of SCHITT’S CREEK followed by BEST WISHES, WARMEST REGARDS: A SCHITT’S CREEK FAREWELL, an original, emotional one-hour special, at 8:30 p.m. (9:00 NT) on CBC and the free CBC Gem streaming service.

BEST WISHES, WARMEST REGARDS: A SCHITT’S CREEK FAREWELL caps off the four-time Emmy®-nominated comedy series, giving fans an intimate and behind-the-scenes look at the making of the sixth and final season. Directed by Amy Segal, the special includes never-before-seen footage of table reads, audition tapes and heartfelt moments from the very last day on set. Interviews with the creators, cast, journalists and celebrity fans guide viewers through the creation of SCHITT’S CREEK, as well as its incredible rise and cultural contribution. In addition to interviews with Daniel Levy, Eugene Levy, Catherine O’Hara, Annie Murphy, Emily Hampshire, Jennifer Robertson, Noah Reid and Sarah Levy, audiences will hear from celebrity superfans including Carol Burnett, Cameron Crowe, Will Arnett, Tony Hale, Paula Abdul, Amy Sedaris, Johnny Weir and more.

This announcement follows the 2020 Canadian Screen Award nominations, where SCHITT’S CREEK made history, earning a record-setting 26 nominations including Best Comedy Series and nods for performances, writing, directing, costume design, production design, cinematography, hair, editing, sound, and casting.

Since its debut in 2015, SCHITT’S CREEK has been recognized with more than 145 award nominations and 38 wins to date, and has appeared on dozens of ‘Best Of’ lists.

Commissioned by CBC, BEST WISHES, WARMEST REGARDS: A SCHITT’S CREEK FAREWELL is produced by Best Wishes, Inc. Representing Best Wishes Inc, the Executive Producers are Daniel Levy, Eugene Levy, Amy Segal, Andrew Barnsley, and Fred Levy. Amy Segal is the director.

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Nominations announced for the 2020 Canadian Screen Awards

From a media release:

The nominees for the 2020 Canadian Screen Awards were announced today in 141 film, television, and digital media categories by the Academy of Canadian Cinema & Television (the Canadian Academy). The Awards will be presented in Toronto over five days during Canadian Screen Week, including the Canadian Screen Awards Broadcast Gala, which airs live on CBC and the CBC Gem streaming service on Sunday, March 29 at 8:00 PM (9:00 PM AT/9:30 PM NT).

The CBC hit series Schitt’s Creek leads both television and overall Canadian Screen Award nominations with 26 in total. These include: Best Comedy Series; Best Writing, Comedy; and Best Direction, Comedy, as well as multiple acting nominations in Best Lead Actor, Comedy; Best Lead Actress, Comedy; Best Supporting Actress, Comedy; and Best Supporting Actor, Comedy. Leading the film categories, François Girard’s The Song of Names received nine nominations in total, including Achievement in Art Direction / Production Design, Achievement in Costume Design, and Achievement in Visual Effects.

For the list of 2020 Canadian Screen Awards nominees, please visit academy.ca/nominees.

“Whether our nominees are household names or not as well known, we are privileged to celebrate their achievements at the Canadian Screen Awards,” said Beth Janson, CEO, Academy of Canadian Cinema & Television. “Supporting these voices has never been more important, and we are proud to be at the heart of those efforts.”

“What was a moment is now a full-on movement, with Canadians and the content they create finally giving a voice to the vibrant communities they represent,” said John Young, Chair, Academy of Canadian Cinema & Television. “We are honoured to bring well-deserved attention to these incredible creative works.”

The Academy of Canadian Cinema & Television proudly acknowledges the support of its Leading Media Partner, CBC; its Premier Partner, Telefilm Canada; Platinum Partner, CTV; Principal Partner, Netflix; and its Lead Partners, the Canada Media Fund, Cineplex, and the Cogeco Fund.

Canadian Screen Week – March 23 – 29, 2020
Canadian Screen Week brings together the screen-based industry to celebrate the country’s top talent in the film, television, and digital sectors with a multitude of events that culminate in the live broadcast of the Canadian Screen Awards on CBC and the CBC Gem streaming service on March 29, 2020 at 8:00 PM (9:00 PM AT / 9:30 PM NT). The week as a whole engages, inspires, and educates Canadians in the media industry and beyond. In addition to five award galas, the fan-favourite Family Fan Day meet and greet event (presented by Shaw Rocket Fund, March 28, 2020) and the Members Lounge professional development conference and coworking hub (March 23 – March 27, 2020) offer both members and the general public the chance to enjoy Canadian Screen Week.

Canadian Screen Award winners and Special Award recipients will be honoured at one of the five gala events: The CTV Gala Honouring Non-Fiction Programming (March 23, 2020); The CTV Gala Honouring Creative Fiction Storytelling (March 24, 2020); The Gala Honouring Digital Storytelling (presented with the participation of the Independent Production Fund, March 28, 2020); The Cinematic Arts Gala (presented by CBC Films, March 29, 2020); and the Canadian Screen Awards Broadcast Gala (March 29, 2020).

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