Tag Archives: CBC Gem

Featured, Push, Reality, Lifestyle & Documentary

Push Season 2 to premiere on CBC and CBC Gem

From a media release:

Produced by Fenix Film & Television and Small Army Entertainment in association with CBC and Accessible Media Inc. (AMI), PUSH Season 2 will premiere on Sunday, January 14th at 7:30 PM on CBC and the free-streaming service CBC Gem. PUSH Season 2 features eight, 30-minute episodes.

The ground-breaking CBC original docu-series, PUSH, is back for a second season. Pulling back the veil on life as a wheelchair user, PUSH once again takes audiences into the inner world of the ‘Wheelie Peeps’, an unlikely group of friends bonded by their shared experience of life on wheels. Season 2 features returning favourites including the group’s fearless and unfiltered leader, Bean Gill; Canada’s favourite potty-mouthed and self-proclaimed redneck, Brian McPherson; concert pianist, entrepreneur and adventure-seeker, Riccardo Baldini; and more! Nothing is off the table as this bold group of friends tackle everything life throws their way. From the logistics and stigmas of sex with a fellow wheelchair user, to navigating new motherhood as a “quad mom”, to facing the people and places who knew them pre-injury, Season 2 has The Peeps confronting their past, facing their demons and supporting new members of the group through the early days of wheelchair life.

Benveet “Bean” Gill is the “mother hen” and unofficial ringleader of the Wheelie Peeps. Bean shares, “After I was paralyzed, I made it my mission to go find my homies, my fellow friends in wheelchairs. After a while, there was a big group of us and we called ourselves the Wheelie Peeps. I believe in having a strong support system around you, and I’m grateful to have one. I went through so many dark days alone and after seeing the power of community, I vowed to never let anyone have a dark day alone again. The Wheelie Peeps have lifted each other up. We help each other when equipment breaks. We laugh with each other, and we have cried many tears together. We learn so much from each other.”

PUSH Season 2 premieres on Sunday, January 14th at 7:30 PM on CBC and the free-streaming service CBC Gem. AMI-tv will additionally air PUSH Season 1 on Monday, January 15th, and Season 2 on Monday, March 18th.

Shot from May to October 2023 in Edmonton, Alberta, Fano, Italy, and Salt Lake City Utah, PUSH Season 2 is executive produced by Sean De Vries and Kaitlan Stewart and produced by Kaitlan Stewart with Benveet “Bean” Gill acting as consulting producer. Dylan Wertz is series showrunner, Frederick Kroetsch and Rebecca Campbell are at the helm as directors and Daniel Ennett as story producer and co-director. 

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Bad Blood, Featured, Private Eyes, Wild Cards

Preview: CBC’s Wild Cards is a primetime delight

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Watching the first episode of Wild Cards, I was immediately reminded of Private Eyes. Criminally cancelled too soon, the Jason Priestley/Cindy Sampson series had the same spunk and heart Wild Cards has. Turns out that makes sense, as many of the behind-the-scenes folks involved worked on Private Eyes too.

Debuting Wednesday at 8 p.m. on CBC and CBC Gem, Wild Cards is charming, light and full of fun. Created by Michael Konyves (Bad Blood) Wild Cards features demoted big-city detective Cole Ellis (Giacomo Gianniotti, Murdoch Mysteries), who is paired with clever con woman Max Mitchell (Vanessa Morgan, Degrassi, Saving Hope), to solve crimes.

With a whos-who of producers in Private Eyes‘ James Genn, Shawn Piller, Lloyd Segan and writers Alexandra Zarowny, James Thorpe—and Wynonna Earp‘s Noelle Carbone and Coroner‘s Morwyn Brebner—there is plenty to like writing-wise. And the casting and lead cast chemistry is spot-on.

When we first meet Max, she’s plotting to rob a rich woman of her fortune. Caught by the police, Max is hauled into the police station for questioning by Cole, who was called in from harbour duty—the bulk of his days are filled giving tickets to wayward boaters—when the third in a string of high-profile thefts take place. With all hands on deck to solve the crimes, Cole is relegated to handling Max. Overhearing the police chief (Terry Chen) describe the circumstances of the latest heist, Max divulges to Cole what she thinks the thief will do next. She’s right, and the City Commissioner teams the two up. Solve the case, and Cole is back on the beat he wants and Max gets probation. Win-win, right?

While Cole is by the book, Max’s unique set of skills is key to capturing the baddie. I wasn’t even halfway through Wednesday’s pilot, “The Infinity Thief,” and was already enjoying the back-and-forth repartee between Gianniotti and Morgan. Morgan’s Max is sassy and smart, going over the top with clothing, accents and charm to gather intel while Cole tries to keep up.

I won’t ruin the ending of the episode, but the storyline does involve twins, priceless art and one of many appearances by the aforementioned Jason Priestley, who checks in as Max’s dad, George. This new series is wild, and I’m loving it.

Wild Cards airs Wednesdays at 8 p.m. on CBC and CBC Gem.

Images courtesy of CBC.

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Children's Programming, Featured, Macy Murdoch

CBC Gem’s Macy Murdoch is worthy of the Murdoch moniker

Murdoch Mysteries is a worldwide brand. With it comes expectations, so a spinoff associated with it leads to extra scrutiny. Thankfully, Macy Murdoch not only meets but exceeds those expectations.

Available now on CBC Gem, the Murdoch spinoff web series Macy Murdoch stars Canadian Screen Award winner Shailyn Pierre-Dixon as Macy, the great-great-great granddaughter of Detective William Murdoch. Set in the present day, Macy and her pals Zane (Beau Han Bridge) and Billie (Raffa Virago) travel back in time after a villain uses a time machine to frame William for murder, the trio goes back to 1910 to find the real perpetrator of the crime. Along for the ride in 1910 are Murdoch Mysteries‘ Constable Henry Higgins-Newsome (Lachlan Murdoch) and Mrs. Violet Hart (Shanice Banton), who help the kids with the case.

Initially developed by JP Larocque and Jessica Meya, we spoke with executive producer/showrunner Jennifer Kassabian (Frankie Drake Mysteries, Carter) and co-executive producer Robina Lord-Stafford (Frankie Drake Mysteries, Moonshine) about the project.

Jennifer, can you tell me how Macy Murdoch came to you?
Jennifer Kassabian: JP and Jess developed it with Shaftsbury before my time. I finished working with Jennifer McCann, who’s one of the series executive producers on Ruby and the Well. Around July, she reached out to me to say that Jess and JP were moving on to other opportunities and would I be interested in this project that she had because we had worked so well together. I said, ‘Well, let me just read everything,’ because I didn’t know if I wanted to keep my foot in the kids’ world, but then the bible that Jess and JP created blew me off my feet. I’ve never read a bible that good. It was so rich, and it was so interesting. I said yes, I’m in. I want to run the show. We didn’t have the money for a writers’ room. It was freelance scripts that were half assigned and half to be assigned, but I could have a No. 1, someone to help me shepherd the show through. 

Robina was the only name on my mind from the time we met on Frankie Drake. Sometimes those relationships on a show make you friends off a show. We were friends in real life, I already had a shorthand with her and I said, ‘Would you come on as the No. 2, and will we do this together?  

Obviously, anything with the word Murdoch in it is going to come with extra scrutiny. Robina, any nervousness on your part about it having the Murdoch name and William Murdoch involved in it? 
Robina Lord-Stafford: I didn’t really have enough time to think about it. I was on Pretty Hard Cases and Jen was like, ‘You’ve got to come and do the show with me.’ And I was like, ‘OK, I’ll do it.’ Once I was in it, it was like, ‘OK, we really have to make sure we’re doing the Murdoch world justice. We were lucky enough to get two characters from the world, so that was super exciting. Getting to shoot on the Murdoch lot was super exciting and that all kept elevating the production value of the show. We did consult with Murdoch writers to make sure that when we were going back into 1910 and creating a world for our characters to be in, that seemed authentic and real. We also binged a ton of Murdoch because we wanted to make sure that Henry Higgins-Newsome and Violet Hart’s voices were really authentic to what the Murdoch world has created already. 

Robina, when it came to the writers’ room, is it different to write for the web as opposed to an episode of broadcast television? Does each web episode represent story beats in a larger project?
RLS: Great question. We did have all those beats already. When Jen and I got onto the project, there were already, I think, two scripts written by previous writers. And so it was like, ‘OK, let’s continue this on,’ and then we had another writer that joined us. One of the things that we did maybe a little bit differently than what I’m used to doing in one hour is that we knew what the beginning, middle, and end of the whole series was going to be. We could then break it down into different episodes on how we were going to then achieve all of that to make sure that we were getting all the juice that we needed and the great cliffhangers at the end of each episode. 

You really pack a lot into each 11-or-so-minute episode.
JK: I think there is a misconception that when you hear 11 minutes it’s easy peasy and not that much content. You can get the story in when it was our primary goal and character development for sure. 

The young cast was simply amazing.
JK: We had a full day of chemistry reads between people’s favourite casting picks. We had already had Shailyn cast when we went out to cast Billie and Zane. Raffa and Beau sparkled in their solo auditions and then when we partnered up Raffa and Beau we had the magic of the Billie and Zane friendship right off the bat. This is Raffa’s first thing that she’s ever been on screen. She’s such a special talent. They did become fast friends on set, just good people who just really wanted to bring their A-game. 

Macy Murdoch is available now on CBC Gem.

Images courtesy of Shaftesbury.

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Featured, Plan B

Patrick J. Adams and Karine Vanasse explore the pitfalls of relationship choices and do-overs in Plan B

Who, honestly, hasn’t wondered what it would be like to hop in a time machine for a life do-over? I certainly have. If only I could go back to high school and take things more seriously, tell that certain someone how I felt, or reverse a decision I made. But, would doing any of those things change how my life ultimately ended up?

That’s the premise of Plan B, debuting Monday on CBC.

Adapted from the original Quebecois French-language series Plan B that premiered on Ici Radio-Canada Télé n 2017, the English version stars Patrick J. Adams (Suits) and Karine Vanasse (Cardinal) as Philip Grimmer and Evelyn Landry, a couple whose lives are literally in disarray. Whether it’s the clutter of the home renovation going on around them, to the erosion of their relationship, things are not good for the pair.

So, when Philip—after an evening out drinking and commiserating about his lot in life with his brother-in-law and business partner Patrick (François Arnaud, X Company)—enters a bar bathroom and sees a flyer for a company named Plan B promising to allow you to go back in time and right wrongs, he jumps at the chance. Make no mistake though, Plan B is not a sci-fi drama.

“I’m not fascinated with time travel,” says co-creator and co-writer Jean-François Asselin. “I’m fascinated with human beings. What was interesting to me was, when co-creator Jacques Drolet and I started writing [the French version], we were questioning the choices we made in life. When I watch a TV show or movie, I’m involved as a human being and question what I would do in my personal life. I want people, when they watch Plan B, to reflect on their own lives.”

In Monday’s debut, Philip is trying desperately to keep his relationship with Evelyn intact. After annoying her during their daily commute to the office they work in—he’s a lawyer and she’s suffering in silence as a paralegal/secretary—and stuck in Montreal’s gridlock, Evelyn hops out of the car, opting to take public transit. Things only go down from there. As a viewer, those scenes of conflict are hard to watch. But they’re incredibly real.

“This is a couple that struggles,” Asselin says. “The challenge was, how are we going to root for them and follow them through six episodes?”

That all comes down to the performances by Adams and Vanasse.

“We can all connect to that fear of losing something when you thought that everything was going well,” Vanasse says. “Viewers really want Philip to find that solution so that he doesn’t fuck up this time, and that everything is going to be OK.”

But, in trying to make everything OK between him and Evelyn, or he and the team renovating his home, or the relationship he has with his brother, Andy (Josh Close), things just get worse. The result? Going further back in time.

“He clearly loves this woman,” Adams says. “He clearly wants this to work and has this idea of what the ‘right thing’ is and he wants everyone to be happy and goes to extreme lengths to ensure that’s the case. He’s just also deeply flawed because he doesn’t ask a question or take a minute to listen in the moment.

“Philip is such a doer,” Adams continues. “I can relate to that. What do I need to do? How do I fix this? How can I make this better? I’ve lived long enough to know that half the time when I do that in my own relationship the answer is, ‘How about you just listen to what I’m saying or how I’m feeling?'”

Plan B airs Mondays at 9 p.m. on CBC and CBC Gem.

Images courtesy of CBC.

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How to Fail as a Popstar, Industry News

Vivek Shraya’s How to Fail as a Popstar moves from stage to page to screen, with production underway on adaptation from Sphere Media and CBC

From a media release:

CBC and Sphere Media announced today that production is underway on How to Fail as a Popstar, a CBC Gem original series based on award-winning artist, author, and musician Vivek Shraya’s debut theatrical work of the same name, a one-person performance reflecting on the power of pop culture, dreams, disappointments, and self-determination. The series stars Shraya, Adrian Pavone (Star Trek: Discovery, Grand Army), and Chris D’Silva (Slumberland, The Handmaid’s Tale) as Vivek at various stages of life. Written by Shraya, the comedy series is directed by Vanessa Matsui (Midnight at the Paradise, Ghost BFF) with Shraya co-directing one episode, with filming to continue in Toronto for three weeks. The series will premiere on CBC Gem later in 2023.

How To Fail as a Popstar is a coming-of-age, eight-episode limited series about a queer brown boy with a huge voice doing everything he can to become a Popstar – as told by the queer trans femme that boy becomes, looking back on how and why that dream was never realized.

The cast includes Ayesha Mansur Gonsalves (Sort Of, Y: The Last Man, Star Trek: Discovery), Nadine Bhabha (Letterkenny, This Hour Has 22 Minutes,Terror Train), Arwen Humphreys (Murdoch Mysteries, Run the Burbs), Eric Johnson (Pretty Little Liars: Original Sin, American Gods, Vikings), Vanessa Matsui (Ghost BFF, Letterkenny, Shadowhunters: The Mortal Instruments), and introducing ​​Aayushma Sapkota in her first role.

Shraya is an artist whose body of work crosses the boundaries of music, literature, visual art, theatre, and film. Her album Part-Time Woman was nominated for the Polaris Music Prize, her music was featured on the acclaimed CBC and HBO Max show Sort Of, and her best-selling book I’m Afraid of Men was heralded by Vanity Fair as “cultural rocket fuel.” She is also the founder of the award-winning publishing imprint VS. Books, which supports emerging BIPOC writers.

The stage play How to Fail as a Popstar was written and created by Vivek Shraya and directed by Brendan Healy. The original production was commissioned and produced by Canadian Stage, Toronto, Ontario.

How to Fail as a Popstar is produced by Sphere Media with the financial participation of the TELUS Fund, the Bell Fund, and the Shaw Rocket Fund. In June 2020, the project was selected as one of the recipients of development support from the CBC Creative Relief Fund, a fund created by CBC to provide immediate support to Canadian creators at the beginning of the COVID-19 pandemic. Created by Vivek Shraya, executive producers are Bruno Dubé, Jennifer Kawaja, Elise Cousineau, Caroline Habib, Laura Perlmutter, Vivek Shraya, and Vanessa Matsui.

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