Tag Archives: CBC

Link: ‘Kim’s Convenience’: Asian-Canadians finally find a show they say represents them

From Chloe Tejada of The Huffington Post Canada:

Link: ‘Kim’s Convenience’: Asian-Canadians finally find a show they say represents them
It’s been almost a year since #OscarsSoWhite took over the Internet, and although Hollywood has been making huge gains in putting people of colour on screen, Canada has been a bit slower on the uptake.

That has changed though with CBC’s “Kim’s Convenience.” The TV show, which had its series premiere on Tuesday, stars a diverse cast whose four lead actors are all of Asian descent — a rare sight in television. Continue reading.

Facebooktwitterredditlinkedinmail

This Life’s James Wotherspoon previews Caleb’s “darker” side

James Wotherspoon almost missed out on his first major TV role—playing Natalie’s son Caleb on CBC family drama This Life—due to an inopportune bout with the flu during the audition process.

“I was really ill at the time,” recalls Wotherspoon. “So I actually missed the [onscreen] chemistry test.” Luckily, a last-minute Skype audition was arranged, and he was cast just before the show’s first season began filming in Montreal last year.

“I got the scripts for the episodes at the table read,” he says. “I hadn’t even read them yet and sat down and did it. It was kind of crazy, but it worked out.”

While Wotherspoon admits he was “pretty scared and I held back a lot” while filming Season 1, he says filming the second season was a different story.

“I felt a lot more open as an actor and felt I had a lot more range and freedom,” he explains. “I just had a lot of fun with the character in Season 2.”

Joining us by phone from his hometown of Aurora, Ont., Wotherspoon tells us what’s coming up for Caleb this season and what it’s like working opposite talented acting vets Torri Higginson and Louis Ferreira, who play his TV parents.

Caleb went through a lot in Season 1. Not only was his mom diagnosed with terminal cancer, but he went through a bad breakup and had a brush with the law. What is his emotional state at the beginning of Season 2?
James Wotherspoon: It’s interesting. It seems to be a very different place than even the end of Season 1. He has this big shift, going from being the sort of well-mannered, really wanting to take care of the family type to letting loose. He’s partying a lot, he’s broken up with his girlfriend, so he’s seeing girls and really trying to figure out who he wants to be.

We found out Caleb dropped his classes in the season premiere. Why did he feel the need to do that?
I think when he went to school, he was in a place where he was very unsure of himself, and so he went into school in that sort of head space and the events following sort of shifted him out of that, and he realized who he actually wants to be, what he wants from life. And I don’t think that involves going to school at this time.

After his father left, Caleb tried to be the man of the house. How is he dealing with David’s sudden return?
I think it sort of furthers his confusion. He kind of realizes that, ‘Wow, I’ve been filling the role of this person.’ And it takes David showing up for him to realize that because he’s really pulled between these two roles of being man of the house and being a free individual. And so David kind of cracks that open for him, I think. At first, it’s really difficult for him to be around [David] because of all those raw emotions. But he loves his father, so over time you sort of see that coming out and he wants to get closer to him.

This Life Caleb

Caleb has some big moments with both his mom and dad in Episode 3. What can viewers expect?
There’s a big sort of push and pull between the dad and mom and Caleb in this episode. He really wants to appease both of these people who are so important to him, but with the nature of the family being so split, he’s sort of unsure of who to agree with or please. So there’s a lot of pressure on him … He just wants everything to be settled and to be his own person and to get out of that situation.

You have some big scenes with Torri Higginson and Louis Ferreira in Episode 3. What’s it like acting with them?
They have different personalities, but they are both fantastic actors. They’re extremely generous and just very easy people to work with. And they’re pretty experienced, and they help younger actors like me be very calm during the experience and have a good time. But they also bring the intensity that’s necessary to work off of as an actor in a scene, and that sort of balance makes it really fun and easy to work with them.

What can you tease about Caleb’s storyline the rest of the season? 
I think you can expect a totally different character. Maybe a darker but more honest side of him that you didn’t see in Season 1, but you sort of felt he could be that person. You’re sort of rooting for him to be that, to be an individual and free himself, and he really starts to make that happen. He makes powerful choices for himself and grows a lot.

Do you have a favourite episode in Season 2? 
To be honest, I would say that Episode 3 is one of my favourites because of the couple of scenes Caleb has with his dad and mom. Both of them are really pinnacle scenes for both story and character, so it was like amazing to have such a range in one episode.

This Life airs Sundays at 9 p.m. ET on CBC.

Images courtesy of CBC.

Facebooktwitterredditlinkedinmail

Link: Kim’s Convenience an overnight success for CBC

From Bill Brioux of Brioux.TV:

Link: Kim’s Convenience an overnight success for CBC
Overnight estimates — a measure that means less and less these days — are in and the numbers for Kim’s Convenience so far are right where I expected.

Tuesday’s back-to-back opener measured 835,000 and 805,000 viewers on the overnight scale. That was good enough for third in the timeslot in Canada behind Global’s strong rookie Bull(1,627,000) and just behind CTV’s well-reviewed import This Is Us(949,000). Continue reading.

Facebooktwitterredditlinkedinmail

CBC and Comedy Central greenlight new series from Mike Clattenburg

From a media release:

CBC in Canada and Comedy Central in the U.S. today announced that they have commissioned new comedy series CRAWFORD from Rabbit Square Productions, created by Mike Clattenburg (Trailer Park Boys, Black Jesus), executive produced by Laura Michalchyshyn (Trailer Park Boys, Chicagoland, The American West) and co-created by recording artist Mike O’Neill (Moving Day, Trailer Park Boys – Don’t Legalize It). The 13×30 series centers around a young man who, after a run of bad luck, moves back in with his parents and turns his natural ability to relate to raccoons into a successful business, all while navigating life with his eccentric family. Production will begin in Toronto in 2017. Content Media will handle international distribution for the series.

What happens when you fail your Bachelor of Arts and your record label drops your Metal band on the same day? For 28-year-old Don, it means moving back home with your polyamorous parents and finding a job that comes easily. Don has always thought differently – ‘thinking sideways’, as his Mom puts it. Following intuition rather than logic is the unique approach that turns Don’s compassion for and affinity for raccoons into a booming business – just as the town’s raccoon population explodes.

Commissioned by CBC in Canada and Comedy Central in the U.S., CRAWFORD is produced by Rabbit Square Productions, Laura Michalchyshyn and Mike Clattenburg’s company. Janice Dawe and Kathy Avrich-Johnson will also produce for Bizable Media. The series deal was negotiated by Maggie Pisacane of Frankfurt, Kurnit, Klein and Selz and Bizable Media. Mike Clattenburg is represented by The Gersh Agency and managed by Echo Lake Entertainment.

Facebooktwitterredditlinkedinmail

The Romeo Section advances the plot in Episode 2

Last week, I wrote that I’d enjoyed Episode 1 of The Romeo Section as it headed into Season 2 and I was going to tune in for at least one more episode. I checked out Wednesday’s new instalment and can honestly say I’ve been hooked.

Maybe it’s because I was buried under a deluge of new and returning fall television shows last season—a good problem to have when you’re running a website that covers the genre exclusively—maybe I just wasn’t ready for it, or maybe I’m just liking the angle Chris Haddock has taken in the sophomore season. Whatever it is, I’m all in, especially when it comes to Wolfgang and Norman.

“The Legwork” continued the odd couple’s investigation into the thwarted terror attack at the baseball stadium. Norman’s paranoia and suspicion into anything connected with the case was a nice juxtaposition with Wolfgang, who stressed coincidences do occur. But as the pair interviewed several people associated with the case—the homicide cop who was first on-scene, the coroner who was stopped from analyzing Mustafa’s body, the security guard who shot him in the street—it became clear this wasn’t an open and shut case. City cops giving way to the RCMP is one thing, but the RCMP being pushed out for another federal group? Something is definitely going on, and it may involve folks with high standing in the government. Norman considers it dangerous enough to tear the notes he’d made out of his book and think about what to do with them. Again, I’m all in on these two and their partnership. I couldn’t wait to see who they were going to talk to next and what thoughts they’d have once they did.

Lily has made her next chess move. She’s working her way into Mr. Sproule’s life—a glass of wine in a safe house will do that—and he’s promised a cushy position for her once his promotion goes through. His one condition, to stop communicating with Bill, puts Lily in a tight spot and I can’t help but think she’s going to be a plaything for both men. After this week’s tease, I want to see more.

Rufus’ story, meanwhile, has gotten a lot more enjoyable. Now that Benny is dead, Rufus quickly moved to fill the hole and took over drug running. This, of course, gives him the chance to move a lot more product and keep the movie funded. I like it when Rufus is a man of action rather than spouting clichés, and what’s going on now is great. The only plot I don’t enjoy at this point are the movie scenes being filmed that introduce the drug money plot. It may end up being important later on—scratch that, I know it will—but at this point it’s an unnecessary distraction.

The Romeo Section airs Wednesdays at 9 p.m. on CBC.

Image courtesy of CBC.

Facebooktwitterredditlinkedinmail