Tag Archives: David Pelech

CBC Gem’s Decoys is a heartfelt mockumentary on par with Best in Show

It’s been almost a year and a half since I spoke to David Pelech about his web series, Decoys. Back then, the Canadian creator—who was also an associate producer on the pro wrestling film Fighting with My Family—was one of over a dozen projects seeking IPF Funding. Decoys received it, and now it’s set to debut on CBC Gem.

Created and written by Pelech—who most recently got the all-clear on a post-camping COVID-19 test—Decoys is a mockumentary series in the vein of the Christopher Guest classic Best in Show. Rooted in fact, Decoys follows a handful of Canadians as they carve their way into a competition for top bird at the Northern Alberta Carving Cup (NACC).

In Episode 1, we’re introduced to Donald (Pelech), a young man who takes up duck decoy carving to connect with his recently deceased dad; Margaret (Kelly Van der Burg), his outgoing girlfriend who tolerates his hobby; Amandeep (Rup Magon), a recent immigrant to Canada using duck carving as a way to integrate himself into Canadian culture; Simran (Nelu Handa) is his supportive wife; Mary Jane (Alice Moran), Frank Brunswick (Brian Paul) and Zeke (Keram Malicki-Sánchez) are veteran competitors; Rhett (Brandon Oakes) is the original bad boy of Alberta carving; Barb (Tracey Hoyt) and Dennis (Rodrigo Fernandez-Stoll) represent the Planning Committee for the NACC.

We caught up with Pelech to talk about Decoys‘ road to CBC Gem.

It could be so easy to just take this as straight-up mockery, but knowing about you and your family and this background, it still blows my mind that this is an actual thing and that people do these for competition.
David Pelech: Yes, the subcultures that exist once you start poking around are quite vast, and this is just one of the entertaining ones that I find particularly entertaining.

You initially told me that we would be following these people all the way through to the end of the competition. Were you able to stick to that original plan?
DP: Yeah. We see them begin their journey more or less, the carvers beginning their carvings, setting out and why they’re doing it, and Barb and Dennis and their struggles getting this off the ground. We follow through to the end of the Northern Alberta Carving Competition, and you see who is crowned the champion.

In your initial planning, was there a Barb and Dennis, or was that a late decision?
DP: Once I had to get down to brass tacks to scripting out the entire series … we had an outline and a bible, but I had to start putting the episodes down on the page. Part of the development process was discovering the delightful characters that were Barb and Dennis, because there were constraints on the time and the size of the episodes, so we could only have so many competitors. One way to really round out the ensemble was to have Barb and Dennis, the organizers, appear and be featured throughout to kind of guide us through how they put the event on, and the kind of behind-the-scenes intrigue. It was just a fun way and it was discovered in the writing processes that they’re fun, interested, and very representative of what these hobbies and crafts require, which is dedicated volunteers who care deeply about it.

One of the things that I love about the character of Donald is that you can see that he’s trying to connect with something that he lost when his father died. You have that heart, you’re cheering for this guy because he misses his dad and this is his only connection.
DP: Thank you. I appreciate that. It’s always the challenge of trying to balance those, as I say, some bigger performances and some frankly off-the-wall comedy scenes with that heart and that intention. I’m very proud of everyone who was willing to hold together with that notion that we were trying something that does try to pluck at the heartstrings as well as make you laugh.

For every sweet moment, there’s Brandon Oakes coming in there as Rhett just messing things up. He’s so good!
DP: Yeah. He’s fantastic. As a performer, being able to perform with him, that was pretty special. There were a few scenes that we did that, it was just amazing. He’s so talented. I think he had a really good time having some comedy things to play with because I’m not sure he always gets that, so it was fun to let him have some freedom and do things that were a little sillier or raunchier than he usually does.

The director for Decoys is Sebastian Cluer. Had you worked with Sebastian before and what was that experience like?
DP: I had not worked with him before and the experience was extremely positive. We were doing about nine pages a day and what Sebastian brought to the table, and I’m sure you know that his experience with Kenny vs. Spenny and things like that, allow him to very quickly capture the essential stuff in a very loose way, but he’s not missing anything. He does a lot of almost pre-cutting it in a way in his head, so he knows camera positions, he knows timing the cues, things like that. Then we were motoring, the operators had the cameras on their shoulders for 95 percent of the day. We were working very hard to get all of the material and let the performers have improv takes. Seb was very strong and very committed and he bought in completely and he just kept us calm and moving forward, and just on a pace that was manageable, but not burning everyone into the ground. It was great.

Do you have a plan in place if there’s going to be another season?
DP: I can only give you a hint at what I’m thinking, but there are national woodworking competitions. Just put that in the back of your mind, there are national woodworking competitions.

Season 1 of Decoys is available on CBC Gem on July 17. Get a sneak peek at the show and the characters.

Images courtesy of CBC.

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Ghosts, monsters and wooden ducks seek 2019 IPF funding

It’s been two years since TV, Eh? began our inaugural spotlight on web series seeking Independent Production Fund support, and the state of those series in Canada is booming. Projects like Save Me, Clairevoyant, How to Buy a Baby and Narcoleap are just a few of the many that received IPF support in the past and have gone on to full-blown web and television series.

Established in 1991 to provide financial support for dramatic television series, the IPF was expanded in 2010 to include financing drama series for the web. That mandate has been extended indefinitely. The result? Dozens of trailers for potential projects have been posted on YouTube. Check them out here.

With a deadline of March 31 approaching, creators are looking for support via views and comments about their potential projects before the IPF makes their decision. In 2018, the IPF approved funding for 17 scripted series (11 in English and six in French) including The Amazing Gayl Pyle, The Communist’s Daughter, Detention Adventure and Short Term Sentence. Here are a few projects that caught our eye, as well as the links to some honourable mentions. Watch, click, comment and help them all gain funding!

 

The Series: The Wait

The Creator: Matthew MacFadzean

The Idea: July (Keeya King) discovers she is a ghost left haunting a home after her family moves out. July is able to communicate with Melinda (Jessica Clement), the young woman who moves into the house. July realizes a figure named Dark John is on the hunt to collect her lost soul.

The Inspiration: “I had an image of a girl ghost looking at another girl and saying, ‘I see you,'” MacFadzean recalls. “I thought, ‘There’s something in that.’ There is something about the relationship between a ghost and a living person that maybe hasn’t been done to the extent that it could be.” A fan of what the horror genre is turning out now thanks to films like Get Out and the Netflix’s The Haunting of Hill House, MacFadzean wanted to explore what is a tale of possession and, ultimately, consent.

The first season will explore the relationship between these two women; MacFadzean was explaining the premise to writer and producer Mika Collins, who suggested that in addition to being about a haunting The Wait is also an LGBT story. If the project is greenlit, July and Melinda’s tale will be told responsibly.

The Plan: Ten 10-minute web episodes to start, focusing on July and Melinda’s relationship. MacFadzean says that he has plenty of stories to tell and characters to introduce if The Wait becomes an hour-long drama.

 

The Series: It’s OK to Be Awesome

The Creators: Rebecca Tremblay and Anne Lebans

The Idea: A gaggle of brightly-coloured puppets named Tez, Skye and Pinkerton teach kids aged 6-9 about mental wellness and empowerment.

The Inspiration: Lebans, a life coach, found that self-worth was missing from the female entrepreneurs she was working with. Tremblay, a teacher and puppeteer, used her creations to build self-esteem with adults and children. The two teamed up in 2016 and provided an after-school program in New Brunswick; everything they taught in it has been put into It’s OK to Be Awesome.

“Whether you’re an adult or a child, self-worth and confidence can really stop you from succeeding and they’re not part of the school curriculum,” Lebans says. “I realized, ‘Holy moly, we need to teach this to people so that the world can look different, feel different and have a happy, healthy life.’” The duo, along with producer Jessica Jennings of Hemmings House Pictures, received financial support from the Telus Fund—it supports projects with a health focus—to film a pilot episode, and It’s OK to Be Awesome is endorsed by the Canadian Mental Health Association.

The Plan: A web series to begin with, but the team hopes a broadcaster follows.

 

The Series: Decoys

The Creator: David Pelech

The Idea: In this mockumentary, cameras follow a group of characters competing in the Northern Alberta Duck Decoy Carving Competition.

The Inspiration: The idea is close to Pelech’s heart: his father and uncle both participate in duck carving woodworking.

“The way that they are so into it, and their passion for something that is so fringe and so unique, I thought that world was ripe,” Pelech says. “And it’s not a parody or mocking. I think it can be quite beautiful art, but sometimes they do take themselves a bit too seriously. They do enter competitions, so it is nice to have that driving a show. I’m trying to draw the heart out of it as well.”

The Plan: If it receives IPF funding, Decoys will take the form of six 15-minute episodes on CBC Gem.

“Episode 1 is at the competition and at the end, we’ve heard the finalists,” Pelech explains. “Then we go back in time and start meeting the characters on the road to the competition, six months out, four months out, and then in the final episode, we find out who wins. Who is the best carver in Lloydminster.”

Honourable Mentions

Arties
A coming-of-age tale about a teenaged boy who partners with an Indigenous woman. Together they evade government forces on a journey to bring civil rights to androids.

Triggered
A former event planner-turned assassin seeks revenge on the health-care system who murdered her mother and frames it on the only person she’s ever loved.

Miikshi the Meek Sheep
A shy sheep scientist and her loudmouth journalist best friend (a chicken) solves a subway train mystery. The entire world of the show is handmade using puppets and model miniatures.

La Professoressa
A multilingual coming-of-age comedy about a failing jazz singer who adds new richness to her life, and voice, through teaching Italian to a variety of students in Toronto.

Late Night in the Studio
Archivist and host Moe delves into the catacombs of the CBC archives to dig up wacky (and totally fake) treasures.

Naked Nancy
Socially awkward Nancy is forced to face her greatest fear—the outside world—when her cat escapes from their apartment.

Bobby and Bogey
This project follows Bobby, a kid in Grade 4 that needs a lot of help with … well, everything. He finds that guidance one day when he discovers a crusty old booger living in his nose that doesn’t want to be picked. The booger, named Bogey, agrees to mentor him as barter for staying in his comfy little nose apartment.

Trouble and Strife
A dramatic comedy about loneliness and need and intimacy, and how it’s easier to be a hero to other people’s lives than it is to be a hero in your own.

Begin Again
Denise, Sarah and Toni discover adulthood is not at all what they imagined as children. Now they must hold on to each other before they each fall apart.

Kit & Kat
An unapologetic, thirtysomething slacker and her precocious 11-year-old stepdaughter navigate the conservative world of Vancouver’s upper class.

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