Tag Archives: Featured

TV, Eh? podcast Episode 236 — Pancake Batter-Like Quality

This week’s podcast brought to you by Two Oceans wine and Old Crow Bourbon!

As always, we begin with the next two weeks of programming via the Calendar, followed by casting news for Just Like Mom and Dad and Cycle 3 of Cardinal beginning production in North Bay, Ont. We finish off the show discussing Netflix’s blog post about their Canadian TV deal and the loss of broadcasters Rafe Mair and Ray Turnbull.

Listen or download below, or subscribe via iTunes or any other podcast catcher with the TV, eh? podcast feed.

Want to support TV, eh?’s work? Become a Patreon!

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Murdoch Mysteries: Amanda Richer sounds off on playing Helen Keller

Monday’s newest episode of Murdoch Mysteries, “8 Footsteps,” involved a particularly interesting setting for a murder: a pitch-black room. Under suspicion? None other than Helen Keller, guest of honour at the dinner hosted by Alexander Graham Bell. We’ve seen John Tench in the role of Bell before, but never Keller, the deaf and blind American author, lecturer and political activist.

Playing the role of Keller was Canadian actress Amanda Richer, who we contacted to discuss the notable gig, being a deaf actress and some of her other work you should definitely check out.

Can you give me the Coles notes version of how you were cast in the role? Did your agent contact you? And did you have to audition?
Amanda Richer: Yes I had to audition. I have to thank Diane Kerbel for reaching out to my agent. I think I drank my weight in water prior to auditioning to calm my nerves! I wanted this role, bad, and walked into the room prepared and just poured everything I had into it! I left feeling really good. The audition was on a Monday, and on that Tuesday I was told my tape had made its way to the producers, and by Wednesday afternoon I got the much-anticipated call that the role was mine!

Helen Keller, unlike some of the characters on Murdoch Mysteries, was a real person. Did you do research into her life? I actually had no idea Helen and Alexander Graham Bell really knew each other.
Oh, I researched! I read up on every aspect of who she was; how she lived her life, and the legacy she left behind. I obviously knew who Helen Keller was, but quickly realized just how much I didn’t know about her! She was truly a political force, an activist, an advocate for human rights, and an incredible inspiration and voice for a lot of people. I didn’t realize how young she was when she met AGB, and if it weren’t for AGB, Helen would never have met Anne Sullivan, and well, the rest is history…

Helen had a close relationship with Anne Sullivan and I thought Severn Thompson and yourself did a wonderful job portraying that.
Thank you! I met Severn at the readthrough and we hit it off immediately! She is not only an incredible person, but a terrific actress. We had a lot of fun!

You already tweeted about this, but what was it like working with Colin Mochrie?
Colin Mochrie! What a guy! He is a great person with such a big heart! No matter what he’s talking to you about, you can’t help but crack up! He’s so good at what he does, so it was a pleasure watching him work.

You aren’t blind; was it difficult to train yourself not to look your fellow actors in the eye?
Being hard-of-hearing I’m very dependent on the lips, so direct eye contact isn’t something I normally do to begin with. Helen Keller was almost in her own little world being both deaf and blind, so I really tried to focus on ‘feeling’ what I’d otherwise see, and sort of shut out what was physically happening around me.

Does being deaf present a particular challenge as an actress?
If anything, I think it gives me a uniqueness! Being a deaf actress (or just deaf in general), I’ve inherited the ability to tap into another level of emotion, concentration and communication. I communicate and listen with my entire body rather than just my ears. I like to think of it as my superpower!

The challenge right now for so many deaf actors/actresses is that deaf roles are being given to hearing actors. If you want true, authentic characters and performances, that should be a huge consideration in casting.

What made you decide to go into the film and television business in the first place?
It sounds cliché to say, but I think I always knew I was headed down that road. It was more about just how I get there! After realizing my disability didn’t define me, I embraced that confidence and chased after every possibility and opportunity to be on set, both behind and in front of the camera … and here I am!

I just finished watching your short film Longhand, and it’s pretty amazing. Was it always your intention to not only be in front of the camera but behind it as well, creating your own characters and producing and directing your own projects? Why is it important for you to do that?
Thank you! Longhand means a great deal to me, and to have positive responses from people means a lot! When you watch a movie or a television show, a powerful character, performance, or storyline naturally impacts you and leaves you inspired. That feeling is exactly why I wanted to create my own work. I want to tell stories that provoke those emotions. To me, that’s the ultimate reward! Also, many actors know that you can’t just sit by the phone willing it to ring, you have to create your own work also!

I can’t let this interview go by without asking you about Deafplanet.com. That TVO series was really groundbreaking at the time. You must be really proud of it.
I’m super proud of it! It was an amazing show, and I’m just sad that it didn’t go on to get more seasons. I owe a lot to Matt Hornburg and Mark Bishop from marblemedia for sparking the acting bug in me! Being a part of the deaf community, I’m still best known for my role as Kendra, and every so often a kid will tell me it was their favourite show to watch, and to me, that speaks directly to the integrity and influence of the show itself.

And, what was it like to work on The Shape of Water as the sign language coach?
It was a dream! An absolute dream job! It was an incredible four-month journey working with Sally Hawkins. I was invited to the TIFF première, and I was just beaming with pride! The love and admiration I have for Sally is beyond words.

Geek question: Did you get to meet Guillermo del Toro?
I did! Pan’s Labyrinth is one of my Top 5 favourite films, so I totally geeked out before I met him! He is the sweetest man and just such a remarkable talent. Watching him work, and witnessing his vision being brought to life was a once in a lifetime experience! I feel incredibly lucky to be apart of it.

Last question: what are you working on next that you can talk about?
I have some secrets up my sleeve, but I’m available for hire guys!

Murdoch Mysteries airs Mondays at 8 p.m. on CBC.

Got a question or comment for Amanda? Write in the comments below!

 

 

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Murdoch Mysteries: Paul Aitken breaks down “8 Footsteps”

Spoiler alert! Do not read unless you have already watched Monday’s newest episode, “8 Footsteps.”

After 11 seasons on the air, Murdoch Mysteries is still coming up with unique settings for murder. Monday’s newest episode, “8 Footsteps,” involved a particularly interesting one: a pitch-black room. Under suspicion? None other than Helen Keller (played by Amanda Richer), guest of honour at the dinner hosted by Alexander Graham Bell. We’ve seen John Tench in the role of Bell before, but never Keller, the deaf and blind American author, lecturer and political activist.

We spoke to longtime Murdoch producer Paul Aitken, who wrote the episode, about how the storyline came about, what’s happening to the morgue now that Rebecca has left and romance for Henry Higgins!

You had a lot of characters to juggle in this episode, including Alexander Graham Bell, Helen Keller, Ralph Fellows and Ruth Newsome. Did so many guests present a challenge for you?
Paul Aitken: We knew we were going to do a Helen Keller episode and that brings with it certain ideas naturally. She’s deaf and blind and that meant the plot had to turn on that. It had to turn on sound, from our perspective, because we decided to do a blind banquet. Alexander Graham Bell fits in because he was an advocate for the deaf and his wife was deaf and he seemed like a natural to include. And we like him. Of course, you bring back his various inventions, in this case, his version of the graphizer and stereoscopics.

As for Ruth Newsome [Siobhan Murphy], I think she’s great. I love Ruth Newsome as a character and the actress who plays her just drops into that role. It’s quite remarkable to see because if you talk to her, she’s a normal person, but she’s a spot-on Ruth Newsome. And we just devised a way for her to fit and we wanted this to be the episode where Higgins and her would get together. So, at the very end, we wanted Henry Higgins to win the day. Score one for Henry Higgins!

Having Henry bend Ruth back to kiss her was fantastic.
It’s my favourite scene in the episode.

Amanda Richer plays Helen Keller, and she is really deaf. Was it important to have a deaf actress play that role?
I had no prior perception of who should play the role. I thought it would be helpful to have someone who was deaf because they would have an understanding of how to articulate as someone who was deaf. Helen Keller spoke, but she didn’t speak well, and we had to find someone who would find the performance as well as to see that the deaf person didn’t speak well when she spoke. I thought Amanda nailed it.

As a television writer, were there any particular challenges to writing for a character who is deaf and blind?
I needed to get the emotion out. I didn’t want Helen Keller to speak perfectly normally. I wanted it to be difficult to understand, so I didn’t put too many words in her mouth, which is why I had Alexander Graham Bell translate. But when I wanted to punctuate the moment, I had Helen Keller herself speak. Writing for a deaf person is like writing for anyone, but I guess the challenge with that is how do you use the fact that she’s deaf and blind to change the plot? How do I work Helen Keller into the plot in a way that she isn’t just someone who is sitting there while stuff is happening around her? She might not solve the crime but she’s instrumental in solving the crime. That was a challenge, and that’s the fun of writing for this show; finding a way to make things work.

Colin Mochrie was hilarious as Ralph Fellows, hotel detective.
Yeah, it was fun. He’s this hotel detective who wants to be more. [Laughs.] He didn’t max his potential and it bothers him.

Rebecca James left Toronto in the last episode; how long will it be until a replacement is found?
I believe that happens in the next episode and plays out from there. There is a woman that is introduced and it takes a couple of episodes until she actually finds herself in the morgue.

Murdoch Mysteries airs Mondays at 8 p.m. on CBC.

Images courtesy of CBC.

 

 

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Travelers: Eric McCormack and Nesta Cooper preview crazy Season 2

Season 1 of Travelers wrapped with one hell of a cliffhanger. In a stressful face-off in the barn, Trevor (Jared Abrahamson) and Grace (Jennifer Spence) were both shot moments before Trevor could destroy the quantum frame.

Those final moments were preceded by some major information: Shelter 41 had collapsed and been taken over by The Faction, people unsupportive of the director and the grand plan. By the end of the instalment, Carly (Nesta Cooper), MacLaren (Eric McCormack), Marcy (MacKenzie Porter), Trevor and Philip (Reilly Dolman) had been captured by the FBI, headed by MacLaren’s partner Walt (Arnold Pinnock). Crazy, right? Episode 1 of Season 2—returning Monday, Oct. 16, at 9 p.m. ET on Showcase—blows that out of the water. Seriously. And that’s all thanks to new cast member Enrico Colantoni, who plays Vincent, a mysterious character whose back story takes up much of Monday’s return. We spoke to McCormack and Cooper about what fans can expect as Brad Wright’s creation hurtles into its sophomore season.

Enrico Colantoni … how did that casting come about? Was that a result of Brad wanting to expand the world in Season 2?
Eric McCormack: As you see in the final image in Monday’s first episode, we now know who Enrico was playing in Season 1. As for it being Enrico, I take my one producer credit: Brad showed me the script and said, ‘Who do you think should play that?’ I knew we were going to go for Canadian cast across the board, so I immediately thought of Enrico. What he did on Person of Interest reminded me of the kind of intensity and danger that he could bring. But what he does in the first five minutes of the premiere is so exciting and so heartbreaking. Somebody watching the show must have been wondering, ‘Well, when did all of this traveler business start?’ The question gets answered, and in such a cool way.

When I got the first script, I was reading it and saying, ‘Where’s the barn?’ But there is a such a good reason to set up [Monday’s return] the way that we do.

Let’s discuss the Season 1 finale in the barn. The FBI rolls in and there is Walt. The cat is out of the bag.
EM: ‘The cat is out of the bag! How can it be out? It’s only Season 1?!’ That’s what fans have been saying to me.

Nesta Cooper: There are so many questions going through our heads. Carly didn’t kill MacLaren even though the director told her to. Am I not going to get saved because I didn’t complete the mission? What’s going to happen to the quantum frame? What is it capable of?

Travelers is a very active show with lots of hand-to-hand combat. Do you do your own stunts?
NC: We’ve had the same stunt team for both seasons. In Season 1, I was a twiggy and very weak. [Laughs.] I’m still weak but I work out a lot more now. The stunt team has seen how I fight and carry myself and I’m lucky because the writing has taken this physically strong person and put her into the body of a weak, single mom. Carly is able to grow with me as I’ve learned to carry myself. This season I’m able to do a lot of my own stunts, like when I flip people and when I punch people.

What can you say about the relationship between Carly and MacLaren going forward?
EM: I hope what’s been made clear to the audience is that it’s something that should never have been brought into the past. We were clearly fraternizing in boot camp and that probably shouldn’t have happened, but who cares because it’s a dystopian, awful future. I wasn’t sure how long the relationship would go and I was surprised how it’s kind of come to a stop because of MacLaren’s feelings for [his wife] Kat [Leah Cairns]. But I hope it still comes up as a thing. It’s an unsettled score.

NC: To me, it’s still a thing for Carly. I had imagined that Carly did not open up to a lot of people ever, and MacLaren was her person. And when she felt betrayed by him, it was a big loss for her. I hope it continues to be a thing and I’ll certainly be playing it that way. When we pick up, she’ll be facing those feelings head-on.

Not only does Amanda Tapping have a role in Travelers this season, but she directed an episode as well. What was it like working with her?
NC: Literally a dream.

EM: There is a such an ease with her. Watching her run a crew is effortless. She knows what she’s doing 10 minutes before anyone else does.

Travelers airs Mondays at 9 p.m. ET on Showcase; Season 2 returns on Monday, Oct. 16.

Image courtesy of Corus.

 

 

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Comments and queries for the week of October 6

19-2 really was pleasant to watch and kept me glued to my seat week in and week out. The characters were well developed and the acting was phenomenal. J.M. was someone we loved to hate. I really loved his character and how it kept everyone else on edge. The rookie was fantastic as well. Not everyone gets along at work and the fact that his character was just starting to develop, makes me sad we will not see any more of this show. Yes, it was about Chartier and Nick but it was much more. Many of my friends are police officers in Montreal and they have mentioned many times about the realism of the episodes and how accurate they are. Well done and gone before it had to! The emotion shown by Chartier and Nick when they returned to the school was very powerful. Not only was that original school shooting episode riveting, but their return shows how affected they really are by the job that they do. These things stay with you forever and the way this show portrays these scenes is amazing. You cannot help but feel for these characters and when a show can leave you with such emotion, you know that it is well-written and well-acted. Proud of this Canadian show, both English and French versions. —Johnny

Please continue on with this series. It’s a great show and my husband and I look forward to watching it each week. —Maria

 

Got a question or comment about Canadian TV? Email greg.david@tv-eh.com or via Twitter @tv_eh.

 

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