Tag Archives: Global

Interview: Enrico Colantoni on “bang” up start to Remedy’s second season

On Monday night, Remedy, Global’s Enrico Colantoni-starring medical/family drama, returns for its second season, and fans better be ready to get shaken up. At the very least they have to prepare to watch their favourite characters, including Colantoni’s Dr. Allen Conner, go through one of the biggest shake-ups in the show’s history.

In the name of keeping things spoiler-free, that’s about all we can say about the premiere. But the good news is, we spoke to Colantoni himself, and he offered a few more clues as to what kind of chaos is ahead, both for Allen and the entire series.

The season premiere starts with a pretty big … let’s say “incident.” How was it shooting that scene?
Enrico Colantoni: We start the season off with a bang! [Laughs.]

It was a little out of our wheelhouse. It’s safe to say that whole season isn’t going to be like that. It’s a nice way to reintroduce the world and have a little sensationalised drama, which is fun and fun to do.

Can you say if that event is going to ripple through the season? Or are there other events that come along during the season that have a bigger effect?
What’s wonderful about our show is that the shoe doesn’t drop; it sort of falls really slow.

We watch our main characters find their way [this season]. They’re all dealing with being a fish-out-of-water in a way. Sandy has a new baby and she wants to come back to work. Mel is dealing with this man. Allen is in the ER. Griffin is dealing with living with Zoe. So, the [event], I would say is the metaphor of what’s going to happen, but it’s not an indication of what’s going to happen. It really builds to this place where the whole family has to deal with and can’t avoid Griffin anymore. That’s an extraordinary nine episodes of just watching him fall really slowly.

Allen is going through some challenges this season as well. His area of expertise is not being valued at the hospital anymore and he’s being thrown into the ER environment. How is that professional havoc going to change him?
Rico has the best time playing Allen this season. He doesn’t have to hide behind a desk. He really is getting his hands dirty.

But [Allen] really is a fish-out-of-water at the beginning because it is a young man’s game. He doesn’t have the dexterity to deal with 20 different patients. He wants to spend time, he wants to be the doctor who heals every individual, and you just don’t have time in the ER. You send ‘em off—you either send ‘em upstairs, or you send ‘em home. So he has a hard time understanding that. But what it does is it brings a lot of integrity back to the ER. He’s saving a lot of lives that otherwise would have been lost. But on the other hand, he’s learning how to function quickly. He gets excited about it.

But the glue is always … this family is despicable. They are! In a subtle, sublime way, they’re despicable. They’re just so insulated.

He’s getting reinvigorated.
Yeah! He’s getting reinvigorated. You just see the joy. Even in the fourth episode, which you haven’t seen yet, the first time you see him, he’s like a little kid. He’s got his first gunshot trauma coming in and he’s all excited. That sort of shifts [things] and that episode affects him deeply.

So it wasn’t necessarily the change he wanted, but the change he needed?
Yes. He realizes how much he hated being an administrator. He realizes that, of course, he loves medicine. And it affords him more time to be the dad he wants to be, needs to be. How Greg Spottiswood manages to make it all dramatic is beyond me. He’s that skilled, because I’m having the best time in the world. And he is, certainly, as well.

But the glue is always … this family is despicable. [Laughs.] They are! In a subtle, sublime way, they’re despicable. They’re just so insulated and I don’t know if xenophobic is the term, but they’re just like, ‘Stay away. We are an island. We don’t need anybody else.’

They have each other…
But in such a co-dependent way!

You have played a father figure to many strong women, career-driven women. How important do you think it is to portray these deep father-daughter relationships?
What an opportunity to play a dad to someone who is already an adult! My kids are still teenagers, so you have to pound that voice in that head and hope that somehow, when they’re 30, they’re going to hear dad stop them from going down the wrong road.

Playing Keith Mars [on Veronica Mars], I think, had more value to it because he was all she had. And he did allow her to be her own person at a young age, which is such a gift. These guys are too smart for their own good! The fact that they even listen to me still …. and the fact that he still tries to butt heads with them is like, what are you, an idiot? You should have let them go a long time ago, but you’re just so stubborn and wanting to control the whole thing. They’re adults for God’s sake, but you treat them like they’re kids! There’s nothing valuable in that. [Laughs.]

But that’s part of being a dad, right? You’re always going to have that urge to come in and control the situation.
It is! It doesn’t stop! And that’s what makes the show beautiful. It’s beautiful because it’s real.

I like using the word ‘sensationalize’ because a lot of these medical dramas are [that]. They’re relying on the false sense of drama. I always had this debate with the writers on Flashpoint. Like, it’s already dramatic, why do we have to fake the drama?

That’s what made Parker so special to me. While everybody else is freaking out, he’s going, ‘Guys, calm. Let’s move.’ Which is how you deal with situations. You don’t go, ‘Oh, this is really important!’ We know it’s important. And that’s how we deal with Remedy. Like, this is fucked up, and this is how we deal with it. And when it really gets heightened it’s all about, ‘You shut up! No, you shut up!’

The bickering is so beautiful on this show. And I love it.

 Remedy returns Monday, March 23, at 9 p.m. ET/PT on Global.


Interview: Canadian Sleepy Hollow creator’s strange road to success

Phillip Iscove took an unconventional road to writing for television. The Toronto native, who attended Ryerson University’s Toronto Film School while working at Bay Street Video, got a job at United Talent Artists in Los Angeles and headed for Hollywood. Once there, he worked his way up from the mail room to an assistant in the television literary department spending his off-hours at the desk of his boss.

Now he’s the co-creator of Sleepy Hollow, Fox’s rollicking fantasy series about an American Revolution soldier (Tom Mison) who has awoken in 2013 to do battle with the four horsemen of the Apocalypse.

You’ve got a full year on Sleepy Hollow under your belt. Are you still surprised by its success?
Phillip Iscove: I continue to be flattered and surprised by how much I love it. I’d be lying if I said I wasn’t.

You’ve had lots of success and a little luck too. You went from Ryerson grad and Bay Street Video store employee to Los Angeles where you worked for United Talent Artists and worked on scripts during your off-hours. Not the typical road to the television industry.
Many people ask me about my story, but I’m not sure a lot can be learned from it. I got incredibly lucky and the planets aligned for me in a way that I continue to pinch myself every day. The truth is that I got the job at UTA that allowed me to move out here and I sort of approached it like a graduate degree. Like, ‘I’ll work at this agency and I’ll learn the business side of things.’ I had a film degree, but like everyone else I came out here with this altruistic, ‘I’m gonna change things and they’re gonna let me do whatever I want!’ That goes away very quickly. It was just about reading scripts and building relationships with people that supported me and were happy to sit down with me. Those relationships bore fruit and I was able to get myself in front of Robert Orci and Alex Kurtzman.

You didn’t go to the Canadian Film Centre or cut your teeth in Toronto or Vancouver. Did reading scripts and watching a lot of TV streamline your process into what makes for good television?
I think it was a mix of things. I do continue to watch a lot of TV and I try to read as many books as I can and try to be on the pulse as much as humanly possible but I think a lot of it has to do with what sells and why it sells. Being at UTA kind of changed the game for me. It’s very easy to kind of get lost in your own head a little bit: ‘I love this and this and this and everyone should love it with me.’ You have to fall in love with things that are viable as opposed to things that maybe aren’t. It’s trying to figure out making what you love palatable.

I didn’t go to the Canadian Film Centre, I didn’t go to Vancouver but I think that, strangely enough, working at Bay Street Video while going to film school really kind of allowed me understand why I loved something. It’s not enough to just love something; you have to understand why you love it.

What’s it been like working with Roberto and Alex and what do you learn from the guys behind Fringe, Hawaii Five-0 and the Star Trek movies?
The list is long. What they taught me and what they continue to teach me is how to make something palatable to a large audience and how to get lots of people to love your thing. It’s a tremendous gift that they have, the ability to make something fun, grounded and with three-dimensional characters that exist in a universe that people want to spend time in. I learn something more from them every day.

How many seasons of Sleepy Hollow did you have in your head?
I’d be lying if I said I had a number of seasons in my head. I, quite frankly, was just hoping somebody would let me write something. But once Bob and Alex and Len Wiseman and I started to work on the pilot and series documents we started to see a much bigger plan that could come into place. As it said in the pilot, and as it says in the Bible, witnesses do bear witness for seven years of tribulations. It would be great if we ran for seven seasons.

In every episode there is at least one major revelation in the plot, an ‘Oh shit!’ moment. Was it important for you to have a reveal each week?
We just want to take people on a fun ride each week. It’s about the roller coaster that we’ve created for ourselves and you want every episode to be special and like you’ve given viewers the key to an amazing journey. We approach each episode with the hopes of having that ‘Oh shit’ moment that you speak of.

Sleepy Hollow airs Mondays at 9 p.m. ET on Global.


Rick Campanelli celebrates 10 years of ET Canada

Has it been a decade already? It seems like just yesterday that Rick Campanelli, Cheryl Hickey and Roz Weston burst onto the scene in Entertainment Tonight Canada. The spinoff of the hugely successful U.S. newsmagazine show celebrates its 10th anniversary this week in grand style, with specials that include the most memorable celebrity interviews, bloopers, and “Star Evolutions” spotlighting the humble beginnings of Hollywood’s biggest names.

We asked Campanelli to look back on the last 10 years of ETC.

My favourite interview subject has been…
Rick Campanelli: Wow this is a tough one for me. I’m going to narrow it down to my Top 3, in no particular order of course. Michael Bublé because he is a great interview. He is super-talented and super-nice. Michael also has fun during the interview–hejokes around and makes you laugh. He also opens up and tells you things you never knew about him. I met Michael many years ago when he was singing at a Toronto stage show called Forever Swing. With all his fame and success he is still the same lovable Canadian I met all those years ago.

George Clooney because for someone of his stature in Hollywood, he has to be the most down-to-earth celebrities I have ever met. I’ve interviewed George a few times and he is truly genuine. He even gets up out of his seat to introduce himself to you in a junket setting. The guy really does have it all and you’ll feel like he could be one of your good friends after spending just five minutes with him.

Cher. Yes, I said Cher! The woman is an icon. She has been entertaining us since I’ve been in diapers and she is not about to slow down … or put more appropriate clothes on. I’ve done a couple full-length sit-down interviews with her and she just opens up and tells it like it is. She’s not afraid to speak her mind. She made me laugh out loud when she said one of her and Sonny’s first purchases was a toaster oven.

I was most nervous to interview…
Two people come to mind. The first time I ever interviewed Tommy Lee Jones. This man is an icon, he has been acting for longer than I’ve been alive and he is damn good at it! But it was the reputation he has during an interview setting that had me a little frightened/nervous about the outcome of my five minutes with him. Trust me, I was sweating but I was also prepared and knew a lot about this Hollywood legend. It turned out to be a pretty good interview and I even made him laugh which is always a good thing.

The other celebrity I was pretty nervous to interview was Jennifer Aniston. She’s gorgeous, she’s fun, she’s super-talented she’s gorgeous and the whole world knows her. Did I mention she’s gorgeous?

My most memorable on-air moment on ET Canada so far was…
My most memorable on-air moment for ET Canada was when we travelled to the Bahamas with Sharkwater director Rob Stewart to actually go dive with sharks. Yes, it took me a while to build up the courage but I finally took the plunge and hung out with 30 or so sharks down 30 meters in the ocean. I’m always up for a challenge and when my executive producer asked me if I would even consider doing it, I jumped at the opportunity. The day was gorgeous, the water was warm and the sharks were hungry. It is another world down there and I am so grateful all the underwater creatures welcomed me that day! Also, to hang out with Rob Stewart, one of Canada’s most passionate and dedicated documentary directors, was a total honour for me and we even became good friends.

My most memorable behind-the-scenes moment so far was…
My most memorable behind the scenes moment has to be going on the set of Vikings in Ireland. We hung out with the cast both in and out of their wardrobe/make-up, got an exclusive tour of the set where all the action goes down and even got made up as a pillaging Viking to see what it’s all about. I have been on so many sets and I will never forget this trip to Ireland because of the excitement and generosity that everyone showed us. From the make-up department, to the director and even the extras involved–they were all so happy to working on this project and it made my job that much easier to get so many amazing moments. The even better news is that we are going back on-set of Vikings soon, so stay tuned!

The best junket I have been on has been…
Hands down, the best junket I have been on was for Skyfall in New York City. We even included a trip to London, England, to tour all the famous James Bond spots. Got fitted by 007’s tailor, drank the classic Vesper martini, which Ian Fleming used to drink at Duke’s hotel bar and even sat in his Aston Martin! I’ve been a huge fan of James Bond for many years now and my obsession began back in the 1970’s when Roger Moore played the British secret agent. Although this is the new generation of 007 with Daniel Craig taking over the role; in my mind he’s the most rugged and real James Bond since the franchise began making movies back in the early 1960’s. He is the one that I sat across from at the Crosby St. hotel in NYC and who talked in great depth about one of my favourite big screen characters of all time.

The member of the ETC on-air team that pulls the most pranks is…
The member of the ETC on-air team that pulls the most pranks would probably be me … followed by Sangita, who takes a close second. I’ve loved pulling pranks for as long as I can remember. As you could probably imagine, I don’t like to be too serious. I have to be honest I had a bit more of the “prankster” in me earlier in my career … streaking, mooning, etc., but I had to slow down a bit over the years! I just like to make people laugh and smile – it lightens up the mood. Of course I can’t list all the pranks but I can say one of my favourites was when I did an up close and personal interview straight into the camera and when we were done and the camera pulled out, I was sitting in my boxer briefs…

I’m honoured to be a member of the ET Canada team because…
I’m honoured to be a member of the ET Canada team because we are part of an entertainment brand that has been around for 34 years. This entertainment franchise is an institution that has built a foundation for entertainment content to thrive. Entertainment Tonight is known throughout the world as THE No. 1 reliable source for all things entertainment and we here at ET Canada are proud to be able to share that same attribute with our Canadian viewers. I am also so proud of the team I work with every day. They are the best in the business at what they do. It’s such an amazing feeling to go home at the end of each day, sit back and take in what we created … and do it all over again day after day! Here’s to another 10 seasons!

Season 10 of Entertainment Tonight Canada airs weeknights at 7:30 p.m. ET on Global.


Canada In Development: LIL’ WARRIORS

Spinning off the success of the MMA events that have taken the world by storm, Shaw Media & Global TV are bringing us LIL’ WARRIORS, a one-hour documentary that follows kids 8 & under and their families, to provide an explosive behind-the-scenes look at competitive fighting in Canada and the US.

Currently in the treatment writing and casting stages, LIL’ WARRIORS will take a look at the ambition, and competitive nature of martial arts coupled with the personality of each lil’ warrior, going behind the scenes to see what really lies beneath the surface of kids competitive martial arts.

Shark Teeth Films is an independent production company which incorporated in late 2008 by Tom Mudd and Adrian Carter.  They produce content for both film and television and have recently expanded to include to live-action, animation and visual effects.

Written by Tom Mudd, Adrian Carter, and John Turner (who will also direct) LIL’ WARRIORS is part of Global’s Close Up strand - a series of one-off documentaries that looks at the unusual that lies just beneath the ordinary right outside our doors.

The Documentary Series is slated to begin in January of 2013.