Tag Archives: Helene Joy

Link: 10th season for Murdoch Mysteries “a huge milestone”

From Victoria Ahearn of The Canadian Press:

Link: 10th season for Murdoch Mysteries “a huge milestone”
Ten seasons into “Murdoch Mysteries,” star Yannick Bisson is feeling sentimental about his time with his character, a super sleuth probing crimes at the turn of 20th-century Toronto.

“It’s a huge milestone for any show anywhere, especially here in Canada,” he said ahead of Monday’s season 10 debut on CBC-TV.

“We’re really proud and it just seems to never stop being good.” Continue reading.


Link: Interview: ‘Murdoch Mysteries’ star Helene Joy is rooting for a baby for William and Julia in Season 10

From Keerthi Mohan of International Business Times India:

Link: Interview: ‘Murdoch Mysteries’ star Helene Joy is rooting for a baby for William and Julia in Season 10
“It’s going to be a really exciting year with a lot of developments to do with Murdoch and Julia’s new house that they are building. The season starts with a huge episode about the great fire of Toronto in 1904 where most of the city was destroyed. And we have great guests coming from England. We have returns of awesome characters and some really amazing storylines that I can’t disclose yet.” Continue reading.


Murdoch Mysteries’ Season 9 end and what’s to come in Season 10

Spoiler alert! Do not read on unless you’ve watched Monday’s season finale episode of Murdoch Mysteries, entitled “Cometh the Archer.”

OK, did anyone really believe Julia would die in Monday’s season-ender? Not a chance—especially because the show was renewed for Season 10—but that was one heck of a ride? Plenty of fans, myself included, wondered who from Murdoch’s past would return to cause troubles for the pair. Turns out it was Eva Pearce, the disturbed young woman with an obsession for our favourite TV detective who not only attempted to murder Julia but kidnapped Murdoch and plotted to have his child.

Cinematic in scope, and featuring Julia on horseback and firing an arrow (who knew she could do that?!), “Cometh the Archer” concluded a season chock-full of drama and heartbreak. We chatted with MM showrunner Peter Mitchell, who took us back over the past 18 episodes and gave us a peek into what’s coming in Season 10 straight from the writers’ room.

There were a couple of cast changes this season. The first was saying goodbye to Emily Grace and welcoming Rebecca James. How did the addition of Mouna Traoré change-up things for you and the members of the writers’ room?
Peter Mitchell: I think it was fun and we sort of eased her in a bit. We gave her increasingly more stuff to do. It’s interesting, because she really has to play against type, which is something that not many of our characters have to do. Mouna the person is a lot more outgoing and vivacious than Rebecca the character. It was tricky trying to find a balance. In the upcoming season she’ll become a more dynamic personality as her confidence increases.

OK, so you’re confirming that Mouna will be back for Season 10.


Let’s talk about the other big change, adding Roland to Julia and William’s lives. He made a big impression on the fans and you’ve already stated that this is a procedural drama and not a domestic drama. In the season finale, adoption was mentioned by William; does this mean Roland is gone for good or could he return? Or are we headed for adoption?
We could be headed neither way. [Laughs.] We’re talking about that right now. It was a moving thing and a charming thing to have this baby in their lives for a while, but we haven’t really focused on that part of Season 10 yet.

How many Season 10 episodes have you written so far?
We haven’t written any so far. We’re still kicking around ideas and stories for the first half of the season.

Let’s talk about Crabtree. He’s had some bad luck in love, but things were looking up last week when he made a connection with Nina Bloom, played by Erin Agostino. Any plans to give him a more permanent love match next year?
Nina is the kind of character we always want on the show because she’s very polarizing. Half the fans love her and half the fans hate her, which means we want her! [Laughs.] As Season 10 begins, he does have a permanent partner. Whether that lasts for the length of the season, we’ll find out.

OK, let’s talk about “Cometh the Archer,” written by yourself, Simon McNabb and Jordan Christianson. How early on in the planning of this episode did you have, “Julia gets shot” written on the wall?
I think we had “Julia rides a horse” and “Julia shoots a bow and arrow” before. That was Hélène’s simple list of demands, “Can I ride a horse this year and can I shoot a bow and arrow?” Let’s come up with a scenario for that. It probably at the two-thirds mark of the season that the idea came to be of how we were roughly going to end the season.


I assumed, wrongly, that every season of Murdoch Mysteries is planned straight through with a beginning, middle and end, but that’s not the case.
I probably happens with some shows, but we have the liberty of not having to have everything approved up and down the line. They trust us. We never really consider how things will end until midway through the shooting. A season is three acts and we go into it with Act 1 and Act 2 planned and then, generally, things that happen in the first bit of the season helps inform us how we’re going to end it because things come up, you know?

Now, unfortunately, we had to say goodbye to Constable Worseley! What were the circumstances surrounding Sean Harraher’s departure?
Interesting story. It was Sean to who came me and said, “Hey, could I die this year?” I said, “Yeah, sure man.” I think it adds a nice bit in the finale, a nice little scary bit, but it wasn’t a question of having to go down and tell someone who’s been an extra on the show for seven years that he’s not coming back.

You’ve directed this episode. This isn’t the first time you’ve done that, but I did notice some interesting overhead shots you used. I’m thinking of when Julia was in surgery and when Brackenreid was questioning folks at the hotel. Why did you choose that style of filming?
I’m always trying to tell a story with the minimum amount of shots because our shooting schedule is so short. This felt like a more cinematic episode and you don’t really get the shock of Julia Ogden’s operation unless you’re right over top of it. There’s blood everywhere. A bunch of the back half of the episode was going to be Murdoch lying on his back and I was committed to that type of shooting so I just tried to integrate that into the overall episode so it didn’t turn into this weird perspective change. And my friend, Gary Harvey, does such a dynamic job of directing his episodes that he kicks my ass a little bit. [Laughs.] I was like, “OK Harvey, two can play at that game!” You have the horses and the wilderness and all that scope. We were blessed with weather in that we got a bit of snow and it had a bit of a McCabe & Mrs. Miller feel to it.


A lot of fans were speculating as to who it would be from William’s past who’d return in the finale. How did you decide it would be Eva Pearce, played by Daiva Johnston?
I was really interested in the back half of the script when I was writing with the guys. It could really only be played by a female and the idea of giving a little bit of an edge with the sexual angle and that weird song she sings. We hinted at the Black Hand in the episode before but, ultimately, in terms of the love triangle of Eva mounting William and it causing Julia to wake up is a more interesting dynamic.

Where do we go from here? What can you tell me about some of the stories you’re breaking for Season 10?
I think there will be some unexpected returning characters to the show. We’re also looking at adding a couple of semi-recurring characters onto the show. We’re mining some historical figures that we want to bring in like we normally do. We’re seriously kicking around H.P. Lovecraft right now, just in time for Halloween! He’s a very interesting character who was about 15 years old at this time. I also think we’ll be dealing with the Toronto fire in some shape of form because this is the year. It’s also an Olympic year and I know somebody who is an archer and somebody who is a big soccer fan, both of which were events at the Olympics in St. Louis.

We also have to deal with some of the events from the final episode, some of them lighthearted—does Murdoch build the house this year?—and the exploration of Crabtree and his new girl and how can she possibly fit into this world? We’re also going to see Rebecca at medical school and how that works with her being a black woman there … we’ll see and learn a little bit more about her.

I’m constantly amazed by the people I work with. We’re sitting here with 12 or 13 fairly solid murder mysteries already that don’t feel like ones we’ve done before.

What did you think of Monday’s season finale? What do you want to see happen in Season 10? Comment below or via Twitter @tv_eh.


Murdoch Mysteries flies high with spies

James Pendrick and Terrence Meyers are two galvanizing characters in my household. Simply put? My family doesn’t like them. I’ve never been able to nail down exactly why they have an aversion to the duo, but I suspect it’s because Pendrick is a bit on the arrogant side and Meyers never really answers a question or comes clean when he screws up.

The two, along with Allen Clegg, returned for a rollicking good story written by Paul Aitken. The timing of the episode couldn’t have been better. With Spectre in theatres, Murdoch Mysteries’ take on spy capers involved a devious plan, a 1903 angle on the Cold War, a massive $4 million ransom delivered before a 24-hour deadline ran out and … superheroes. In what may very well have been Aitken’s twist on Thunderball, there was a plot not to drop an atomic bomb on Miami, but a missile loaded with TNT aimed at New York City. The missile was based on Pendrick’s own rocket design, something he’s been planning to use to, eventually, become the first man on the moon. (By episode’s end, it appeared Meyers may in fact claim that title or crash-land in Borneo instead.)

If Murdoch is ever interested in another career, spy would be a fantastic option. After all, he did flit around the sky alongside Pendrick in those pressurized suits and dismantled the doomsday device. My favourite MM episodes are the ones involving scientific devices, so I was positively giddy at the contraptions and tongue-in-cheekiness of that scene where Pendrick spun the wardrobe around to reveal the pressure suits hanging like Batman’s cowl and cape.

Notes and quotes

  • “I flew!!!” That might be the quote of the year from Murdoch Mysteries.
  • “Is that a bird? Some kind of airplane?” Second-best quote of the year.
  • Who else was cackling when Murdoch complained A Trip to the Moon (Le voyage dans la lune) wasn’t scientifically accurate? William may be loosening up, but … baby steps.
  • Rebecca, it was revealed after she helped solve the case, attended medical school in the U.S. until her patron died and is Julia’s new assistant. I’m looking forward to she and Julia working together on cases.

Murdoch Mysteries airs Mondays at 8 p.m. on CBC.


Murdoch Mysteries introduces new character in Rebecca James

Just a week after a tearful goodbye to Dr. Emily Grace, Murdoch Mysteries is introducing a new character.

Rebecca James, played by Mouna Traoré (Rookie Blue, The Book of Negroes), appears for the first time in tonight’s new episode, “Barenaked Ladies,” as the morgue’s cleaner. Julia is back as the coroner in Station House No. 4 and working on a corpse when Rebecca shows up for her overnight shift.

“Over time I become suspect that she knows a lot more than she’s letting on,” Hélène Joy told me during a set visit earlier this year. “She knows anatomy, she seems to be pulling in the environment, so Julia starts giving her books to read, and over time it becomes really obvious that she’s much more than she admits.” Not much is known about Rebecca at this point, but that changes in the weeks ahead when a bit of detective work reveals much more about Rebecca’s life and what brought her to Canada.

Mirroring real events in history as Murdoch Mysteries does, not everyone is happy with the attention Julia is giving to an African American woman.

As for the rest of Monday’s episode, it’s much lighter in tone than last week’s swan song. There’s still a body count, but Carol Hay’s script calls for several light moments too, including the usual stuff from Crabtree and a couple of zingers from Julia.

And the case of the week? A brilliantly twisted story based on an iconic piece of art you’ll have to see to believe.

Murdoch Mysteries airs Mondays at 8 p.m. on CBC.