Tag Archives: Industry News

CraveTV announces its new original series, the darkly funny comedy New Eden

From a media release:

CraveTV announced today its latest CraveTV Original, NEW EDEN, a new mockumentary series developed in partnership with Peacock Alley Entertainment. The eight-part, half-hour “true crime” anthology, from two of Canada’s hottest comedic voices – creators and stars Evany Rosen (PICNICFACE, BARONESS VON SKETCH SHOW) and Kayla Lorette (THE BEAVERTON, SPACE RIDERS) – goes into production in Ontario this fall. The announcement comes as CraveTV confirmed today a new slate of pick-ups from the L.A. Screenings, as well as the addition of hit drama THE GOOD DOCTOR.

With a new six-pack of the smash-hit LETTERKENNY around the corner, NEW EDEN joins CraveTV’s growing slate of original programming which also includes the recent stand-up specials headlined by Graham Chittenden, Debra DiGiovanni, and Darcy Michael.

NEW EDEN follows the misguided attempt of two women, Katherine Whitfield (Lorette) and Grace Lee (Rosen), who started what would become the first, all-female cult of its size. After experiencing the oppression of a male-dominated cult, they decided to create a safe space for women, New Eden. In the inexperienced hands of Whitfield and Lee, the community quickly devolves into a drug-addled, pagan, and sometimes alien-worshipping, disaster space… with the possibility of some murders too.

Additionally, CraveTV announced today that some of the most-anticipated new series coming to CTV and Bell Media specialty channels for the upcoming 2018/2019 season will join CraveTV following their linear broadcasts. As well, CraveTV confirmed for the first time that Season 1 of THE GOOD DOCTOR, the #1 new drama series in Canada last fall, begins streaming in August on the service.

NEW EDEN is produced by Peacock Alley Entertainment Inc. in partnership with Bell Media’s CraveTV. Carrie Mudd (TRAVELERS, SANCTUARY) is Executive Producer. Rosen and Lorette serve as writers and showrunners. Production executives for CraveTV are Sarah Fowlie and Chris Kelley.

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Corus Entertainment and Bell Media agree to terminate share purchase agreement for Historia and Séries+

From a media release:

Corus Entertainment Inc. (TSX: CJR.B) (“Corus Entertainment”) today announced that Corus Entertainment and Bell Media Inc. (“Bell Media”) have agreed to terminate their Share Purchase Agreement for French-language specialty channels Historia and Séries+.

As announced on May 28, 2018, the Commissioner of Competition did not approve the sale by Corus Entertainment of these channels to Bell Media.

Corus Entertainment will continue to own and operate Historia and Séries+ and also remains an active contributor to the Quebec broadcast and production community with Global Montreal, Télétoon and La chaîne Disney, as well as Toon Boom, its animation software company.

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Corus Entertainment provides update on sale of Historia and Séries+ to Bell Media

From a media release:

Corus Entertainment Inc. (TSX: CJR.B) (“Corus Entertainment”) today announced that the Commissioner of Competition has not approved the sale by Corus Entertainment of French-language specialty channels Historia and Séries+ to Bell Media Inc. (“Bell Media”).

At this time, Corus Entertainment and Bell Media are reviewing the Commissioner’s decision, and considering the appropriate course of action.  Corus Entertainment will provide further updates in due course.

In addition to Competition Act approval, completion of the sale remains subject to the approval of the Canadian Radio-television and Telecommunications Commission (the “CRTC”) and other customary closing conditions. The application is currently before the CRTC.

Corus Entertainment also remains an active contributor to the Quebec broadcast and production community with Global Montreal, Télétoon and La chaîne Disney, as well as Toon Boom, its animation software company.

About Corus Entertainment Inc.
Corus Entertainment Inc. (TSX: CJR.B) is a leading media and content company that creates and delivers high quality brands and content across platforms for audiences around the world. The company’s portfolio of multimedia offerings encompasses 44 specialty television services, 39 radio stations, 15 conventional television stations, a global content business, digital assets, live events, children’s book publishing, animation software, technology and media services. Corus’ roster of premium brands includes Global Television, W Network, OWN: Oprah Winfrey Network Canada, HGTV Canada, Food Network Canada, HISTORY®, Showcase, National Geographic Channel, Q107, CKNW, Fresh Radio, Disney Channel Canada, YTV and Nickelodeon Canada.

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Link: CBC-TV is fighting back

From James Bawden:

Link: CBC-TV is fighting back
Let’s see –the first CBC-TV fall preview I attended (as the summer student at The Globe And Mail) was in 1970 when the public network was riding high. In those dear dead days there was a 10 channel TV universe and that was it.

Thirty-five print TV critics from across Canada flew in for several days of interviews with such CBC stars as Juliette, Friendly Giant and Knowlton Nash and CBC redesigned its cavernous studio up Yonge Street (the home of Front Page Challenge) for a gala party that drew thousands of advertisers and hangers on.

That was then. This is now. Continue reading.

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National School of Humour offers advanced comedy scenario program with support from Netflix

From a media release:

The National School of Humour (NHS), with the support of Netflix, is launching a Screenwriting Development Program for both TV and film comedies, which will be divided into three programs: public lectures and master classes, advanced comedy screenwriting and mentorship project development. This partnership is part of Netflix’s commitment to supporting industry development in Canada, including the next generation of comedy writers.

For the past 30 years, the NHS has evolved its training programs to meet the pace of industry changes. The growth of content platforms has resulted in an increased and pressing demand for scriptwriters in comedy fiction.

At the dawn of its fourth decade, the NHS is particularly proud of this partnership which will broaden its mission by creating a unique incubator to bring out the originality of our creators in screenwriting comedy. In addition, this program will propel projects that take into account the challenges of new formats.

This program will facilitate learning for the entire community and individuals. Through its conferences and open master classes, this program will demystify the essential components of comedy scripting and provide individual creators with advanced training or professional mentoring for their TV series or movie project.

Founded in 1988, the National School of Humour passionately pursues its unique and original mission: to offer professional training to creators who wish to specialize in the field of humour as humbler (author performers) or authors. The NHS is a private, non-profit educational institution (NPO), recognized by the Minister of Education and Higher Education of Quebec and supported by the Quebec Minister of Culture and Communications, Canadian Heritage and the Mécénat Placements Culture program of the Conseil des arts et des lettres du Québec. The influence of its graduates on all platforms (stage, TV, radio, cinema, web) throughout the French-speaking world is the most eloquent evidence of the relevance of the institution that is celebrating its 30th anniversary this year.

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