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Bell Media confirms 2022/23 original programming slate of nearly 100 titles, boasting 973 hours of English and French-language content

From a media release:

Bell Media confirmed today its most robust original content slate ever, with 973 hours and nearly 100 titles set to debut or begin production during the 2022/23 broadcast year. Fueling English and French-language services across Bell Media properties, and produced in partnership with independent production partners and Bell Media Studios, the new programming ordered bolsters an impressive and diverse roster of award-winning returning series, documentaries, and specials.

Among today’s announcements:

From Anthony Q. Farrell (THE OFFICE) and Counterfeit Pictures, new CTV Original single-camera workplace comedy, SHELVED, is centred around the lives of the employees and patrons at the Jameson Public Library in Parkdale. Mary Berg hosts CTV’s new competition series CROSS COUNTRY CAKE OFF, with casting currently underway.
Recently announced new CTV drama SULLIVAN’S CROSSING begins production this summer in Nova Scotia, with Morgan Kohan, Chad Michael Murray, Scott Patterson, and Tom Jackson set to star; while previously announced unscripted dating series FARMING FOR LOVE goes into production this fall in British Columbia.

CTV confirms new instalments of award-winning returning hits including: a one-hour JANN holiday-themed special; Season 2 of MARY MAKES IT EASY for CTV Life; a new season of CTV Sci-Fi’s SURREALESTATE; Season 3 of ROAST BATTLE CANADA, which premieres its second season on June 13 on CTV Comedy Channel; along with three previously announced CTV favourites: Season 3 of TRANSPLANT; Season 8 of fan-favourite THE AMAZING RACE CANADA; and Season 2 of family comedy CHILDREN RUIN EVERYTHING.

A bevy of all-new series for the CTV Specialty lineup including: docuseries LISTING LARGE and DINE YOUR SIGN for CTV Life; “real life” ghost story series PARANORMAL REVENGE for CTV Sci-Fi; and previously announced comedy ACTING GOOD for CTV Comedy.
Orders for four, new Crave Original scripted comedy series, including: BRIA MACK GETS A LIFE, created by Sasha Leigh Henry and from the producers of LETTERKENNY and SHORESY; ONE DAY WE’LL ALL BE DEAD, based on Canadian culture writer Scaachi Koul’s critically acclaimed book of essays; LATE BLOOMER, created by and starring comedic sensation Jasmeet Raina, aka JusReign; and SISTERS, a dark comedy about family, culture, and life in your thirties.
New unscripted content for Crave including: competition series CANADA’S DRAG RACE: CANADA VS THE WORLD, with judges Brooke Lynn Hytes, Brad Goreski, and Traci Melchor; factual comedy I HAVE NOTHING, starring Carolyn Taylor (BARONESS VON SKETCH); and a collection of new Crave Original documentaries.

Renewals for Crave series include: Season 3 of CANADA’S DRAG RACE; Season 12 of LETTERKENNY; Season 2 of docu-comedy series PILLOW TALK; and Season 2 of 1 QUEEN 5 QUEERS; while previously announced drama series LITTLE BIRD, and investigative series THUNDER BAY are currently in production.

New French Crave Original programming includes: DÉSOBÉIR : LE CHOIX DE CHANTALE DAIGLE, a project with Sophie Lorain and Alexis Durand-Brault, and BON MATIN CHUCK (OU L’ART DE RÉDUIRE LES MÉFAITS), Crave’s first collaboration with writer and director Jean-François Rivard.

New series for Noovo include: LE MAÎTRE DU JEU, an adaptation of popular British game show TASKMASTER; invigorating drama series CHOUCHOU, L’EMPEREUR and VIRAGE: DOUBLE FAUTE; and the return of hit series ENTRE DEUX DRAPS, OCCUPATION DOUBLE, and QUI SAIT CHANTER?.

Discovery Networks adds: car and truck restoration series BUSH WRECK RESCUE; AFTER THE STORM, a two-part documentary exploring the mechanics behind disaster; and previously announced competition series A CUT ABOVE; while MUD MOUNTAIN HAULERS, HIGHWAY THRU HELL, HEAVY RESCUE: 401 are all set to return for new seasons.

From Bell Media Studios: new six-part series THE MIGHTIEST for Discovery; as well as food, travel, and adventure series, EVOLVING VEGAN for CTV Life and Crave, featuring actor Mena Massoud; with CTV YOUR MORNING, THE MARILYN DENIS SHOW, ETALK, and THE SOCIAL returning for new seasons on CTV.

And from TSN and UNINTERRUPTED Canada impactful and insightful documentaries including a new profile of the Toronto Raptors’ Chris Boucher, in addition to previously announced WICK, BLACK ICE, and SINC: THE CHRISTINE SINCLAIR STORY.

Bell Media’s New English and French-Language Primetime Original Entertainment Productions Slate from Independent Producers Includes the Following, With Additional Titles To Be Announced In The Coming Months.

New English-Language Series:

ACTING GOOD – CTV Comedy *previously announced
ACTING GOOD stars Rabliauskas as Paul, a witty but sensitive comic who returns home to the fictional Grouse Lake First Nation after a botched attempt to move to the big city. Inspired by Rabliauskas’ own isolated community of Poplar River First Nation, the half-hour comedy also stars actor, comedian, and series co-showrunner Pat Thornton, as Brady, the “only white guy on the rez.” The homegrown lineup of cast and crew also features Billy Merasty (Elijah) as voice of the rez and radio DJ, Roger Laughingstick, Roseanne Supernault (THE DRIVE) as reformed bad girl and band councillor, Jo. Gabriel Daniels (The Ice Road) joins the cast as big-hearted Dean, along with series producer Tina Keeper (NORTH OF 60) as the family matriarch Agnes. And in their debut acting roles, Avery Claudia Sutherland stars as Jo’s rebellious daughter Chickadee, comedian Cheyenna Sapp as Paul’s, on-again-off-again girlfriend, Rose, and writer, poet, and radio host Rosanna Deerchild as First Nation Grouse Lake chief, Deedee. (Buffalo Gal)

A CUT ABOVE – Discovery *previously announced
Hosted by Golden Globe®-nominee Adam Beach, this competition series puts 12 of the best chainsaw carvers from across the world to the ultimate test of creativity, strength, and skills, as they turn ordinary logs into extraordinary works of art. Each episode, the carvers compete in weekly Quick and Master Carve challenges, while racing against the clock, in hopes of avoiding elimination. At the end of the grueling competition, the carver who out carves the rest, wins a cash prize and will be named “A Cut Above”. World-renowned Canadian chainsaw carver Ryan Cook and esteemed United Kingdom sculptor, Katharine Dowson serve as judges. (marblemedia)

BATTLE OF THE GENERATIONS – CTV
BATTLE OF THE GENERATIONS is an exciting new 20-episode, 60-minute CTV Original quiz format that asks not only how well you know someone else’s generation – but how well you know your own. Each episode of this nostalgia-packed quiz show features four charismatic contestants, each representing a different generation (Baby Boomer, Gen X, Millennial, and Gen Z), who battle it out to discover who knows the most about ALL generations. Whoever triumphs in this unique game of time travelling trivia will enter The Vault for a chance to win big money. Fast and fun, tactical and tenacious, BATTLE OF THE GENERATIONS is the primetime game show that’s genuinely for everyone. (Bell Media Studios/Motion Content Group)

BRIA MACK GETS A LIFE – Crave
A half-hour comedy series that follows Bria Mack, a 25-year-old Black woman, as she navigates adulthood in a predominantly white world – which is made all the more difficult, but also more tolerable – by Black Attack, her invisible hype girl. Created by Sasha Leigh Henry, the series is executive produced by Henry, Tania Thompson, and Mark Montefiore, with Angelique Knights and Tamar Bird serving as producers. (New Metric Media)

BUSH WRECK RESCUE – Discovery
BUSH WRECK RESCUE is a new take on the ever-popular car and truck restoration genre, with a twist – all the projects begin as long-abandoned wrecks tracked down in farmers’ fields, barns, and ravines in the backcountry. BUSH WRECK RESCUE’s “gearheads” attempt to turn a profit by pulling vintage vans, muscle cars, and pick-up trucks out of the bush and transforming them into Instagram-worthy gems. (Omnifilm Entertainment)

CANADA’S DRAG RACE: CANADA VS THE WORLD – Crave
After two wildly successful seasons of CANADA’S DRAG RACE, and a third on the horizon, the queens of the north have proven they can “sleigh” in every way. With Canada acting as host nation, CANADA’S DRAG RACE: CANADA VS THE WORLD is a six-episode battle that brings back fan-favourites from the international Drag Race family for an elite competition to crown the “Queen of the Mother-Pucking World.” At this level of competition, there are no weak links – just seasoned queens with a thirst for victory. Let the international games begin! (Blue Ant Studios, Saloon Media, World of Wonder)

CROSS COUNTRY CAKE OFF – CTV
CROSS COUNTRY CAKE OFF is an original competition series that celebrates the unbridled creativity of Canada’s best cake-makers, and showcases the incredible stories of heart and humour that inspire them. A feel good national event, CROSS COUNTRY CAKE OFF connects the country through cake in 10 delightful episodes, including four Holiday specials. Buckle up for a wild and delicious ride! (Proper Television)

DINE YOUR SIGN – CTV Life *previously announced
Hosted by Chef Siobhan Detkavich, DINE YOUR SIGN connects appetite with the astrological, with each episode featuring a menu designed around one of the 12 Zodiac signs. (Gusto TV)

EVOLVING VEGAN – CTV Life Channel and Crave
EVOLVING VEGAN is an eight-part food, travel, and adventure series, starring, and based on Canadian actor Mena Massoud’s (Aladdin) cookbook, of the same name. Each one-hour episode features Massoud as he explores the exploding plant-based food scene across North America, visiting cities such as Los Angeles, Portland, Toronto, Vancouver and New York City to meet the trailblazing chefs and restaurateurs serving up the best vegan eats each city has to offer. He will also meet with exciting innovators within the plant-based food space and link up with celebrity friends and locals as they eat their way through each locales’ best vegan offerings. Massoud’s mission is to show people how incredibly delicious and accessible plant-based options are and encourage people to evolve vegan, to move in that direction, even if it’s for one night of the week in a judgement-free manner. EVOLVING VEGAN is set to premiere on CTV Life and Crave in 2023. (Bell Media Studios)

FARMING FOR LOVE – CTV *previously announced
An adaptation of the hit international format THE FARMER WANTS A WIFE, FARMING FOR LOVE follows the journeys of rural Canadian singles on their quest for romance. In FARMING FOR LOVE, five Canadians searching for their soulmates open up their farms – and their hearts – to a select group of urban singles. As they live and work together, the daters must adjust to a new lifestyle, and immerse themselves in a series of challenges, group activities, and intimate one-on-one dates, with the goal of finding their one true love. The CTV Original series consists of 10, one-hour episodes. (Lark Productions in collaboration with Fremantle and in association with CTV)

Bell Media

I HAVE NOTHING – Crave
I HAVE NOTHING is a factual comedy about amateur abilities and enormous ambitions and follows series creator and star Carolyn Taylor (BARONESS VON SKETCH SHOW) on her eternal quest to escape the familiar and pursue her wildest dreams, even when she doesn’t have the talent, or skills (or basic knowledge) to realize them. The series follows Carolyn on a quixotic quest to choreograph the perfect full-length pairs figure skating routine to Whitney Houston’s 1992 hit song ‘I Have Nothing.’ What begins as a light-hearted, nostalgic comedy quickly morphs into a high-stakes, real-life mission – with a few wild detours along the way. (Content Catalyst Fund in association with Blue Ant Studios)

JUST FOR LAUGHS Specials – CTV Comedy
Slated to be filmed at the 2022 Just for Laughs Festival in Montréal in July, four new stand-up comedy specials to feature the best in homegrown and international comedy talent. Hosted by Russell Peters, Chelsea Handler, Jo Koy, and Patton Oswalt. (Just For Laughs)

LATE BLOOMER – Crave
LATE BLOOMER is a new comedy series created by and starring comedic sensation Jasmeet Raina, aka JusReign. The series is inspired by his real-life experiences navigating new-found internet fame, dating, spirituality, culture, and his dysfunctional (yet loving) family. (Pier 21 Films)

LISTING LARGE – CTV Life
Odeen Eccleston and Lamont Wiltshire are building a real estate empire: buying, selling, renovating and flipping, all while juggling parenthood, friendship and love. Amidst luxury custom builds and multi-million dollar deals, this on-again off-again couple are determined not to let anything stand in the way of their wildly successful business partnership. (Proper Television)

LITTLE BIRD – Crave *previously announced
Created by showrunner Jennifer Podemski and head writer Hannah Moscovitch, LITTLE BIRD follows an Indigenous woman on a journey to find her birth family, and uncover the hidden truth of her past. The series, a co-production with APTN, explores themes of resilience in the face of trauma and loss. Removed from her home in Long Pine Reserve in Saskatchewan, Bezhig Little Bird is adopted into a Montréal Jewish family at the age of five, becoming Esther Rosenblum. Now in her 20s, Bezhig longs for the family she lost and is willing to sacrifice everything to find them. Her quest lands her in the Canadian prairies, worlds apart from everything she knows. As she begins to track down her siblings, she unravels the mystery behind her adoption, and discovers that her apprehension was connected to a racist government policy now known as the Sixties Scoop. Bezhig’s sense of identity shatters and she is forced to reckon with who she is and who she wants to become. The character-driven drama features an extraordinary cast of Indigenous actors, including Darla Contois, Ellyn Jade, Osawa Muskwa, Joshua Odjick, Imajyn Cardinal, Braeden Clarke, Eric Schweig, and Michelle Thrush. Lisa Edelstein also stars. Award-winning filmmakers Elle-Máijá Tailfeathers and Zoe Hopkins each direct three episodes, while Hopkins writes three of the episodes. Executive producers are Christina Fon, Ernest Webb, Catherine Bainbridge, Linda Ludwick (Rezolution Pictures), Kim Todd, Nicholas Hirst (Original Pictures), Jeremy Podeswa, Jennifer Podemski, and Hannah Moskovitch, along with Christian Vesper and Dante Di Loreto (Fremantle). Producers are Tanya Brunel and Jessica Dunn (OP Little Bird), Claire MacKinnon and Philippe Chabot (Rezolution Pictures) and Lori Lozinski and Ellen Rutter. The series is currently in production in Manitoba and is set to premiere on Crave next year. (Rezolution Pictures, APTN, OP Little Bird)

THE MIGHTIEST – Discovery
THE MIGHTIEST is a six-part series that zeros in on the most exciting and compelling stories from the MIGHTY franchise (MIGHTY TRAINS, MIGHTY SHIPS, MIGHTY PLANES, MIGHTY CRUISE SHIPS), one of Discovery’s most successful series seen in more than 100 countries around the world. Each themed episode of THE MIGHTIEST goes a step further by embedding on new missions to highlight mind-blowing feats of science and engineering that are set to change the game once again, including an exclusive visit to the U.S.S. Gerald R. Ford – the US Navy’s newest and largest aircraft carrier. Principal photography on THE MIGHTIEST is underway, and the series premieres on Discovery later this year. (Bell Media Studios)

ONE DAY WE’LL ALL BE DEAD – Crave
Based on the critically acclaimed, national bestselling book by Scaachi Koul, One Day We’ll All Be Dead And None Of This Will Matter, this new half-hour comedy, created by Lakna Edilima and Koul, follows a first-generation Brown woman juggling her invasive family, her burgeoning journalism career, and her own strong-willed nature while processing her own grief. (First Generation Films)

PARANORMAL REVENGE – CTV Sci-Fi
PARANORMAL REVENGE is a brand new, original series from the newly amalgamated, Sphere Media. Each hour explores two chilling stories of real-life paranormal encounters that intersect with one of the most powerful forces of darkness – revenge. Those who experience para-revenge often describe a strong feeling of possession. And in every encounter… violence and terror follow. Each story is unpacked by the witnesses who experienced these revenge hauntings. And whether it’s a person, place or object from the past seeking its victim, the history drives the horror. These are mystery filled camp-fire tales with twists and turns, driving toward a terrifying final revelation. (Sphere Media)

SHELVED – CTV
Set in the Jameson Public Library in Toronto’s Parkdale neighbourhood, SHELVED is a single-camera, workplace comedy that follows the employees and patrons as they go about their lives in this unassuming and extraordinary place. (Counterfeit)

SIGHT UNSEEN – CTV
After losing her vision, former homicide detective Tess Burke is haunted by the unsolved cases she left behind. When she meets professional seeing-eye guide Sunny Patel through a visual assistance app, they decide to take action. Using a hidden camera and earpiece, Sunny steers Tess remotely around life’s obstacles — and crimes — as the two challenge preconceptions about ability, trust, and solving crime. (Sisters Troubetzoy Productions Inc. and Bl!nk49 Studios. Worldwide rights controlled by Bl!nk49)

SISTERS – Crave
An Irish-Canadian co-production, SISTERS is a character-driven, half-hour, dark comedy about family, culture, and life in one’s 30s. It’s an exploration of how the absence of parents can influence adult life in unforeseen ways, and how that void can affect a woman’s relationship to alcohol, men, work, and motherhood (or lack thereof) – and the macabre humour that can come with trauma. In SISTERS, the two main characters born continents apart, in Canada and in Ireland, discover they are half-sisters and embark on a road trip to find their alcoholic father. Real life best friends, EMMY® Award-nominee Sarah Goldberg (BARRY) and Susan Stanley (Hotel Amenities), make their writing debuts and star. Emmy Award-nominee Declan Lowney (TED LASSO) is the establishing director and is set to direct the first three episodes of the six-episode series. (Peer Pressure and Shaftesbury, in association with Mermade and Gaze Pictures)

THE SPENCER SISTERS – CTV
Darby Spencer is having a bad day. After being unjustly reprimanded by her boss, Darby impulsively quits her job as a police officer, and then finds out her boyfriend is cheating on her. With no other choice, she returns home to the one person she’s been avoiding for years: her overbearing, best-selling-mystery-novelist mother, Joan. But after the two are thrust into solving a crime together, Darby discovers a side to Joan she never knew, and ultimately takes the plunge on the unlikeliest of ventures: becoming her partner in a private detective agency. (eOne)

SPICE SECRETS – CTV Life *previously announced
From seeds, roots, to bark, and fruits, SPICE SECRETS explores the unique and complex flavours that fill our spice racks. Hosted by Chefs Shahir Massoud and Jasmin Rose Ibrahim, the 10-episode series will feature a variety of spice applications, techniques and unexpected combinations. (Gusto TV)

SULLIVAN’S CROSSING – CTV *previously announced
In SULLIVAN’S CROSSING, Neurosurgeon Maggie Sullivan (Kohan) has her world turned upside down when a scandalous incident throws both her personal and professional life into turmoil. She leaves her life in the city and returns to Sullivan’s Crossing, a rural campground and outpost nestled amongst the sweeping vistas and cliffs she once called home, where her estranged father, Sully Sullivan (Patterson), still looks after the day-to-day operations catering to hikers, bikers, and mountain climbers. The 10-episode, hour-long romantic drama sees Maggie navigating her complicated present and confronting her painful past as she attempts to reconnect with a side of herself she had long ago forgotten. Tackling issues including family, community, conflict, loss, and love in a realistic and purposeful way, SULLIVAN’S CROSSING is a series about healing, letting go, and ultimately, opening yourself up to a world of new opportunities. (Reel World Management in association with CTV and Fremantle, SULLIVAN’S CROSSING is being produced as an interprovincial coproduction with Nova Scotia based producer Mike Volpe and Ontario based producer Mark Gingras)

THUNDER BAY – Crave *previously announced
THUNDER BAY is a four-part Crave Original documentary series based on the groundbreaking podcast from CANADALAND, Thunder Bay. The gripping investigative series is produced and also hosted by Anishinaabe journalist and award-winning writer, Ryan McMahon, who is on a quest to uncover the truth in the recent deaths of multiple Indigenous people in Thunder Bay, Ontario – a city known as the homicide and hate crime capital of Canada. McMahon’s investigation sheds light on the history of racism in Thunder Bay, and examines the failings and the injustices of its social systems and institutions. The series unravels the country’s complicated relationship with colonialism, examining the consequences of the broken system in which some can thrive, while many others, disproportionally struggle to survive. Produced, written, and hosted by Ryan McMahon. The series is currently in production. (eOne)

URBAN LEGEND – CTV Sci-Fi
URBAN LEGEND is a nightmarish anthology series showcasing classic urban legends like never before. Based on widely shared “true” stories that happened to a friend of a friend…of a friend, each episode is a mini-horror film cinematically crafted to deliver a hyper-suspenseful and tension-fuelled experience. Featuring lurking psychopaths, murderous mysteries, creepy creatures and twisting tales, these disturbing legends prey on our most deeply embedded fears to shock and terrify. (Cream Productions)

VEG HEADZ – CTV Life *previously announced
Hosted by two-time MASTERCHEF CANADA winner Chef Pino Di Cerbo, VEG HEADZ reimagines what you can do with fresh produce, creating four tasty plant-based plates per episode. (Gusto TV)

New English-Language Documentaries and Specials:

AFTER THE STORM – Discovery
Two-part documentary about the storm of the century, exploring the mechanics of the disaster, the impact on those affected, and the mammoth efforts to rebuild stronger and safer. (Great Pacific Media)

ANY OTHER WAY: THE JACKIE SHANE STORY – Crave Original Documentary
This new documentary tells the tale of the extraordinary life and mysterious disappearance of pioneering soul singer and Black Transgender trailblazer, Jackie Shane. Her story is brought vibrantly to life through intimate recorded conversations with Jackie, and follows her family’s journey to discover her legacy, and the voices of those who were inspired by her tenacity to be herself. Executive produced by Elliot Page of Page Boy Productions. (Banger Films, National Film Board of Canada)

AUDIOPHILIA – ADVENTURES IN THE WORLD OF HI-FI – Crave Original Documentary
From director Ron Mann, AUDIOPHILIA – ADVENTURES IN THE WORLD OF HI-FI is the story about the love of listening to music on the world’s best stereo equipment. The film profiles the inventors, designers, and major-league audiophiles, engaged in the never-ending quest to find audio nirvana. The film is a deep dive into the subculture of sonic obsessives around the world who seek out esoteric electronics that are often visually stunning, and turn their homes into audio sanctuaries. (Sphinx Productions)

BAM BAM: THE STORY OF SISTER NANCY – Crave Original Documentary *previously announced
BAM BAM: THE STORY OF SISTER NANCY is a feature music documentary that explores the wild story behind how Sister Nancy’s hit song “Bam Bam” became the most sampled reggae vocal of all time. From Nancy’s unprecedented entry into the male-dominated 80s Dancehall scene in Kingston, Jamaica, to her courageous fight to control her music, Sister Nancy’s story is not only one of resilience, but also one of celebration. Ultimately, this is an inspirational music documentary about a woman dusting herself off after being held back by an industry known for silencing female artists, and hell-bent on empowering others with her music, and knowledge to make a difference. Proving to all that good music, no matter what can’t be stopped! Directed by Alison Duke. Produced by OYA Media Group with Ngardy Conteh George and Duke serving as producers. (OYA Media Group)

BUFFY SAINT MARIE: POWER IN THE BLOOD – CTV *previously announced
For more than 50 years, Buffy Sainte-Marie has been a star. Her songs are legendary, her impact undeniable. One of Canada’s most-respected Indigenous leaders, she’s a pioneer of music and activism, and has left an indelible mark on the world. The film tells Buffy’s incredible story through exclusive access, rare archives, insightful interviews, and great music. The 90-min documentary BUFFY SAINT-MARIE: POWER IN THE BLOOD celebrates Buffy’s extraordinary achievements, dispels myths, sets the record straight, and illustrates that in a time of chaos and division, we’ve never needed Buffy more than now. (White Pine Pictures, Eagle Vision)

KINGS OF COKE – Crave Original Documentary *previously announced
People often think about Miami when it comes to cocaine, but Montréal may have been the biggest drug kingdom of them all. By the 70s, Montréal, the infamous party town, was engulfed in mayhem. The city had become known as the bank robbery capital of North America with more heists than New York or Los Angeles. Then, a brazen group of thieves moved into the drug trade, smuggling cocaine on a global scale. This 90-minute, true crime documentary chronicles the path to power of one of Montréal’s most influential and violent gangs, the infamous West End Gang, and the cops and journalists who pursued its three leaders. It’s an unlikely rise and inevitable fall, but more importantly, it’s a largely forgotten and underreported story, even for the most seasoned of true crime fans. KINGS OF COKE is produced by Michael Kronish and directed by Julian Sher, and is set to premiere on Crave later this year. (Connect 3, Urbania Media)

COMING HOME – Crave Original Documentary
COMING HOME is a feature-length documentary by director Erica Daniels taking viewers behind the scenes of the production of the much anticipated Crave Original drama series LITTLE BIRD, and the groundbreaking movement for Indigenous narrative sovereignty as experienced by the series’ creatives, crew and 60’s Scoop advisors. Intimate behind the scenes footage, interviews, and period archive interweave to trace and reveal the ongoing legacy of the 60s scoop and the power of narrative reclamation. (Rezolution Pictures, Logical Mayhem, APTN)

NAKED – Crave Original Documentary *previously announced
A documentary feature film about the gender binary. What is it? How does it manifest itself in our minds and our lives? And how can we go beyond? NAKED follows individuals and communities, experts and artists around the globe who right now, are radically and joyfully redefining gender as we know it. Together, they explore their vision of a future beyond the gender binary. Directed by Stephanie Weimar. Executive Producer is Michael McMahon. Producers are Kevin McMahon and Michael McMahon. (Primitive Entertainment)

RESIDENT ORCA – Crave Original Documentary *previously announced
In the summer of 2018, killer whale Tahlequah makes international news headlines, as she carries her dead calf for more than 17 days and 1,000 miles in an unprecedented show of mourning. Almost 50 years earlier, at the height of the capture era in the Pacific Northwest, four-year-old Lolita is taken in a deadly round-up that separates a mother from her calf, and seals Lolita’s and her wild relatives’ fate. Today, at 56, Lolita is the last remaining Southern Resident Orca in captivity, living in the same concrete tank, thousands of miles from home, where her endangered family struggles to survive. RESIDENT ORCA tells the story of an unlikely partnership between Indigenous elders, a billionaire, journalists, politicians, a whistle-blowing veterinarian, and an ex-Orca catcher as they take on the impossible task of freeing Lolita from captivity and returning her to the Salish Sea to be near her presumed 92 year old mother once again. Meanwhile, a team of scientists led by killer whale godfather, Ken Balcomb, tracks the wild whale’s decline towards extinction asking what it means for us to reconcile the past and fight for a future where we can all survive. Co-directed and executive produced by Simon Schneider and Sarah Sharkey Pearce. (Everyday Films)

ROCK & ROLL REVIVAL (wt) – Crave Original Documentary
ROCK & ROLL REVIVAL (wt) tells the incredible behind-the-scenes story of how against all odds, a history-changing concert came together. This revealing documentary uncovers a series of interesting characters, murky deals, and broken promises, culminating in John Brower, a young struggling promoter, putting his life on the line (literally) in order to achieve his goal. Directed by Ron Chapman and produced by Trish Dolman, Sally Blake, and Ron Chapman. Written by Phyllis Ellis. (Screen Siren Pictures, Chapman Productions, and Films a Cinq)

“SINC”: THE CHRISTINE SINCLAIR STORY – TSN *previously announced
An original documentary that charts the rise of Canada’s greatest soccer player, Christine Sinclair, through both an athletic lens and a tale of humanity, and compassion. (UNINTERRUPTED Canada)

SMOKE & GIFTS – Crave Original Documentary
Filmmaker Stephen Chung pulls back the curtain on the community of musicians and friends of the trailblazing band Broken Social Scene. This stunning POV documentary features never before seen archival footage and pays tribute to the power of indie music and the artists who started out in Toronto bars before rocketing to global fame. (Fathom Film Group)

UNINTERRUPTED Canada: BLACK ICE – TSN *previously announced
UNINTERRUPTED Canada: BLACK ICE explores the journey of Black hockey players from the creation of The Colored Hockey League of the Maritimes to the modern-day NHL, highlighting their often overlooked and marginalized contributions to the game. BLACK ICE elevates these individuals who passionately followed a dream to play a sport that continues to be plagued by racial inequity and their collective aspirations to change a sport’s culture. BLACK ICE is directed by OSCAR® and EMMY®-nominated Hubert Davis and produced by Vinay Virmani. Drake, Adele “Future” Nur, LeBron James, Maverick Carter and Scott Moore are Executive Producers. (UNINTERRUPTED Canada, DreamCrew Entertainment, and The SpringHill Company)

UNINTERRUPTED Canada: CHRIS BOUCHER – TSN
From homeless on the streets of Montréal to NBA Champion, Chris Boucher’s story is one of the great, untold narratives in Canadian sport. (UNINTERRUPTED Canada)

UNINTERRUPTED Canada: THE GRIZZLIE TRUTH – TSN *previously announced
The film explores the mysterious departure of the Vancouver Grizzlies NBA franchise through the eyes of director and superfan Kathleen S. Jayme. Her search, 25 years after the team left, explores the unique and remarkable untold story behind the franchise’s downfall and the impact it had on the community. Much more than a sports story, THE GRIZZLIE TRUTH is a blend of mystery, mixed with a comedy of errors and a true underdog epic that drives Jayme’s search for the truth about what happened to the franchise. (Grizz Films in partnership with UNINTERRUPTED Canada)

UNINTERRUPTED Canada: WICK – TSN *previously announced
WICK is a triumphant, reflective, and inspiring story which provides audiences with an intimate and unfiltered snapshot into the world of Canadian icon Dr. Hayley Wickenheiser. The documentary takes viewers on a tour of Wickenheiser’s life journey: from growing up on a farm in Saskatchewan, to teaching women in India and North Korea how to play hockey, to contributing to countless charitable causes and choosing to pursue a medical degree, all the while winning four Olympic hockey golds, seven world championships, and becoming the first female to ever play pro men’s hockey in Europe. (UNINTERRUPTED Canada)

WILFRED BUCK – Crave Original Documentary *previously announced
WILFRED BUCK is a hybrid feature documentary centring on a Cree elder who’s dedicated his life to unearthing and sharing Indigenous star knowledge. Weaving together his harrowing past and his present life with sky stories, this cinematic film explores colonization’s attempts to extinguish Indigenous ways of knowing, the values of interrelationship that shape Indigenous science, and how this worldview paves a healthier path forward for our planet. Directed by Lisa Jackson. Producers are Lisa Jackson, Alicia Smith, and Lauren Grant. Executive producers are David Christensen, Nicholas de Pencier, and Jennifer Baichwal. (Door Number 3 in co-production with the National Film Board)

New French-Language Series:

The following new series will come to Noovo, Canal Vie, Z, Canal D, and Crave in Fall 2022 and early 2023, with additional titles to be announced for 2023 in the coming months.

AMOUR SANS LIMITE – Canal Vie *previously announced
AMOUR SANS LIMITE follows the sincere quest of people living with disabilities, who are all looking for true love. Each story highlights an individual with a different obstacle as they gain the help of matchmakers from the Rencontre Adaptée agency, Vanessa, Émilie and Darlène. Will these singles manage to find a soulmate while navigating the unpredictable world of dating? (URBANIA)

AU CHALET DE RÉMI – Z *previously announced
AU CHALET DE RÉMI opens the door to the world of Rémi-Pierre Paquin in his hometown of Mauricie. Each week, he receives visits from well-known friends at his chalet for activities with him and his family. His goal: to convince his guests to love Mauricie, and maybe even convince them to move there! (Sphère Média)

BÊTES DE FILM – Canal D
In the Eastern Townships, a man and his son train animals for films. Much more than just a zoo, they have turned their land into a sanctuary where they educate people about animal respect. Invited to work on Québec and American film sets, the duo amazes audiences with their unique relationship with the animals. (Anémone Télé)

BON MATIN CHUCK (OU L’ART DE RÉDUIRE LES MÉFAITS) – Crave *previously announced
Chuck is loved by the public, but when he finds himself on the front page of every newspaper and gossip magazine after a scandal, all of Québec is in shock. For those close to him, this incident is the last straw. With his reputation destroyed, he retires to a recovery home for people suffering from addictions, in order to persuade his spouse, his agent, and the public of his (relative) goodwill. The catch: Chuck doesn’t really think he needs help, and instead tells anyone who will listen that he’s just a party guy! (St-Laurent TV)

CHOUCHOU – Noovo *previously announced
CHOUCHOU recounts the story of Chanelle Chouinard, a 37-year-old French teacher who falls for Sandrick, her new 17-year-old student who is confident and magnetic, but vulnerable. The series draws a nuanced profile of two people who fall head over heels for the illusion of a great love story. (Passez Go)

COEURS MIGRATOIRES – Canal Vie
COEURS MIGRATOIRES is an observational documentary series that immerses the viewer in the daily lives of couples, where one spouse has just arrived in Canada, or is waiting for a visa abroad. By accompanying them on their journey of integrating into their new lives, the series portrays the pitfalls they encounter and the intensity that comes from a multicultural love relationship. (Anémone Télé)

DÉSOBÉIR : LE CHOIX DE CHANTALE DAIGLE – Crave *previously announced
This mini-series tells the story of Chantale Daigle who, at the age of 21, falls in love and becomes pregnant with Jean-Guy Tremblay, a man who turns out to be manipulative and aggressive. After a stormy relationship, she leaves him and chooses to have an abortion, but Jean-Guy goes to the courts to prevent it. Against all odds, a judge rules in Jean-Guy’s favor, even though abortion had been decriminalized a year earlier. The case reopens the conversation of abortion on a national and international scale. Chantale becomes the centre of a media and political cyclone, and her life is changed forever. Will she find the strength to accept her choice until the end? (ALSO Productions)

J’AI FRÔLÉ LA MORT – Canal D
The documentary series J’AI FRÔLÉ LA MORT offers gripping stories of ordinary men and women who have found themselves in perilous situations where their lives were at stake. The survivors re-tell their tragic stories, with testimonials from loved ones, experts, or caregivers that were present at the scene, and will once again experience strong emotions of how close they came to death. (Attraction images)

L’EMPEREUR – Noovo *previously announced
After a drunken office party, Christian takes Manuela home where the end of the evening gets out of hand. Despite what seems like an accident, they continue to work together and Christian becomes President, while helping Manuela climb the corporate ladder. Flash forward 10 years later, a woman accuses Christian of sexual assault. Then another one comes forward, and several others after. By now, Christian is at the top, he is a father, a loving husband, his close guard benefits from his largesse, society idolizes him, and a generalized omertà reigns. What spark will give Manuela the strength to dive back into her trauma and speak out? Will Christian continue to dominate the world and reign terror? (Sovimage)

LE MAÎTRE DU JEU – Noovo *previously announced
Louis Morissette takes charge in LE MAÎTRE DU JEU, the Québec adaptation of the popular British series, TASKMASTER. Along with his assistant, Antoine Vézina, they impose a series of playful challenges that test the creativity and ingenuity of a panel of five comedians, made up of Mehdi Bousaidan, Ève Côté, Christine Morency, Matthieu Pepper, and Jo Cormier. Throughout the season, they will try to impress their Taskmaster, and be crowned champion. (KOTV)

LES DÉBATTEURS DE NOOVO – Noovo *previously announced
LES DÉBATTEURS DE NOOVO is the day’s hottest newsworthy topic, seasoned debaters and 30 minutes of hard-hitting exchanges! Host Michel Bherer is surrounded by a diverse, experienced and representative team of debaters who will take a frank look at current events. (Noovo Info/Bell Média)

LES JUSTICIERS – Noovo *previously announced
Three lawyers, each with their own strong and unique personalities, settle small claims cases between ordinary citizens. At the end of their rope, these citizens want justice quickly, definitively… and free of charge! In each episode of this new unscripted series, the three lawyers hear three different cases, and following some debate, announce their verdict. In addition to hearing these unique cases, the lawyers offer unprecedented behind-the-scenes access to the deliberations that led to the verdict. Because even when it comes to justice, nothing is ever black or white. (Avanti-Toast)

MA PREMIÈRE MAISON – Canal Vie *previously announced
In the new renovation-design series MA PREMIÈRE MAISON, audiences follow singer Mélissa Bédard and her large family (husband Karl and their six children), who settle down in a new house in Saint -Emile, Que. Bédard’s quest is to create a family sanctuary where each member has their own space. Throughout this adventure, she is supported by an outstanding team of friends, including Joanie for construction, and designer Antoine Laurier. Moving and settling for the first time into a new and real home, audiences are set to find a part of their dreams in Melissa’s project! (IPROD Média)

PRÉSUMÉ INNOCENT : L’AFFAIRE FRANCE ALAIN – Crave and Canal D *previously announced
In this new documentary series, Marie-Claude Savard and Sébastien Trudel examine one of Québec’s most infamous and sensational murder cases: the 1982 killing of France Alain, murdered at close range on Ste-Foy Street in Québec City, allegedly by radio host Benoît Proulx. On the 40th anniversary of the case, the series examines the case, from Proulx’s trial, to his appeal and eventual acquittal, and the ensuing civil lawsuit. (Trinôme)

PRIEZ POUR NOUS – Canal D
This new documentary series explores sexual abuse by members of the clergy, and the victims who are breaking the silence and taking steps to seek justice. Their struggle, often spanning several years, is arduous and the outcome is uncertain. But despite the challenges encountered, their moving and – often shocking stories – will finally be heard. (Attraction images)

CHRISTINE MORENCY: SANS FILTRE – Z *previously announced
Québec comedian Christine Morency quickly won over the public with her outspokenness, authenticity, and contagious laughter. This new documentary series offers audiences a glimpse into her personal and professional life as she prepares for her first one-woman show. (Avanti-Toast)

VIRAGE: DOUBLE FAUTE – Noovo *previously announced
Starring Éric Bruneau and Louis Morissette, VIRAGE: DOUBLE FAUTE tells the story of Charles (Bruneau), a talented and devoted tennis player who is ranked #187 in the world, and continues to struggle with injuries, lack of funding, and anxiety. The series explores the quest that drives some athletes to persevere, even as they sacrifice time, money, and health in the shadow of glory. Morissette plays Sylvain, a coach at Tennis Canada, who tries to reach the top in a sport where families are extremely involved, ultimately dictating the future of a coach’s career. (KOTV)

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Jann: Charlie Kerr on meeting Jann Arden, playing Dark Cupid, and Nate and Jann’s relationship

When Jann Arden met Charlie Kerr at a dinner party in Vancouver last year, she immediately wanted him to play Nate, the younger boyfriend of her fictional self, on the third season of CTV’s Jann. However, the pair almost didn’t cross paths that night.

Arden was staying at a cottage owned by Kerr’s father on Bowen Island, B.C., and Kerr—who fronts alt-rock band Hotel Mira and has appeared on TV shows such as iZombie, The Magicians and Supernatural—says he was worried the iconic singer-songwriter would think he was just “another actor-musician … with ulterior motives to collaborate with her” if he turned up at a dinner they had both been invited to. So he initially declined to go. In the end, a friend convinced him to attend the gathering, but he “purposely wore ratty clothing” so it wouldn’t look like he was trying to impress anybody.

Little did Kerr know, Arden was already impressed with him. 

“I sat down and [Jann] already knew who I was and started talking about music,” Kerr says. “I had a song that was doing well on the radio at the time and we were kind of relating to each other on that. And then the subject of her TV show came up, and she started talking about this character Nate, and I think she even said [he was] ‘kind of somebody a bit like you,’ and I was like, ‘Well, I’m an actor; I’d love to audition.’”

Soon after their encounter, Arden began championing Kerr to play Nate. In response, the Vancouver native started an intense workout regimen to change his appearance because, as he explains, the character is “a star in an action TV show, and I have the body of a 13-year old girl.” 

Following a lengthy audition and network approval process, Kerr finally landed the part. “Between going to that dinner and filming, I think it was like seven months,” he says.

Last week, Nate made his debut on the show. Matched with Jann through a celebrity dating app, the TV star—who plays a fantasy action hero called Dark Cupid—at first, appears to have little in common with her. For one thing, he’s a younger man—to the horror of Nora (Deborah Grover), who protests both his age and gender. For another, he’s grounded and isn’t into relationship drama, which makes him wary of Jann’s over-the-top antics when they run into Cynthia (Sharon Taylor) on their first date. But despite this rough start, the episode ends with Nate making pancakes in Jann’s kitchen after spending the night, indicating there might be hope for this odd couple after all.

We spoke to Kerr, who is currently recording new music with Hotel Mira, about what viewers can expect from Nate in coming episodes. 

You have a lot going on creatively. You’re the lead singer-songwriter for Hotel Mira, a band that’s having a lot of success, you’re a screenwriter, and now you’ve also got an important new role on Jann. Can you tell me a bit about how you got into acting and how you juggle it with your other creative endeavours?
Charlie Kerr: I’ve always kind of just loved all of it, and kind of spent my whole life in my dad’s basement writing songs or writing sketches or performing however I could. There was a really long time where I wasn’t any good at any of it, but I was still very passionate. I don’t see too much difference in all of it, it’s all just storytelling, and I’ve been lucky that they really haven’t gotten in the way of each other very many times. I’ve been acting professionally for most of my life, and at the first concert I ever played, I was 10 years old. So my main job and focus have always been wanting to be creative and express and perform. I think it’s just how I feel the most comfortable. It’s kind of like that cliché of belonging on a stage and not feeling like I belong in too many other places.

When I read that Jann would be dating an action star that she meets on a celebrity dating app, I thought the character would be somewhat silly or over-the-top. But Nate is serious and no-nonsense. How did you approach playing him?
CK: I know quite a lot of people kind of like him, who have been on and off sets and want to be treated like they’re normal and kind of want a break from all the glitz and glamour and stuff. That was the main thing that I was thinking about, that Nate is so well known for this part that is nothing like him, and he just wants people to love him for him and show that he’s not just one thing, and I think a lot of people can relate to that. I think that’s a pretty human quality. One of my other favourite things about Nate is he means really well, and sometimes he’s being insulting and doesn’t know it. Being a movie star, being pampered on set, whatever it is, leads to kind of a lack of awareness. Those are the main things about Nate that I wanted to portray: He means well, he’s very loving, but he has a very strange life that’s led to a bit of lack of awareness.

When we spoke to co-creators Jennica Harper and Leah Gauthier, they mentioned that they had to age you because Nate is supposed to be 38 and you’re several years younger than that. What did that involve?
CK: I think my body transforming was a big part of it. I also grew out a beard, and my hair’s super long. I look pretty different than I usually look. And trying to have that maturity wherever I could as well in the performance. One thing I’ve noticed about people growing up and getting to a certain age, is they don’t sweat the small stuff as much. If you’re playing someone younger, everything’s the end of the world. You’re incredibly dramatic at every single moment of conflict, and I think a way to kind of play maturity is to understand that some things aren’t that important and roll with the punches a bit, so I tried to do that as well. 

It’s common to see relationships between older men and younger women in movies and on TV shows, but it’s still rare to see the reverse. Did it excite you to be a part of an onscreen pairing that bucks that trend?
CK: It’s one of my absolute favourite things about it because it’s an age gap that no one would blink an eye at if the genders were reversed. If Larry David had a girlfriend on his show that was a similar age gap, it wouldn’t even be a plot point, and to be a part of something going the other direction and making people think and pointing out the hypocrisy of that was really appealing. It’s really exciting to me to be a part of anything that makes people think or challenges something.

When Nate goes on his first date with Jann, he sees some red flags that initially make him think he doesn’t want to see her again, but then he stays the night. What made him change his mind?
CK: [Jann’s] honesty, authenticity. He mentions how sick of anything vapid he is at this point. So when Jann gets real with him about what she’s going through, I think that’s what really hooks him, and I can relate to that. I think we’ve all fallen in love with or become more interested in somebody once they’re vulnerable with us. 

What was it like to work with Jann Arden?
CK: I think the entire thing was just a dream come true. I never thought I’d get to be a part of an ensemble comedy, especially one this strong. Jann championed me from the beginning. I owe her a lot. But the entire cast and crew is just remarkably fun to work with. I couldn’t believe my job was going to work to make people laugh. That’s so absurdly cool. And she’s so talented and she’s such an awesome leader, and she has kind of hand-picked and curated who she works with in a way where you always feel safe, you always feel taken care of, and honestly, I just loved being a fly on the wall on that set because everyone was so goddamn funny.

Speaking of funny, Nate stars in a fantasy TV series called Dark Cupid, and there were several campy scenes from the show included in last week’s episode. Were those as fun to film as they were to watch?
CK: That was an absolute joy, and it was something I was pretty nervous about because I had the whole body language and voice kind of picked out, and I didn’t know if other people would find it as funny as I did. And the first thing we did was a big table read on Zoom and my first lines are as Dark Cupid, so I started doing the voice and the breathing and stuff and everybody was cracking up, and it was the first time I was able to breathe and be like, ‘OK, I’m probably not gonna get fired.’ So doing that and people digging it, it was such a joy. It was kind of like getting to be in a Marvel thing or a superhero thing. 

From talking to Jennica and Leah, I know that Nate plays a major role in the rest of the season. What can you preview about his journey in upcoming episodes?
CK: He really integrates with the rest of the cast, and I think we get to see just more and more of how human he is and how he enjoys the simple things. I got to work with Patrick [Gilmore] for an entire episode and that dynamic’s really, really fun. I think just as time goes on, you get to see how much of a goofball he is, you get to see the best parts of Jann that appeal to him, why they’re an unlikely match. 

Do you have a favourite episode coming up?
CK: This week’s episode, 305, is a lot of fun. It has a lot of rad, funny moments. And the finale is really cool. Getting to be a part of something with Tegan and Sara was—I never got to meet them—but being involved with them whatsoever was incredibly exciting because The Con was one of my favourite records growing up, so that was a bit of a starstruck moment for me, and an honour. 

Jann airs Mondays at 7 p.m. ET/PT on CTV, CTV.ca and CTV app.

Images courtesy of Bell Media.

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Jann: Co-creators Jennica Harper and Leah Gauthier on writing Season 3 and their love of spoilers

In Jann’s world, COVID doesn’t exist. During the third season of the hit CTV comedy series, serially self-absorbed Jann (Jann Arden) and her family are dealing with 99 problems—including Jann’s lack of funding for a new album, Max’s (Zoie Palmer) new relationship with her biological father Marty (Ron Lea), and Nora’s (Deborah Grover) continuing battle with Alzheimer’s—but a worldwide pandemic isn’t one of them. 

“We want our show to be, first and foremost, entertaining, and it didn’t seem like the right kind of show to be actually addressing a serious worldwide pandemic,” says Jennica Harper, series co-creator, co-executive producer, and showrunner. “So we don’t do that. You can escape for a hot 19 to 20 minutes in our world.”

While viewers likely appreciate a weekly break from the pandemic, Harper and co-creator and co-executive producer Leah Gauthier couldn’t escape the realities of COVID while creating the new season. Social distancing forced the show’s writing staff, including new addition and “instant fit” JP Larocque, to plan and pen all eight of the season’s episodes over Zoom; and once filming began in Calgary, safety regulations dictated everything from the number of people who were allowed on set to the ways cast and crew could interact with each other. 

“No one was allowed to sit in a car with each other, and you have to eat a snack outside, so you’re on a snowbank by yourself,” says Gauthier, adding that the conditions led to “a weird kind of tired that I’m sure people can relate to now that we’ve been doing it for so long.”

Luckily, everyone’s dedication to the rules meant no one got sick during production, and the cast and crew were able to gather together for the show’s premiere party in Toronto a few weeks ago, allowing Harper and Gauthier to see Larocque in person for the first time. 

“It was just so nice to see their face in real life,” says Gauthier. “We formed a connection over Zoom, but it’s so much better when you finally get to meet the people you’ve been working with.” 

We chatted with Harper and Gauthier about their approach to writing Season 3, their newfound love of spoilers, and what we can expect from Jann’s new love interest, Nate (Charlie Kerr), who makes his debut in Monday’s episode. 

You’ve talked about the way COVID impacted your writing process and production. Did it change any of the storylines you wanted to include this season?
Jennica Harper: I feel we were incredibly fortunate because Season 2, as you know, ends with a huge event, the Tunies. Last season, we just threw everything out there, huge galas, just all kinds of events, episodes that had tons of people. Even our school episode in Season 2 was pretty huge by COVID standards, there were so many extras, all the kids. So I felt really fortunate that our conversation about what we wanted to do with Season 3 was, pre-COVID, already a more down-to-earth, character-based season, with intimate stuff between the characters we already care about, family stuff. That was already our goal, so thank God for that because to do something like a Season 2, we would have been really rethinking.

In Season 3, we tried not to do any huge events that had a lot of extras. So, for example, a big event would be going to a big mountain resort. We go to Kananaskis Lodge in Episode 5, which is big in scale and scope and beauty, but we never have 200 people in a room. It’s not necessary. We did scale in different ways this season. Another big factor was looking at stories between the characters. We have a lot more stories happening at Jann’s cottage, we’re bringing people to her, rather than her always at Max and Dave’s [Patrick Gilmore] and elsewhere. Nora’s back with her, she’s hired Trey [Tenaj Williams], Trey’s now around all the time. Cale [Elena Juatco], of course, is in her breakdown mode, so she’s great fun to have around without having to be at big events, she’s in our domestic world now. So it was already storywise what we had been talking about, but it was also a very conscious choice to spend more time at Jann’s cottage, which is a wonderful set that we own, that we control, and doesn’t mean you have to have 20 people walking by in the background. 

A lot of things changed in Jann’s life at the end of last season, such as her firing Cale, breaking up with Cynthia, and asking Nora to live with her. What were your goals for her character in Season 3?
JH: The theme of the season was kind of starting over and new beginnings, and so that’s what we were looking for in bringing Trey in, and then as we get into the season, we get into Jann considering dating again and dating a man. So really it was about Jann being a woman who is kind of going back to basics. In terms of romance, realizing she deserves to be happy and maybe she should be looking for love, and in terms of her career, realizing she should really pursue the album that she wants to write that’s from the heart, that is more her than any of the stuff she did with Cale. So she’s got to figure out new ways to take control of her own life in this season. 

Leah Gauthier: Jann still has so much to say. I mean maybe the world thinks she’s aged out of relevance, but she’s like, ‘I’m actually going to do a bunch of stuff for myself going forward.’ 

This is a serialized show, but it also depends on the comedy of Jann always being a little self-absorbed and making bad choices. How do you decide where her character should grow and where she should stay stuck?
LG: That’s a good question because it sort of is just this collaborative experience when we write that Jann will absolutely shut something down almost immediately if she’s not willing to go there. She’s not going to waste anyone’s time. But there is a collective feeling or understanding when we hit the nail on the head in terms of her self-absorbed nature. Mostly, if it reads like it’s in her best interest, and no one else really gets hurt, but she’s gonna do what she’s gonna do for herself, that’s kind of a comfortable zone for us. And it’s always pretty funny especially if we throw in a physical comedy aspect to that as well—which is why we definitely put her upside down in a dumpster later this season. So there’s that coming, get ready. We want to keep her not completely self-actualized because that is the person that she is. Like we’re not going to make her completely whole at this point because then we run out of story. 

JH: I agree. The way I have started to think about it, so many episodes in, is that she can be as selfish as we want if she doesn’t really realize the harm she’s doing to other people. And I think that’s it. There is a sort of innocence and naivete to her narcissism. We have sometimes been compared to Curb Your Enthusiasm. Obviously, we’re not going to complain about that comparison, but I do feel that Larry David is kind of more of an asshole. 

LG: So lovable. 

JH: Larry David? 

LG: I love him, I love him. 

JH: Well, I love him, too, but I think the thing is, he’s righteous, he has to be right. If something is ridiculous to him, he has to prove that. It’s more of an intellectual thing or something. But with Jann, she is from the heart, man. For me, when she gets up from that support group [in Episode 302], where she’s supposed to be listening to advice about her mother, and she’s just like, ‘Oh, my God, thank you so much for helping me solve my problem.’

LG: ‘This is very helpful!’

JH: ‘This is so helpful!’ She is truly in her own head and just an innocent, right? She’s just like, ‘I’ve got a great idea, and I’m gonna go now.’ And I don’t think that she is really aware of her selfishness. That’s how I read her.

You introduce two new characters this season: Trey, who debuted in the premiere, and Nate, who first appears in Episode 304. Why did you decide to expand the cast?
JH: I would say I’m not sure we should be adding a lot of characters to the cast in one sense because we have a lot of people that are great performers, and as it is, some of them don’t get a lot of time, and we’re constantly trying to juggle making sure we see enough of the people we already love. However, we did really feel like Jann needs help in her life, so we needed somebody coming in. And we talked about different forms of what kind of person that could be, but we ultimately landed on some kind of personal assistant. She doesn’t want management, but she clearly needs somebody to help keep her life together, and so that’s where Trey came in. And I think the main thing we wanted with Trey was somebody who was obviously a rational, mature person to do two things: to offset Jann’s instinctively bad choices and then also somebody who had a warmth and sort of a caring nature because we wanted to establish somebody who could be a friend and maybe even long-term a bit of a help to Nora along the way. So those are the two dynamics we really cared about with that character. 

LG: We knew early on that Jann was probably going to attempt to get back out in the dating world, and then we’d decided that she might dabble with men. And then Jann and I were actually away, we were on Bowen Island here in Vancouver, and we went to a property, and the owner of it had a son who was around who was an actor, and Jann immediately took a liking to Charlie Kerr, and she said to me, ‘This guy could potentially be my boyfriend on the show.’ I said, ‘OK, we’ll have to field a bunch of comments about this age gap, but I see how this could actually be quite hilarious, and I like the little reversal with the older lady vibe.’ So there was a bunch of auditioning with Charlie, and he was a perfect fit. He kind of plays it a bit serious, which is perfect for Jann’s out-of-control energy. He’s sort of stoic. So that’s how we found him, we found Charlie Kerr on an island. 

JH: [His character Nate] doesn’t put up with bullshit and games. He’s just not interested. He’s super mature for his age. 

LG: Yeah, he’s sober and celibate. He comes in saying, ‘Im sober and celibate, and I’m not putting up with your craziness.’ 

JH: We also played the character a bit older than the actor. I’ll just say that right up front. We actually took pains to flag his age in the episode where we meet him because we kind of felt it was pushing it a little bit. 

LG: We’re like, ‘Grow a beard! That’ll do it.’ 

So we have Nate coming up in the next episode. What can you tease about the rest of the season?
JH: Well, you should know that Leah and I have become huge spoiler proponents. 

LG: Yes. Love the spoilers. 

JH: In this world, there’s so much great TV to watch that we actually sort of feel like anything that we can do that is going to pique somebody’s interest into taking a look, we’re open to. There’s a couple of things the network has asked us not to spoil, but for the most part, we’re open books at this point. 

Oh, wow, spoil away!
JH: OK, well one thing I think is exciting is a couple’s weekend away with Jann and her new boyfriend Nate and Max and Dave, who are very excited to be away from the kids and have no responsibilities for a while. And Cale is going to have a storyline where she tries to confront her fear of failure by purposely failing.

LG: And Elena gets to sing, she’s an incredible singer. 

JH: Yep, Cale sings. We finally got Elena Juatco singing on our show. We have I think a really fun story about questioning the idea of gender reveal parties. Jann and Nate go to basically a rich couple who run a gender reveal business and are kind of put on the spot, and Jann has to kind of take a stand against gender reveal parties. And Leah, do you want to [talk about Episode 307]?

LG: It involves some aggressive bird watching that ends up in some dumpster diving, and there’s a mystery to unfold. They also have to attend a funeral. Somebody dies. 

JH: That’s right. Somebody who we’ve already met this season dies. Woo, look at us! We’re getting good at this. 

LG: And then the season finale, obviously, has Michael Bublé, and he did such an incredible job. He came so well prepared. It’s a big role. He’s very collaborative. He was in it to win it, so that was a fun day on set. And also we had Michael Bublé re-record a very specific club track from my youth, so we’re talking like 1997. It’s Ginuwine’s “Pony,” but sung by a crooner. So imagine that: The song that Magic Mike made famous, Michael Bublé is going to make even more famous. You can call him Magic Mike going forward. 

Do you already have ideas for Season 4?
JH: There has not been an official pick-up, but Jann, Leah, and I have done our early talk-through of story ideas for what we would want to do in Season 4. We have a kind of proposal to CTV for what we would like to do, and we’re ready to hit the ground running. 

LG: There’s an aggressive cliff-hanger at the end of this season

JH: Yes, there’s a real question hanging in the air, so we really want to answer that. 

Jann airs Mondays at 7 p.m. ET/PT on CTV, CTV.ca and CTV app.

Images courtesy of Bell Media.

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Jann: Tenaj Williams on Trey’s calming influence and joining the Season 3 cast

If not for the pandemic, Tenaj Williams wouldn’t be playing Trey on the third season of Jann. In fact, he likely wouldn’t be acting on television at all. 

Until 2020, the Calgary-based actor and singer was happily ensconced in the theatre world, performing in various musicals and plays around the country. But when COVID-19 shut down theatres, he decided to make the jump to film and television, landing small parts in Wynonna Earp, Big Sky and the Hallmark movie Meet Me at Christmas

When Williams nabbed a role in Jann, airing Mondays at 7 p.m. ET on CTV, he assumed it would be small as well. But he soon found out that Trey, Jann’s (Jann Arden) new personal assistant, is no bit part. On the contrary, the calm, nurturing former nanny will be a major, season-long presence as he works to bring order to Jann’s chaotic universe and develops a strong bond with her mom Nora (Deborah Grover). 

“The part was much larger than I thought it was going to be,” Williams says.  

During a phone interview from Calgary, Williams told us how he approached playing Trey and explained why he loved joining Jann’s Season 3 cast. 

What was your audition process for Jann like?
Tenaj Williams: Typically now with COVID, it’s all self-tapes, and I actually really like that. I like that I can control the environment I’m in and my level of anxiety and stress. The way I’ve devised to tell if my self-tapes are good or not is, I always watch back my self-tape before I submit it, and if I find myself distracted by things like ‘Why do you look like that?’ or ‘What are you doing with your teeth?’ or ‘What are you doing with your mouth?’ then it’s not a good take. But if at the end of the take I find that I’m just smiling the whole time, that means I was [in the moment] as a viewer and then I’m like, ‘Oh, yeah, that must be a good take.’

With Jann, I sent off the tape, and I knew who Jann was, and I had seen commercials of the show, but I had never actually watched the show before. And then I got shortlisted for it, but I’d been shortlisted for things before, and I know not to get my hopes up for anything. So I continued on with my life, no big deal. I didn’t tell anybody anything, because I didn’t want to be like, ‘Hey, I’m shortlisted, and then I didn’t get the part. So I just pretended like life as usual, and then I got an email from my agent saying, ‘We’re just waiting for network approval,’ and I didn’t really know what that was. I assumed that it could still fall through, so I didn’t want to get my hopes up for that either. And then I got the job, and I was super excited, but I for sure didn’t understand the magnitude of what I was doing. I was like, ‘Maybe I’ll be in one or two episodes, which will be cool,’ you know what I mean? And it wasn’t until I got my script maybe like a week later and I did a fitting that was two and a half hours, and I was like, ‘How many costumes do I have?’ and I looked through the script and I’m like, ‘Oh, my gosh, I’m in all the scenes, I’m in every episode.’ And then I was invited to a table read, which that’s never happened to me before, and I was like, ‘Oh, my gosh, this is actually a big part,’ and that’s when I got excited.

Trey is a very calm, collected guy who loves astrology. How did you approach playing him?
TW: Honestly, first I watched all the episodes of this show, all of them. And it didn’t take me long to do it, either. I really enjoyed the show. When the first season ended, I thought I was like two episodes in, but I’d finished the whole season. And the same thing happened with the second season. And I kind of pieced together Trey from Jann, who has very chaotic energy, and that’s an understatement. I thought, if she’s looking for a personal assistant, I’m imagining she needs the opposite of what she is. You could play it really crazy and really high energy and matching that kind of energy, but I thought it might be more interesting if he comes in and juxtaposes that kind of energy. So I tried to bring him into a more Zen-like place. So that was my main focus, I thought that’s what she would benefit from, someone to balance her off. 

And I’m not much into astrology personally, but I did look into a little bit and I talked to a few friends who are into it, and I looked into my own sign—I’m an Aquarius—and I thought, ‘Oh, these are actually quite accurate.’ 

As you mentioned, Jann’s world is pretty chaotic. How is poor Trey going to handle that as the season goes on?
TW: Well, what I will say without giving any spoilers away is, he says in the first episode that he really likes a challenge, and I think that he finds it. I think he finds not only a challenge in Jann but in the people that live in Jann’s house that he’s now surrounded by. So he has a very ridiculously destroyed version of Cale [Elena Juatco], and I think he finds that very fascinating in a terrifying way, and you also have the energy of Nora. I think he’s attracted to the different situations there and the different energies and what that means. I think the challenge of bringing that all together is really exciting. 

When we recently spoke with Jann Arden, she told us that Trey develops a strong relationship with Nora. What can you tell us about that?
TW: Something about Nora triggers something in his past that he’s dealt with himself. He sees something in Nora that he wants to nurture. He wants to take care of this person, and I think he finds a really good friend in Nora, and I really, really love their relationship. I think that Nora is looking for a friend just as much as Trey is looking to take care of this type of person. Because she’s around Jann’s chaotic energy a lot, and she’s also been, not kicked out by Max, but kind of seeing that we need a change, and I think she’s looking for some stability. I think that Trey provides that for her in a way.

I imagine it’s not always easy to join an established TV show. What was your first day on set like?
TW: It was crazy, honestly. It was crazy that I had binged these two seasons and then I did this Zoom reading where I got to see all the faces that I got to see on screen, where we went over the whole season. I was like, ‘Oh, my gosh, I can’t believe it.’ And they were all such professionals. I cannot rave highly enough about the group of actors that they have brought together, beautiful human souls who genuinely want to make the work so good. There are no egos or anything like that, everybody was so welcoming and warm. 

The first day, I was wildly nervous, I didn’t really know what to expect, and my first scene was a two-hander with Jann, and I was like, ‘Of course it is. Of course, my very first day is with the star of the show in a scene that’s just the two of us.’ And so I freaked out and thought, ‘OK, don’t mess up any of your lines because if you mess up even one line, they’re going to kick you to the curb.’ 

And I was standing there and Jann was with me—and our first time really meeting was on set, the first scene we were doing—and we were just having a very casual conversation, and we just stood there for a second and it was quiet, and Jann just turns to me and is like, ‘So, are you nervous?’ And I thought, ‘How do I answer this question?’ and I was like, ‘You know what? Yeah, I am. I’m very nervous.’ And she just looks at me and said, ‘Oh, thank God, me, too.’ And that actually really helped things. 

Did you ever find yourself cracking up at some of Jann’s one-liners and antics while shooting?
TW: I would like to tell you that I got to the point where I was like, ‘Oh, I’m a professional, I don’t laugh anymore, I don’t break,’ but that never was the case. I was always breaking, I was always ruining scenes. It’s [Jann’s] show, and if she wants to try something completely different…she’ll just go on the most hilarious tangents, and I’m like, ‘Please don’t zoom the camera into my face, please don’t zoom the camera into my face.’ I just couldn’t keep it together. 

What was the best thing about joining the cast this season?
TW: The biggest thing was, honestly, it felt like I was part of something so great. I was just so proud of the work. I was laughing out loud constantly while we were doing the work. The script was so funny, everybody was so funny, we had such good chemistry as a cast, they welcomed me in so much, that it just felt like I was playing around. I mean, it’s crazy to me that I’m in a sitcom with Jann Arden and a bunch of other really talented people. I got paid to just literally play with the funnest, wonderfullest people. I tried not to take that for granted.

Jann airs Mondays at 7 p.m. ET/PT on CTV, CTV.ca and CTV app.

Images courtesy of Bell Media.

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Links: Jann, Season 3

From Bridget Liszewski of The TV Junkies:

Link: Jann Arden previews Jann’s chaotic Season 3 world
Get ready, because JANN is back! Bigger, bolder, and wilder than ever before, Season 3 of the CTV original comedy series JANN returns for its third season on Monday, September 27 at 8 p.m. ET/PT. Continue reading.

From Eric Volmers of the Calgary Herald:

Link: Third time’s a charm: Jann Arden is back for more abuse in Season 3 of the hit CTV comedy Jann
Given that Jann Arden is now in the third season of headlining her own TV series, you might think she would finally embrace what has long been clear to everyone else: She is an actress. Continue reading.

From Bridget Liszewski of The TV Junkies:

Link: Jann’s Zoie Palmer previews Max’s emotional parental journeys
“You have to manipulate yourself and go to places that are uncomfortable or really interesting. That’s the job and what so many actors love about it.” Continue reading.

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