Tag Archives: Jann

Jann: Charlie Kerr on meeting Jann Arden, playing Dark Cupid, and Nate and Jann’s relationship

When Jann Arden met Charlie Kerr at a dinner party in Vancouver last year, she immediately wanted him to play Nate, the younger boyfriend of her fictional self, on the third season of CTV’s Jann. However, the pair almost didn’t cross paths that night.

Arden was staying at a cottage owned by Kerr’s father on Bowen Island, B.C., and Kerr—who fronts alt-rock band Hotel Mira and has appeared on TV shows such as iZombie, The Magicians and Supernatural—says he was worried the iconic singer-songwriter would think he was just “another actor-musician … with ulterior motives to collaborate with her” if he turned up at a dinner they had both been invited to. So he initially declined to go. In the end, a friend convinced him to attend the gathering, but he “purposely wore ratty clothing” so it wouldn’t look like he was trying to impress anybody.

Little did Kerr know, Arden was already impressed with him. 

“I sat down and [Jann] already knew who I was and started talking about music,” Kerr says. “I had a song that was doing well on the radio at the time and we were kind of relating to each other on that. And then the subject of her TV show came up, and she started talking about this character Nate, and I think she even said [he was] ‘kind of somebody a bit like you,’ and I was like, ‘Well, I’m an actor; I’d love to audition.’”

Soon after their encounter, Arden began championing Kerr to play Nate. In response, the Vancouver native started an intense workout regimen to change his appearance because, as he explains, the character is “a star in an action TV show, and I have the body of a 13-year old girl.” 

Following a lengthy audition and network approval process, Kerr finally landed the part. “Between going to that dinner and filming, I think it was like seven months,” he says.

Last week, Nate made his debut on the show. Matched with Jann through a celebrity dating app, the TV star—who plays a fantasy action hero called Dark Cupid—at first, appears to have little in common with her. For one thing, he’s a younger man—to the horror of Nora (Deborah Grover), who protests both his age and gender. For another, he’s grounded and isn’t into relationship drama, which makes him wary of Jann’s over-the-top antics when they run into Cynthia (Sharon Taylor) on their first date. But despite this rough start, the episode ends with Nate making pancakes in Jann’s kitchen after spending the night, indicating there might be hope for this odd couple after all.

We spoke to Kerr, who is currently recording new music with Hotel Mira, about what viewers can expect from Nate in coming episodes. 

You have a lot going on creatively. You’re the lead singer-songwriter for Hotel Mira, a band that’s having a lot of success, you’re a screenwriter, and now you’ve also got an important new role on Jann. Can you tell me a bit about how you got into acting and how you juggle it with your other creative endeavours?
Charlie Kerr: I’ve always kind of just loved all of it, and kind of spent my whole life in my dad’s basement writing songs or writing sketches or performing however I could. There was a really long time where I wasn’t any good at any of it, but I was still very passionate. I don’t see too much difference in all of it, it’s all just storytelling, and I’ve been lucky that they really haven’t gotten in the way of each other very many times. I’ve been acting professionally for most of my life, and at the first concert I ever played, I was 10 years old. So my main job and focus have always been wanting to be creative and express and perform. I think it’s just how I feel the most comfortable. It’s kind of like that cliché of belonging on a stage and not feeling like I belong in too many other places.

When I read that Jann would be dating an action star that she meets on a celebrity dating app, I thought the character would be somewhat silly or over-the-top. But Nate is serious and no-nonsense. How did you approach playing him?
CK: I know quite a lot of people kind of like him, who have been on and off sets and want to be treated like they’re normal and kind of want a break from all the glitz and glamour and stuff. That was the main thing that I was thinking about, that Nate is so well known for this part that is nothing like him, and he just wants people to love him for him and show that he’s not just one thing, and I think a lot of people can relate to that. I think that’s a pretty human quality. One of my other favourite things about Nate is he means really well, and sometimes he’s being insulting and doesn’t know it. Being a movie star, being pampered on set, whatever it is, leads to kind of a lack of awareness. Those are the main things about Nate that I wanted to portray: He means well, he’s very loving, but he has a very strange life that’s led to a bit of lack of awareness.

When we spoke to co-creators Jennica Harper and Leah Gauthier, they mentioned that they had to age you because Nate is supposed to be 38 and you’re several years younger than that. What did that involve?
CK: I think my body transforming was a big part of it. I also grew out a beard, and my hair’s super long. I look pretty different than I usually look. And trying to have that maturity wherever I could as well in the performance. One thing I’ve noticed about people growing up and getting to a certain age, is they don’t sweat the small stuff as much. If you’re playing someone younger, everything’s the end of the world. You’re incredibly dramatic at every single moment of conflict, and I think a way to kind of play maturity is to understand that some things aren’t that important and roll with the punches a bit, so I tried to do that as well. 

It’s common to see relationships between older men and younger women in movies and on TV shows, but it’s still rare to see the reverse. Did it excite you to be a part of an onscreen pairing that bucks that trend?
CK: It’s one of my absolute favourite things about it because it’s an age gap that no one would blink an eye at if the genders were reversed. If Larry David had a girlfriend on his show that was a similar age gap, it wouldn’t even be a plot point, and to be a part of something going the other direction and making people think and pointing out the hypocrisy of that was really appealing. It’s really exciting to me to be a part of anything that makes people think or challenges something.

When Nate goes on his first date with Jann, he sees some red flags that initially make him think he doesn’t want to see her again, but then he stays the night. What made him change his mind?
CK: [Jann’s] honesty, authenticity. He mentions how sick of anything vapid he is at this point. So when Jann gets real with him about what she’s going through, I think that’s what really hooks him, and I can relate to that. I think we’ve all fallen in love with or become more interested in somebody once they’re vulnerable with us. 

What was it like to work with Jann Arden?
CK: I think the entire thing was just a dream come true. I never thought I’d get to be a part of an ensemble comedy, especially one this strong. Jann championed me from the beginning. I owe her a lot. But the entire cast and crew is just remarkably fun to work with. I couldn’t believe my job was going to work to make people laugh. That’s so absurdly cool. And she’s so talented and she’s such an awesome leader, and she has kind of hand-picked and curated who she works with in a way where you always feel safe, you always feel taken care of, and honestly, I just loved being a fly on the wall on that set because everyone was so goddamn funny.

Speaking of funny, Nate stars in a fantasy TV series called Dark Cupid, and there were several campy scenes from the show included in last week’s episode. Were those as fun to film as they were to watch?
CK: That was an absolute joy, and it was something I was pretty nervous about because I had the whole body language and voice kind of picked out, and I didn’t know if other people would find it as funny as I did. And the first thing we did was a big table read on Zoom and my first lines are as Dark Cupid, so I started doing the voice and the breathing and stuff and everybody was cracking up, and it was the first time I was able to breathe and be like, ‘OK, I’m probably not gonna get fired.’ So doing that and people digging it, it was such a joy. It was kind of like getting to be in a Marvel thing or a superhero thing. 

From talking to Jennica and Leah, I know that Nate plays a major role in the rest of the season. What can you preview about his journey in upcoming episodes?
CK: He really integrates with the rest of the cast, and I think we get to see just more and more of how human he is and how he enjoys the simple things. I got to work with Patrick [Gilmore] for an entire episode and that dynamic’s really, really fun. I think just as time goes on, you get to see how much of a goofball he is, you get to see the best parts of Jann that appeal to him, why they’re an unlikely match. 

Do you have a favourite episode coming up?
CK: This week’s episode, 305, is a lot of fun. It has a lot of rad, funny moments. And the finale is really cool. Getting to be a part of something with Tegan and Sara was—I never got to meet them—but being involved with them whatsoever was incredibly exciting because The Con was one of my favourite records growing up, so that was a bit of a starstruck moment for me, and an honour. 

Jann airs Mondays at 7 p.m. ET/PT on CTV, CTV.ca and CTV app.

Images courtesy of Bell Media.

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Jann: Co-creators Jennica Harper and Leah Gauthier on writing Season 3 and their love of spoilers

In Jann’s world, COVID doesn’t exist. During the third season of the hit CTV comedy series, serially self-absorbed Jann (Jann Arden) and her family are dealing with 99 problems—including Jann’s lack of funding for a new album, Max’s (Zoie Palmer) new relationship with her biological father Marty (Ron Lea), and Nora’s (Deborah Grover) continuing battle with Alzheimer’s—but a worldwide pandemic isn’t one of them. 

“We want our show to be, first and foremost, entertaining, and it didn’t seem like the right kind of show to be actually addressing a serious worldwide pandemic,” says Jennica Harper, series co-creator, co-executive producer, and showrunner. “So we don’t do that. You can escape for a hot 19 to 20 minutes in our world.”

While viewers likely appreciate a weekly break from the pandemic, Harper and co-creator and co-executive producer Leah Gauthier couldn’t escape the realities of COVID while creating the new season. Social distancing forced the show’s writing staff, including new addition and “instant fit” JP Larocque, to plan and pen all eight of the season’s episodes over Zoom; and once filming began in Calgary, safety regulations dictated everything from the number of people who were allowed on set to the ways cast and crew could interact with each other. 

“No one was allowed to sit in a car with each other, and you have to eat a snack outside, so you’re on a snowbank by yourself,” says Gauthier, adding that the conditions led to “a weird kind of tired that I’m sure people can relate to now that we’ve been doing it for so long.”

Luckily, everyone’s dedication to the rules meant no one got sick during production, and the cast and crew were able to gather together for the show’s premiere party in Toronto a few weeks ago, allowing Harper and Gauthier to see Larocque in person for the first time. 

“It was just so nice to see their face in real life,” says Gauthier. “We formed a connection over Zoom, but it’s so much better when you finally get to meet the people you’ve been working with.” 

We chatted with Harper and Gauthier about their approach to writing Season 3, their newfound love of spoilers, and what we can expect from Jann’s new love interest, Nate (Charlie Kerr), who makes his debut in Monday’s episode. 

You’ve talked about the way COVID impacted your writing process and production. Did it change any of the storylines you wanted to include this season?
Jennica Harper: I feel we were incredibly fortunate because Season 2, as you know, ends with a huge event, the Tunies. Last season, we just threw everything out there, huge galas, just all kinds of events, episodes that had tons of people. Even our school episode in Season 2 was pretty huge by COVID standards, there were so many extras, all the kids. So I felt really fortunate that our conversation about what we wanted to do with Season 3 was, pre-COVID, already a more down-to-earth, character-based season, with intimate stuff between the characters we already care about, family stuff. That was already our goal, so thank God for that because to do something like a Season 2, we would have been really rethinking.

In Season 3, we tried not to do any huge events that had a lot of extras. So, for example, a big event would be going to a big mountain resort. We go to Kananaskis Lodge in Episode 5, which is big in scale and scope and beauty, but we never have 200 people in a room. It’s not necessary. We did scale in different ways this season. Another big factor was looking at stories between the characters. We have a lot more stories happening at Jann’s cottage, we’re bringing people to her, rather than her always at Max and Dave’s [Patrick Gilmore] and elsewhere. Nora’s back with her, she’s hired Trey [Tenaj Williams], Trey’s now around all the time. Cale [Elena Juatco], of course, is in her breakdown mode, so she’s great fun to have around without having to be at big events, she’s in our domestic world now. So it was already storywise what we had been talking about, but it was also a very conscious choice to spend more time at Jann’s cottage, which is a wonderful set that we own, that we control, and doesn’t mean you have to have 20 people walking by in the background. 

A lot of things changed in Jann’s life at the end of last season, such as her firing Cale, breaking up with Cynthia, and asking Nora to live with her. What were your goals for her character in Season 3?
JH: The theme of the season was kind of starting over and new beginnings, and so that’s what we were looking for in bringing Trey in, and then as we get into the season, we get into Jann considering dating again and dating a man. So really it was about Jann being a woman who is kind of going back to basics. In terms of romance, realizing she deserves to be happy and maybe she should be looking for love, and in terms of her career, realizing she should really pursue the album that she wants to write that’s from the heart, that is more her than any of the stuff she did with Cale. So she’s got to figure out new ways to take control of her own life in this season. 

Leah Gauthier: Jann still has so much to say. I mean maybe the world thinks she’s aged out of relevance, but she’s like, ‘I’m actually going to do a bunch of stuff for myself going forward.’ 

This is a serialized show, but it also depends on the comedy of Jann always being a little self-absorbed and making bad choices. How do you decide where her character should grow and where she should stay stuck?
LG: That’s a good question because it sort of is just this collaborative experience when we write that Jann will absolutely shut something down almost immediately if she’s not willing to go there. She’s not going to waste anyone’s time. But there is a collective feeling or understanding when we hit the nail on the head in terms of her self-absorbed nature. Mostly, if it reads like it’s in her best interest, and no one else really gets hurt, but she’s gonna do what she’s gonna do for herself, that’s kind of a comfortable zone for us. And it’s always pretty funny especially if we throw in a physical comedy aspect to that as well—which is why we definitely put her upside down in a dumpster later this season. So there’s that coming, get ready. We want to keep her not completely self-actualized because that is the person that she is. Like we’re not going to make her completely whole at this point because then we run out of story. 

JH: I agree. The way I have started to think about it, so many episodes in, is that she can be as selfish as we want if she doesn’t really realize the harm she’s doing to other people. And I think that’s it. There is a sort of innocence and naivete to her narcissism. We have sometimes been compared to Curb Your Enthusiasm. Obviously, we’re not going to complain about that comparison, but I do feel that Larry David is kind of more of an asshole. 

LG: So lovable. 

JH: Larry David? 

LG: I love him, I love him. 

JH: Well, I love him, too, but I think the thing is, he’s righteous, he has to be right. If something is ridiculous to him, he has to prove that. It’s more of an intellectual thing or something. But with Jann, she is from the heart, man. For me, when she gets up from that support group [in Episode 302], where she’s supposed to be listening to advice about her mother, and she’s just like, ‘Oh, my God, thank you so much for helping me solve my problem.’

LG: ‘This is very helpful!’

JH: ‘This is so helpful!’ She is truly in her own head and just an innocent, right? She’s just like, ‘I’ve got a great idea, and I’m gonna go now.’ And I don’t think that she is really aware of her selfishness. That’s how I read her.

You introduce two new characters this season: Trey, who debuted in the premiere, and Nate, who first appears in Episode 304. Why did you decide to expand the cast?
JH: I would say I’m not sure we should be adding a lot of characters to the cast in one sense because we have a lot of people that are great performers, and as it is, some of them don’t get a lot of time, and we’re constantly trying to juggle making sure we see enough of the people we already love. However, we did really feel like Jann needs help in her life, so we needed somebody coming in. And we talked about different forms of what kind of person that could be, but we ultimately landed on some kind of personal assistant. She doesn’t want management, but she clearly needs somebody to help keep her life together, and so that’s where Trey came in. And I think the main thing we wanted with Trey was somebody who was obviously a rational, mature person to do two things: to offset Jann’s instinctively bad choices and then also somebody who had a warmth and sort of a caring nature because we wanted to establish somebody who could be a friend and maybe even long-term a bit of a help to Nora along the way. So those are the two dynamics we really cared about with that character. 

LG: We knew early on that Jann was probably going to attempt to get back out in the dating world, and then we’d decided that she might dabble with men. And then Jann and I were actually away, we were on Bowen Island here in Vancouver, and we went to a property, and the owner of it had a son who was around who was an actor, and Jann immediately took a liking to Charlie Kerr, and she said to me, ‘This guy could potentially be my boyfriend on the show.’ I said, ‘OK, we’ll have to field a bunch of comments about this age gap, but I see how this could actually be quite hilarious, and I like the little reversal with the older lady vibe.’ So there was a bunch of auditioning with Charlie, and he was a perfect fit. He kind of plays it a bit serious, which is perfect for Jann’s out-of-control energy. He’s sort of stoic. So that’s how we found him, we found Charlie Kerr on an island. 

JH: [His character Nate] doesn’t put up with bullshit and games. He’s just not interested. He’s super mature for his age. 

LG: Yeah, he’s sober and celibate. He comes in saying, ‘Im sober and celibate, and I’m not putting up with your craziness.’ 

JH: We also played the character a bit older than the actor. I’ll just say that right up front. We actually took pains to flag his age in the episode where we meet him because we kind of felt it was pushing it a little bit. 

LG: We’re like, ‘Grow a beard! That’ll do it.’ 

So we have Nate coming up in the next episode. What can you tease about the rest of the season?
JH: Well, you should know that Leah and I have become huge spoiler proponents. 

LG: Yes. Love the spoilers. 

JH: In this world, there’s so much great TV to watch that we actually sort of feel like anything that we can do that is going to pique somebody’s interest into taking a look, we’re open to. There’s a couple of things the network has asked us not to spoil, but for the most part, we’re open books at this point. 

Oh, wow, spoil away!
JH: OK, well one thing I think is exciting is a couple’s weekend away with Jann and her new boyfriend Nate and Max and Dave, who are very excited to be away from the kids and have no responsibilities for a while. And Cale is going to have a storyline where she tries to confront her fear of failure by purposely failing.

LG: And Elena gets to sing, she’s an incredible singer. 

JH: Yep, Cale sings. We finally got Elena Juatco singing on our show. We have I think a really fun story about questioning the idea of gender reveal parties. Jann and Nate go to basically a rich couple who run a gender reveal business and are kind of put on the spot, and Jann has to kind of take a stand against gender reveal parties. And Leah, do you want to [talk about Episode 307]?

LG: It involves some aggressive bird watching that ends up in some dumpster diving, and there’s a mystery to unfold. They also have to attend a funeral. Somebody dies. 

JH: That’s right. Somebody who we’ve already met this season dies. Woo, look at us! We’re getting good at this. 

LG: And then the season finale, obviously, has Michael Bublé, and he did such an incredible job. He came so well prepared. It’s a big role. He’s very collaborative. He was in it to win it, so that was a fun day on set. And also we had Michael Bublé re-record a very specific club track from my youth, so we’re talking like 1997. It’s Ginuwine’s “Pony,” but sung by a crooner. So imagine that: The song that Magic Mike made famous, Michael Bublé is going to make even more famous. You can call him Magic Mike going forward. 

Do you already have ideas for Season 4?
JH: There has not been an official pick-up, but Jann, Leah, and I have done our early talk-through of story ideas for what we would want to do in Season 4. We have a kind of proposal to CTV for what we would like to do, and we’re ready to hit the ground running. 

LG: There’s an aggressive cliff-hanger at the end of this season

JH: Yes, there’s a real question hanging in the air, so we really want to answer that. 

Jann airs Mondays at 7 p.m. ET/PT on CTV, CTV.ca and CTV app.

Images courtesy of Bell Media.

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Jann: Tenaj Williams on Trey’s calming influence and joining the Season 3 cast

If not for the pandemic, Tenaj Williams wouldn’t be playing Trey on the third season of Jann. In fact, he likely wouldn’t be acting on television at all. 

Until 2020, the Calgary-based actor and singer was happily ensconced in the theatre world, performing in various musicals and plays around the country. But when COVID-19 shut down theatres, he decided to make the jump to film and television, landing small parts in Wynonna Earp, Big Sky and the Hallmark movie Meet Me at Christmas

When Williams nabbed a role in Jann, airing Mondays at 7 p.m. ET on CTV, he assumed it would be small as well. But he soon found out that Trey, Jann’s (Jann Arden) new personal assistant, is no bit part. On the contrary, the calm, nurturing former nanny will be a major, season-long presence as he works to bring order to Jann’s chaotic universe and develops a strong bond with her mom Nora (Deborah Grover). 

“The part was much larger than I thought it was going to be,” Williams says.  

During a phone interview from Calgary, Williams told us how he approached playing Trey and explained why he loved joining Jann’s Season 3 cast. 

What was your audition process for Jann like?
Tenaj Williams: Typically now with COVID, it’s all self-tapes, and I actually really like that. I like that I can control the environment I’m in and my level of anxiety and stress. The way I’ve devised to tell if my self-tapes are good or not is, I always watch back my self-tape before I submit it, and if I find myself distracted by things like ‘Why do you look like that?’ or ‘What are you doing with your teeth?’ or ‘What are you doing with your mouth?’ then it’s not a good take. But if at the end of the take I find that I’m just smiling the whole time, that means I was [in the moment] as a viewer and then I’m like, ‘Oh, yeah, that must be a good take.’

With Jann, I sent off the tape, and I knew who Jann was, and I had seen commercials of the show, but I had never actually watched the show before. And then I got shortlisted for it, but I’d been shortlisted for things before, and I know not to get my hopes up for anything. So I continued on with my life, no big deal. I didn’t tell anybody anything, because I didn’t want to be like, ‘Hey, I’m shortlisted, and then I didn’t get the part. So I just pretended like life as usual, and then I got an email from my agent saying, ‘We’re just waiting for network approval,’ and I didn’t really know what that was. I assumed that it could still fall through, so I didn’t want to get my hopes up for that either. And then I got the job, and I was super excited, but I for sure didn’t understand the magnitude of what I was doing. I was like, ‘Maybe I’ll be in one or two episodes, which will be cool,’ you know what I mean? And it wasn’t until I got my script maybe like a week later and I did a fitting that was two and a half hours, and I was like, ‘How many costumes do I have?’ and I looked through the script and I’m like, ‘Oh, my gosh, I’m in all the scenes, I’m in every episode.’ And then I was invited to a table read, which that’s never happened to me before, and I was like, ‘Oh, my gosh, this is actually a big part,’ and that’s when I got excited.

Trey is a very calm, collected guy who loves astrology. How did you approach playing him?
TW: Honestly, first I watched all the episodes of this show, all of them. And it didn’t take me long to do it, either. I really enjoyed the show. When the first season ended, I thought I was like two episodes in, but I’d finished the whole season. And the same thing happened with the second season. And I kind of pieced together Trey from Jann, who has very chaotic energy, and that’s an understatement. I thought, if she’s looking for a personal assistant, I’m imagining she needs the opposite of what she is. You could play it really crazy and really high energy and matching that kind of energy, but I thought it might be more interesting if he comes in and juxtaposes that kind of energy. So I tried to bring him into a more Zen-like place. So that was my main focus, I thought that’s what she would benefit from, someone to balance her off. 

And I’m not much into astrology personally, but I did look into a little bit and I talked to a few friends who are into it, and I looked into my own sign—I’m an Aquarius—and I thought, ‘Oh, these are actually quite accurate.’ 

As you mentioned, Jann’s world is pretty chaotic. How is poor Trey going to handle that as the season goes on?
TW: Well, what I will say without giving any spoilers away is, he says in the first episode that he really likes a challenge, and I think that he finds it. I think he finds not only a challenge in Jann but in the people that live in Jann’s house that he’s now surrounded by. So he has a very ridiculously destroyed version of Cale [Elena Juatco], and I think he finds that very fascinating in a terrifying way, and you also have the energy of Nora. I think he’s attracted to the different situations there and the different energies and what that means. I think the challenge of bringing that all together is really exciting. 

When we recently spoke with Jann Arden, she told us that Trey develops a strong relationship with Nora. What can you tell us about that?
TW: Something about Nora triggers something in his past that he’s dealt with himself. He sees something in Nora that he wants to nurture. He wants to take care of this person, and I think he finds a really good friend in Nora, and I really, really love their relationship. I think that Nora is looking for a friend just as much as Trey is looking to take care of this type of person. Because she’s around Jann’s chaotic energy a lot, and she’s also been, not kicked out by Max, but kind of seeing that we need a change, and I think she’s looking for some stability. I think that Trey provides that for her in a way.

I imagine it’s not always easy to join an established TV show. What was your first day on set like?
TW: It was crazy, honestly. It was crazy that I had binged these two seasons and then I did this Zoom reading where I got to see all the faces that I got to see on screen, where we went over the whole season. I was like, ‘Oh, my gosh, I can’t believe it.’ And they were all such professionals. I cannot rave highly enough about the group of actors that they have brought together, beautiful human souls who genuinely want to make the work so good. There are no egos or anything like that, everybody was so welcoming and warm. 

The first day, I was wildly nervous, I didn’t really know what to expect, and my first scene was a two-hander with Jann, and I was like, ‘Of course it is. Of course, my very first day is with the star of the show in a scene that’s just the two of us.’ And so I freaked out and thought, ‘OK, don’t mess up any of your lines because if you mess up even one line, they’re going to kick you to the curb.’ 

And I was standing there and Jann was with me—and our first time really meeting was on set, the first scene we were doing—and we were just having a very casual conversation, and we just stood there for a second and it was quiet, and Jann just turns to me and is like, ‘So, are you nervous?’ And I thought, ‘How do I answer this question?’ and I was like, ‘You know what? Yeah, I am. I’m very nervous.’ And she just looks at me and said, ‘Oh, thank God, me, too.’ And that actually really helped things. 

Did you ever find yourself cracking up at some of Jann’s one-liners and antics while shooting?
TW: I would like to tell you that I got to the point where I was like, ‘Oh, I’m a professional, I don’t laugh anymore, I don’t break,’ but that never was the case. I was always breaking, I was always ruining scenes. It’s [Jann’s] show, and if she wants to try something completely different…she’ll just go on the most hilarious tangents, and I’m like, ‘Please don’t zoom the camera into my face, please don’t zoom the camera into my face.’ I just couldn’t keep it together. 

What was the best thing about joining the cast this season?
TW: The biggest thing was, honestly, it felt like I was part of something so great. I was just so proud of the work. I was laughing out loud constantly while we were doing the work. The script was so funny, everybody was so funny, we had such good chemistry as a cast, they welcomed me in so much, that it just felt like I was playing around. I mean, it’s crazy to me that I’m in a sitcom with Jann Arden and a bunch of other really talented people. I got paid to just literally play with the funnest, wonderfullest people. I tried not to take that for granted.

Jann airs Mondays at 7 p.m. ET/PT on CTV, CTV.ca and CTV app.

Images courtesy of Bell Media.

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Links: Jann, Season 3

From Bridget Liszewski of The TV Junkies:

Link: Jann Arden previews Jann’s chaotic Season 3 world
Get ready, because JANN is back! Bigger, bolder, and wilder than ever before, Season 3 of the CTV original comedy series JANN returns for its third season on Monday, September 27 at 8 p.m. ET/PT. Continue reading.

From Eric Volmers of the Calgary Herald:

Link: Third time’s a charm: Jann Arden is back for more abuse in Season 3 of the hit CTV comedy Jann
Given that Jann Arden is now in the third season of headlining her own TV series, you might think she would finally embrace what has long been clear to everyone else: She is an actress. Continue reading.

From Bridget Liszewski of The TV Junkies:

Link: Jann’s Zoie Palmer previews Max’s emotional parental journeys
“You have to manipulate yourself and go to places that are uncomfortable or really interesting. That’s the job and what so many actors love about it.” Continue reading.

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Jann Arden returns with “Fun, Farcical” third season

Jann Arden is back, and she’s in top form.

“I’ve never felt or looked better, you should see me,” she gushes over the phone when asked how she’s doing.

Arden’s just joking, of course, using her trademark self-deprecating humour to get through a long day of interviews promoting the upcoming third season of her comedy series, Jann. But all banter aside, the singer-songwriter-actor really is at the top of her game. She has a hit TV show, she’s recording a new album, and she’s planning an international tour for 2022—provided the world has “calmed the f–k down by then.” Things are going well for her.

The same can’t be said for Arden’s hilariously self-sabotaging TV alter ego.

In Jann’s Season 3 premiere, airing Monday at 8 p.m. ET/PT on CTV, we find fictional Jann holed up in her house with her mom Nora (Deborah Grover), surrounded by pizza boxes and enough home spa products to fill an Amazon warehouse. Apparently, the events of last season—firing her manager Cale (Elena Juatco), getting spurned by her girlfriend Cynthia (Sharon Taylor), and inviting Nora to live with her—have caused the singer to embark on a months-long online shopping spree, responsibilities and utility bills be damned.

“Things are kind of falling apart at the seams,” Arden says of TV Jann’s situation. “It’s hard for me to manage my life even when I’m by myself, so add my mother living with me full-time, being newly single, struggling with my career…it’s just a lot of chaos.”

And Jann isn’t the only one spinning out of control. Cale’s attempts to “ground” herself after getting sacked involve sleeping in the woods. She shows up on Jann’s doorstep dishevelled with twigs in her hair, prompting Jann to ironically scream, “How can anyone go so far downhill, so fast?” Meanwhile, Max (Zoie Palmer) and Dave (Patrick Gilmore) are finding it hard to run their household without Nora’s help, resulting in piles of laundry and their kids dressing like “Victorian orphans” for school picture day.

To get her life back on track, Jann hires personal assistant Trey (Tenaj Williams), commits to recording a new album from the heart, and starts dating a younger man (Charlie Kerr). Never mind that she poached Trey from Max and Dave’s nanny interviewees, can’t get funding for her record, and keeps running into Cynthia.

“There are a lot of moving parts,” says Arden. “But that makes it fun. It’s quite farcical.”

We phoned Arden at The Warehouse Studio in Vancouver to learn more about Jann’s Season 3 antics.

Season 3 brings some new people into Jann’s life, including Trey, her personal assistant. Is she going to butt heads with him?
Jann Arden: I think Jann butts heads with anybody who tries to come into her life. Jann wants help, but she wants it on her own terms. So I think Trey brings so much fun because he deals with Jann in a very matter-of-fact way. He doesn’t put up with any crap. Plus, he really loves my mother, so they get along like a house on fire, and I’m kind of on the outside looking in. So I think you’ll see that, not unlike Cale, he’s constantly dealing with the complete lack of respect Jann has for the people around her. He and I together are very funny.

Speaking of Cale, it looks like getting fired has really sent her into a tailspin! I didn’t expect that.
JA: Well, she’s never been fired in her life, so she was probably raised by a Tiger Mother, perfectionism the whole way across. She’s not used to not getting her way, she’s not used to any kind of failure. It’s an unacceptable outcome to do anything in her life without it turning out exactly the way it was in her head. And what she finds, as a lot of people do in life, is that’s not how it goes. You have to face obstacles, you have to change, you have to face adversity and challenges, and Cale is Failure 101. She’s going down a road where she needs to figure out really what life’s about, and I love getting to explore a character like hers because like you said, no one expects to see Cale go on a journey of self-discovery and trying different things.

Cynthia turned down Jann’s marriage proposal at the end of Season 2, and Jann bounces back by dating a younger man later this season. I love the nonchalant way the show approaches her fluid sexuality.
JA: It is what it is. It’s a fluidity, it’s a person who absolutely dates whoever she wants and does what she wants and has no labels. And, you know, some people probably in the LGBTQ community would disagree with how we’ve approached it, but this is completely my doing, this is how I wanted to approach it and not ever make it into an issue for anyone.

On the contrary, Nora is quite taken aback that I’m dating a man. She’s like, ‘I thought you were done with men,’ she’s almost discouraging me from having a boyfriend, which is kind of the antithesis of what you think our society sort of tells us we should be doing. So my mother’s very much on Cynthia’s team. She would love to see us get back together. But I really find myself in sort of a throuple this year—I always think that word is so funny—but I’m literally playing two people, and I think that I can get away with it.

Nora’s storyline is very personal to you. What is going to happen with her this season?
JA: You know, the reason that obviously Nora is a character with Alzheimer’s is because of my own mother. Even before we started the show, I said that’s just a storyline that we need to tackle. Of course, my mother’s Alzheimer’s stretched over a 10-year period, and it was a very slow decline, it wasn’t rapid. So we feel that we have lots of time to uncover how dementia works, that it’s definitely varying degrees. No, a person can’t live by themselves, they can’t really be left alone. Nora has moments obviously where she’s there and she’s funny, but she also has moments when she doesn’t know where she is, she doesn’t know why she’s doing things, and that is the very frustrating part of memory loss.

[Having a loved one with Alzheimer’s] is not an easy thing, but it’s doable, it’s survivable. You’re never going to win against Alzheimer’s, you’re not gonna win the narrative, you’re not gonna win the fight, they’re not gonna get better. And that’s hard for people to admit to. And that’s why those control issues come in all the time, and my character’s always dealing with that because I think I can control the outcome of what’s coming, and I won’t be able to. It’s gonna be really interesting to see that unfold.

You’re very active on Twitter and frequently tweet about issues that are important to you. Are your followers ever shocked at how socially aware you are compared to TV Jann, who is so overtly self-involved?
JA: I don’t think so. I think that people who have followed along with my career the last 30 years, certainly the last 10 years or so of being on social media, know what I’m all about. Thank God I’m not TV Jann, her decision-making drives me crazy. She always makes terrible decisions, but that’s what makes it funny.

In my life, I’m not going to be one of those people sitting on my hands waiting for other people to do the heavy lifting, whether that’s in women’s health issues or animal welfare issues or voting or being vaccinated and worrying about the people around you and not just yourself. I don’t care. I block so many people every day, you have no idea. I don’t care what other people think, but I do care about how they feel. And that is two different things. So I’ll always be outspoken. I’m gonna kick my clogs someday, and I’m just not gonna go and leave this world quietly. At all.

Jann airs Mondays at 8 p.m. ET/PT on CTV, CTV.ca, and CTV app.

Images courtesy of Bell Media.

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